Kooperativer Bibliotheksverbund

UID:

Format: 1 Online-Ressource.

ISBN: 978-1-5013-0488-0 , 978-1-6289-2544-9 , 978-1-6289-2545-6

Series Statement: New directions in German studies 10

Content: "The Poet as Phenomenologist: Rilke and the New Poems opens up new perspectives on the relation between Rilke's poetry and phenomenological philosophy, illustrating the ways in which poetry can offer an exceptional response to the philosophical problem of dualism. Drawing on the work of Husserl, Heidegger and Merleau-Ponty, Luke Fischer makes a new contribution to the tradition of phenomenological poetics and expands the debate among Germanists concerning the phenomenological status of Rilke's poetry, which has been severely limited to comparisons of Rilke and Husserl. Fischer explicates an implicit phenomenology of perception in Rilke's writings from his middle period (1902-1910). He argues that Rilke cultivated an artistic perception that, in a philosophically significant manner, overcomes the opposition between the sensuous and the intelligible while simultaneously transcending the boundaries of philosophy. Fischer offers novel interpretations of central poems from Rilke's Neue Gedichte (1907) and Der neuen Gedichte anderer Teil (1908) and frames them as the ultimate articulation of Rilke's non-dualistic vision. He thus demonstrates the continuity between Rilke and phenomenology while arguing that poetry, in this case, provides the most adequate response to a philosophical problem"..

Note: Includes bibliographical references and index

Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-6289-2543-2

Language: English

Subjects: German Studies

Keywords: 1875-1926 Neue Gedichte Rilke, Rainer Maria ; Phänomenologie

DOI: 10.5040/9781501304880

URL: lizenzpflichtig

URL: lizenzpflichtig

Author information: Fischer, Luke 1978-

UID:

Format: 1 online resource (447 pages)

Edition: First edition.

ISBN: 0-19-105330-9 , 0-19-870448-8 , 0-19-105329-5

Series Statement: Oxford books of prose & verse

Uniform Title: Oxford book of war poetry.

Content: There can be no area of human experience that has generated a wider range of powerful feelings than war. Jon Stallworthy's classic and celebrated anthology spans centuries of human experience of war, from Homer's Iliad, through the First and Second World Wars, the Vietnam War, and the wars fought since. This new edition, published to mark the centenary of the outbreak of the First World War, includes a new introduction and additional poems from David Harsent and Peter Wyton, amongst others. The new selection provides improved coverage of the two World Wars and the Vietnam War, and new coverage of the wars of the late twentieth and early twenty-first centuries. -- Publisher description.

Note: Includes index. , Cover -- The New Oxford Book of War Poetry -- Copyright -- CONTENTS -- INTRODUCTION -- THIRTY YEARS ON -- NOTE ON DATES USED -- THE BIBLE -- 1. from The Book of Exodus -- 2. from The Second Book of Samuel -- HOMER ( c.900 BC) -- 3. from The Iliad 3 -- SIMONIDES ( c.556-c.468 BC) -- 4. Thermopylae -- ANONYMOUS (4th century BC) -- 5. Hymn to the Fallen -- VIRGIL (70-19 BC) -- 6. from The Aeneid -- HORACE (65-8 BC) -- 7. from The Odes -- ANEIRIN (6th century) -- 8. from The Gododdin -- RIHAKU (8th century) -- 9. Lament of the Frontier Guard -- ANONYMOUS (8th century) -- 10. The Finnesburh Fragment -- ANONYMOUS (10th century) -- 11. The Battle of Brunanburh -- ANONYMOUS (11th century) -- 12. The Battle of Maldon -- ANONYMOUS (12th century) -- 13. from The Song of Roland -- ANONYMOUS (12th century) -- 14. The Lament of Maev Leith-Dherg -- MIROSLAV HOLUB (1923-1988) -- 15. The Fly -- GEOFFREY CHAUCER (1343-1400) -- 16. from The Knight's Tale -- MICHAEL DRAYTON (1563-1631) -- 17. To the Cambro-Britons, and their harp, his Ballad of Agincourt -- EDMUND SPENSER (1552-1599) -- 18. from Astrophel, A Pastoral Elegie Upon the Death of the Most Noble and Valorous Knight, Sir Philip Sidney -- SAMUEL DANIEL (1562-1619) -- 19. from The Civil Wars between the Two Houses of Lancaster and York -- HENRY HOWARD, EARL OF SURREY (1517-1547) -- 20. 'Norfolk sprang thee, Lambeth holds thee dead' -- GEORGE GASCOIGNE (?1525-1577) -- 21. from The Fruits of War 47 -- GEORGE PEELE (?1558-1596) -- 22. Farewell to Arms -- JOHN DONNE (1572-1631) -- 23. A Burnt Ship -- SIR WILLIAM DAVENANT (1606-1668) -- 24. The Soldier Going to the Field -- RICHARD LOVELACE (1618-1658) -- 25. To Lucasta, Going to the Wars -- ANDREW MARVELL (1621-1678) -- 26. An Horatian Ode upon Cromwell's Return from Ireland -- JOHN MILTON (1608-1674) -- 27. On the Late Massacre in Piedmont. , 28. from Paradise Lost -- CHARLES SACKVILLE, EARL OF DORSET 1638-1706 -- 29. Song: Written at Sea in the First Dutch War, the night before an Engagement -- JOHN DRYDEN (1631-1700) -- 30. from Annus Mirabilis -- DANIEL DEFOE (1660-1731) -- 31. from The Spanish Descent -- JOSEPH ADDISON (1672-1719) -- 32. from The Campaign: A Poem to His Grace the Duke of Marlborough -- ROBERT SOUTHEY (1774-1843) -- 33. The Battle of Blenheim -- JAMES THOMSON (1700-1748) -- 34. Rule, Brittania! -- SAMUEL JOHNSON (1709-1784) -- 35. from The Vanity of Human Wishes -- JOHN SCOTT OF AMWELL (1730-1783) -- 36. The Drum -- THOMAS CAMPBELL (1777-1844) -- 37. Ye Mariners of England -- 38. Hohenlinden -- SAMUEL TAYLOR COLERIDGE (1772-1834) -- 39. Fears in Solitude -- WILLIAM WORDSWORTH (1770-1850) -- 40. Old Man Travelling -- 41. 'It is not to be thought of that the flood' -- 42. To the Men of Kent -- 43. November, 1806 -- PERCY BYSSHE SHELLEY (1792-1822) -- 44. from The Revolt of Islam -- CHARLES WOLFE (1791-1823) -- 45. The Burial of Sir John Moore after Corunna -- JOEL BARLOW (1754-1812) -- 46. Advice to a Raven in Russia -- ADAM MICKIEWICZ (1798-1855) -- 47. The Year 1812 -- VICTOR HUGO (1802-1885) -- 48. Russia 1812 -- FYODOR TYUTCHEV (1803-1873) -- 49. At Vshchizh -- ROBERT BROWNING (1812-1889) -- 50. Incident of the French Camp -- THOMAS HARDY (1840-1928) -- 51. from The Dynasts -- GEORGE GORDON NOEL, LORD BYRON (1788-1824) -- 52. The Destruction of Sennacherib -- 53. from Childe Harold's Pilgrimage -- 54. from Don Juan -- 55. On This Day I Complete My Thirty-Sixth Year -- THOMAS BABINGTON MACAULAY, LORD MACAULAY (1800-1859) -- 56. from Horatius -- WILLIAM EDMONDSTOUNE AYTOUN (1813-1865) -- 57. from Edinburgh after Flodden -- MATTHEW ARNOLD (1822-1888) -- 58. from Sohrab and Rustum -- ALFRED, LORD TENNYSON (1809-1892) -- 59. The Revenge. , 60. The Charge of the Light Brigade -- 61. from Maud -- WILLIAM MAKEPEACE THACKERAY (1811-1863) -- 62. The Due of the Dead -- RALPH WALDO EMERSON (1803-1882) -- 63. Concord Hymn -- WALT WHITMAN (1819-1892) -- 64. Beat! Beat! Drums! -- 65. Come up from the Fields Father -- 66. Vigil Strange I Kept on the Field one Night -- 67. The Wound-Dresser -- 68. Reconciliation -- HERMAN MELVILLE (1819-1891) -- 69. The Portent -- 70. Ball's Bluff -- 71. Shiloh -- 72. The College Colonel -- EMILY DICKINSON (1830-1886) -- 73. 'My Portion is Defeat-today-' -- 74. 'My Triumph lasted till the Drums' -- STEPHEN CRANE (1871-1900) -- 75. 'Do not weep, maiden, for war is kind' -- JAMES RUSSELL LOWELL (1819-1891) -- 76. from Ode Recited at the Harvard Commemoration -- JULIA WARD HOWE (1819-1910) -- 77. The Battle Hymn of the Republic -- ALLEN TATE (1889-1979) -- 78. Ode to the Confederate Dead -- RAINER MARIA RILKE (1875-1926) -- 79. Last Evening -- ARTHUR RIMBAUD (1854-1891) -- 80. from Eighteen-Seventy -- RUDYARD KIPLING (1865-1936) -- 81. Arithmetic on the Frontier -- 82. Tommy -- SIR HENRY NEWBOLT (1862-1938) -- 83. He Fell among Thieves -- 84. Vitaï Lampada -- THOMAS HARDY (1840-1928) -- 85. Embarcation -- 86. The Colonel's Soliloquy -- 87. A Christmas Ghost-Story -- 88. Drummer Hodge -- 89. A Wife in London -- 90. The Man He Killed -- A. E. HOUSMAN (1859-1936) -- 91. 'On the idle hill of summer' -- 92. 'Soldier from the wars returning' -- 93. Grenadier -- 94. Lancer -- 95. Astronomy -- T. W. H. CROSLAND (1865-1924) -- 96. Slain -- EDGAR WALLACE (1875-1932) -- 97. War -- RUDYARD KIPLING (1865-1936) -- 98. Bridge-Guard in the Karroo -- 99. The Dykes -- HERBERT ASQUITH (1881-1947) -- 100. The Volunteer -- THOMAS HARDY (1840-1928) -- 101. Men Who March Away -- 102. In Time of 'The Breaking of Nations' -- RUPERT BROOKE (1887-1915) -- 103. Peace -- 104. The Dead. , 105. The Soldier -- WILFRID GIBSON (1878-1962) -- 106. Breakfast -- PATRICK SHAW-STEWART (1888-1917) -- 107. 'I saw a man this morning' -- JULIAN GRENFELL (1888-1915) -- 108. Into Battle -- JOHN MCCRAE (1872-1918) -- 109. In Flanders Fields -- T. P. CAMERON WILSON (1889-1918) -- 110. Magpies in Picardy -- CHARLES SORLEY (1895-1915) -- 111. 'All the hills and vales along' -- 112. 'When you see millions of the mouthless dead' -- A. E. HOUSMAN (1859-193) -- 113. Epitaph on an Army of Mercenaries -- HUGH MACDIARMID (1892-1978) -- 114. Another Epitaph on an Army of Mercenaries -- CARL SANDBURG (1878-1967) -- 115. Grass -- ROBERT FROST (1874-1963) -- 116. Range-Finding -- WALLACE STEVENS (1879-1955) -- 117. The Death of a Soldier -- GUILLAUME APOLLINAIRE (1880-1918) -- 118. Calligram, 15 May 1915 -- BENJAMIN PÉRET (1899-1959) -- 119. Little Song of the Maimed -- W. B. YEATS (1865-1939) -- 120. On Being Asked for a War Poem -- 121. Sixteen Dead Men -- 122. An Irish Airman Foresees His Death -- 123. Reprisals -- 124. The Second Coming -- ROBERT W. SERVICE (1874-1958) -- 125. Only a Boche -- 126. Tipperary Days -- SIEGFRIED SASSOON (1886-1967) -- 127. The Redeemer -- 128. Christ and the Soldier -- 129. 'They' -- 130. The Hero -- 131. The General -- 132. Glory of Women -- 133. Everyone Sang -- EDWARD THOMAS (1878-1917) -- 134. In Memoriam (Easter 1915) -- 135. The Cherry Trees -- 136. Rain -- 137. As the team's head brass -- IVOR GURNEY (1890-1937) -- 138. To His Love -- 139. Ballad of the Three Spectres -- 140. First Time In -- 141. The Silent One -- ISAAC ROSENBERG (1890-1918) -- 142. On Receiving News of the War -- 143. August 1914 -- 144. Break of Day in the Trenches -- 145. Dead Man's Dump -- 146. Returning, We Hear the Larks -- WILFRED OWEN (1893-1918) -- 147. Anthem for Doomed Youth -- 148. Dulce Et Decorum Est -- 149. Exposure -- 150. Insensibility. , 151. The Send-Off -- 152. Futility -- 153. Strange Meeting -- 154. The Sentry -- 155. Spring Offensive -- ROBERT GRAVES (1895-1985) -- 156. The Dead Fox Hunter -- 157. Sergeant-Major Money -- 158. The Legion -- 159. Recalling War -- 160. The Persian Version -- EDMUND BLUNDEN (1896-1974) -- 161. Two Voices -- 162. The Zonnebeke Road -- 163. Vlamertinghe: Passing the Château, July 1917 -- 164. Report on Experience -- 165. 1916 seen from 1921 -- RICHARD ALDINGTON (1892-1962) -- 166. Battlefield -- EDGELL RICKWORD (1898-1982) -- 167. Winter Warfare -- 168. Trench Poets -- E. E. CUMMINGS (1894-1962) -- 169. 'my sweet old etcetera' -- 170. 'next to of course god america i' -- 171. 'i sing of Olaf glad and big' -- JOHN PEALE BISHOP (1892-1944) -- 172. In the Dordogne -- DAVID JONES (1895-1974) -- 173. from In Parenthesis -- LAURENCE BINYON (1869-1943) -- 174. For the Fallen -- EZRA POUND (1885-1972) -- 175. from Hugh Selwyn Mauberley -- T. S. ELIOT (1888-1965) -- 176. Triumphal March -- G. K. CHESTERTON (1874-1936) -- 177. Elegy in a Country Churchyard -- RUDYARD KIPLING (1865-1936) -- 178. Mesopotamia 1917 -- 179. from Epitaphs of the War 1914-18 -- ELIZABETH DARYUSH (1887-1977) -- 180. Subalterns -- MAY WEDDERBURN CANNAN (1893-1973) -- 181. August 1914 -- 182. Rouen -- 183. 'After the War' -- PHILIP LARKIN (1922-1985) -- 184. MCMXIV -- VERNON SCANNELL (1922-2007) -- 185. The Great War -- TED HUGHES (1930-1998) -- 186. Six Young Men -- 187. Platform One -- DOUGLAS DUNN (1942- ) -- 188. War Blinded -- MICHAEL LONGLEY (1939- ) -- 189. Wounds -- LOUIS MACNEICE (1907-1963) -- 190. from Autumn Journal -- JOHN CORNFORD (1915-1936) -- 191. A Letter from Aragon -- 192. Full Moon at Tierz: Before the Storming of Huesca -- 193. To Margot Heinemann -- GEORGE ORWELL (1903-1950) -- 194. 'The Italian soldier shook my hand' -- ANONYMOUS. , 195. 'Eyes of men running, falling, screaming'. , English

Additional Edition: ISBN 1-322-20642-2

Additional Edition: ISBN 0-19-870447-X

Language: English

Subjects: English Studies

UID:

Format: XIX, 226 S.

Edition: 1. publ.

Edition: Online-Ausg. New York Cambridge Collections Online Online-Ressource Cambridge companions online Online-Ausg. New York : Cambridge Collections Online. Online-Ressource

Edition: Cambridge collections online

Edition: Cambridge companions to literature and classics

ISBN: 0521879434 , 0521705088 , 9780521879439 , 9780521705080

Series Statement: Cambridge companions to literature

Content: "Often regarded as the greatest German poet of the twentieth century, Rainer Maria Rilke (1875-1926) remains one of the most influential figures of European modernism. In this Companion, leading scholars offer informative and thought-provoking essays on his life and social context, his correspondence, all his major collections of poetry including most famously the Duino Elegies and Sonnets to Orpheus, and his seminal novel of Modernist anxiety, The Notebooks of Malte Laurids Brigge. Rilke's critical contexts are explored in detail: his relationship with philosophy and the visual arts, his place within modernism and his relationship to European literature, and his reception in Europe and beyond. With its invaluable guide to further reading and a chronology of Rilke's life and work, this Companion will provide an accessible, engaging account of this extraordinary poet whose legacy looms so large today"--Provided by publisher

Note: Includes bibliographical references (p. 213-218) and indexes , Machine generated contents note: Chronology; Introduction Karen Leeder and Robert Vilain; Part I. Life: 1. Rilke: a biographical exploration Rüdiger Görner; 2. The status of the correspondence in Rilke's work Ulrich Baer; Part II. Works: 3. Early poems Charlie Louth; 4. The new poems William Waters; 5. The Notebooks of Malte Laurids Brigge Andreas Huyssen; 6. The Duino Elegies Kathleen L. Komar; 7. The Sonnets to Orpheus Thomas Martinec; Part III. Cultural Contexts, Influences, Reception: 8. Rilke and modernism Andreas Kramer; 9. Rilke as reader Robert Vilain; 10. Rilke and the visual arts Helen Bridge; 11. Rilke: thought and mysticism Paul Bishop; 12. Rilke and his philosophical critics Anthony Phelan; 13. Rilke's legacy in the English-speaking world Karen Leeder; Appendix: poem titles; Guide to further reading; Index; Index to Rilke's works. , Online-Ausg. New York : Cambridge Collections Online. Online-Ressource

Additional Edition: ISBN 9781139002790

Additional Edition: ISBN 9780521879439

Additional Edition: Erscheint auch als Druck-Ausgabe The Cambridge companion to Rilke Cambridge [u.a.] : Cambridge Univ. Press, 2010 ISBN 0521705088

Additional Edition: ISBN 0521879434

Additional Edition: ISBN 9780521705080

Additional Edition: ISBN 9780521879439

Additional Edition: Erscheint auch als Druck-Ausgabe The Cambridge companion to Rilke

Language: English

Subjects: German Studies

Keywords: Rilke, Rainer Maria 1875-1926 ; Aufsatzsammlung

DOI: 10.1017/CCOL9780521879439

URL: Volltext

URL: Volltext

Author information: Leeder, Karen 1962-

UID:

Format: 1 online resource (xix, 226 pages) : , digital, PDF file(s).

ISBN: 1-139-80165-1 , 1-139-00279-1

Series Statement: Cambridge companions to literature

Uniform Title: Cambridge companions online.

Content: Often regarded as the greatest German poet of the twentieth century, Rainer Maria Rilke (1875-1926) remains one of the most influential figures of European modernism. In this Companion, leading scholars offer informative and thought-provoking essays on his life and social context, his correspondence, all his major collections of poetry including most famously the Duino Elegies and Sonnets to Orpheus, and his seminal novel of Modernist anxiety, The Notebooks of Malte Laurids Brigge. Rilke's critical contexts are explored in detail: his relationship with philosophy and the visual arts, his place within modernism and his relationship to European literature, and his reception in Europe and beyond. With its invaluable guide to further reading and a chronology of Rilke's life and work, this Companion will provide an accessible, engaging account of this extraordinary poet whose legacy looms so large today.

Note: Title from publisher's bibliographic system (viewed on 09 Nov 2015). , Machine generated contents note: Chronology; Introduction Karen Leeder and Robert Vilain; Part I. Life: 1. Rilke: a biographical exploration Rüdiger Görner; 2. The status of the correspondence in Rilke's work Ulrich Baer; Part II. Works: 3. Early poems Charlie Louth; 4. The new poems William Waters; 5. The Notebooks of Malte Laurids Brigge Andreas Huyssen; 6. The Duino Elegies Kathleen L. Komar; 7. The Sonnets to Orpheus Thomas Martinec; Part III. Cultural Contexts, Influences, Reception: 8. Rilke and modernism Andreas Kramer; 9. Rilke as reader Robert Vilain; 10. Rilke and the visual arts Helen Bridge; 11. Rilke: thought and mysticism Paul Bishop; 12. Rilke and his philosophical critics Anthony Phelan; 13. Rilke's legacy in the English-speaking world Karen Leeder; Appendix: poem titles; Guide to further reading; Index; Index to Rilke's works. , English

Additional Edition: ISBN 0-521-70508-8

Additional Edition: ISBN 0-521-87943-4

Language: English

UID:

Format: 1 online resource.

ISBN: 9789004486317 , 9789042008007

Series Statement: Brill Book Archive Part 1, ISBN: 9789004472495 47

Content: In 1923, the twenty-seven-year-old Paul Hindemith published a composition for voice and piano, entitled Das Marienleben , based on Rainer Maria Rilke's poetic cycle of 1912. Twenty-five years later, the composer presented a thoroughly revised, partially rewritten version. The outcome of this revision has been highly controversial. Ever since its first publication, musicologists have argued for or against the value of such a decisive rewriting. They do so both by comparing the two compositions on purely musical grounds, and by attempting to assess whether the more strictly organized tonal layout and dynamic structuring of Marienleben II is more or less appropriate for the topic of a poetic cycle on the Life of Mary. This study is the first to analyze the messages conveyed in the two versions with an emphasis on their implicit aesthetic, philosophical, and spiritual significance. Acknowledging the compositions as examples of musical ekphrasis ("a representation in one artistic medium of a message originally composed in another medium"), the author argues in exhaustive detail that the young Hindemith of 1922-23 and the mature composer of 1941-48 can be seen as setting two somewhat different poetic cycles. This volume is of interest for musicologists and music lovers, scholars of German literature and lovers of Rilke's poetry, as well as for readers interested in the interartistic relationships of music and literature.

Note: Introduction. The "Life of Mary". Rilke and Christian Devotion. Ekphrasis in Rilke's Work: Poems on Depictions of Mary and Jesus. Hindemith: From Expressionism to the Ethos of Art. Outline of the Poetic and Musical Cycles on the "Life of Mary". Geburt Mariä (no. 1). Die Darstellung Mariä im Tempel (no. 2). Mariä Verkündigung (no. 3). Mariä Heimsuchung (no. 4). Geburt Christi (no. 7). Vor der Passion (no. 10). Pietà (no. 11). Stillung Mariä mit dem Auferstandenen (no. 12). Vom Tode Mariä I (no. 13). Vom Tode Mariä II (no. 14). The Five "Picturesque" Songs. Conclusion: Hindemith's Ekphrastic Response to Rilke's Marien-Leben. Bibliography. List of Illustrations. Indes of Names. Index of Literary and Musical Works Cited. About the Author.

Additional Edition: Print version: Musical Ekphrasis in Rilke's Marien-Leben. Leiden ; Boston : BRILL, 2000 ISBN 9789042008007

Language: English

URL: DOI:

UID:

Format: XII, 331 S. , 23 cm

ISBN: 9781628925432

Series Statement: New directions in German studies 10

Content: "The Poet as Phenomenologist: Rilke and the New Poems opens up new perspectives on the relation between Rilke's poetry and phenomenological philosophy, illustrating the ways in which poetry can offer an exceptional response to the philosophical problem of dualism. Drawing on the work of Husserl, Heidegger and Merleau-Ponty, Luke Fischer makes a new contribution to the tradition of phenomenological poetics and expands the debate among Germanists concerning the phenomenological status of Rilke's poetry, which has been severely limited to comparisons of Rilke and Husserl. Fischer explicates an implicit phenomenology of perception in Rilke's writings from his middle period (1902-1910). He argues that Rilke cultivated an artistic perception that, in a philosophically significant manner, overcomes the opposition between the sensuous and the intelligible while simultaneously transcending the boundaries of philosophy. Fischer offers novel interpretations of central poems from Rilke's Neue Gedichte (1907) and Der neuen Gedichte anderer Teil (1908) and frames them as the ultimate articulation of Rilke's non-dualistic vision. He thus demonstrates the continuity between Rilke and phenomenology while arguing that poetry, in this case, provides the most adequate response to a philosophical problem"--

Content: "A groundbreaking contribution to Rilke scholarship that significantly expands the existing debate concerning the relation between Rilke's poetry and phenomenological philosophy"--

Note: Literaturverz. S. [307] - 317 , Machine generated contents note:Introduction Chapter 1. Phenomenology and the Problem of Dualism Chapter 2. Learning to See: Rilke and the Visual Arts Chapter 3. Rilke as Seer: A Twofold Vision of Nature Chapter 4. The Neue Gedichte as a Twofold Imagining of Things. Conclusion. Epilogue. Bibliography. Index.

Additional Edition: ISBN 9781628925449

Additional Edition: ISBN 9781628925456

Language: English

Subjects: German Studies

Keywords: Rilke, Rainer Maria 1875-1926 Neue Gedichte ; Phänomenologie ; Rilke, Rainer Maria 1875-1926 Neue Gedichte

URL: Cover

URL: Inhaltsverzeichnis

Author information: Fischer, Luke 1978-

UID:

Format: 1 online resource

ISBN: 9781317532590 , 1317532597 , 1315724987 , 9781315724980 , 9781317532583 , 1317532589 , 9781317532576 , 1317532570

Content: This book presents an innovative format for poetry criticism that its authors call ""dialogical poetics."" This approach shows that readings of poems, which in academic literary criticism often look like a product of settled knowledge, are in reality a continual negotiation between readers. But Derek Attridge and Henry Staten agree to rein in their own interpretive ingenuity and ""minimally interpret"" poems - reading them with careful regard for what the poem can be shown to actually say, in detail and as a whole, from opening to closure. Based on a series of emails, the book explores a numbe

Note: Cover; Half Title ; Title Page; Copyright Page; Table of Contents; Acknowledgments; Introduction: Dialogical poetics; 1. Minimal interpretation (William Blake, "The Sick Rose"); 2. Figurative language (Emily Dickinson, "I started Early"); 3. Historical context (Wilfred Owen, "Futility"); 4. Intellectual and cultural context (John Milton, "At aSolemn Music"); 5. Situated subjects (Langston Hughes, "Lenox Avenue:Midnight" and "Song for a Black Girl"); 6. Poetic commentary (Shakespeare, Sonnet 116); 7. Modernist poetry and discursive logic (T.S. Eliot, "The LoveSong of J. Alfred Prufrock"). , 8. The poetry of ellipsis (Denise Riley, "A Nueva York")9. Translation (Charles Baudelaire, "Au Lecteur"; Federico Garc©ƯaLorca, "Romance de la luna, luna, luna"; Rainer Maria Rilke, "Sonnets to Orpheus II.13"); Index.

Additional Edition: Print version: Attridge, Derek. Craft of Poetry : Dialogues on Minimal Interpretation. Hoboken : Taylor and Francis, ©2015 ISBN 9781138850064

Language: English

DOI: 10.4324/9781315724980

URL: ebrary

URL: EBSCOhost

URL: MyiLibrary

URL: Taylor & Francis

URL: Taylor & Francis

URL: VLeBooks

URL: VLeBooks

URL: View this content on Open Research Library.

URL: Biblioboard

UID:

Format: 1 online resource (175 p.)

ISBN: 1-138-85007-1 , 1-315-72498-7 , 1-317-53258-9

Content: This book presents an innovative format for poetry criticism that its authors call ""dialogical poetics."" This approach shows that readings of poems, which in academic literary criticism often look like a product of settled knowledge, are in reality a continual negotiation between readers. But Derek Attridge and Henry Staten agree to rein in their own interpretive ingenuity and ""minimally interpret"" poems - reading them with careful regard for what the poem can be shown to actually say, in detail and as a whole, from opening to closure. Based on a series of emails, the book explores a numbe

Note: Description based upon print version of record. , Cover; Half Title ; Title Page; Copyright Page; Table of Contents; Acknowledgments; Introduction: Dialogical poetics; 1. Minimal interpretation (William Blake, "The Sick Rose"); 2. Figurative language (Emily Dickinson, "I started Early"); 3. Historical context (Wilfred Owen, "Futility"); 4. Intellectual and cultural context (John Milton, "At aSolemn Music"); 5. Situated subjects (Langston Hughes, "Lenox Avenue:Midnight" and "Song for a Black Girl"); 6. Poetic commentary (Shakespeare, Sonnet 116); 7. Modernist poetry and discursive logic (T. S. Eliot, "The LoveSong of J. Alfred Prufrock") , 8. The poetry of ellipsis (Denise Riley, "A Nueva York")9. Translation (Charles Baudelaire, "Au Lecteur"; Federico GarcíaLorca, "Romance de la luna, luna, luna"; Rainer Maria Rilke,"Sonnets to Orpheus II.13"); Index , English

Additional Edition: ISBN 1-138-85006-3

Additional Edition: ISBN 1-317-53259-7

Language: English

DOI: 10.4324/9781315724980

UID:

Format: 1 online resource (175 p.)

ISBN: 1-138-85007-1 , 1-315-72498-7 , 1-317-53258-9

Content: This book presents an innovative format for poetry criticism that its authors call ""dialogical poetics."" This approach shows that readings of poems, which in academic literary criticism often look like a product of settled knowledge, are in reality a continual negotiation between readers. But Derek Attridge and Henry Staten agree to rein in their own interpretive ingenuity and ""minimally interpret"" poems - reading them with careful regard for what the poem can be shown to actually say, in detail and as a whole, from opening to closure. Based on a series of emails, the book explores a numbe

Note: Description based upon print version of record. , Cover; Half Title ; Title Page; Copyright Page; Table of Contents; Acknowledgments; Introduction: Dialogical poetics; 1. Minimal interpretation (William Blake, "The Sick Rose"); 2. Figurative language (Emily Dickinson, "I started Early"); 3. Historical context (Wilfred Owen, "Futility"); 4. Intellectual and cultural context (John Milton, "At aSolemn Music"); 5. Situated subjects (Langston Hughes, "Lenox Avenue:Midnight" and "Song for a Black Girl"); 6. Poetic commentary (Shakespeare, Sonnet 116); 7. Modernist poetry and discursive logic (T. S. Eliot, "The LoveSong of J. Alfred Prufrock") , 8. The poetry of ellipsis (Denise Riley, "A Nueva York")9. Translation (Charles Baudelaire, "Au Lecteur"; Federico GarcíaLorca, "Romance de la luna, luna, luna"; Rainer Maria Rilke,"Sonnets to Orpheus II.13"); Index , English

Additional Edition: ISBN 1-138-85006-3

Additional Edition: ISBN 1-317-53259-7

Language: English

DOI: 10.4324/9781315724980

UID:

Format: 1 online resource (175 p.)

ISBN: 1-138-85007-1 , 1-315-72498-7 , 1-317-53258-9

Content: This book presents an innovative format for poetry criticism that its authors call ""dialogical poetics."" This approach shows that readings of poems, which in academic literary criticism often look like a product of settled knowledge, are in reality a continual negotiation between readers. But Derek Attridge and Henry Staten agree to rein in their own interpretive ingenuity and ""minimally interpret"" poems - reading them with careful regard for what the poem can be shown to actually say, in detail and as a whole, from opening to closure. Based on a series of emails, the book explores a numbe

Note: Description based upon print version of record. , Cover; Half Title ; Title Page; Copyright Page; Table of Contents; Acknowledgments; Introduction: Dialogical poetics; 1. Minimal interpretation (William Blake, "The Sick Rose"); 2. Figurative language (Emily Dickinson, "I started Early"); 3. Historical context (Wilfred Owen, "Futility"); 4. Intellectual and cultural context (John Milton, "At aSolemn Music"); 5. Situated subjects (Langston Hughes, "Lenox Avenue:Midnight" and "Song for a Black Girl"); 6. Poetic commentary (Shakespeare, Sonnet 116); 7. Modernist poetry and discursive logic (T. S. Eliot, "The LoveSong of J. Alfred Prufrock") , 8. The poetry of ellipsis (Denise Riley, "A Nueva York")9. Translation (Charles Baudelaire, "Au Lecteur"; Federico GarcíaLorca, "Romance de la luna, luna, luna"; Rainer Maria Rilke,"Sonnets to Orpheus II.13"); Index , English

Additional Edition: ISBN 1-138-85006-3

Additional Edition: ISBN 1-317-53259-7

Language: English

DOI: 10.4324/9781315724980