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  • 1
    UID:
    b3kat_BV036721466
    Format: X, 354 Seiten , Illustrationen
    ISBN: 9780231146906 , 9780231519557
    Series Statement: Columbia themes in philosophy, social criticism, and the arts
    Note: Includes bibliographical references and index
    Language: English
    Subjects: Philosophy , Sociology
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Kunst ; Ästhetik ; Homosexualität ; Erotik ; Geschichte ; Ästhetik ; Homosexualität ; Mann ; Geschichte 1750-1940
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    New York : Columbia University Press
    UID:
    gbv_1696584965
    Format: 1 online resource (367 pages)
    ISBN: 9780231519557
    Series Statement: Columbia Themes in Philosophy, Social Criticism, and the Arts
    Content: The pioneering work of Johann Winckelmann (1717-1768) identified a homoerotic appreciation of male beauty in classical Greek sculpture, a fascination that had endured in Western art since the Greeks. After Winckelmann, however, sometimes the value (even the possibility) of queer beauty in art was denied. Several theorists after Winckelmann, notably the philosopher Immanuel Kant, broke sexual attraction and aesthetic appreciation into separate or dueling domains. In turn, sexual desire and aesthetic pleasure conceived as discrete categories had to be profoundly rethought by later writers. Davis argues that these disjunct domains could be rejoined by such innovative thinkers as John Addington Symonds, Michel Foucault, and Richard Wollheim, who reclaimed earlier insights about the mutual implication of sexuality and aesthetics. Addressing texts by Arthur Schopenhauer, Charles Darwin, Oscar Wilde, Vernon Lee, and Sigmund Freud, among many others, Davis criticizes modern approaches, such as Kantian idealism, Darwinism, psychoanalysis, and analytic aesthetics, for either reducing aesthetics to a question of sexuality or for removing sexuality from the aesthetic field altogether. Despite these schematic reductions, sexuality always returns to aesthetics, and aesthetic considerations always recur in sexuality. Davis particularly shows that formal philosophies of art since the late-eighteenth century have had to respond to nonstandard sexuality, especially homoeroticism, and that theories of nonstandard sexuality have drawn on aesthetics in significant ways. Many of the most imaginative and penetrating critics wrestled productively, though often inconclusively and "against themselves," with the aesthetic making of new forms of sexual life and new forms of art made from reconstituted sexualities. Through a critique that confronts history, philosophy,
    Content: Intro -- Contents -- Preface -- Introduction -- 1. Queer Beauty -- 2. The Universal Phallus -- 3. Representative Representation -- 4. Double Mind -- 5. The Line of Death -- 6. The Sense of Beauty -- 7. The Aesthetogenesis of Sex -- 8. Love All the Same -- 9. The Unbecoming -- 10. Fantasmatic Iconicity -- Notes -- Index.
    Note: Description based on publisher supplied metadata and other sources
    Additional Edition: ISBN 9780231146906
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9780231146906
    Language: English
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