Painting beyond itself : the medium in the post-medium condition / edited by Isabelle Graw, Ewa Lajer-Burcharth ; [contributions by] Carol Armstrong, Benjamin H. D. Buchloh, Sabeth Buchman, René Démoris, Isabelle Graw, David Joselit, Jutta Koether, Ewa Lajer-Burcharth, Jacqueline Lichtenstein, Julie Mehretu, Matt Saunders, Amy Sillman

Graw, Isabelle *1962-* [HerausgeberIn] ; Lajer-Burcharth, Ewa *ca. 20. Jh.* [HerausgeberIn]

Englisch

Berlin : Sternberg Press, [2016]

© 2016

289 Seiten : Illustrationen

Aufsatzsammlung; Konferenzschrift (2013, Cambridge, Mass.)

Preface: "This volume is based on the conference we organized in April 2013 at Harvard University. It is not, though, sensu stricto, the proceedings of the conference. Not all of the contributions to the conference are included in our volume and those that have been were expanded and/or significantly revised."

3-95679-007-3

978-3-95679-007-2

Marking, scoring, storing, and speculating (on time) / David Joselit

Scenes of instruction / Ewa Lajer-Burcharth

Beyond, beyond! Two years after the conference / Jutta Koether

Modern color: a new paradigm / Jacqueline Lichtenstein

The value of liveliness: painting as an index of agency in the new economy / Isabelle Graw

On color / Amy Sillman

Welcome to the second day / Isabelle Graw

Painting photography painting: timelines and medium specificities / Carol Armstrong

Rehearsing in/with media: some remarks on the relationship between dance, film and painting / Sabeth Buchmann

Thread, pixel, grain / Matt Saunders

Body and soul: about the practice of painting in France (1660-1770) / René Démoris

A nude in the neo-avant-garde Ema (Nude on a staircase), 1966 / Benjamin H.D. Buchloh

Notes on painting / Julie Mehretu.

*Malerei / Ästhetik

*Malerei / Ästhetik

*Painting -- History

*Malerei ; Ästhetik

Klassifikation der Library of Congress: ND50

Dewey Dezimal-Klassifikation: 750.1; ; 700.411.2;

Dewey Dezimal-Klassifikation: 750.1

Regensburger Verbund-Klassifikation:

New from the ongoing publication series from the Academy of Fine Arts Vienna, Pink Labor addresses the crossover of form and politics in visual representations of gender, sexuality and desire. Contradictory standpoints of queer art practices, conceptions of the body, and ideas of queer abstraction, a term coined by USC gender studies professor Judith Jack Halberstam, are of particular interest in several essays on artworks and art practices in this substantial illustrated reader. In addition to testimonials from queer performers on the topic of drag, the book includes interviews, essays, collages and personal writings. Placing contemporary art practices in historical perspective and revising the perceived divergence between artistic attitudes and formal approach, this publication offers refreshingly diverse and thought-provoking points of view. Contributors include artists, film and art historians, theorists, critics, curators, scholars, filmmakers and writers from Berlin, New York, Warsaw, Beirut, Vienna, Chicago, Los Angeles and Prague

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