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  • 1
    Book
    Book
    Rochester, New York :Camden House,
    UID:
    almafu_BV043192331
    Format: XI, 368 S.
    ISBN: 978-1-57113-953-5 , 1-57113-953-2
    Series Statement: Studies in German literature, linguistics and culture
    Content: "Twenty-five years after the demise of the German Democratic Republic, there is perhaps more scholarship being produced on that country than ever. This is true also in literary studies, but especially in English-language literary scholarship there has been a strong imbalance toward a focus on the last three decades of GDR literature. The literature of the earlier GDR has mostly been dismissed or ignored, as the discontinuities between the early and late GDR have been emphasized over the considerable continuities. This book seeks to redress that state of affairs, examining the literature produced from the very beginnings of what became the GDR through the 1950s." --
    Note: Introduction: reconstructing East German literature -- Part One: The absence of state (1945): In the zone, 1945 -- Part Two: Constructing the state (1949): Brecht and the battle of the spirits, 1949 -- German culture's will to power, 1949-50 -- Fascinating fascists, 1949-50 -- Part Three: Contesting the state (1953): Typical heroes, 1951-53 -- The danger of optimism, 1953 -- Part Four: The state cracks down (1956) -- The worst of times, 1956-58 -- Literature for adults, 1956-59. - Includes bibliographical references and index
    Language: English
    Subjects: German Studies
    RVK:
    Keywords: Literatur ; Literatur ; 1898-1956 Brecht, Bertolt ; 1900-1983 Seghers, Anna
    Author information: Brockmann, Stephen 1960-
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  • 2
    UID:
    gbv_1873194625
    Format: 1 Online-Ressource (XVII, 306 Seiten)
    ISBN: 9789004686557 , 900468655X
    Series Statement: Amsterdamer Beiträge zur neueren Germanistik volume 96
    Content: "The works and biography of Heinrich von Kleist have fascinated authors, artists, and philosophers for centuries, and his enduring relevance is evident in the emblematic role he has played for generations. Kleist's prose works remain "utterly unique" seventy years after Thomas Mann described their singular appeal, his dramas remain "disturbingly current" four decades after E.L. Doctorow characterized their modernity, and twenty-first century readers need not read far before finding the unresolved questions of the current century in Kleist. Heinrich von Kleist: Artistic and Aesthetic Legacies explores examples of Kleist's impact on artistic creations and aesthetic theory spanning over two centuries of seismic metaphysical crises and nightmare scenarios from Europe to Mexico to Japan to manifestations of the American Dream"--
    Note: Includes bibliographical references and index , Foreword: Interrogating Kleist? / Bernd Fischer -- Introduction: The artistic and aesthetic legacies of Heinrich von Kleist / Jeffrey L. High and Carrie Collenberg-González -- Kleist and Hegel's phenomenology of spirit / Valerio Rocco Lozano -- Operatic reception of Kleist's Das Käthchen von Heilbronn : from Holbein's stage adaptation to the operas of Hoven, Lux, and Reinthaler / Glen Gray -- Stranger than fiction : Thomas Mann and Stefan Zweig on Goethe, Kleist, and the struggle with the daemon / Elaine Chen -- Brecht, Kleist, and the early GDR : the Berliner Ensemble's playbill for Der zerbrochne Krug (1952) and its renegotiation of formalism, realism, and cultural heritage / Markus Wessendorf -- Penthesilea and her sisters : visualizing the feminine in the German cultural imagination of the 1970s and 1980s / Seán Allan -- Victories of insurrection : Heinrich von Kleist, Aleksandr Bek, and Heiner Müller / Wolf Kittler -- Coetzee and Kafka with Kleist (and Job) : Debating the 'Kohlhaasian Solution' / Tim Mehigan -- Film adaptations of Kleist's Michael Kohlhaas : on triage, recasting, and restructuring / Sophia Clark and Jeffrey L. High -- An earthquake in Chile in Mexico : Juan Villoro on Kleist / Craig Epplin -- The vanishing point : Heinrich von Kleist, Frank Stella, and the American dream / Carrie Collenberg-González -- Righteous rebels : Kleist's Michael Kohlhaas and Andrei Zvyagintsev's Leviathan / Cassio de Oliveira -- Kleist in Yoko Tawada's works / Susan C. Anderson. , English
    Additional Edition: ISBN 9789004686540
    Additional Edition: Erscheint auch als Druck-Ausgabe Heinrich von Kleist Leiden : Brill, 2024 ISBN 9789004686540
    Language: English
    Subjects: German Studies
    RVK:
    Keywords: Kleist, Heinrich von 1777-1811 ; Rezeption ; Aufsatzsammlung ; Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
    Author information: High, Jeffrey L.
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  • 3
    UID:
    almahu_9949460580102882
    Format: 1 online resource (vi, 263 pages) : , digital, PDF file(s).
    ISBN: 9781782043584 (ebook)
    Series Statement: Studies in German literature, linguistics, and culture
    Content: Although George Bernard Shaw quipped that "the Germans lack talent for two things: revolution and crime novels," there is a long tradition of German crime fiction; it simply hasn't aligned itself with international trends. Duringthe 1920s, German-language writers dispensed with the detective and focused instead on criminals, a trend that did not take hold in other countries until after 1945, by which time Germany had gone on to produce antidetective novels that were similarly ahead of their time. German crime fiction has thus always been a curious case; rather than follow the established rules of the genre, it has always been interested in examining, breaking, and ultimately rewriting those rules. This book assembles leading international scholars to examine today's German crime fiction. It features innovative scholarly work that matches the innovativeness of the genre, taking up the Regionalkrimi;crime fiction's reimagining and transforming of traditional identities; historical crime fiction that examines Germany's and Austria's conflicted twentieth-century past; and how the newly vibrant Austrian crime fiction ties in with and differentiates itself from its German counterpart. Contributors: Angelika Baier, Carol Anne Costabile-Heming, Kyle Frackman, Sascha Gerhards, Heike Henderson, Susanne C. Knittel, Anita McChesney, Traci S. O'Brien,Jon Sherman, Faye Stewart, Magdalena Waligórska. Lynn M. Kutch is Professor of German at Kutztown University of Pennsylvania. Todd Herzog is Professor and Head of the Department of German Studies at the University of Cincinnati.
    Note: Title from publisher's bibliographic system (viewed on 24 Feb 2023). , Introduction / Lynn M. Kutch and Todd Herzog -- Part I. Place. Vor Ort: the functions and early roots of German regional crime fiction / Kyle Frackman -- Krimi quo vadis: literary and televised trends in the German crime genre / Sascha Gerhards -- Plurality and alterity in Wolf Haas's Detective Brenner mysteries / Jon Sherman -- The case of the Austrian regional crime novel / Anita McChesney -- Part II. History. "Darkness at the beginning": the Holocaust in contemporary German crime fiction / Magdalena Waligorska -- Case histories: the legacy of Nazi euthanasia in recent German Heimatkrimis / Susanne C. Knittel -- "Der fall loest": a case study of crime stories and the public sphere in the GDR / Carol Anne Costabile-Heming -- What's in your bag?: "Freudian crimes" and Austria's Nazi past in Eva Rossmann's Freudsche verbrechen / Traci S. O'Brien -- Part III. Identity. Layered deviance: intersexuality in contemporary German crime fiction / Angelika Baier -- Girls in the gay bar: performing and policing identity in crime fiction / Faye Stewart -- Eva Rossmann's culinary mysteries / Heike Henderson.
    Additional Edition: Print version: ISBN 9781571135711
    Language: English
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  • 4
    Online Resource
    Online Resource
    Rochester, New York :Camden House,
    UID:
    almahu_9949460854802882
    Format: 1 online resource (vi, 241 pages) : , illustrations (black and white), digital, PDF file(s).
    ISBN: 9781571137791
    Series Statement: Edinburgh German yearbook ; volume 5
    Content: While Bertold Brecht became identified internationally as the cultural figurehead of the GDR, his relationship with the authorities was always complex. This book examines his activities in the GDR and the regime's marginalizing response and posthumous appropriation of his legacy.
    Note: Previously issued in print: 2011.
    Additional Edition: Print version : ISBN 9781571134929
    Language: English
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  • 5
    Book
    Book
    Rochester, NY :Camden House,
    UID:
    almafu_BV037430619
    Format: 241 S.
    Edition: 1. publ.
    Series Statement: Edinburgh German yearbook 5
    Language: English
    Subjects: German Studies
    RVK:
    Keywords: 1898-1956 Brecht, Bertolt ; Literatur ; Aufsatzsammlung ; Aufsatzsammlung
    Author information: Leeder, Karen 1962-
    Author information: Bradley, Laura 1977-
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  • 6
    Book
    Book
    Rochester, New York :Camden House,
    UID:
    almahu_BV044997533
    Format: XIII, 238 Seiten : , Notenbeispiele.
    ISBN: 978-1-64014-000-4
    Series Statement: Studies in German literature, linguistics, and culture
    Content: Best known for his collaborations with Bertolt Brecht, composer Hanns Eisler also set nineteenth-century German poetry to music that both absorbs and disturbs the Lieder tradition. This book traces Eisler's art songs (German: Kunstlieder) through twentieth-century political crises from World War I to Nazi-era exile and from Eisler's postwar deportation from the U.S. to the ideological pressures he faced in the early German Democratic Republic. His art songs are presented not as an escape from the "dark times" Brecht lamented but rather as a way to intervene in the nationalist appropriation of aesthetic material. The book follows a chronological arc from Eisler's early Morgenstern songs to his Lied-like setting of Brecht's 1939 "To Those Who Come After" and his treatment of Hölderlin's poetry in the 1940s Hollywood Songbook; the final two chapters focus on Eisler's Goethe settings in the early GDR, followed by his late Serious Songs recalling Brahms in their reflective approach. In its combination of textual and musicological analysis, this book balances technical and lay vocabulary to reach readers with or without musical background. The author's practical perspective as a singer also informs the book, as she addresses not only what Eisler asks of the voice but also the challenge of evoking both intimacy and distance in his politically fraught art songs. Heidi Hart holds a PhD in German Studies from Duke University. She is an instructor in the College of Humanities and Social Sciences at Utah State University.
    Note: Includes bibliographical references and index , Introduction. - Early Songs. - To Those Who Come After. - Hölderlin in Hollywood. - A Home for Goethe? - Serious Songs. - Conclusion. - Notes. - Bibliography. - Index
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: 1898-1962 Eisler, Hanns ; Lied ; Hochschulschrift
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  • 7
    Online Resource
    Online Resource
    Suffolk :Boydell & Brewer,
    UID:
    almahu_9947952491602882
    Format: 1 online resource (xiii, 238 pages) : , digital, PDF file(s).
    ISBN: 9781787442863 (ebook)
    Series Statement: Studies in German literature, linguistics, and culture
    Content: Best known for his collaborations with Bertolt Brecht, composer Hanns Eisler also set nineteenth-century German poetry to music that both absorbs and disturbs the Lieder tradition. This book traces Eisler's art songs (German: 〈i〉Kunstlieder〈/i〉) through twentieth-century political crises from World War I to Nazi-era exile and from Eisler's postwar deportation from the U.S. to the ideological pressures he faced in the early German Democratic Republic. His art songs are presented not as an escape from the "dark times" Brecht lamented but rather as a way to intervene in the nationalist appropriation of aesthetic material. This book follows a chronological arc from Eisler's early Morgenstern songs to his Lied-like setting of Brecht's 1939 "To Those Who Come After" and his treatment of Hölderlin's poetry in the 1940s 〈i〉Hollywood Songbook〈/i〉; the final two chapters focus on Eisler's Goethe settings in the early GDR, followed by his late 〈i〉Serious Songs〈/i〉 recalling Brahms in their reflective approach. In its combination of textual and musicological analysis, this book balances technical and lay vocabulary to reach readers with or without musical background. The author's practical perspective as a singer also informs the book, as she addresses not only what Eisler asks of the voice but also the challenge of evoking both intimacy and distance in his politically fraught art songs. Heidi Hart holds a PhD in German Studies from Duke University. She is an instructor in the College of Humanities and Social Sciences at Utah State University.
    Note: Title from publisher's bibliographic system (viewed on 05 Jul 2018).
    Additional Edition: Print version: ISBN 9781640140004
    Language: English
    URL: Volltext  (lizenzpflichtig)
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  • 8
    Online Resource
    Online Resource
    Suffolk :Boydell & Brewer,
    UID:
    almahu_9947413078702882
    Format: 1 online resource (320 pages) : , digital, PDF file(s).
    ISBN: 9781571136909 (ebook)
    Content: The modern German political song is a hybrid of high and low culture. With its roots in the birth of mass culture in the 1920s, it employs communicative strategies of popular song. Yet its tendencies toward philosophical, poetic, and musical sophistication reveal intellectual aspirations. This volume looks at the influence of revolutionary artistic traditions in the lyrics and music of the 'Liedermacher' of east and west Germany: the rediscovery of the revolutionary songs of 1848 by the 1960s West German folk revival, the use of the profane 'carnivalesque' street-ballad tradition by Wolf Biermann and the GDR duo Wenzel & Mensching, the influence of 1920s artistic experimentation on 'Liedermacher' such as Konstantin Wecker, and the legacy of Hanns Eisler's revolutionary song theory. The book also provides an insider perspective on the countercultural scenes of the two Germanys, examining the conditions in which political songs were written and performed. In view of the decline of the political song form since the fall of communism, the book ends with a look at German avant-garde techno's attempt to create a music that challenges conventional cultural perceptions and attitudes. CONTRIBUTORS: DAVID ROBB, ECKARD HOLLER, ANNETTE BLüHDORN, PETER THOMPSON. David Robb is Senior Lecturer in German Studies at the Queen's University of Belfast.
    Note: Title from publisher's bibliographic system (viewed on 02 Oct 2015). , The reception of Vormärz and 1848 revolutionary song in West Germany and the GDR ; Mühsam, Brecht, Eisler, and the twentieth-century revolutionary heritage ; Narrative role-play as communication strategy in German protest song / David Robb -- The Burg Waldeck festivals, 1964-1969 ; The folk and Liedermacher scene in the federal republic in the 1970s and 1980s / Eckhard Holler -- Konstantin Wecker : political songs between anarchy and humanity / Annette Blühdorn -- Wolf Biermann : die Heimat ist weit / Peter Thompson -- Political song in the GDR : the cat-and-mouse game with censorship and institutions ; The demise of political song and the new discourse of techno in the Berlin republic / David Robb.
    Additional Edition: Print version: ISBN 9781571132819
    Language: English
    Subjects: German Studies
    RVK:
    URL: Volltext  (lizenzpflichtig)
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  • 9
    Online Resource
    Online Resource
    Marlborough, Wiltshire : Adam Matthew Digital
    UID:
    gbv_175674906X
    Format: 1 Online-Ressource (video file 0:10:42) , Sound, Black and White
    Series Statement: Socialism on Film
    Content: The Brecht Dialogue hosted by the Berliner Ensemble, the German Democratic Republic's Academy of Arts and the International Theatre Institute of the GDR in Berlin from 9-16 February 1968
    Content: Includes guest speakers, performances of Bertolt Brecht's plays and a closing speech by Helene Weigel
    Note: Archive Reference: N-507879 , Reproduction of GDR (German Democratic Republic), 1968 16mm Comb BW pos
    Language: English
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  • 10
    Online Resource
    Online Resource
    Marlborough, Wiltshire : Adam Matthew Digital
    UID:
    gbv_1756748764
    Format: 1 Online-Ressource (video file 0:10:42) , Sound, Black and White
    Series Statement: Socialism on Film
    Uniform Title: DDR Magazin Nummer 17
    Content: An account of the GDR and its progress in industry and arts after the Second World War
    Content: The film stresses the growth in industrial and electrical output after the trauma of the Second World War. Progress is emphasised and various industries are shown. Including footage of clothing produced from oil products and displayed at a fashion show. The film finishes with an extract from a Brecht play about Paris
    Note: Archive Reference: N-507850 , Reproduction of DDR Magazin Nummer 17 GDR (German Democratic Republic), n.d 16mm Comb BW pos
    Language: English
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