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Format: 1 online resource (359 pages).

ISBN: 9789004304406 (e-book)

Series Statement: DQR Studies in Literature, Volume 59

Note: Includes index.

Additional Edition: Print version: Sound effects : the object voice in fiction. Leiden, Netherlands ; Boston, [Massachusetts] : Brill Rodopi, c2015 ISBN 9789004304383

Language: English

Keywords: Electronic books.

URL: Click to View

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Format: XX, 339 S.

ISBN: 978-90-04-30438-3 , 978-90-04-30440-6

Series Statement: DQR studies in literature 59

Language: English

Subjects: English Studies

Keywords: Roman ; Literarischer Stil ; Individualität ; Stimme ; Lesen ; Aufsatzsammlung ; Aufsatzsammlung

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028326822&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028326822&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA

UID:

Format: 1 Online-Ressource (XX, 339 p)

ISBN: 9789004304406

Series Statement: DQR studies in literature v. 59

Content: Preliminary Material /Jorge Sacido-Romero and Sylvia Mieszkowski -- Revoicing Writing: An Introduction to Theorizing Vocality /Jorge Sacido-Romero and Sylvia Mieszkowski -- ‘Secondary Vocality’ and the Sound Defect /Garrett Stewart -- The Object Voice in Romantic Irish Novels /Peter Weise -- Poe, Voice and the Origin of Horror Fiction /Fred Botting -- Double Voice and Extimate Singing in Trilby /Bruce Wyse -- Bloom’s Neume: The Object Voice in the “Sirens” Episode in Joyce’s Ulysses /Phillip Mahoney -- Fantasizing Agency and Otherness through Voice and Voicelessness in Ellison’s Invisible Man /Natalja Chestopalova -- The Voice in Twentieth-Century English Short Fiction: E.M. Forster, V.S. Pritchett and Muriel Spark /Jorge Sacido-Romero -- Voices of Terror and Horror: Towards an Acoustics of Modern Gothic /Matt Foley -- Sanctuaries on Mount Penanggungan: Candi Kendalisodo, Candi Yudha, and the Panji statue from Candi Selokelir – the climax Uncanny in Armistead Maupin’s The Night Listener /Sylvia Mieszkowski -- “It’s only combinations of letters, after all, isn’t it”: The “Voice” and Spirit Mediums in Thomas Pynchon’s Against the Day (2006) /Alexander Hope -- ‘Voice-Trace’ in James Chapman’s How Is This Going to Continue? (2007) /Marcin Stawiarski -- Notes on Contributors /Jorge Sacido-Romero and Sylvia Mieszkowski -- Index /Jorge Sacido-Romero and Sylvia Mieszkowski.

Content: Sound Effects combines literary criticism and psychoanalytic theory in eleven original articles which explore the potential of the object voice as an analytic tool to approach fiction. Alongside the gaze, the voice is Jacques Lacan’s original addition to the set of partial objects of classical psychoanalysis, and has only recently been theorised by Mladen Dolar in A Voice and Nothing More (2006). With notable exceptions like Garrett Stewart’s Reading Voices (1990), the sonorous element in fiction has received little scholarly attention in comparison with poetry and drama. Sound Effects is a contribution to the burgeoning field of sound studies, and sets out to fill this gap through selective readings of English and American fiction of the last two hundred years. Contributors: Fred Botting, Natalja Chestopalova, Mladen Dolar, Matt Foley, Alex Hope, Phillip Mahoney, Sylvia Mieszkowski, Jorge Sacido-Romero, Marcin Stawiarski, Garrett Stewart, Peter Weise, and Bruce Wyse

Note: Includes bibliographical references and index

Additional Edition: ISBN 9789004304383

Additional Edition: Erscheint auch als Druck-Ausgabe Sound Effects: The Object Voice in Fiction Leiden, Boston : Brill | Rodopi, 2015 ISBN 9789004304383

Language: English

DOI: 10.1163/9789004304406

URL: DOI

UID:

Format: 1 online resource (XX, 339 pages)

ISBN: 9789004304406

Series Statement: DQR studies in literature, v. 59

Content: Sound Effects combines literary criticism and psychoanalytic theory in eleven original articles which explore the potential of the object voice as an analytic tool to approach fiction. Alongside the gaze, the voice is Jacques Lacan's original addition to the set of partial objects of classical psychoanalysis, and has only recently been theorised by Mladen Dolar in A Voice and Nothing More (2006). With notable exceptions like Garrett Stewart's Reading Voices (1990), the sonorous element in fiction has received little scholarly attention in comparison with poetry and drama. Sound Effects is a contribution to the burgeoning field of sound studies, and sets out to fill this gap through selective readings of English and American fiction of the last two hundred years. Contributors: Fred Botting, Natalja Chestopalova, Mladen Dolar, Matt Foley, Alex Hope, Phillip Mahoney, Sylvia Mieszkowski, Jorge Sacido-Romero, Marcin Stawiarski, Garrett Stewart, Peter Weise, and Bruce Wyse.

Note: Preliminary Material / , Revoicing Writing: An Introduction to Theorizing Vocality / , 'Secondary Vocality' and the Sound Defect / , The Object Voice in Romantic Irish Novels / , Poe, Voice and the Origin of Horror Fiction / , Double Voice and Extimate Singing in Trilby / , Bloom's Neume: The Object Voice in the "Sirens" Episode in Joyce's Ulysses / , Fantasizing Agency and Otherness through Voice and Voicelessness in Ellison's Invisible Man / , The Voice in Twentieth-Century English Short Fiction: E.M. Forster, V.S. Pritchett and Muriel Spark / , Voices of Terror and Horror: Towards an Acoustics of Modern Gothic / , Sanctuaries on Mount Penanggungan: Candi Kendalisodo, Candi Yudha, and the Panji statue from Candi Selokelir - the climax Uncanny in Armistead Maupin's The Night Listener / , "It's only combinations of letters, after all, isn't it": The "Voice" and Spirit Mediums in Thomas Pynchon's Against the Day (2006) / , 'Voice-Trace' in James Chapman's How Is This Going to Continue? (2007) / , Notes on Contributors / , Index /

Additional Edition: Print version: Sound Effects: The Object Voice in Fiction Leiden, Boston : Brill | Rodopi, 2015, ISBN 9789004304383

Language: English

URL: DOI: