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  • 1
    UID:
    b3kat_BV042215776
    Format: X, 229 S.
    ISBN: 9780801453601 , 9780801479632
    Series Statement: Signale : modern German letters, cultures, and thought
    Note: Erscheint auch als Open Access bei De Gruyter
    Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 978-0-8014-7195-7 10.7591/9780801471957
    Language: English
    Subjects: History
    RVK:
    Keywords: Deutschland ; Judenvernichtung ; Vergangenheitsbewältigung ; Literatur ; Philosophie
    URL: Volltext  (kostenfrei)
    Author information: Boos, Sonja 1972-2021
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Ithaca, NY : Cornell University Library
    UID:
    gbv_1003802788
    Format: 1 Online-Ressource
    Edition: Online-Ausg.
    ISBN: 0801479630 , 0801453607 , 0801471958 , 9780801479632 , 9780801453601 , 9780801471957
    Series Statement: Signale : modern German letters, cultures, and thought
    Content: "An interdisciplinary study of a diverse set of public speeches given by major literary and cultural figures in the 1950s and 1960s. Through close readings of canonical speeches by Hannah Arendt, Theodor W. Adorno, Ingeborg Bachmann, Martin Buber, Paul Celan, Uwe Johnson, Peter Szondi, and Peter Weiss, Sonja Boos demonstrates that these speakers both facilitated and subverted the construction of a public discourse about the Holocaust in postwar West Germany. The author's analysis of original audio recordings of the speech events (several of which will be available on a companion website) improves our understanding of the spoken, performative dimension of public speeches. While emphasizing the social constructedness of discourse, experience, and identity, Boos does not neglect the pragmatic conditions of aesthetic and intellectual production--most notably, the felt need to respond to the breach in tradition caused by the Holocaust. The book thereby illuminates the process by which a set of writers and intellectuals, instead of trying to mend what they perceived as a radical break in historical continuity or corroborating the myth of a "new beginning," searched for ways to make this historical rupture rhetorically and semantically discernible and literally audible"--
    Content: Introduction : an Archimedean podium -- Martin Buber -- Paul Celan -- Ingeborg Bachmann -- Hannah Arendt -- Uwe Johnson -- Peter Szondi -- Peter Weiss -- Conclusion : speaking of the noose in the country of the hangman (Theodor W. Adorno)
    Note: Includes bibliographical references and index
    Additional Edition: ISBN 9780801479632
    Additional Edition: Print version Boos, Sonja Speaking the Unspeakable in Postwar Germany : Toward a Public Discourse on the Holocaust Ithaca : Cornell University Press, ©1900 ISBN 9780801479632
    Language: English
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    Ithaca : Cornell University Press
    UID:
    gbv_1853334391
    Format: 1 Online-Ressource (248 p.)
    ISBN: 9780801471957 , 9780801453601 , 9780801471940 , 9780801479632
    Series Statement: Signale: Modern German Letters, Cultures, and Thought
    Content: Speaking the Unspeakable in Postwar Germany is an interdisciplinary study of a diverse set of public speeches given by major literary and cultural figures in the 1950s and 1960s. Through close readings of canonical speeches by Hannah Arendt, Theodor W. Adorno, Ingeborg Bachmann, Martin Buber, Paul Celan, Uwe Johnson, Peter Szondi, and Peter Weiss, Sonja Boos demonstrates that these speakers both facilitated and subverted the construction of a public discourse about the Holocaust in postwar West Germany. The author’s analysis of original audio recordings of the speech events (several of which will be available on a companion website) improves our understanding of the spoken, performative dimension of public speeches. Speaking the Unspeakable in Postwar Germany emphasizes the social constructedness of discourse, experience, and identity, but does not neglect the pragmatic conditions of aesthetic and intellectual production—most notably, the felt need to respond to the breach in tradition caused by the Holocaust. The book thereby illuminates the process by which a set of writers and intellectuals, instead of trying to mend what they perceived as a radical break in historical continuity or corroborating the myth of a "new beginning," searched for ways to make this historical rupture rhetorically and semantically discernible and literally audible. ; Speaking the Unspeakable in Postwar Germany is an interdisciplinary study of a diverse set of public speeches given by major literary and cultural figures in the 1950s and 1960s. Through close readings of canonical speeches by Hannah Arendt, Theodor W. Adorno, Ingeborg Bachmann, Martin Buber, Paul Celan, Uwe Johnson, Peter Szondi, and Peter Weiss, Sonja Boos demonstrates that these speakers both facilitated and subverted the construction of a public discourse about the Holocaust in postwar West Germany. The author's analysis of original audio recordings of the speech events (several of which will be available on a companion website) improves our understanding of the spoken, performative dimension of public speeches.While emphasizing the social constructedness of discourse, experience, and identity, Boos does not neglect the pragmatic conditions of aesthetic and intellectual production—most notably, the felt need to respond to the breach in tradition caused by the Holocaust. The book thereby illuminates the process by which a set of writers and intellectuals, instead of trying to mend what they perceived as a radical break in historical continuity or corroborating the myth of a "new beginning," searched for ways to make this historical rupture rhetorically and semantically discernible and literally audible
    Note: English
    Language: Undetermined
    Library Location Call Number Volume/Issue/Year Availability
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