ABSTRACT

This book examines the development of national emblems, photographic portraiture, oil painting, world expositions, modern spaces for art exhibitions, university programs of visual arts, and other agencies of modern art in Korea.

With few books on modern art in Korea available in English, this book is an authoritative volume on the topic and provides a comparative perspective on Asian modernism including Japan, China, and India. In turn, these essays also shed a light on Asian reception of and response to the Orientalism and exoticism popular in Europe and North America in the early twentieth century.

The book will be of interest to scholars working in art history, the history of Asia, Asian studies, colonialism, nationalism, and cultural identity.

part |13 pages

Introduction

part I|21 pages

Korean Modernity and Modernism

part II|32 pages

Inventing a Modern Nation

chapter 6|11 pages

From Patriotism to Capitalism

Transformation of Korean National Symbols Under Colonial Rule

part III|34 pages

Visualizing Colonial Modernities

chapter 7|8 pages

Modernity and Authenticity in Korean Pictorialism

From Pungsok Painting to Art Photography

chapter 8|10 pages

"Vernacular Modernism" in Modern Korea

Lee Quede's Hyangtosaek

part IV|37 pages

Cultural Consumption and Modernism

chapter 10|9 pages

Magazine Covers and Colonial Modernity

Politics of the Korean Face

chapter 12|12 pages

A Cultural Network in 1930s Korea

Supporting Avant-Garde Practices and Individual Artistry

part V|35 pages

Modernism as Ideology

chapter 14|12 pages

Imitation or Necessity

A Framework for Postwar Korean Art in Contemporary Art Criticism

chapter 15|10 pages

Never a Failed Avant-Garde

Interdisciplinary Strategy of the Fourth Group, 1969—1970

part |18 pages

Epilogue