feed icon rss

Your email was sent successfully. Check your inbox.

An error occurred while sending the email. Please try again.

Proceed reservation?

Export
Filter
Type of Medium
Language
Region
Years
Person/Organisation
Keywords
Access
  • 1
    Book
    Book
    Cambridge ; New York, NY ; Port Melbourne ; New Delhi ; Singapore : Cambridge University Press
    UID:
    b3kat_BV046211900
    Format: xix, 366 Seiten , Illustrationen, 16 ungezählte Seiten Bildtafeln
    ISBN: 9781108474658
    Content: This book began as an exploration of the image in Islam. It ended up exploring how one might relinquish concepts like the image and art to conceive of perception through an Islam, often overshadowed by politics, essential to a sense of emotive knowledge that emerges through engagement with the arts. Instead of defining the image, art, or religion, this book asks: What is art if the primary sensory organ is neither eyes nor ears, but the heart? Where are the boundaries between the senses as we take in the world? What is art if dreams and visions are as real as materiality? How can art make-present, and not just re-present?
    Note: Introduction : from Islamic art to perceptual culture -- The Islamic image -- Seeing with the ear -- The insufficient image -- Seeing with the heart -- Seeing through the mirror -- Deceiving deception -- The transcendent image -- The transgressive image -- Mimetic geometries -- Perspectives on perspective -- Conclusion : out of perspective
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-108-62296-7
    Language: English
    RVK:
    Keywords: Islamische Kunst
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 2
    Online Resource
    Online Resource
    Cambridge, United Kingdom : Cambridge University Press
    UID:
    b3kat_BV046210702
    Format: 1 Online-Ressource (xix, 366 Seiten) , Illustrationen
    ISBN: 9781108622967
    Content: Revealing what is 'Islamic' in Islamic art, Shaw explores the perception of arts, including painting, music, and geometry through the discursive sphere of historical Islam including the Qur'an, Hadith, Sufism, ancient philosophy, and poetry. Emphasis on the experience of reception over the context of production enables a new approach, not only to Islam and its arts, but also as a decolonizing model for global approaches to art history. Shaw combines a concise introduction to Islamic intellectual history with a critique of the modern, secular, and European premises of disciplinary art history. Her meticulous interpretations of intertextual themes span antique philosophies, core religious and theological texts, and prominent prose and poetry in Arabic, Persian, Turkish, and Urdu that circulated across regions of Islamic hegemony from the eleventh century to the colonial and post-colonial contexts of the modern Middle East
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-108-47465-8
    Language: English
    RVK:
    Keywords: Islamische Kunst
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 3
    Book
    Book
    Cambridge : Cambridge University Press
    UID:
    b3kat_BV048406009
    Format: xix, 366 Seiten , Illustrationen
    Edition: First paperback edition
    ISBN: 9781108465212
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-108-47465-8
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-108-62296-7
    Language: English
    Keywords: Islamische Kunst
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
Close ⊗
This website uses cookies and the analysis tool Matomo. Further information can be found on the KOBV privacy pages