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  • 1
    UID:
    gbv_54762963X
    Format: 383 S. , Ill.
    ISBN: 9042022841 , 9789042022843
    Series Statement: Amsterdamer Beiträge zur neueren Germanistik 63
    Additional Edition: Online-Ausg. Processes of transposition Amsterdam [u.a.] : Rodopi, 2007 ISBN 9789042022843
    Language: English
    Subjects: German Studies
    RVK:
    RVK:
    RVK:
    Keywords: Deutsch ; Literatur ; Verfilmung ; Aufsatzsammlung ; Konferenzschrift
    Author information: Schönfeld, Christiane 1964-
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  • 2
    UID:
    b3kat_BV022937436
    Format: 383 S. , Ill.
    ISBN: 9789042022843
    Series Statement: Amsterdamer Beiträge zur neueren Germanistik 63
    Note: Literaturangaben
    Language: English
    Subjects: German Studies
    RVK:
    RVK:
    Keywords: Deutsch ; Literatur ; Verfilmung ; Aufsatzsammlung ; Konferenzschrift
    Author information: Schönfeld, Christiane 1964-
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  • 3
    Online Resource
    Online Resource
    Amsterdam [u.a.] : Rodopi
    UID:
    gbv_1647878217
    Format: Online-Ressource
    ISBN: 9789042022843
    Series Statement: Amsterdamer Beiträge zur neueren Germanistik 63
    Content: Preliminary material /Editors Processes of Transposition -- List of Contributors /Editors Processes of Transposition -- Acknowledgements /Editors Processes of Transposition -- Introduction /Christiane Schönfeld -- Filmed Fausts: Cardboard Cut-Outs or Blueprints of the Soul? /Osman Durrani -- The Swan and the Moped. Shifts in the Presentation of Violence from Kleist’s “Die Marquise von O…” to Christoph Stark’s Julietta /Ricarda Schmidt -- “Inspired by Schnitzler’s Traumnovelle”: The Intersemiotic Representation of Figural Consciousness in Eyes Wide Shut /Siobhán Donovan -- Reflections on the Literary Antecedents of Murnau’s Tabu /Hugh Ridley -- Perceptions of the Self as the Other: Double-Visions in Literature and Film /Gerald Bär -- “Mit einem kleinen Ruck, wie beim Kinematographen”. From the Unmaking of Professor Unrat to an Unmade Der blaue Engel /Gilbert Carr -- German Film Adaptations of Jewish Characters in Thomas Mann /Yahya Elsaghe -- Literary and Cinematographic Reflections on the Human Condition by Anna Seghers and Fred Zinnemann /Birgit Maier-Katkin -- Two Foxes of Glenarvon /Eoin Bourke -- Perspective and Reality. Cinematic Transformation of the Narrative Perspective in Schlöndorff’s Die Blechtrommel /Thomas Martinec -- “Their Adam’s Apple Put Them on Screen”: Hansjürgen Pohland’s Cat and Mouse and the Narrative of the Male Body /Carrie Smith-Prei -- From Bestseller to Failure? Heinrich Böll’s Irisches Tagebuch (Irish Journal) to Irland und seine Kinder (Children of Eire) /Gisela Holfter -- A German Poet at the Movies: Rolf Dieter Brinkmann /Jan Röhnert -- “Literatur und Linse”: Enzensberger Goes to the Movies /Alasdair King -- Thomas Brussig’s Ostalgie in Print and on Celluloid /Muriel Cormican -- “But Somehow it Was Only Television”: West German Narratives of the Fall of the Wall in Recent Novels and their Screen Adaptations /Claudia Gremler -- Sex, Violence and Schubert. Michael Haneke’s La Pianiste and Elfriede Jelinek’s Die Klavierspielerin /Juliet Wigmore -- Intermediality and the Intercultural Dimension in Karin Brandauer’s Film Sidonie based on Erich Hackl’s Abschied von Sidonie /Susan Tebbutt -- Robert Schneider’s Novel Schlafes Bruder in the Light of its Screen Version by Joseph Vilsmaier /Markus Oliver Spitz -- Transposition or Translation? Fiction to Film in Doris Dörrie’s Nobook-body Loves Me and Am I Beautiful? /Paul M. Malone -- Taking Doris Dörrie Seriously: Literature, Film, Gender /Peter M. McIsaac -- Adaptation as a Process of Interpretation: Nowhere in Africa – From Stefanie Zweig to Caroline Link /Patrice Djoufack -- Alexander Kluge: Utopian Cinema /Rod Stoneman.
    Content: The essays collected in this book focus on the multi-faceted relationship between German/Austrian literature and the cinema screen. Scholars from Ireland, Great Britain, Germany, Switzerland, Luxembourg, Portugal, USA and Canada present critical readings of a wide range of transpositions of German-language texts to film, while also considering the impact of cinema on German literature, exploring intertextualities as well as intermedialities. The forum of discussion thus created encompasses cinematic narratives based on Goethe’s Faust , Kleist’s Marquise of O ..., Kubrick’s film version of Schnitzler’s Dream Story and Caroline Link’s Oscar-winning adaptation of Stefanie Zweig’s novel Nowhere in Africa . The wide-ranging analyses of the complex interaction between literature and film presented here focus on literary works by Anna Seghers, Hans-Magnus Enzensberger, Nicola Rhon, Günter Grass, Heinrich Böll, Elfriede Jelinek, Rolf Dieter Brinkmann, Erich Hackl, Thomas Brussig, Sven Regener, Frank Goosen and Robert Schneider, as well as on adaptations by filmmakers such as Friedrich Wilhelm Murnau, Max Mack, Josef von Sternberg, Max W. Kimmich, Fred Zinnemann, Paul Wegener, Alexander Kluge, Volker Schlöndorff, Hansjürgen Pohland, Hendrik Handloegten, Michael Haneke, Christoph Stark, Karin Brandauer, Joseph Vilsmaier, Leander Haußmann and Doris Dörrie
    Note: Dateiformat: PDF
    Additional Edition: ISBN 9789042022843
    Additional Edition: ISBN 9042022841
    Additional Edition: Druckausg. Processes of transposition Amsterdam [u.a.] : Rodopi, 2007 ISBN 9042022841
    Additional Edition: ISBN 9789042022843
    Language: English
    Subjects: German Studies
    RVK:
    RVK:
    Keywords: Deutsch ; Literatur ; Verfilmung ; Aufsatzsammlung ; Konferenzschrift
    URL: DOI
    Author information: Schönfeld, Christiane 1964-
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    UID:
    gbv_587136804
    Format: Online-Ressource (383 S.)
    Edition: Online-Ausg.
    ISBN: 9789401205016
    Series Statement: Amsterdamer Beiträge zur neueren Germanistik 63
    Content: Filmed Fausts: Cardboard Cut-Outs or Blueprints of the Soul?; The Swan and the Moped. Shifts in the Presentation of Violence from Kleist's "Die Marquise von O" to Christoph Stark's Julietta; "Inspired by Schnitzler's Traumnovelle": The Intersemiotic Representation of Figural Consciousness in Eyes Wide Shut; Reflections on the Literary Antecedents of Murnau's Tabu; Perceptions of the Self as the Other: Double-Visions in Literature and Film; "Mit einem kleinen Ruck, wie beim Kinematographen". From the Unmaking of Professor Unrat to an Unmade Der blaue Engel; German Film Adaptations of Jewish Characters in Thomas Mann
    Content: The essays collected in this book focus on the multi-faceted relationship between German/Austrian literature and the cinema screen. Scholars from Ireland, Great Britain, Germany, Switzerland, Luxembourg, Portugal, USA and Canada present critical readings of a wide range of transpositions of German-language texts to film, while also considering the impact of cinema on German literature, exploring intertextualities as well as intermedialities. The forum of discussion thus created encompasses cinematic narratives based on Goethe's Faust , Kleist's Marquise of O ..., Kubrick's film version of Schn
    Note: Includes bibliographical references , "This volume of essays has grown out of ideas originally presented at the 9th Galway Colloquium on "Literature to FIlm-Film to Literature" ... at the National University of Ireland, Galway, in 2004"--P. [9] , Processes of Transposition German Literature and Film; Table of Contents; List of Contributors; Acknowledgements; Introduction; Filmed Fausts: Cardboard Cut-Outs or Blueprints of the Soul?; The Swan and the Moped. Shifts in the Presentation of Violence from Kleist's "Die Marquise von O…" to Christoph; "Inspired by Schnitzler's Traumnovelle": The Intersemiotic Representation of Figural Consciousness in Eyes Wide Shut; Reflections on the Literary Antecedents of Murnau's Tabu; Perceptions of the Self as the Other: Double-Visions in Literature and Film , "Mit einem kleinen Ruck, wie beim Kinematographen". From the Unmaking of Professor Unrat to an Unmade Der blaue EngelGerman Film Adaptations of Jewish Characters in Thomas Mann; Literary and Cinematographic Reflections on the Human Condition by Anna Seghers and Fred Zinnemann; Two Foxes of Glenarvon; Perspective and Reality. Cinematic Transformation of the Narrative Perspective in Schlöndorff 's Die Blechtrommel; "Their Adam's Apple Put Them on Screen": Hansjürgen Pohland's Cat and Mouse and the Narrative of the Male Body , From Bestseller to Failure? Heinrich Böll's Irisches Tagebuch (Irish Journal) to Irland und seine Kinder (Children of Eire)A German Poet at the Movies: Rolf Dieter Brinkmann; "Literatur und Linse": Enzensberger Goes to the Movies; Thomas Brussig's Ostalgie in Print and on Celluloid; "But Somehow it Was Only Television": West German Narratives of the Fall of the Wall in Recent Novels and their Screen Adaptations; Sex, Violence and Schubert. Michael Haneke's La Pianiste and Elfriede Jelinek's Die Klavierspielerin , Intermediality and the Intercultural Dimension in Karin Brandauer's Film Sidonie based on Erich Hackl's Abschied von SidonieRobert Schneider's Novel Schlafes Bruder in the Light of its Screen Version by Joseph Vilsmaier; Transposition or Translation? Fiction to Film in Doris Dörrie's Nobody Loves Me and Am I Beautiful?; Taking Doris Dörrie Seriously: Literature, Film, Gender; Adaptation as a Process of Interpretation: Nowhere in Africa - From Stefanie Zweig to Caroline Link; Alexander Kluge: Utopian Cinema;
    Additional Edition: ISBN 9789042022843
    Additional Edition: Print version Processes of Transposition : German Literature and Film
    Language: English
    Subjects: German Studies
    RVK:
    RVK:
    RVK:
    Keywords: Deutsch ; Literatur ; Verfilmung ; Aufsatzsammlung ; Konferenzschrift
    Author information: Schönfeld, Christiane 1964-
    Library Location Call Number Volume/Issue/Year Availability
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  • 5
    UID:
    b3kat_BV023028364
    Format: Ill.
    ISBN: 978-90-420-2284-3
    In: pages:347-362
    In: Processes of transposition / ed. by Christiane Schönfeld ..., Amsterdam [u.a.], 2007, S. 347 - 362, 978-90-420-2284-3
    Language: English
    Keywords: Dörrie, Doris 1955-
    Author information: McIsaac, Peter M. 1968-
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  • 6
    UID:
    b3kat_BV023028341
    ISBN: 978-90-420-2284-3
    In: pages:333-346
    In: Processes of transposition / ed. by Christiane Schönfeld ..., Amsterdam [u.a.], 2007, S. 333 - 346, 978-90-420-2284-3
    Language: English
    Keywords: Dörrie, Doris 1955-
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  • 7
    UID:
    b3kat_BV023028295
    Format: Ill.
    ISBN: 978-90-420-2284-3
    In: pages:119-131
    In: Processes of transposition / ed. by Christiane Schönfeld ..., Amsterdam [u.a.], 2007, S. 119 - 131, 978-90-420-2284-3
    Language: English
    Keywords: Mann, Heinrich 1871-1950 Professor Unrat ; Verfilmung
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  • 8
    UID:
    b3kat_BV023028300
    Format: Ill.
    ISBN: 978-90-420-2284-3
    In: pages:132-140
    In: Processes of transposition / ed. by Christiane Schönfeld ..., Amsterdam [u.a.], 2007, S. 132 - 140, 978-90-420-2284-3
    Language: English
    Author information: Elsaghe, Yahya 1960-
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  • 9
    UID:
    b3kat_BV023028329
    Format: Ill.
    ISBN: 978-90-420-2284-3
    In: pages:318-332
    In: Processes of transposition / ed. by Christiane Schönfeld ..., Amsterdam [u.a.], 2007, S. 318 - 332, 978-90-420-2284-3
    Language: English
    Keywords: Schlafes Bruder
    Author information: Spitz, Markus Oliver 1971-
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  • 10
    UID:
    b3kat_BV023028376
    ISBN: 978-90-420-2284-3
    In: pages:363-374
    In: Processes of transposition / ed. by Christiane Schönfeld ..., Amsterdam [u.a.], 2007, S. 363 - 374, 978-90-420-2284-3
    Language: English
    Keywords: Nirgendwo in Afrika
    Author information: Djoufack, Patrice
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