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1
UID:
kobvindex_ZLB14120161
Format: 2 DVD (ca. 230/52 Min.) , Tonformat: DD 2.0 (franz.) , 1 Beih. (12 S.) , Bildformat: 16:9
Content: Während zweier Aufenthalte in Sarajevo hat Marcel Ophüls Journalisten und Kriegsberichterstatter interviewt und sich mit ihnen über die Berichterstattung durch die Medien und die Berufsethik auseinandergesetzt.
Content: The perilous symbiosis of war and the media undergoes merciless scrutiny in The Troubles We've Seen: A History of Journalism in Wartime. As penetrating as it is far-ranging, this documentary astonishment by the legendary Marcel Ophüls ( The Sorrow and the Pity, Hôtel Terminus) surveys the Bosnian war through the lens of the international press corp. Christiane Amanpour of CNN, John Burns of The New York Times, famed war correspondent Martha Gellhorn, and dozens of others provide grist for the ethical mill, while Ophüls provides the omnivorous intelligence required to sustain nearly four hours of riveting inquiry. Original footage is poised against film clips ( Only Angels Have Wings, Papa's Lola Montés) selected for maximum irony and structural dynamism. (Nathan Lee, Village Voice)
Note: Ländercode: 2 , Franz.
Language: French
Keywords: Sarajevo ; Kriegsberichterstattung ; Reportage ; Geschichte 1993 ; DVD-Video ; Kriegsberichterstatter ; Berufsethik ; Interview ; DVD-Video ; DVD-Video ; Interview ; Interview
Author information: Ophuls, Marcel
Author information: Tavernier, Bertrand
Library Location Call Number Volume/Issue/Year Availability
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Associated Volumes
  • 2
    UID:
    kobvindex_ZLB14233304
    Format: (52 Min.)
    Content: Since The Sorrow and the Pity, Marcel Ophul has filmed the past in the living minds and words of today. The heritage of history that preoccupies him is the twofold process of collaboration and resistance when justice is denied by totalitarian states or companies. We discover the "Ophus Method", simultaneously political and aesthetic, which makes the screen an extention of the public space. (French Culture)
    Content: Dans sa maison de Lucq de Bearn, au pied des montagnes qui lui ont sauvé la vie, Marcel Ophüls a accepté d'assister à la projection d'extraits choisis de quatre de ses films (Le Chagrin et la pitié, The Memory of justice, Hôtel Terminus, Veillées d'armes), et d'en discuter, en vue d'en tirer peut-être un discours de sa méthode... En interpelant à l'écran témoins ou protagonistes, le cinéaste ne cherche pas tant à leur faire évoquer des faits passés qu'à juger au présent des circonstances ou des actes commis alors. L'écran devient un espace public où se confrontent visions d'hier et d'aujourd'hui, jugements des spectateurs et des interviewés. Au lieu de simplement regarder passer les trains de l'Histoire, les films de Marcel Ophüls nous engagent à juger de nos comportements. (Cerimes)
    Note: Ländercode: 2 , Franz.
    In: Veillées d´armes : histoire du journalisme en temps de guerre ; [DVD Video], [Paris], 2006, (2006)
    Language: French
    Keywords: Ophuls, Marcel ; Dokumentarfilm ; Filmarbeit ; Interview ; DVD-Video ; Interview ; DVD-Video ; Interview
    Author information: Ophuls, Marcel
    Library Location Call Number Volume/Issue/Year Availability
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