| Truth and Convention in Byzantine Descriptions of Works of Art | S. 113140- |
| Originality in Byzantine Art Criticism | S. 101114- |
| The Half Cone Vault of St Stephen at Gaza | S. 319325- |
| Adam and the Animals: Allegory and the Literal Sense in Early Christian Art | S. 363373- |
| An Early Christian Marble Relief at Kavala | S. 283295- |
| Christians, Pagans, and the Representation of Nature | S. 131160- |
| The Mantle of Earth | S. 221228- |
| Magic and Geometry in Early Christian Floor Mosaics and Textiles | S. 265274- |
| The Cage of Crosses: Ancient and Medieval Sculptures on the Little Metropolis in Athens | S. 169172- |
| A Murderer among the Angels: The Frontispiece Miniatures of Paris. Gr. 510 and the Iconography of the Archangels in Byzantine Art | S. 6371- |
| The Art of Comparing in Byzantium | S. 88103- |
| Style and Ideology in Byzantine Imperial Art | S. 217231- |
| The Mosaics of Nea Moni: An Imperial Reading | S. 205214- |
| The Iconography of Symeon with the Christ Child in Byzantine Art | S. 261269- |
| The Self-Conscious Angel: Character Study in Byzantine Paintings of the Annunciation | S. 377392- |
| A Description of the Aretai Palace and its Garden | S. 209213- |
| The Beauty of Castles: a Tenth-Century Description of a Tower at Constantinople | S. 2124- |
| Imperial Gardens and the Rhetoric of Renewal | S. 181198- |