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  • 1
    UID:
    b3kat_BV043082338
    Format: 1 Online-Ressource
    ISBN: 0585495378 , 1280958820 , 9048505135 , 905356585X , 9780585495378 , 9781280958823 , 9789048505135 , 9789053565858
    Note: Title from e-book title screen (viewed Feb. 16, 2004) , Includes bibliographical references and index , Perspectives on Progress: A History -- - From the Ancients and the Moderns: A Door to the Future -- - From Romanticism to the Avant-Garde -- - On Making Revolution -- - Innovation in Painting and Architecture: De Stijl -- - The End of Art -- - A New Approach to an Old Concept , A philosophical essay in support of the argument that progress in art is both possible and necessary
    Language: English
    RVK:
    Keywords: Avantgarde ; Ästhetik ; Postmoderne ; Kunst
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 2
    Online Resource
    Online Resource
    Amsterdam : Amsterdam University Press
    UID:
    gbv_1678407402
    Format: 1 Online-Ressource (1 online resource)
    Edition: [Online-Ausgabe]
    ISBN: 9789048505135
    Content: Frontmatter -- Contents -- Foreword / Doorman, Maarten -- Introduction -- 1. Perspectives On Progress: A History -- 2. From The Ancients And The Moderns: A Door To The Future -- 3. From Romanticism To The Avant-Garde -- 4. On Making Revolution -- 5. Innovation In Painting And Architecture: De Stijl -- 6. The End Of Art -- 7. A New Approach To An Old Concept -- Notes -- Bibliography -- Index Of Names
    Content: In this challenging essay, Maarten Doorman argues that in art, belief in progress is still relevant, if not essential. The radical freedoms of postmodernism, he claims, have had a crippling effect on art, leaving it in danger of becoming meaningless. Art can only acquire meaning through context; the concept of progress, then, is ideal as the primary criterion for establishing that context. The history of art, in fact, can be seen as a process of constant accumulation, works of art commenting on one another and enriching one another's meanings. It is these complex interrelationships and the progress they create in both art and its observers that Doorman, in a display of great philosophical erudition, defends
    Note: restricted access online access with authorization star , Mode of access: Internet via World Wide Web. , In English
    Additional Edition: ISBN 9789053565858
    Additional Edition: Erscheint auch als print ISBN 9789053565858
    Language: English
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 3
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Amsterdam University Press
    UID:
    gbv_1778789587
    Format: 1 Online-Ressource (181 p.)
    ISBN: 9789053565858
    Content: In this challenging and erudite philosophical essay, the author argues that in art, belief in progress is still relevant, if not essential. The radical freedoms of postmodernism have had a crippling effect on art - more than ever before, art is in danger of becoming meaningless. Art can only acquire meaning through context, and the concept of progress is ideal as the primary criterion for establishing that context. History of art can be seen as a process of constant accumulation. Works of art comment on each other, enriching each other's meanings. These complex interrelationships lead to progress in both the sensibility of the observer and the significance of the works of art
    Content: Alles in de kunst is in beweging. Tegelijkertijd lijkt met het eind van de avantgarde de grote stilstand te zijn ingetreden. Het veelbesproken einde van de kunst en het postmodernisme roepen veel twijfels op. In dit helder geschreven betoog onderzoekt de auteur een begrip dat door de tot cliche geworden afschaffing van de Grote Verhalen onzichtbaar is geworden: het vooruitgangsidee. Hij laat zien hoe dat idee in de achttiende eeuw opkomt, allesbepalend is tijdens de avantgarde en met het eind van de avantgarde ten onder gaat. Maarten Doorman pleit voor een kritische herwaardering van vooruitgangsbegrippen om de als zorgeloosheid vermomde vrijblijvendheid van het postmodernisme het hoofd te bieden. Arthur Danto: The end of art does not entail that there has not been genuine progress in the philosophy of art. Maarten Doorman's challenging and valuable study contributes to that progress, whether or not progress in art itself remains, as he argues, a tenable idea
    Note: English
    Language: English
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  • 4
    UID:
    gbv_1748369121
    Format: 1 online resource (181 pages) , digital, PDF file(s).
    ISBN: 9789048505135 , 9789053565858
    Uniform Title: Steeds mooier
    Content: In this challenging essay, Maarten Doorman argues that in art, belief in progress is still relevant, if not essential. The radical freedoms of postmodernism, he claims, have had a crippling effect on art, leaving it in danger of becoming meaningless. Art can only acquire meaning through context; the concept of progress, then, is ideal as the primary criterion for establishing that context. The history of art, in fact, can be seen as a process of constant accumulation, works of art commenting on one another and enriching one another's meanings. It is these complex interrelationships and the progress they create in both art and its observers that Doorman, in a display of great philosophical erudition, defends.
    Note: Title from publisher's bibliographic system (viewed on 15 Jan 2021)
    Additional Edition: ISBN 9789053565858
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9789053565858
    Language: English
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  • 5
    UID:
    gbv_64674528X
    Format: Online-Ressource (i, 182 p)
    ISBN: 905356585X
    Uniform Title: Steeds mooier. 〈engl.〉
    Content: In this challenging and erudite philosophical study, the author argues that in art, belief in progress is still relevant, if not essential. The radical freedoms of postmodernism have had a crippling effect on art; more than ever before, art is in danger of becoming meaningless. Art can only acquire meaning through context, and the concept of progress is ideal as the primary criterion for establishing that context. Art over time can be seen as a process of constant accumulation. Works of art comment on each other, enriching each other's meanings. These complex interrelationships lead to progress in both the sensibility of the observer and the significance of the works of art
    Note: Includes bibliographical references and index , Contents; Foreword; Introduction; 1 Perspectives on Progress: A History; 2 From the Ancients and the Moderns: A Door to the Future; 3 From Romanticism to the Avant-Garde; 4 On Making Revolution; 5 Innovation in Painting and Architecture: De Stijl; 6 The End of Art; 7 A New Approach to an Old Concept; Notes; Bibliography; Index of Names
    Additional Edition: Druckausg. Doorman, Maarten, 1957 - Art in progress Amsterdam : Amsterdam University Press, 2003 ISBN 905356585X
    Language: English
    RVK:
    Keywords: Ästhetik ; Fortschrittsgedanke ; Avantgarde ; Kunst ; Postmoderne
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  • 6
    UID:
    gbv_475459075
    Format: 181 S , Ill.
    ISBN: 905356585X
    Additional Edition: Online-Ausg. Doorman, Maarten, 1957 - Art in progress Amsterdam : Amsterdam Univ. Press, 2003 ISBN 905356585X
    Language: English
    RVK:
    Keywords: Ästhetik ; Fortschrittsgedanke ; Avantgarde ; Kunst ; Postmoderne
    Library Location Call Number Volume/Issue/Year Availability
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