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Feminisms

Feminisms : Diversity, Difference and Multiplicity in Contemporary Film Cultures

Gespeichert in:
Bibliographische Angaben
Beteiligte: Mulvey, Laura, 1941- , Backman Rogers, Anna, 1981-
Sprache: Englisch
Veröffentlicht:Amsterdam : Amsterdam University Press, 2015
Schriftenreihe:The Key Debates: Mutations and Appropriations in European Film Studies
Umfang:1 Online-Ressource
ISBN:9789048523634
904852363X
Schlagwörter:
DOI:

10.1515/9789048523634

Enthält:

Frontmatter --

PART I New Perspectives: Images and the Female Body --

Lena Dunham’s Girls: Can-Do Girls, Feminist Killjoys, and Women Who Make Bad Choices

Destroy Visual Pleasure: Cinema, Attention, and the Digital Female Body (Or, Angelina Jolie Is a Cyborg)

The Intertextual Stardom of Iris: Winslet, Dench, Murdoch, and Alzheimer’s Disease

PART II Theory in Contemporary Contexts --

Uncommon Sensuality: New Queer Feminist Film/Theory

The Promise of Touch: Turns to Affect in Feminist Film Theory

Sound and Feminist Modernity in Black Women’s Film Narratives

PART III History and Practice --

Conditions of Activism: Feminist Film Activism and the Legacy of the Second Wave

US Independent Women’s Cinema, Sundance Girls, and Identity Politics

PART IV Contextualizing History: New Frontiers in Feminist Journals --

(Re)Inventing Camera Obscura

PART V Discussions: Dialoguing Difference and Extremity in Contemporary Cinemas --

Disconnection Notices: Interview with Miranda July

Notes --

wird zitiert von: 19 Titel im Zitationsindex COCI
Zusammenfassung:This collection brings together an exciting group of established and emerging scholars to consider the history of feminist film theory and new developments in the field and in film culture itself. Opening the field up to urgent questions and covering such topics as new experimental film, the digital image, consumerism, activism, and pornography, Feminisms will be essential reading for scholars of both film and feminism.
Medientyp:Mode of access: Internet via World Wide Web.