| Pollock, Griselda The politics of theory: generations and geographies in feminist theory and the histories of art histories | S. 3- |
| Bal, Mieke Reading art? | S. 25- |
| Bronfen, Elisabeth The knotted subject: hysteria, Irma and Cindy Sherman | S. 42- |
| Rogoff, Irit Gossip as testimony: a postmodern signature | S. 58- |
| Salomon, Nanette The Venus Pudica: uncovering art historys hidden agendas and pernicious pedigrees | S. 69- |
| Rowley, Alison On viewing three paintings by Jenny Saville: rethinking a feminist practice of painting | S. 88- |
| Hirschhorn, Michelle Orlan Artist in the post-human age of mechanical reincarnation: body as ready (to be re-) made | S. 110- |
| Mastai, Judith The anorexic body: contemporary installation art by women artists in Canada | S. 135- |
| Himid, Lubaina Beach House | S. 149- |
| Betterton, Rosemary Mother figures: the maternal nude in the work of Käthe Kollwitz and Paula Modersohn-Becker | S. 159- |
| Chun, Young-Paik Mothers anger and mothers desire: the work of Re-Hyun Park | S. 180- |
| Zegher, Cathérine de Cecilia Vicuñas Ouvrage: knot a not, notes as knots | S. 197- |
| Lafleur, Brenda Resting in history: translating the art of Jin-me Yoon | S. 217- |
| Raine, Anne Embodied geographies: subjectivity and materiality in the work of Ana Mendieta | S. 228- |
| Hiroko, Hagiwara Comfort women: women of conformity: the work of Shimada Yoshiko | S. 253- |
| Pollock, Griselda Gleaning in history or coming after/behind the reapers: the feminine, the stranger and the matrix in the work and theory of Bracha Lichtenberg Ettinger | S. 266- |
© 2000- Österr. Bibliothekenverbund & Service GmbH [generated: 2007.10.03]