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  • 1
    Book
    Book
    An index to the poems of Rainer Maria Rilke : Gesammelte Werke and späte Gedichte (1942)
    Madison, Wis. : Univ. of Wisconsin Pr.
    Details
    UID:
    b3kat_BV003086252
    Format: 32 S.
    Edition: Neudr., Ann Arbor, Mich., 1978
    Language: English
    Subjects: German Studies
    RVK:
    GM 5165
    Keywords: Rilke, Rainer Maria 1875-1926 ; Lyrik ; Incipit ; Rilke, Rainer Maria 1875-1926 ; Lyrik ; Konkordanz ; Verzeichnis
    Author information: Salinger, Herman 1905-1983
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  • 2
    Online Resource
    Online Resource
    The poet as phenomenologist : Rilke and the new poems (2015)
    New York [u.a.] : Bloomsbury
    Details
    UID:
    b3kat_BV048598677
    Format: 1 Online-Ressource
    ISBN: 9781501304880 , 9781628925449 , 9781628925456
    Series Statement: New directions in German studies 10
    Content: "The Poet as Phenomenologist: Rilke and the New Poems opens up new perspectives on the relation between Rilke's poetry and phenomenological philosophy, illustrating the ways in which poetry can offer an exceptional response to the philosophical problem of dualism. Drawing on the work of Husserl, Heidegger and Merleau-Ponty, Luke Fischer makes a new contribution to the tradition of phenomenological poetics and expands the debate among Germanists concerning the phenomenological status of Rilke's poetry, which has been severely limited to comparisons of Rilke and Husserl. Fischer explicates an implicit phenomenology of perception in Rilke's writings from his middle period (1902-1910). He argues that Rilke cultivated an artistic perception that, in a philosophically significant manner, overcomes the opposition between the sensuous and the intelligible while simultaneously transcending the boundaries of philosophy. Fischer offers novel interpretations of central poems from Rilke's Neue Gedichte (1907) and Der neuen Gedichte anderer Teil (1908) and frames them as the ultimate articulation of Rilke's non-dualistic vision. He thus demonstrates the continuity between Rilke and phenomenology while arguing that poetry, in this case, provides the most adequate response to a philosophical problem"..
    Note: Includes bibliographical references and index
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-6289-2543-2
    Language: English
    Subjects: German Studies
    RVK:
    GM 5165
    Keywords: Rilke, Rainer Maria 1875-1926 Neue Gedichte ; Phänomenologie
    DOI: 10.5040/9781501304880
    URL: lizenzpflichtig
    Author information: Fischer, Luke 1978-
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  • 3
    Online Resource
    Online Resource
    The Cambridge companion to Rilke (2010)
    Cambridge [u.a.] : Cambridge Univ. Press
    Details
    UID:
    gbv_632943122
    Format: XIX, 226 S.
    Edition: 1. publ.
    Edition: Online-Ausg. New York Cambridge Collections Online Online-Ressource Cambridge companions online Online-Ausg. New York : Cambridge Collections Online. Online-Ressource
    Edition: Cambridge collections online
    Edition: Cambridge companions to literature and classics
    ISBN: 0521879434 , 0521705088 , 9780521879439 , 9780521705080
    Series Statement: Cambridge companions to literature
    Content: "Often regarded as the greatest German poet of the twentieth century, Rainer Maria Rilke (1875-1926) remains one of the most influential figures of European modernism. In this Companion, leading scholars offer informative and thought-provoking essays on his life and social context, his correspondence, all his major collections of poetry including most famously the Duino Elegies and Sonnets to Orpheus, and his seminal novel of Modernist anxiety, The Notebooks of Malte Laurids Brigge. Rilke's critical contexts are explored in detail: his relationship with philosophy and the visual arts, his place within modernism and his relationship to European literature, and his reception in Europe and beyond. With its invaluable guide to further reading and a chronology of Rilke's life and work, this Companion will provide an accessible, engaging account of this extraordinary poet whose legacy looms so large today"--Provided by publisher
    Note: Includes bibliographical references (p. 213-218) and indexes , Machine generated contents note: Chronology; Introduction Karen Leeder and Robert Vilain; Part I. Life: 1. Rilke: a biographical exploration Rüdiger Görner; 2. The status of the correspondence in Rilke's work Ulrich Baer; Part II. Works: 3. Early poems Charlie Louth; 4. The new poems William Waters; 5. The Notebooks of Malte Laurids Brigge Andreas Huyssen; 6. The Duino Elegies Kathleen L. Komar; 7. The Sonnets to Orpheus Thomas Martinec; Part III. Cultural Contexts, Influences, Reception: 8. Rilke and modernism Andreas Kramer; 9. Rilke as reader Robert Vilain; 10. Rilke and the visual arts Helen Bridge; 11. Rilke: thought and mysticism Paul Bishop; 12. Rilke and his philosophical critics Anthony Phelan; 13. Rilke's legacy in the English-speaking world Karen Leeder; Appendix: poem titles; Guide to further reading; Index; Index to Rilke's works. , Online-Ausg. New York : Cambridge Collections Online. Online-Ressource
    Additional Edition: ISBN 9781139002790
    Additional Edition: ISBN 9780521879439
    Additional Edition: Druckausg. The Cambridge companion to Rilke Cambridge [u.a.] : Cambridge Univ. Press, 2010 ISBN 0521705088
    Additional Edition: ISBN 0521879434
    Additional Edition: ISBN 9780521705080
    Additional Edition: ISBN 9780521879439
    Additional Edition: Druckausg. The Cambridge companion to Rilke
    Language: English
    Subjects: German Studies
    RVK:
    GM 5165
    Keywords: Rilke, Rainer Maria 1875-1926 ; Aufsatzsammlung
    DOI: 10.1017/CCOL9780521879439
    URL: Volltext
    URL: Volltext
    Author information: Leeder, Karen 1962-
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    Stabi Berlin
  • 4
    Book
    Book
    The poet as phenomenologist : Rilke and the "New poems" (2015)
    New York, NY [u.a.] : Bloomsbury Acad.
    Details
    UID:
    gbv_799815306
    Format: XII, 331 S. , 23 cm
    ISBN: 9781628925432
    Series Statement: New directions in German studies 10
    Content: "The Poet as Phenomenologist: Rilke and the New Poems opens up new perspectives on the relation between Rilke's poetry and phenomenological philosophy, illustrating the ways in which poetry can offer an exceptional response to the philosophical problem of dualism. Drawing on the work of Husserl, Heidegger and Merleau-Ponty, Luke Fischer makes a new contribution to the tradition of phenomenological poetics and expands the debate among Germanists concerning the phenomenological status of Rilke's poetry, which has been severely limited to comparisons of Rilke and Husserl. Fischer explicates an implicit phenomenology of perception in Rilke's writings from his middle period (1902-1910). He argues that Rilke cultivated an artistic perception that, in a philosophically significant manner, overcomes the opposition between the sensuous and the intelligible while simultaneously transcending the boundaries of philosophy. Fischer offers novel interpretations of central poems from Rilke's Neue Gedichte (1907) and Der neuen Gedichte anderer Teil (1908) and frames them as the ultimate articulation of Rilke's non-dualistic vision. He thus demonstrates the continuity between Rilke and phenomenology while arguing that poetry, in this case, provides the most adequate response to a philosophical problem"--
    Content: "A groundbreaking contribution to Rilke scholarship that significantly expands the existing debate concerning the relation between Rilke's poetry and phenomenological philosophy"--
    Note: Literaturverz. S. [307] - 317 , Machine generated contents note:Introduction Chapter 1. Phenomenology and the Problem of Dualism Chapter 2. Learning to See: Rilke and the Visual Arts Chapter 3. Rilke as Seer: A Twofold Vision of Nature Chapter 4. The Neue Gedichte as a Twofold Imagining of Things. Conclusion. Epilogue. Bibliography. Index.
    Additional Edition: ISBN 9781628925449
    Additional Edition: ISBN 9781628925456
    Language: English
    Subjects: German Studies
    RVK:
    GM 5165
    Keywords: Rilke, Rainer Maria 1875-1926 Neue Gedichte ; Phänomenologie ; Rilke, Rainer Maria 1875-1926 Neue Gedichte
    URL: Cover
    URL: Inhaltsverzeichnis
    Author information: Fischer, Luke 1978-
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  • 5
    Online Resource
    Online Resource
    Musical Ekphrasis in Rilke's Marien-Leben (2000)
    Leiden : BRILL
    Details
    UID:
    gbv_1806500787
    Format: 1 Online-Ressource
    ISBN: 9789004486317 , 9789042008007
    Series Statement: Brill Book Archive Part 1, ISBN: 9789004472495 47
    Content: In 1923, the twenty-seven-year-old Paul Hindemith published a composition for voice and piano, entitled Das Marienleben , based on Rainer Maria Rilke's poetic cycle of 1912. Twenty-five years later, the composer presented a thoroughly revised, partially rewritten version. The outcome of this revision has been highly controversial. Ever since its first publication, musicologists have argued for or against the value of such a decisive rewriting. They do so both by comparing the two compositions on purely musical grounds, and by attempting to assess whether the more strictly organized tonal layout and dynamic structuring of Marienleben II is more or less appropriate for the topic of a poetic cycle on the Life of Mary. This study is the first to analyze the messages conveyed in the two versions with an emphasis on their implicit aesthetic, philosophical, and spiritual significance. Acknowledging the compositions as examples of musical ekphrasis ("a representation in one artistic medium of a message originally composed in another medium"), the author argues in exhaustive detail that the young Hindemith of 1922-23 and the mature composer of 1941-48 can be seen as setting two somewhat different poetic cycles. This volume is of interest for musicologists and music lovers, scholars of German literature and lovers of Rilke's poetry, as well as for readers interested in the interartistic relationships of music and literature
    Note: Includes bibliographical references and index , Introduction. The "Life of Mary". Rilke and Christian Devotion. Ekphrasis in Rilke's Work: Poems on Depictions of Mary and Jesus. Hindemith: From Expressionism to the Ethos of Art. Outline of the Poetic and Musical Cycles on the "Life of Mary". Geburt Mariä (no. 1). Die Darstellung Mariä im Tempel (no. 2). Mariä Verkündigung (no. 3). Mariä Heimsuchung (no. 4). Geburt Christi (no. 7). Vor der Passion (no. 10). Pietà (no. 11). Stillung Mariä mit dem Auferstandenen (no. 12). Vom Tode Mariä I (no. 13). Vom Tode Mariä II (no. 14). The Five "Picturesque" Songs. Conclusion: Hindemith's Ekphrastic Response to Rilke's Marien-Leben. Bibliography. List of Illustrations. Indes of Names. Index of Literary and Musical Works Cited. About the Author.
    Additional Edition: Erscheint auch als Druck-Ausgabe Musical Ekphrasis in Rilke's Marien-Leben Leiden : BRILL, 2000 ISBN 9789042008007
    Language: English
    DOI: 10.1163/9789004486317
    URL: DOI
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    UB Potsdam
  • 6
    Online Resource
    Online Resource
    The Craft of Poetry : Dialogues on Minimal Interpretation (2015)
    London : Taylor & Francis Group
    Details
    UID:
    gbv_1817426915
    Format: 1 online resource (175 pages)
    ISBN: 9781317532590
    Content: This book presents an innovative format for poetry criticism that its authors call "dialogical poetics." This approach shows that readings of poems, which in academic literary criticism often look like a product of settled knowledge, are in reality a continual negotiation between readers. But Derek Attridge and Henry Staten agree to rein in their own interpretive ingenuity and "minimally interpret" poems - reading them with careful regard for what the poem can be shown to actually say, in detail and as a whole, from opening to closure. Based on a series of emails, the book explores a number of topics in the reading of poetry, including historical and intellectual context, modernist difficulty, the role of criticism, and translation. This highly readable book will appeal to anyone who enjoys poetry, offering an inspiring resource for students whilst also mounting a challenge to some of the approaches to poetry currently widespread in the academy.
    Content: Cover -- Half Title -- Title Page -- Copyright Page -- Table of Contents -- Acknowledgments -- Introduction: Dialogical poetics -- 1. Minimal interpretation (William Blake, "The Sick Rose") -- 2. Figurative language (Emily Dickinson, "I started Early") -- 3. Historical context (Wilfred Owen, "Futility") -- 4. Intellectual and cultural context (John Milton, "At a Solemn Music") -- 5. Situated subjects (Langston Hughes, "Lenox Avenue: Midnight" and "Song for a Black Girl") -- 6. Poetic commentary (Shakespeare, Sonnet 116) -- 7. Modernist poetry and discursive logic (T. S. Eliot, "The Love Song of J. Alfred Prufrock") -- 8. The poetry of ellipsis (Denise Riley, "A Nueva York") -- 9. Translation (Charles Baudelaire, "Au Lecteur" -- Federico García Lorca, "Romance de la luna, luna, luna" -- Rainer Maria Rilke, "Sonnets to Orpheus II.13") -- Index.
    Note: Description based on publisher supplied metadata and other sources
    Additional Edition: ISBN 9781138850064
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9781138850064
    Language: English
    URL: lizenzpflichtig
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