Frontmatter Contents Introduction I Sculpture and the (Material) Art of Epigram Wonder and Surprise as Responses to Art Homers Kameradinnen II A Portrait and a Name: Problematizing a (not so) Easy Match Ἀνεπίγραφοι Statuen wie Schauspieler? III Inscribed Sculpture in Space: the Moving Gaze Motionless Statues? Bild und Schrift auf dem Weg zur Transmedialität IV Exploring Image and Text Beyond Grand Sculpture Das Ideal der guten Ehefrau Bilder einer intermedialen Inszenierung V Inscriptions, Painted and Scratched Monumentalising Vase-Inscriptions Primary and Secondary Decoration VI Inscribed Monuments in the longue durée Inscribed Classical Victory Offerings at Olympia in the longue durée Notes on Contributors Abbreviations Indices | 
