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Sprache/n: | Englisch |
Veröffentlichungsangabe: | Cambridge, Mass. ; London : MIT, 2007 |
Umfang: | 331 S. : Ill. ; 22cm |
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Anmerkung: | Includes bibliographical references and index |
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ISBN: | 0-262-02620-1 (hbk.) : £25.95 hbk. : £25.95 : CIP entry (Oct.) 978-0-262-02620-8 : hardcover : alk. paper |
Mehr zum Titel: | Introduction -- Physis and technē in Greek medicine -- The three pleasures of mimesis according to Aristotle's Poetics -- Art and nature in ancient mechanics -- Art, nature, alchemy, and demons -- Forms of art in Jesuit Aristotelianism (with a coda on Descartes) -- The artificial and the natural -- Renaissance histories of art and nature -- Leibniz's theatre of nature and art and the idea of a universal picture atlas -- Spinoza on the natural and the artificial -- Eighteenth-century wetware -- Overtaking nature? the changing scope of organic chemistry in the nineteenth century -- Reconfiguring nature through syntheses -- Concluding comments. Introduction to the volume -- Physis and téchn in Greek medicine -- The three pleasures of mimesis according to Aristotle's poetics -- Art and nature in ancient mechanics -- Art, nature, alchemy, and demons in the late Middle Ages -- Forms of art in Jesuit Aristotelianism (with a coda on Descartes) -- The artificial and the natural -- Renaissance histories of art and nature -- Theatre of nature and art and the idea of a universal picture atlas -- Spinoza on the natural and the artificial -- Eighteenth-century wetware -- Overtaking nature -- Reconfiguring nature through syntheses -- Concluding comments |
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Mehr zum Thema: | Klassifikation der Library of Congress: Q127.E8Dewey Dezimal-Klassifikation: 501 |
Inhalt: | Introduction -- Physis and technē in Greek medicine -- The three pleasures of mimesis according to Aristotle's Poetics -- Art and nature in ancient mechanics -- Art, nature, alchemy, and demons -- Forms of art in Jesuit Aristotelianism (with a coda on Descartes) -- The artificial and the natural -- Renaissance histories of art and nature -- Leibniz's theatre of nature and art and the idea of a universal picture atlas -- Spinoza on the natural and the artificial -- Eighteenth-century wetware -- Overtaking nature? the changing scope of organic chemistry in the nineteenth century -- Reconfiguring nature through syntheses -- Concluding comments |
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Signatur: | 1 A 769710 |
Standort: | Potsdamer Straße |
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