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  • 1
    UID:
    gbv_552621560
    Format: Online-Ressource ([4],viii,iv,[152],468p) , 4°
    Edition: Online-Ausg. Farmington Hills, Mich Cengage Gale 2009 Eighteenth Century Collections Online Electronic reproduction; Available via the World Wide Web
    Note: English Short Title Catalog, T145506 , Reproduction of original from British Library , Electronic reproduction; Available via the World Wide Web
    Language: English
    URL: Volltext  (Full text online)
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  • 2
    UID:
    gbv_552621544
    Format: Online-Ressource (4v) , 4°
    Edition: Online-Ausg. Farmington Hills, Mich Cengage Gale 2009 Eighteenth Century Collections Online Electronic reproduction; Available via the World Wide Web
    Note: Alston, III.52 , An index to the first three volumes, 'An index to The history of English poetry', was published in 1806 , English Short Title Catalog, T145505 , Imprints to vols. 2 and 3 lack name of T. Becket , Reproduction of original from British Library , Vol.1 is dated 1774, vol.2 1778 and vol.3 1781 , Vol.4 comprises pp.[1]-88 only , Electronic reproduction; Available via the World Wide Web
    Language: English
    URL: Volltext  (Full text online)
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  • 3
    UID:
    b3kat_BV014674382
    Format: X, 260 S.
    Language: English
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  • 4
    UID:
    b3kat_BV007268236
    Format: X, 260 S.
    Edition: [reprint der Ausg. Paris 1924]
    Language: English
    Subjects: English Studies
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  • 5
    UID:
    b3kat_BV040607616
    Format: X, 703 S. , 25 cm
    Edition: paperback ed. 1. publ.
    ISBN: 9780470674994 , 0470674997
    Note: Includes bibliographical references and index , Pt. I. Introduction. General introduction / Rebecca Lemon, Emma Mason, and Jonathan Roberts -- The literature of the Bible / Christopher Rowland -- Biblical hermeneutics and literary theory / David Jasper -- Pt. II. Medieval. Introduction / Daniel Anlezark -- Old English poetry / Catherine A.M. Clarke -- The medieval religious lyric / Douglas Gray -- The Middle English mystics / Annie Sutherland -- The Pearl-poet / Helen Barr -- William Langland / Mary Clemente Davlin -- Geoffrey Chaucer / Christiania Whitehead -- Pt. III. Early modern. Introduction / Roger Pooley -- Early modern women / Elizabeth Clarke -- Early modern religious prose / Julie Maxwell -- Edmund Spenser / Carol V. Kaske -- Mary Sidney / Rivkah Zim -- William Shakespeare / Hannibal Hamlin -- John Donne / Jeanne Shami -- George Herbert / John Drury -- John Milton / Michael Lieb -- John Bunyan / Andrew Bradstock -- John Dryden / Gerard Reedy -- Pt. IV. Eighteenth century and Romantic. Introduction / Stephen Prickett -- , Eighteenth-century hymn writers / J.R. Watson -- Daniel Defoe / Valentine Cunningham -- Jonathan Swift / Michael F. Suarez -- William Blake / Jonathan Roberts and Christopher Rowland -- Women Romantic poets / Penny Bradshaw -- William Wordsworth / Deeanne Westbrook -- S. T. Coleridge / Graham Davidson -- Jane Austen / Michael Giffin -- George Gordon Byron / Wolf Z. Hirst -- P. B. Shelley / Bernard Beatty -- Pt. V. Victorian. Introduction / Elisabeth Jay -- The Brownings / Kevin Mills -- Alfred Tennyson / Kirstie Blair -- The Brontës / Marianne Thormählen -- John Ruskin / Dinah Birch -- George Eliot / Charles LaPorte -- Christina Rossetti / Elizabeth Ludlow -- G. M. Hopkins / Paul S. Fiddes -- Sensation fiction / Mark Knight -- Decadence / Andrew Tate -- Pt. VI. Modernist. Introduction / Ward Blanton -- W. B. Yeats / Edward Larrissy -- Virginia Woolf / Douglas L. Howard -- James Joyce / William Franke -- D. H. Lawrence / T.R. Wright -- T. S. Eliot / David Fuller -- , The Great War poets / Jane Potter
    Language: English
    Subjects: English Studies
    RVK:
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    Keywords: Englisch ; Literatur ; Rezeption ; Bibel ; Geschichte ; Aufsatzsammlung
    URL: Cover
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  • 6
    Book
    Book
    Columbia u.a. : Univ. of Missouri Press
    UID:
    b3kat_BV005538086
    Format: XII, 223 S. , Ill.
    ISBN: 0826208053
    Content: For more than two millennia, the myth of Prometheus has fascinated writers and artists. The complex and resonant story of the rebellious Titan who stole fire from the Olympic gods to bestow it upon humanity has remained the prototypical commentary on tyranny and rebellion. Examining the political core of this myth as presented in the poetic tradition, Linda M. Lewis traces Promethean figures and imagery in the major poetry of Milton, Blake, and Shelley. Although the significance of the myth in Western literature has often been noted, Lewis's study is unique in recognizing an ambiguity in Promethean depictions that persists from Greek drama through the English Romantics. While Prometheus is a benefactor and savior, he also takes the role of sophist and trickster. Lewis convincingly articulates this tension and relates it to the ambiguous political relationship between ruler and subject
    Content: Drawing primarily upon Paradise Lost, Lewis shows how Milton's use of Prometheus is significant not only because of Milton's undisputed influence on the Romantics, but also because his Promethean figures reflect the myth in all of its facets, from the traitorous Satan and disobedient Adam to the Son in his salvational role. Blake's responses to Milton and to Dante are closely related to his recasting of the Prometheus myth in his prophetic works, particularly through the revolutions associated with his fiery character Orc. Lewis concludes with a chapter on Shelley, focusing on Prometheus Unbound, but also providing a fascinating look at Mary Shelley's Frankenstein, which was subtitled The Modern Prometheus. An afterword extends this insightful analysis of Promethean icons by examining those used by such late eighteenth-century and nineteenth-century women writers as Charlotte and Emily Bronte, Mary Wollstonecraft, and Elizabeth Barrett Browning
    Content: This volume will be of special interest to students and teachers of seventeenth-century studies and English Romantic poetry, in addition to those interested in myth, iconography, and semiotics
    Language: English
    Subjects: English Studies
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    Keywords: Milton, John 1608-1674 Paradise lost ; Shelley, Percy Bysshe 1792-1822 Prometheus unbound ; Blake, William 1757-1827 ; Prometheus ; Milton, John 1608-1674 Paradise lost ; Prometheus ; Blake, William 1757-1827 ; Prometheus ; Shelley, Percy Bysshe 1792-1822 Prometheus unbound
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  • 7
    UID:
    b3kat_BV047074007
    Format: 1 Online-Ressource (210 Seiten)
    ISBN: 9781786947185
    Series Statement: Studies on Voltaire and the eighteenth century 103
    Note: Auf der Rückseite des Titelblattes: "First printing 1973"
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-0-7294-0188-3
    Language: English
    Subjects: Romance Studies
    RVK:
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    Keywords: Englisch ; Literatur ; Geschichte 1785-1818 ; Aufklärung ; Romantik ; Literatur ; Englisch ; Aufklärung ; Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 8
    UID:
    gbv_1806502038
    Format: 1 Online-Ressource
    ISBN: 9789004486324 , 9789042013018
    Series Statement: Brill Book Archive Part 1, ISBN: 9789004472495 48
    Content: From Tottel's Miscellany (1557) to the last twentieth-century Oxford Book of English Verse (1999), anthologies have been a prime institution for the preservation and mediation of poetry. The importance of anthologies for creating and re-creating the canon of English poetry, for introducing 'new' programmes of poetry, as a record of changing poetic fashions, audience tastes and reading practices, or as a profitable literary commodity has often been asserted. Despite its impact, however, the poetry anthology in itself has attracted surprisingly little critical interest in Britain or elsewhere in the English-speaking world. This volume is the first publication to explore the largely unmapped field of poetry anthologies in Britain. Essays written from a wide range of perspectives in literary and cultural studies, and the point of view of poets, editors, publishers and cultural institutions, aim to do justice to the typological, functional and historical variety with which this form of publication has manifested itself - from early modern print culture to the postmodern age of the world wide web
    Note: Includes bibliographical references and index , Barbara KORTE: Flowers to be picked: Anthologies of Poetry in (British) Literary and Cultural Studies. Robert CRAWFORD: Poetry, Memory, and the Nation. Jonathan BARKER: Poetry and Readers: A View from Diverse Councils. Tony LACEY: The Anthology Problem: A Publisher's View. Joerg O. FICHTE: Medieval Lyrics in Twentieth-Century Anthologies: Defining the Canon. Christoph BODE: Re-definitions of the Canon of English Romantic Poetry in Recent Anthologies. Arno LÖFFLER: Anthologising English Poetry for (German) Students. Iain GALBRAITH: Anthologizing Scottish Poetry. Christopher HARVIE: The Northern Muse. Julian LETHBRIDGE: The Anthology as a Guide to Early Modern Reading Practices. Monika GOMILLE: Anthologies of the Early Seventeenth Century: Aspects of Media and Authorship. Barbara BENEDICT: Connoisseurship and the Literary Collection. Christine BAATZ: Printing the Flowers: Aspects of Typography in Seventeenth and Eighteenth-Century Anthologies. The Case of Percy's Reliques . Stefanie LETHBRIDGE: Reading the Eighteenth-Century Long Poem as an Anthology. Klaus Peter MÜLLER: Victorian Values: Palgrave's Golden Treasury . Daniel GÖSKE: Transatlantic Modernism in Poetry Anthologies. Hans-Werner LUDWIG: Make It New: The Politics of Poetry Anthologies in English from the Sixties to the Present Day. Michael HULSE: The Critical Reception of The New Poetry . Ralf SCHNEIDER: Of Love, Cats and Football: Popular Anthologies in Britain Today - Between Culture and Commodity? Thomas ROMMEL: Eliza Doolittle and the Virtual Text: The Future of Electronic Anthologies.
    Additional Edition: Erscheint auch als Druck-Ausgabe Anthologies of British Poetry : Critical Perspectives from Literary and Cultural Studies Leiden : BRILL, 2000 ISBN 9789042013018
    Language: English
    URL: DOI
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  • 9
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Johns Hopkins University Press
    UID:
    gbv_1832336859
    Format: 1 Online-Ressource (328 p.)
    ISBN: 9781421428277
    Content: Anna Seward and her career defy easy placement into the traditional periods of British literature. Raised to emulate the great poets John Milton and Alexander Pope, maturing in the Age of Sensibility, and publishing during the early Romantic era, Seward exemplifies the eighteenth-century transition from classical to Romantic. Claudia Thomas Kairoff's excellent critical study offers fresh readings of Anna Seward's most important writings and firmly establishes the poet as a pivotal figure among late-century British writers. Reading Seward's writing alongside recent scholarship on gendered conceptions of the poetic career, patriotism, provincial culture, sensibility, and the sonnet revival, Kairoff carefully reconsiders Seward's poetry and critical prose. Written as it was in the last decades of the eighteenth century, Seward's work does not comfortably fit into the dominant models of Enlightenment-era verse or the tropes that characterize Romantic poetry. Rather than seeing this as an obstacle for understanding Seward's writing within a particular literary style, Kairoff argues that this allows readers to see in Seward's works the eighteenth-century roots of Romantic-era poetry. Arguably the most prominent woman poet of her lifetime, Seward's writings disappeared from popular and scholarly view shortly after her death. After nearly two hundred years of critical neglect, Seward is attracting renewed attention, and with this book Kairoff makes a strong and convincing case for including Anna Seward's remarkable literary achievements among the most important of the late eighteenth century
    Note: English
    Language: Undetermined
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  • 10
    Book
    Book
    Oxford : Oxford University Press
    UID:
    gbv_1610149092
    Format: 242 Seiten
    Edition: First edition
    ISBN: 9780199562183
    Content: This book traces the influence of Old Norse myth - stories and poems about the familiar gods and goddesses of the pagan North - on poetry in English from Anglo-Saxon times to the present day. Special care is taken to determine the precise form in which these poets encountered the mythic material, so that the book traces a parallel history of the gradual dissemination of Old Norse mythic texts. Very many major poets were inspired by Old Norse myth. Some, for instance the Anglo-Saxon poet of Beowulf, or much later, Sir Walter Scott, used Old Norse mythic references to lend dramatic colour and apparent authenticity to their presentation of a distant Northern past. Others, like Thomas Gray, or Matthew Arnold, adapted Old Norse mythological poems and stories in ways which both responded to and helped to form the literary tastes of their own times. Still others, such as William Blake, or David Jones, reworked and incorporated celebrated elements of Norse myth - valkyries weaving the fates of men, or the great World Tree Yggdrasill on which Odin sacrificed himself - as personal symbols in their own poetry
    Note: Literaturverzeichnis Seite [215]-230 , Prologue: Earliest contacts-Medieval poetry and Old Norse MythAntiquarians and poets: The discovery of Old Norse Myth in the seventeenth and eighteenth centuries -- Preromantic responses: Gray, Blake, and the Northern Sublime -- Parallel romantics: The alternative Norse-influenced tradition -- Paganism and Christianism: The Victorians and their successors -- Epilogue: New Images-contemporary poetry and Old Norse Myth. , Prologue: Earliest contacts-Medieval poetry and Old Norse MythAntiquarians and poets: The discovery of Old Norse Myth in the seventeenth and eighteenth centuries -- Preromantic responses: Gray, Blake, and the Northern Sublime -- Parallel romantics: The alternative Norse-influenced tradition -- Paganism and Christianism: The Victorians and their successors -- Epilogue: New Images-contemporary poetry and Old Norse Myth.
    Language: English
    Subjects: English Studies
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    Keywords: Altnordisch ; Mythologie ; Rezeption ; Englisch ; Versdichtung ; Geschichte ; Altnordisch ; Mythologie ; Rezeption ; Englisch ; Versdichtung ; Geschichte
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