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  • 1
    UID:
    b3kat_BV041773625
    Format: VIII, 242 S.
    Edition: 1. publ.
    ISBN: 9781571135926 , 1571135928
    Series Statement: European studies in North American literature and culture
    Note: Includes bibliographical references and index
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures
    RVK:
    RVK:
    Keywords: Roman ; Erzähltechnik ; Musikalische Form ; Intermedialität ; Roman ; Jazz ; Bach, Johann Sebastian 1685-1750 Aria mit 30 Veränderungen ; Rezeption ; Literatur ; Hochschulschrift
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    UID:
    gbv_1020524502
    Format: 1 Online-Ressource (viii, 242 pages) , digital, PDF file(s)
    ISBN: 9781571138910
    Series Statement: European studies in North American literature and culture
    Content: What is a "musical novel"? This book defines the genre as musical not primarily in terms of its content, but in its form. The musical novel crosses medial boundaries, aspiring to techniques, structures, and impressions similar tothose of music. It takes music as a model for its own construction, borrowing techniques and forms that range from immediately perceptible, essential aspects of music (rhythm, timbre, the simultaneity of multiple voices) to microstructural (jazz riffs, call and response, leitmotifs) and macrostructural elements (themes and variations, symphonies, albums). The musical novel also evokes the performance context by imitating elements of spontaneity that characterize improvised jazz or audience interaction. The Musical Novel builds upon theories of intermediality and semiotics to analyze the musical structures, forms, and techniques in two groups of musical novels, which serve as case studies. The first group imitates an entire musical genre and consists of jazz novels by Toni Morrison, Albert Murray, Xam Wilson Cartiér, Stanley Crouch, Jack Fuller, Michael Ondaatje, and Christian Gailly. The second group of novels, by Richard Powers, Gabriel Josipovici, Rachel Cusk, Nancy Huston, and Thomas Bernhard, imitates a single piece of music, J. S. Bach's Goldberg Variations. Emily Petermann is Assistant Professor of American Literature at the University of Konstanz
    Content: Theorizing the Musical Novel -- Elements of Sound in Jazz Novels -- Structural Patterns in Jazz Novels -- The Performance Situation in Jazz Novels -- Structural Patterns in Novels Based on the Goldberg Variations -- Composition, Performance, and Reception in Novels Based on the Goldberg Variations
    Note: Title from publisher's bibliographic system (viewed on 12 Apr 2018)
    Additional Edition: ISBN 9781571135926
    Additional Edition: Print version ISBN 9781571135926
    Language: English
    URL: Volltext  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
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