feed icon rss

Your email was sent successfully. Check your inbox.

An error occurred while sending the email. Please try again.

Proceed reservation?

Export
  • 1
    UID:
    b3kat_BV044243447
    Format: xviii, 392 Seiten , Illustrationen, Diagramme, Pläne
    ISBN: 9782503567242
    Series Statement: Cursor mundi volume 27
    Language: English
    Subjects: History
    RVK:
    Keywords: Europa ; Graphisches Symbol ; Geschichte 300-1000 ; Aufsatzsammlung ; Aufsatzsammlung
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 2
    UID:
    b3kat_BV044711408
    Format: xx, 163 Seiten , Illustrationen , 25 cm
    ISBN: 9781908590534
    Series Statement: Warburg Institute colloquia 30
    Note: Colloquium was held at the Warburg Institute, London, on 11 January 2013 and was entitled 'Ernst Kitzinger and the Making of Byzantine Art History'
    Language: English
    Keywords: Kitzinger, Ernst 1912-2003 ; Kunst ; Geschichtsschreibung ; Geschichte 500-1500 ; Konferenzschrift ; Festschrift ; Biografie ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift
    Author information: Kitzinger, Ernst 1912-2003
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 3
    UID:
    gbv_873198883
    Format: xviii, 392 Seiten , Illustrationen
    ISBN: 250356724X , 9782503567242
    Series Statement: Cursor Mundi volume 27
    Content: Brings together historians, art historians, and archaeologists to discuss the role of graphic representational signs and symbols and to look at contexts facilitating their dissemination in a wide range of media in the late Roman and post-Roman worlds. 0In this volume, twelve specialists examine the role of graphic signs such as cross signs, christograms, and monograms in the late Roman and post-Roman worlds and the contexts that facilitated their dissemination in diverse media. The essays collected here explore the rise and spread of graphic signs in relation to socio-cultural transformations during Late Antiquity and the early Middle Ages, focusing in particular on evolving perceptions and projections of authority. They ask whether some culturally specific norms and practices of graphic composition and communication can be discerned behind the rising corpus of graphic signs from the fourth to tenth centuries and whether common features can be found in their production and use across various media and contexts. The contributors to this book analyse the uses of graphic signs in quotidian objects, imperial architectural programmes, and a wide range of other media. In doing so, they argue that late antique and early medieval graphic signs were efficacious means to communicate with both the supernatural and earthly worlds, as well as to disseminate visual messages regarding religious identity and faith, and social power
    Content: Brings together historians, art historians, and archaeologists to discuss the role of graphic representational signs and symbols and to look at contexts facilitating their dissemination in a wide range of media in the late Roman and post-Roman worlds. 0In this volume, twelve specialists examine the role of graphic signs such as cross signs, christograms, and monograms in the late Roman and post-Roman worlds and the contexts that facilitated their dissemination in diverse media. The essays collected here explore the rise and spread of graphic signs in relation to socio-cultural transformations during Late Antiquity and the early Middle Ages, focusing in particular on evolving perceptions and projections of authority. They ask whether some culturally specific norms and practices of graphic composition and communication can be discerned behind the rising corpus of graphic signs from the fourth to tenth centuries and whether common features can be found in their production and use across various media and contexts. The contributors to this book analyse the uses of graphic signs in quotidian objects, imperial architectural programmes, and a wide range of other media. In doing so, they argue that late antique and early medieval graphic signs were efficacious means to communicate with both the supernatural and earthly worlds, as well as to disseminate visual messages regarding religious identity and faith, and social power
    Note: Literaturangaben
    Language: English
    Subjects: History
    RVK:
    Keywords: Religiöse Identität ; Symbol ; Aufsatzsammlung
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 4
    Online Resource
    Online Resource
    Princeton, New Jersey : Princeton University Press
    UID:
    gbv_167750370X
    Format: 1 Online-Ressource (xxii, 148 Seiten) , 111 Illustrationen
    Edition: Princeton Legacy Library edition 2019
    ISBN: 9780691194448
    Series Statement: Princeton Legacy Library 5251
    Content: In this interdisciplinary study, Henry Maguire examines the influence of several literary genres and rhetorical techniques on the art of narration in Byzantium. He reveals the important and wide-reaching influence of literature on the visual arts. In particular, he shows that the literary embellishments of the sermons and hymns of the church nourished the imaginations of artists, and fundamentally affected the iconography, style, and arrangement of their work. Using provocative material previously unfamiliar to art historians, he concentrates on religious art from A.D. 843 to 1453.Professor Maguire first considers the Byzantine view of the link between oratory and painting, and then the nature of rhetoric and its relationship to Christian literature. He demonstrates how four rhetorical genres and devices-description, antithesis, hyperbole, and lament-had a special affinity with the visual arts and influenced several scenes in the Byzantine art, including the Annunciation, the Nativity, the Massacre of the Innocents, the Presentation, Christ's Passion, and the Dormition of the Virgin.Through the literature of the church, Professor Maguire concludes, the methods of rhetoric indirectly helped Byzantine artists add vividness to their narratives, structure their compositions, and enrich their work with languages. Once translated into visual language, the artifices of rhetoric could be appreciated by many.Henry Maguire is Assistant Professor of Art History at the University of Illinois at Urbana-Champaign.Originally published in 1982.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905
    Content: Frontmatter -- Contents -- List of Figures -- Acknowledgments -- List of Abbreviations -- Introduction -- Conclusion -- Notes -- Index -- Figures
    Note: Includes bibliographical references and index , restricted access online access with authorization star , Mode of access: Internet via World Wide Web.
    Additional Edition: ISBN 0691039720
    Additional Edition: ISBN 9780691655215
    Additional Edition: ISBN 9780691656632
    Additional Edition: Erscheint auch als Druck-Ausgabe Maguire, Henry, 1943 - Art and eloquence in Byzantium Princeton, NJ : Princeton University Press, 1981 ISBN 0691039720
    Language: English
    RVK:
    Keywords: Byzantinisches Reich ; Religiöse Kunst ; Geschichte 843-1453
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 5
    UID:
    gbv_1005860025
    Format: xx, 163 Seiten , Illustrationen , 25 cm
    ISBN: 9781908590534
    Series Statement: Warburg Institute colloquia 30
    Note: Preface: "The essays collected here are revised and expanded versons of papers read at a colloquium to mark the one hundreath anniversary of Kitzinger's birth, on 27 December 1912. The colloquium was held at the Warburg Institute, London, on 11 January 2013, and was entitled Ernst Kitzinger and the Making of Byzantine Art History."
    Language: English
    Keywords: Kitzinger, Ernst 1912-2003 ; Mittelalter ; Kunstwissenschaft ; Kunst ; Geschichte 500-1500 ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift
    Author information: Kitzinger, Ernst 1912-2003
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
Close ⊗
This website uses cookies and the analysis tool Matomo. Further information can be found on the KOBV privacy pages