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  • 1
    UID:
    b3kat_BV022442426
    Format: XVI, 284 S. , Ill., graph. Darst., Notenbeisp.
    Edition: 1. publ.
    ISBN: 9781580462525 , 1580462529 , 9781580463683
    Series Statement: Eastman studies in music 43
    Note: Hier auch später erschienene, unveränderte Nachdrucke. - Includes bibliographical references and index
    Language: English
    Subjects: German Studies , Ethnology , Musicology
    RVK:
    RVK:
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    Keywords: Europa ; Walpurgisnacht ; Rezeption ; Geschichte 1700-1850 ; Goethe, Johann Wolfgang von 1749-1832 Walpurgisnacht ; Mendelssohn Bartholdy, Felix 1809-1847 Die erste Walpurgisnacht
    Author information: Cooper, John Michael 1962-
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    UID:
    gbv_883297043
    Format: 1 Online-Ressource (xvi, 284 pages) , digital, PDF file(s)
    ISBN: 9781580466912
    Content: 'Mendelssohn, Goethe, and the Walpurgis Night' addresses tolerance and acceptance in the face of cultural, political, and religious strife. Its point of departure is the Walpurgis Night. The Night, also known as Beltane or May Eve, was supposedly an annual witches' Sabbath that centered around the Brocken, the highest peak of the Harz Mountains. After exploring how a notoriously pagan celebration came to be named after the Christian missionary St. Walpurgis (ca. 710-79), John Michael Cooper discusses the Night's treatments in several closely interwoven works by Goethe and Mendelssohn. His book situates those works in their immediate personal and professional contexts, as well as among treatments by a wide array of other artists, philosophers, and political thinkers, including Voltaire, Lessing, Shelley, Heine, Delacroix, and Berlioz. In an age of decisive political and religious conflict, Walpurgis Night became a heathen muse: a source of spiritual inspiration that was neither specifically Christian, nor Jewish, nor Muslim. And Mendelssohn's and Goethe's engagements with it offer new insights into its role in European cultural history, as well as into issues of political, religious, and social identity - and the relations between cultural groups - in today's world. John Michael Cooper is professor of music at Southwestern University and author of 'Mendelssohn's "Italian" Symphony' (Oxford University Press)
    Content: The cultural and religious prehistories -- Tolerance, translation, and acceptance : Goethe's and Mendelssohn's voices in European cultural discourse to ca. 1850 -- Reality and illusion, past and present : Goethe and the Walpurgisnacht -- The composition, revision, and publication of Mendelssohn's Die erste Walpurgisnacht -- The sources, structure, and narrative of Mendelssohn's Walpurgisnacht settings -- At the crossroads of identity : critical and artistic responses to Goethe's and Mendelssohn's Walpurgisnacht treatments -- Performing identity and alterity : Die erste Walpurgisnacht then and now
    Note: Title from publisher's bibliographic system (viewed on 02 Oct 2015)
    Additional Edition: ISBN 9781580462525
    Additional Edition: Print version ISBN 9781580462525
    Language: English
    URL: Volltext  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
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