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  • 1
    Book
    Book
    Urbana, Ill. :Univ. of Ill. Press,
    UID:
    almafu_BV014571784
    Format: 248 S.
    Series Statement: Illinois studies in language and literature 34,1/2
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures
    RVK:
    Keywords: Komik
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Cambridge :Cambridge University Press,
    UID:
    almahu_9947414342902882
    Format: 1 online resource (xiii, 236 pages) : , digital, PDF file(s).
    ISBN: 9780511895715 (ebook)
    Series Statement: Cambridge studies in Renaissance literature and culture ; 2
    Content: This is a full-length study of the use of the dialogue form in Italy from the early sixteenth century until Galileo. Drawing on a wide range of sources, it examines the characteristics which determined the genre's unrivalled popularity in the period as a vehicle for polemic, debate, technical exposition and comic drama. More than simply an account of the development of an individual literary genre, however, the book is a contribution to the broader social and cultural history of the period. As representations of conversation, miniature dramas of persuasion, the dialogues of the Italian Renaissance constitute an extraordinarily rich - and largely untapped - source of information about the ideals and practice of communication in the early modern age.
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015). , 1. Problems of method -- 2. History and invention in the dialogue -- 3. The uses of the dialogue in sixteenth-century Italy: celebration and control -- 4. The uses of the dialogue in sixteenth-century Italy: commerce and courtesy -- 5. Castiglione's Cortegiano: the dialogue as a drama of doubt -- 6. The changing form of the Italian Renaissance dialogue -- 7. The theory and practice of the dialogue in Counter-Reformation Italy -- 8. From the 'girevole strada' to the straight and narrow path -- 9. From the open dialogue to the closed book.
    Additional Edition: Print version: ISBN 9780521405386
    Language: English
    URL: Volltext  (lizenzpflichtig)
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  • 3
    UID:
    almahu_9948022241602882
    Format: 1 online resource (xxiii, 798 pages) : , digital, PDF file(s).
    ISBN: 9780511976322 (ebook)
    Content: From Occitan poetry to Francophone writing produced in the Caribbean and North Africa, from intellectual history to current films, and from medieval manuscripts to bandes dessinées, this History covers French literature from its beginnings to the present day. With equal attention to all genres, historical periods and registers, this is the most comprehensive guide to literature written in French ever produced in English, and the first in decades to offer such an array of topics and perspectives. Contributors attend to issues of orality, history, peripheries, visual culture, alterity, sexuality, religion, politics, autobiography and testimony. The result is a collection that, despite the wide variety of topics and perspectives, presents a unified view of the richness of French-speaking cultures. This History gives support to the idea that French writing will continue to prosper in the twenty-first century as it adapts, adds to, and refocuses the rich legacy of its past.
    Note: Title from publisher's bibliographic system (viewed on 18 Nov 2015). , Machine generated contents note: Introduction; 1. Manuscripts and manuscript culture; 2. The troubadours: the Occitan model; 3. The Chansons de geste; 4. Saints' lives, violence and community; 5. Myth and the matière de Bretagne; 6. Sexuality, shame and the genesis of romance; 7. Medieval lyric: the trouvères; 8. The grail; 9. Women authors of the Middle Ages; 10. Crusades and identity; 11. Rhetoric and historiography: Villehardouin's 'La Conquête de Constantinople'; 12. Humour and the obscene; 13. Travel and orientalism; 14. Allegory and interpretation; 15. History and fiction: the narrativity and historiography of the Matter of Troy; 16. Mysticism; 17. Prose romance; 18. Rhetoric and theatre; 19. The rise of metafiction in the late Middle Ages; 20. What does Renaissance mean?; 21. Sixteenth-century religious writing; 22. Sixteenth-century poetry; 23. Sixteenth-century theatre; 24. Women writers in the sixteenth century; 25. Sixteenth-century prose narrative; 26. Sixteenth-century thought; 27. Sixteenth-century travel writing; 28. Sixteenth-century margins; 29. Tragedy: early- to mid-seventeenth century; 30. Tragedy: mid- to late-seventeenth century; 31. Seventeenth-century comedy; 32. Seventeenth-century poetry; 33. Seventeenth-century philosophy; 34. Seventeenth-century women writers; 35. Moraliste writing in the seventeenth century; 36. Seventeenth-century prose narrative; 37. Seventeenth-century religious writing; 38. Seventeenth-century margins; 39. What is Enlightenment?; 40. The eighteenth-century novel; 41. The eighteenth-century conte; 42. Eighteenth-century comic theatre; 43. Eighteenth-century theatrical tragedy; 44. Eighteenth-century women writers; 45. Eighteenth-century philosophy; 46. Libertinage; 47. Eighteenth-century travel; 48. Eighteenth-century margins; 49. The Roman personnel; 50. Romanticism: arts, literature and history; 51. Realism; 52. French poetry 1793-1863; 53. Symbolism; 54. Madness and writing; 55. Literature and the city in the nineteenth century; 56. Nineteenth-century travel writing; 57. Philosophy and ideology in nineteenth-century France; 58. Naturalism; 59. Impressionism: art, literature and history (1870-1914); 60. Decadence; 61. Avant-garde: text and image; 62. Autobiography; 63. The modern French novel; 64. The contemporary French novel; 65. Existentialism; 66. Modern French thought; 67. French drama in the twentieth century; 68. Twentieth-century poetry; 69. Francophone writing; 70. Writing and postcolonial theory; 71. Travel writing 1914-2010; 72. French cinema 1895-2010; 73. Writing, memory and history; 74. Holocaust writing and film; 75. Women writers, artists and filmmakers; 76. Popular culture and the case of the bande dessine;e; 77. Literature, film and new media; Bibliography; Index.
    Additional Edition: Print version: ISBN 9780521897860
    Language: English
    Subjects: Romance Studies
    RVK:
    Keywords: Aufsatzsammlung ; Aufsatzsammlung
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  • 4
    Book
    Book
    Urbana :Univ. of Illinois Press,
    UID:
    almafu_BV005199322
    Format: 248 S. : , Ill.
    Series Statement: Illinois studies in language and literature 34,1/2
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures
    RVK:
    Keywords: Komik
    Library Location Call Number Volume/Issue/Year Availability
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  • 5
    UID:
    almafu_9959695712702883
    Format: 1 online resource (xxiii, 798 pages) : , digital, PDF file(s).
    ISBN: 1-316-16934-0 , 1-316-17232-5 , 0-511-97632-1
    Series Statement: Complete Cambridge histories online. Literary studies.
    Uniform Title: Cambridge histories online.
    Content: From Occitan poetry to Francophone writing produced in the Caribbean and North Africa, from intellectual history to current films, and from medieval manuscripts to bandes dessinées, this History covers French literature from its beginnings to the present day. With equal attention to all genres, historical periods and registers, this is the most comprehensive guide to literature written in French ever produced in English, and the first in decades to offer such an array of topics and perspectives. Contributors attend to issues of orality, history, peripheries, visual culture, alterity, sexuality, religion, politics, autobiography and testimony. The result is a collection that, despite the wide variety of topics and perspectives, presents a unified view of the richness of French-speaking cultures. This History gives support to the idea that French writing will continue to prosper in the twenty-first century as it adapts, adds to, and refocuses the rich legacy of its past.
    Note: Title from publisher's bibliographic system (viewed on 18 Nov 2015). , Machine generated contents note: Introduction; 1. Manuscripts and manuscript culture; 2. The troubadours: the Occitan model; 3. The Chansons de geste; 4. Saints' lives, violence and community; 5. Myth and the matière de Bretagne; 6. Sexuality, shame and the genesis of romance; 7. Medieval lyric: the trouvères; 8. The grail; 9. Women authors of the Middle Ages; 10. Crusades and identity; 11. Rhetoric and historiography: Villehardouin's 'La Conquête de Constantinople'; 12. Humour and the obscene; 13. Travel and orientalism; 14. Allegory and interpretation; 15. History and fiction: the narrativity and historiography of the Matter of Troy; 16. Mysticism; 17. Prose romance; 18. Rhetoric and theatre; 19. The rise of metafiction in the late Middle Ages; 20. What does Renaissance mean?; 21. Sixteenth-century religious writing; 22. Sixteenth-century poetry; 23. Sixteenth-century theatre; 24. Women writers in the sixteenth century; 25. Sixteenth-century prose narrative; 26. Sixteenth-century thought; 27. Sixteenth-century travel writing; 28. Sixteenth-century margins; 29. Tragedy: early- to mid-seventeenth century; 30. Tragedy: mid- to late-seventeenth century; 31. Seventeenth-century comedy; 32. Seventeenth-century poetry; 33. Seventeenth-century philosophy; 34. Seventeenth-century women writers; 35. Moraliste writing in the seventeenth century; 36. Seventeenth-century prose narrative; 37. Seventeenth-century religious writing; 38. Seventeenth-century margins; 39. What is Enlightenment?; 40. The eighteenth-century novel; 41. The eighteenth-century conte; 42. Eighteenth-century comic theatre; 43. Eighteenth-century theatrical tragedy; 44. Eighteenth-century women writers; 45. Eighteenth-century philosophy; 46. Libertinage; 47. Eighteenth-century travel; 48. Eighteenth-century margins; 49. The Roman personnel; 50. Romanticism: arts, literature and history; 51. Realism; 52. French poetry 1793-1863; 53. Symbolism; 54. Madness and writing; 55. Literature and the city in the nineteenth century; 56. Nineteenth-century travel writing; 57. Philosophy and ideology in nineteenth-century France; 58. Naturalism; 59. Impressionism: art, literature and history (1870-1914); 60. Decadence; 61. Avant-garde: text and image; 62. Autobiography; 63. The modern French novel; 64. The contemporary French novel; 65. Existentialism; 66. Modern French thought; 67. French drama in the twentieth century; 68. Twentieth-century poetry; 69. Francophone writing; 70. Writing and postcolonial theory; 71. Travel writing 1914-2010; 72. French cinema 1895-2010; 73. Writing, memory and history; 74. Holocaust writing and film; 75. Women writers, artists and filmmakers; 76. Popular culture and the case of the bande dessine;e; 77. Literature, film and new media; Bibliography; Index. , English
    Additional Edition: ISBN 0-521-89786-6
    Language: English
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  • 6
    UID:
    almafu_BV026280039
    Format: VI, 316 S.
    Note: Kopie, erschienen im Verl. Univ. Microfilms Internat., Ann Arbor, Mich. , Boulder, Colo., Univ. of Colorado , Diss. 1977
    Language: English
    Keywords: Hochschulschrift
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  • 7
    UID:
    b3kat_BV045980034
    ISSN: 0009-840X
    In: volume:66
    In: year:1952
    In: pages:232-233
    In: The classical review / Classical Association, Oxford, 1952, 66 (1952), 232-233, 0009-840X
    Language: Undetermined
    Keywords: Rezension
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  • 8
    Online Resource
    Online Resource
    Cham : palgrave macmillan, Springer International Publishing AG
    UID:
    gbv_180809817X
    Format: 1 Online-Ressource (xxv, 526 pages)
    ISBN: 9783030566463
    Content: Intro -- Foreword -- Acknowledgements -- Contents -- Notes on Contributors -- List of Figures -- List of Tables -- Part I: Preliminaries: Terms and Theories -- Chapter 1: Introduction -- Lear's Fool's Jests -- Using Humour Theories -- The Volume's Aims -- Bibliography -- Chapter 2: The Study of Past Humour: Historicity and the Limits of Method -- The Problem of Universality -- Method, Genealogy, Semantic Continuity and Change -- Context and the Idioms of Historiography -- Aspects of Intentionality -- The Imponderables of Reception -- The Case of Hobbes on Laughter -- Bibliography -- Chapter 3: No Sense of Humour? 'Humour' Words in Old Norse -- Conclusions -- Bibliography -- Chapter 4: Rewriting Laughter in Early Modern Europe -- Superiority Theory and the Early Modern -- Incongruity Theory and the Early Modern -- Relief Theory and Early Modern Medicine -- Universalising Humour, Universalising Humanity -- Bibliography -- Chapter 5: The Humour of Humours: Comedy Theory and Eighteenth-Century Histories of Emotions -- Humour as Method -- Bibliography -- Chapter 6: Bergson's Theory of the Comic and Its Applicability to Sixteenth-Century Japanese Comedy -- Bergson's 'Theory of the Comic' -- Bergson and Humour Studies -- Bergsonian Studies -- Bergson on Time and Freedom -- The Role of Laughter -- Applying Bergson in a Different Comic Tradition-Japanese kyōgen -- Summary of Busu (Poison) -- Locating Bergson's Comic Devices in Busu-Types of Farce Plots -- Plot-Types and Busu -- Locating Bergson's Mechanical Devices in Busu -- Bergson's Insights and Their Limitations -- The Functions of Laughter in Busu -- Conclusion -- Bibliography -- Chapter 7: Comic Character and Counter-Violation: Critiquing Benign Violation Theory -- Bibliography -- Chapter 8: Humour and Religion: New Directions? -- Humour and Myth -- The Comic Vision and Religion.
    Note: Description based on publisher supplied metadata and other sources
    Additional Edition: ISBN 9783030566456
    Additional Edition: Erscheint auch als Druck-Ausgabe The Palgrave handbook of humour, history, and methodology Cham : Palgrave Macmillan, 2020 ISBN 9783030566456
    Language: English
    Subjects: History
    RVK:
    Keywords: Geschichte ; Geschichte ; Witz ; Humor ; Aufsatzsammlung
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