UID:
almahu_9947414376502882
Format:
1 online resource (vi, 241 pages) :
,
digital, PDF file(s).
ISBN:
9780511485619 (ebook)
Series Statement:
Cambridge studies in American literature and culture ; 155
Content:
Modernist poetry crosses racial and national boundaries. The emergence of poetic modernism in the Americas was profoundly shaped by transatlantic contexts of empire-building and migration. In this ambitious book, Anita Patterson examines cross-currents of influence among a range of American, African American and Caribbean authors. Works by Whitman, Poe, Eliot, Pound and their avant-garde contemporaries served as a heritage for black poets in the US and elsewhere in the New World. In tracing these connections, Patterson argues for a renewed focus on intercultural and transnational dialogue in modernist studies. This bold and imaginative work of transnational literary and historical criticism sets canonical American figures in fascinating contexts and opens up readings of Langston Hughes, Derek Walcott, and Aime Cesaire. This book will be of interest to scholars of American and African American literature, modernism, postcolonial studies, and Caribbean literature.
Note:
Title from publisher's bibliographic system (viewed on 05 Oct 2015).
,
Introduction: towards a comparative American poetics -- Transnational topographies in Poe, Eliot and St.-John Perse -- Hybridity and the New World: Laforgue, Eliot and the Whitmanian poetics of the frontier -- From Harlem to Haiti: Langston Hughes, Jacques Roumain and the avant-gardes -- Signifying modernism in Wilson Harris's Eternity to season -- Beyond apprenticeship: Derek Walcott's passage to the Americas.
Additional Edition:
Print version: ISBN 9780521884051
Language:
English
URL:
https://doi.org/10.1017/CBO9780511485619
URL:
Volltext
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