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1
UID:
kobvindex_ZLB15089019
Format: 3 DVD-Video (42/35/34/79/82/27/82/58/13 Min. + Bonus) , Tonformat: Mono ; stereo , 1 Beih. (16 Bl.)
Content: "Images have a primary quality for me ahead of the story," Leth once said. "I like it when the observed subject can be perceived breathing through the image." In his travel films, the director is again an anthropologist observing the world with detached intensity and refraining from analysis. This role of ostensibly unknowing, curious spectator is characteristic of Leth. 66 Scenes from America (1981), the earliest film in the box set, shows snapshots of archetypical American locations motels, diners, highways, a lone cactus iconographic images of a mythological country presented in bright postcard colours, sanitized, like the myth of America. In the latest film, Aarhus (2005), Leth travels back to the city of his childhood, whose familiar locales are likewise captured in the director's trademark tableau style. In between, we find his Haitian films. For years, Leth has lived in Haiti, a country that enthrals him and gives him the "feeling of personally delving beneath the surface, into chaos." Chaos is reflected in the raw, documentary style of these films, a far cry from his American postcards or Notebook from China (1987), confronting unknown territory with fresh eyes and no agenda. In a similar vein, his film about Homo ludens, Moments of Play (1986), documents people at play around the globe, including the filmmaker's own game with reality. (Edition Filmmuseum)
Note: Orig.: Dänemark, 1981 - 2008 , engl. Untertitel
Language: Danish
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  • 2
    UID:
    kobvindex_ZLB15202043
    Format: Bildformat: 1:1.37
    Content: As a visual narrative 66 scener fra America is reminiscent of a pile of postcards from a journey, which indeed is what the film is. It consists of a series of lengthy shots of a tableau nature, each appearing to be a more or less random cross section of American reality, but which in total invoke a highly emblematic picture of the USA. With the one travelling shot (through a car windscreen) and one pan (across a landscape) the tableau principle is only breached on two occasions; exceptions that prove the rule, so to speak. The images or postcards may be viewed as a number of interlaced chains of motifs, varying from ultra close up to super wide, include pictures of landscapes, highways and advertising hoardings, buildings seen from without, mostly with a fluttering Stars and Stripes somewhere in the shot, objects such as coins on a counter, refrigerator with a number of typical food products, a plate of food at a diner or a bottle of Wild Turkey, and finally, people who introduce themselves (and sometimes the content of their lives in rough-hewn form) facing the camera: for example, the New York cabbie or the celebrities Kim Larsen and Andy Warhol. The film actually consists of 75 shots but in some cases several shots combine in one scene, thus ending on sixty six. Each scene is delimited by the narrator; at the end of each shot he pins down the picture content, often by a simple indication of time or place, but in some cases more playfully, often shifting our perception in a surprising fashion. Similarly the sound close-ups in some scenes are intended to alter the viewer's immediate interpretation of the picture content, while the mood-creating or interpretive use of Erik Satie's Gnossiennes (No. 5) provides the final component of the film. (IMDb)
    Note: Orig.: Dänemark, 1981
    In: The Jørgen Leth collection : [DVD-Video] - Rejsefilmene, 2008, [3]. 12 - 18 : [DVD-Video], (2008)
    Language: Danish
    Author information: Satie, Erik
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  • 3
    UID:
    kobvindex_ZLB15202085
    Format: 28 Min. , Bildformat: 16:9
    Note: Orig.: Dänemark, 2005 , engl. Untertitel
    In: The Jørgen Leth collection : [DVD-Video] - Rejsefilmene, 2008, [3]. 12 - 18 : [DVD-Video], (2008)
    Language: Danish
    Keywords: Aarhus ; Leth, Jørgen ; Kind ; DVD-Video ; Aarhus ; Geschichte ; DVD-Video ; DVD-Video
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  • 4
    UID:
    kobvindex_ZLB15202062
    Format: 77 Min. , Bildformat: 1:1.37
    Content: A visually rich travelogue from Bali, Brazil, England, Haiti, Spain and the U.S.A., with a couple of scenes from China originally shot for Notater fra Kina, and a number of scenes with Leth's children in Denmark. Under thematic intermediate titles such as "Exploring, investigating reality" and "Being in another world, dreaming", the nine sections of the film present themselves as a series of loosely linked scenes or observations, with the clear point that play is a cross-cultural phenomenon and a human condition, not something naive or childish that we grow out of. The cinematography takes us close to the many manifestations of play, the soundtrack communicates the warm fundamental tone of the film while the narrator talks vividly about play and intones the poem "Jeg er klar nu", which may be seen as a personal approach to poetry. It includes the words "I play, I can do anything. Nothing is forbidden. I create my own world. I systematize chaos. I keep a balance as long as I think it ... (IMDb)
    Note: Orig.: Dänemark, 1986 , engl. Untertitel
    In: The Jørgen Leth collection : [DVD-Video] - Rejsefilmene, 2008, [3]. 12 - 18 : [DVD-Video], (2008)
    Language: Danish
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  • 5
    UID:
    kobvindex_ZLB15202090
    Format: 58 Min. , Bildformat: 16:9
    Content: During a period of 20 years Jørgen Leth portrays Haitian painters and their wonderful native artform. They are dreamers, mystics, fantasts and storytellers. Haiti is a country in which a strong sense of historical destiny confronts the human condition, and where spiritual forces play an active part in everyday life. (IMDb)
    Note: Orig.: Dänemark, 2001 , engl. Untertitel
    In: The Jørgen Leth collection : [DVD-Video] - Rejsefilmene, 2008, [3]. 12 - 18 : [DVD-Video], (2008)
    Language: English
    Keywords: Haiti ; Malerei ; DVD-Video ; DVD-Video
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  • 6
    UID:
    kobvindex_ZLB15202052
    Format: Bildformat: 4:3
    Note: Orig.: Dänemark, 1982
    In: The Jørgen Leth collection : [DVD-Video] - Rejsefilmene, 2008, [3]. 12 - 18 : [DVD-Video], (2008)
    Language: Danish
    Keywords: New York, NY ; Öffentlicher Raum ; Künstler ; Geschichte 1982 ; DVD-Video ; DVD-Video
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  • 7
    UID:
    kobvindex_ZLB15202088
    Format: 82 Min. , Bildformat: 1:1.66
    Content: Haiti. Uden title is a kaleidoscopic, dramatic documentary from this chaotic Caribbean country and comprises a mixture of material on video, 16 mm and 35 mm, dating in some scenes right back shooting on Leth's Udenrigskorrespondent (1982). The very lively hand-held video sequences that make up the most recent material make up the bulk of the film and the rapid, fragmentary editing style garnished with neat video tricks, gunfire, etc. put the film at the same level as the Haiti chaos itself. The French photographer Chantal Regnault plays Leth's role as the "experiencer", an observer in the midst of the dramatic reality of Haiti which she also describes with an outsider's fascination. The film contains a large number of very powerful, sensual pictures of life and death in Haiti, the heartrending weeping at the funerals, mountains of refuse picturesquely and infernally aflame, the dramatic manifestations and ritual beauty of voodoo, the rhetoric of the politicians, and far more besides. ... (IMDb)
    Note: Orig.: Dänemark, 1996 , engl. Untertitel
    In: The Jørgen Leth collection : [DVD-Video] - Rejsefilmene, 2008, [3]. 12 - 18 : [DVD-Video], (2008)
    Language: Danish
    Keywords: Haiti ; DVD-Video ; DVD-Video
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  • 8
    UID:
    kobvindex_ZLB15202060
    Format: 79 Min. , Bildformat: 1:1.37
    Content: In 1984 Jørgen Leth, cinematographer Dan Holmberg and sound recordist Niels Torp travelled some 6,000 kilometres by train through China. The result is a very calm, beautifully perceived travelogue borne by unprejudiced curiosity and observational ability. A riverboat in a landscape of sugar-top mountains in Southern China and the many shots from the train journey are the visual leitmotifs of the film, in which we meet an acrobat, a painter in inks, some opera students from the Beijing conservatory, and a group of female racing cyclists. The camera falls in love with exquisite tai chi movements and the dexterity of the train kitchen staff, and the soundtrack gives a vivid sense of the noisy life on board, with music blaring from scratchy loudspeakers. The fact that the film should be viewed as a collection of notes on film, i.e. a kind of travel journal, is emphasised by the title and by Leth's only words on the soundtrack: "I take notes because I want to remember what I have seen. I ... (IMDb)
    Note: Extras: Udvalgte ord fra tog (Selected words from a train, interview, 7 Min.) , Orig.: Dänemark, 1987 , engl. Untertitel
    In: The Jørgen Leth collection : [DVD-Video] - Rejsefilmene, 2008, [3]. 12 - 18 : [DVD-Video], (2008)
    Language: Danish
    Keywords: China ; Reise ; Geschichte 1984 ; DVD-Video ; DVD-Video
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  • 9
    UID:
    kobvindex_ZLB15202046
    Format: Bildformat: 16:9
    Content: Danish documentarian Jørgen Leth revisits the theme and poetic style of his earlier film '66 Scenes from America' and finds in the faces, skylines, and roadside attractions of the United States a perfect post-September 11 salute to what makes the country great: not ideologies or flag waving, but eccentricity, idiosyncrasy, and individuality. (IMDb)
    Note: Orig.: Dänemark, 2002
    In: The Jørgen Leth collection : [DVD-Video] - Rejsefilmene, 2008, [3]. 12 - 18 : [DVD-Video], (2008)
    Language: Danish
    Keywords: USA ; Nationalbewusstsein ; Geschichte 2003 ; DVD-Video ; DVD-Video
    Author information: Cale, John
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  • 10
    UID:
    kobvindex_ZLB15202091
    Format: 13 Min. , Bildformat: 4:3
    Note: Extras: Jørgen Leth om "Haiti. Uden titel" (Jørgen Leth about "Haiti. Untitled", interview, 9 Min.) , Orig.: Dänemark, 1994/2008
    In: The Jørgen Leth collection : [DVD-Video] - Rejsefilmene, 2008, [3]. 12 - 18 : [DVD-Video], (2008)
    Language: Danish
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