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  • 1
    UID:
    b3kat_BV039737287
    Format: IX, 147 S.
    ISBN: 9781557536013
    Series Statement: Shofar supplements in Jewish studies
    Additional Edition: Erscheint auch als Online-Ausgabe, EPUB ISBN 978-1-612-49152-3
    Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 978-1-612-49153-0
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Tannhäuser ; Rezeption ; Heine, Heinrich 1797-1856 ; Wagner, Richard 1813-1883 ; Herzl, Theodor 1860-1904 ; Peretz, Isaac Leib 1852-1915
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Purdue University Press
    UID:
    gbv_1877798401
    Format: 1 Online-Ressource
    ISBN: 9781612491530 , 9781557536013
    Series Statement: Shofar Supplements in Jewish Studies
    Content: A Knight at the Opera examines the remarkable and unknown role that the medieval legend (and Wagner opera) Tannhäuser played in Jewish cultural life in the nineteenth and early twentieth centuries. The book analyzes how three of the greatest Jewish thinkers of that era, Heinrich Heine, Theodor Herzl, and I. L. Peretz, used this central myth of Germany to strengthen Jewish culture and to attack anti-Semitism. In the original medieval myth, a Christian knight lives in sin with the seductive pagan goddess Venus in the Venusberg. He escapes her clutches and makes his way to Rome to seek absolution from the Pope. The Pope does not pardon Tannhäuser and he returns to the Venusberg. During the course of A Knight at the Opera, readers will see how Tannhäuser evolves from a medieval knight, to Heine's German scoundrel in early modern Europe, to Wagner's idealized German male, and finally to Peretz's pious Jewish scholar in the Land of Israel. Venus herself also undergoes major changes from a pagan goddess, to a lusty housewife, to an overbearing Jewish mother. The book also discusses how the founder of Zionism, Theodor Herzl, was so inspired by Wagner's opera that he wrote The Jewish State while attending performances of it, and he even had the Second Zionist Congress open to the music of Tannhäuser's overture. A Knight at the Opera uses Tannhäuser as a way to examine the changing relationship between Jews and the broader world during the advent of the modern era, and to question if any art, even that of a prominent anti-Semite, should be considered taboo
    Note: English
    Language: Undetermined
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Book
    Book
    West Lafayette, Ind. : Purdue Univ. Press
    UID:
    gbv_662097750
    Format: IX, 147 S. , 23 cm
    ISBN: 1557536015 , 1612491537 , 1612491529 , 9781612491530 , 9781612491523 , 9781557536013
    Series Statement: Shofar supplements in Jewish studies
    Note: Includes bibliographical references and index
    Additional Edition: ISBN 9781612491530
    Additional Edition: ISBN 9781612491523
    Language: English
    Subjects: German Studies , Musicology
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Tannhäuser -1268 ; Heine, Heinrich 1797-1856 ; Herzl, Theodor 1860-1904 ; Wagner, Richard 1813-1883 ; Peretz, Isaac Leib 1852-1915 ; Tannhäusersage
    Library Location Call Number Volume/Issue/Year Availability
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