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Munich, Germany ; : Prestel,
UID:
kobvindex_INT0003335
Format: 2-volume set : , richly illustrated ; , 30.5 x 24.5 cm, 30 x 21 cm.
ISBN: 9783791359045 (Vol. 1) , 3791359045 (Vol. 1)
Content: MACHINE-GENERATED SUMMARY NOTE: "The Bauhaus existed for only 14 years in Germany, but for the past 100 years its ideas have been passed on and its products relaunched, imitated and further developed. Using 14 famous, familiar, or forgotten objects, this book offers 14 case studies. It examines questions such as how did the woman sitting on the tubular-steel chair become the most famous anonymous figure from the Bauhaus; whether the Haus am Horn in Weimar has a secret twin; and why the tea infusers by Marianne Brandt which were created as prototypes for industrial production always remained one-of-a-kind pieces. This book presents art and design from the Bauhaus-Archiv's collection, along with exceptional loans from international collections. It sheds light on how unique work and series, remake and original are inseparably linked in the history of the Bauhaus. This is because Bauhaus artists did not see art and technology as opposed to each other. Instead, they used technical innovations to create exceptional works of art, and they took serial production into account from the moment they began drafting their designs. Reproductions, re-editions and remakes have made the Bauhaus the 20th century's most influential school of architecture, design, and art, and this book offers a new take on the Bauhaus legacy."
Note: MACHINE-GENERATED CONTENTS NOTE: Vol. 1: Exhibition catalogue -- Vol. 2: Workbook.
Language: English
Keywords: Exhibition catalogues ; Case studies
Library Location Call Number Volume/Issue/Year Availability
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Associated Volumes
  • 2
    UID:
    kobvindex_INT0003203
    Format: 224 pages , richly illustrated , 30.5 x 24.5 cm
    ISBN: 9783791359045 , 3791359045
    Content: "The Bauhaus existed for only 14 years in Germany, but for the past 100 years its ideas have been passed on and its products relaunched, imitated and further developed. Using 14 famous, familiar, or forgotten objects, this book offers 14 case studies. It examines questions such as how did the woman sitting on the tubular-steel chair become the most famous anonymous figure from the Bauhaus; whether the Haus am Horn in Weimar has a secret twin; and why the tea infusers by Marianne Brandt which were created as prototypes for industrial production always remained one-of-a-kind pieces. This book presents art and design from the Bauhaus-Archiv's collection, along with exceptional loans from international collections. It sheds light on how unique work and series, remake and original are inseparably linked in the history of the Bauhaus. This is because Bauhaus artists did not see art and technology as opposed to each other. Instead, they used technical innovations to create exceptional works of art, and they took serial production into account from the moment they began drafting their designs. Reproductions, re-editions and remakes have made the Bauhaus the 20th century's most influential school of architecture, design, and art, and this book offers a new take on the Bauhaus legacy."
    Note: SPECIAL CONTENTS NOTE: includes the text "Case study 9. Simple : Sigurd Larsen's 'Junggesellenschrank by hand'" by Nina Wiedemeyer, pages 108-109 , Foreword / Annemarie Jaeggi and Thomas Kohler -- Greetings / Klaus Lederer -- Greetings / Hortensia Völckers and Alexander Farenholtz -- Introduction / Nina Wiedemeyer -- CHAPTER 1 BECOMING ICONS -- 'Why is the Bauhaus so important?' / Christian Demand -- Case Study 1 Revivals / Thomas Tode -- Case Study 2 Unity in Diversity / Annemarie Jaeggi -- Case Study 3 Production-Reproduction / Alena J. Williams -- Case Study 4 Unique Works in Series / Pauline Doutreluingne and Uli Aigner -- Case Study 5 Becoming Famous / Mercedes Valdivieso -- Case Study 6 Family Resemblances / Magdalena Droste -- CHAPTER 2 WRITING HISTORY -- An Archive for Contemporary Tasks / Esther Cleven -- Case Study 7 Lecturing-Exhibiting / Annemarie Jaeggi -- Case Study 7 Lecturing-Exhibiting / Ute Famulla -- Case Study 8 Yours Modernly / Nicole Opel -- Case Study 9 Simple / Matthias Noell -- Case Study 9 Simple / Sigurd Larsen -- Case Study 10 Missing-Existing / Hans-Friedrich Bormann -- Case Study 10 Missing-Existing / Christine van Haaren -- Case Study 11 Dissimilar Twins / Helga Lutz -- Case Study 11 Dissimilar Twins / Anna Henckel-Donnersmarck -- Case Study 12 Ready for Dada / Ralf Burmeister -- Case Study 12 Ready for Dada / Hanne Bergius -- CHAPTER 3 FORMING A SCHOOL -- Youth and Generational Conflict at the Bauhaus / Gregor Kanitz -- Happy Birthday, Bauhaus! / Junges Bauhaus -- 'A Down-to-Earth Realisation of the Bauhaus Idea' / Carina Burck -- Learning What Does Not Yet Exist / Nora Sternfeld -- Case Study 13 Preliminary Course Original / Friederike Holländer and Nina Wiedemeyer -- Case Study 13 Doing the Preliminary Course / Patrick Kochlik and Jens Wunderling -- Case Study 14 The Model Teacher / Ursula Müller -- About the Authors -- Image Credits -- Acknowledgements -- Bibliography -- Index -- Imprint
    Language: English
    Keywords: Case studies ; Exhibition catalogues
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    UID:
    kobvindex_INT0003204
    Format: 160 pages , richly illustrated , 30 x 21 cm
    ISBN: 9783791359021 , 3791359029
    Content: "Between 1919 and 1933 the Bauhaus thrived as a school of ideas that encouraged students to experiment with material, color, and drawing techniques and learn basic skills to become artists, architects, or designers. One hundred years later, its educational methods are still relevant. This book introduces the famous Foundation course and its major instructors: Joseph Albers, Johannes Itten, and László Moholy-Nagy. It offers for the first time a series of more than fifty exercises from the Foundation Course. The book presents a collection of exercises gathered from historical material, mainly from the Bauhaus-Archiv such as drawings, photographs, original notes, and later recollections of the tasks given by the famous Bauhaus artists. The exercises are accompanied by comments by teachers, artists, and experts with different professional backgrounds. These teachings illustrate not only the methods and philosophy of the Bauhaus school, but also provide budding artists with a foundation for developing their own practice, whether it be in drawing, architecture, design, or typography."
    Note: Greetings / Klaus Lederer -- Greetings / Friederike Zobel -- Foreword / Annemarie Jaeggi and Thomas Kohler -- Introduction / Friederike Hollander and Nina Wiedemeyer -- Introduction / Veronica Peselmann -- JOHANNES ITTEN : Morning greeting ; Emotion shorthand ; Breath shorthand ; Physical exercises ; Ice-skating on paper ; Skating on paper-circumscribing dots ; Listing opposites ; Imitating ; Drawing war ; Drawing a thistle ; Drawing a lemon ; Drawing a tiger ; Life drawing ; Nude drawing ; Drawing nudes rhythmically ; Material study ; Meticulously exact depiction of material ; Drawing animals after slides ; Analysis of Old Masters ; Copying ; Drawing from memory -- LASZLD MOHOLY-NAGY : Tactile exercise ; Identify materials by touch ; Tactile table ; Touch diagram ; Surface treatment ; Study of equilibrium ; Photogram -- JOSEF ALBERS : Drawing lines and circles freehand ; Name in mirror writing ; Repeat form identically ; Draw a form after a model in one go ; Tangible reproduction of model ; Draw spatial situation ; Draw typography ; Typewriter study ; Drawing material ; Materie ; Material study ; Make colour out of white ; Hole in paper ; Study trip ; Folding paper ; Folding instructions ; Folding a camera bellows ; Fold and scratch ; Fold and cut ; Paper cut-out ; Cyanotype ; Photogram -- List of commentaries -- About the authors -- Credits -- Imprint
    Language: English
    Keywords: Exhibition catalogues
    Library Location Call Number Volume/Issue/Year Availability
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