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  • 1
    Book
    Book
    Cambridge, Massachusetts ; London, England :The MIT Press,
    UID:
    almafu_BV049316001
    Format: 423 Seiten : , Illustrationen.
    ISBN: 978-0-262-04770-8
    Language: English
    Subjects: Art History
    RVK:
    Keywords: Avantgarde ; Kunst ; Architekturtheorie ; Literatur ; Kriminalität ; Kriminalfall ; Justiz ; Presse ; 1870-1933 Loos, Adolf ; 1893-1959 Grosz, George ; 1890-1955 Schlichter, Rudolf ; 1898-1956 Brecht, Bertolt ; 1853-1921 Panizza, Oskar
    Author information: Schwartz, Frederic J. 1963-
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    UID:
    gbv_1786051060
    Format: 423 Seiten , Illustrationen
    ISBN: 9780262047708
    Content: How artists in twentieth-century Germany adapted the idea of the medical or legal case as an artistic strategy to push to the fore sexualities, scandals, and crimes that were otherwise concealed.In early twentieth-century Germany, the artistic avant-garde borrowed procedures from the medical and juridical realms to expose and debate matters that society preferred remain hidden and unspoken. Frederic J. Schwartz explores how the evocation or creation of a “case” provided artists with a means to engage themes that ranged from blasphemy to Lustmord, or sexual murder. Shedding light on the case as a cultural form, Schwartz shows its profound effect on artists and the ways it dovetailed with methods used by these figures to exploit fundamental changes taking place across the mass media of their time. As Schwartz shows, the case was a common denominator that connected seemingly disparate works. George Grosz and Rudolf Schlichter drew on it for their violent visual art, as did architect Adolf Loos when he equated ornament with crime. Expressionists, meanwhile, approached the question of whether the so-called “mad” shared a right of public expression with those deemed sane, and examined medical and legal approaches to what society labeled as insanity. The case also took on a personal dimension when artists found themselves confronted with, or chose to engage with, the legal system. German courts prosecuted John Heartfield and others for their provocative works, while Bertolt Brecht created publicity for himself by suing the firm to whom he sold the film rights to The Threepenny Opera. Provocative and insightful, The Culture of the Case offers a privileged view of the spaces of representation in which images—in some instances, as cases—functioned at a key moment of modernity.
    Content: "An exploration and analysis of the disturbing Lustmord images - graphic representations of sexual murder - by artists such as George Grosz, Otto Dix, Rudolph Schindler, and more generally of the interelationship between art and criminality in early 20th-century Germany and Austria"--
    Language: English
    Keywords: Deutschland ; Kunst ; Wahnsinn ; Psychische Störung ; Kriminalität ; Sexualmord ; Rechtssystem ; Kunst ; Geschichte 1880-1950 ; Loos, Adolf 1870-1933 ; Panizza, Oskar 1853-1921 ; Grosz, George 1893-1959 ; Schlichter, Rudolf 1890-1955 ; Brecht, Bertolt 1898-1956
    Author information: Schwartz, Frederic J. 1963-
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
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