सूफी काव्य में नारी की स्थिति – जायसी के ‘पद्मावत’ का संदर्भ

@article{ART001533740},
author={ Karan Singh Chauhan },
title={सूफी काव्य में नारी की स्थिति – जायसी के ‘पद्मावत’ का संदर्भ},
journal={남아시아연구},
issn={1598-1061},
year={2011},
volume={16},
number={3},
pages={315-332},
doi={10.21587/jsas.2011.16.3.013},
url={http://dx.doi.org/10.21587/jsas.2011.16.3.013}

TY - JOUR
AU - Karan Singh Chauhan
TI - सूफी काव्य में नारी की स्थिति – जायसी के ‘पद्मावत’ का संदर्भ
T2 - 남아시아연구
PY - 2011
VL - 16
IS - 3
PB - 한국외국어대학교 인도연구소
SP - 315-332
SN - 1598-1061
AB - Bhakti was a revolutionary literary movement simultaneously spreading to all the major Indian language literatures. No period in literary history saw so many great writers coming to the fore producing great literature of far reaching implications. Breaking the shackles of caste, class and gender they provided such a panoramic view, which was unprecedented in Indian cultural history. Most of them came from very humble backgrounds of the caste divided social structure. Although they were devoted to different forms of Gods and had different methods of devotion and achieving salvation, there were some important common features depicted in their creations. No literary writing had so great an impact on the general masses as the Bhakti literature did. Bhakti literature was guided by some common human values dear to these writers and the people in general. On most of the issues concerning the people and the society, they presented a humane attitude opposing inequality of caste, class and gender. Literary criticism has tried to provide an explanation to this exposition of creativity and rightly called it a 'Golden Age' of Indian literature. It is trying to evaluate its attitude towards the burning questions facing our society at that point of time and even now. One of the key questions in modern discourses is the attitude of a writer to the women question. It is worth probing what attitude is reflected towards the women in Indian society in the works of these Bhakti poets. To specify the issue in this paper, Sufi poets, specifically the most important representative Jayasi and his epic 'Padmavat' is take as a reference point. Sufi poet Jayasi's attitude towards women is reflected through two important woman characters depicted in the epic - Nagmati and Padmavati. Through Nagmati the poet brings the pitiable condition of the women in society of his times. Through Padmavati, he depicts his image of an ideal woman. Both these depictions present a contrast and brings out the lofty ideals of the writer.
KW - Bhakti, Sufi, Bhakti Movement, ‘Viraha’, Polygamy, Sati tradition, Humane, Reality,Ideal image, juxtaposition, Nagmati, Padmavati, Ratnasen, Chittor, Allauddin,Gora-Badal
DO - 10.21587/jsas.2011.16.3.013
UR - http://dx.doi.org/10.21587/jsas.2011.16.3.013
ER -

Karan Singh Chauhan (2011). सूफी काव्य में नारी की स्थिति – जायसी के ‘पद्मावत’ का संदर्भ. 남아시아연구, 16( 3), 315- 332.

Karan Singh Chauhan . 2011, “सूफी काव्य में नारी की स्थिति – जायसी के ‘पद्मावत’ का संदर्भ”, 남아시아연구, vol. 16, no. 3, pp. 315-332. Available from: doi:10.21587/jsas.2011.16.3.013

Karan Singh Chauhan “सूफी काव्य में नारी की स्थिति – जायसी के ‘पद्मावत’ का संदर्भ” 남아시아연구 16.3 pp. 315-332 (2011): 315.

Karan Singh Chauhan . सूफी काव्य में नारी की स्थिति – जायसी के ‘पद्मावत’ का संदर्भ 남아시아연구 [Internet]. 2011; 16( 3), : 315-332. Available from: doi:10.21587/jsas.2011.16.3.013

Karan Singh Chauhan . “सूफी काव्य में नारी की स्थिति – जायसी के ‘पद्मावत’ का संदर्भ” 남아시아연구 16, no.3 (2011): 315-332. doi: 10.21587/jsas.2011.16.3.013

홈 권호 목록 논문 목록 논문 상세

सूफी काव्य में नारी की स्थिति – जायसी के ‘पद्मावत’ का संदर्भ

남아시아연구

약어 : JSAS

2011, vol.16, no.3, pp.315 - 332

DOI : 10.21587/jsas.2011.16.3.013

발행기관 : 한국외국어대학교 인도연구소

연구분야 : 지역학

Karan Singh Chauhan¹

¹한국외국어대학교

인용한 논문 수 : - 서지 간략 보기

초록

Bhakti was a revolutionary literary movement simultaneously spreading to all the major Indian language literatures. No period in literary history saw so many great writers coming to the fore producing great literature of far reaching implications. Breaking the shackles of caste, class and gender they provided such a panoramic view, which was unprecedented in Indian cultural history. Most of them came from very humble backgrounds of the caste divided social structure. Although they were devoted to different forms of Gods and had different methods of devotion and achieving salvation, there were some important common features depicted in their creations. No literary writing had so great an impact on the general masses as the Bhakti literature did. Bhakti literature was guided by some common human values dear to these writers and the people in general. On most of the issues concerning the people and the society, they presented a humane attitude opposing inequality of caste, class and gender. Literary criticism has tried to provide an explanation to this exposition of creativity and rightly called it a 'Golden Age' of Indian literature. It is trying to evaluate its attitude towards the burning questions facing our society at that point of time and even now. One of the key questions in modern discourses is the attitude of a writer to the women question. It is worth probing what attitude is reflected towards the women in Indian society in the works of these Bhakti poets. To specify the issue in this paper, Sufi poets, specifically the most important representative Jayasi and his epic 'Padmavat' is take as a reference point. Sufi poet Jayasi's attitude towards women is reflected through two important woman characters depicted in the epic - Nagmati and Padmavati. Through Nagmati the poet brings the pitiable condition of the women in society of his times. Through Padmavati, he depicts his image of an ideal woman. Both these depictions present a contrast and brings out the lofty ideals of the writer.

키워드

Bhakti, Sufi, Bhakti Movement, ‘Viraha’, Polygamy, Sati tradition, Humane, Reality,Ideal image, juxtaposition, Nagmati, Padmavati, Ratnasen, Chittor, Allauddin,Gora-Badal

참고문헌(23)

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