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  • 1
    UID:
    b3kat_BV012503723
    Format: 1 CD , Beih. (20 S.) , 12 cm
    Series Statement: Ars acustica
    Note: Enth. außerdem: Wald, ein deutsches Requiem. Kleine Geschichte der Zivilisation. - Interpr. u.a.: Wurschmidt, Sigrid [Ophelia]. Kaiser, Henry [Special effects]. Hartmann, Elisabeth [Sprech]. Ponnier, Matthias [Sprech]. Rühm, Gerhard [Kl Sprech Realisation]. Fromme, Wolfgang [Choreinstud]. Liesmann, Othello [Vc]. Collegium Vocale 〈Köln〉.- Aufn.: 1980 - 1987. - P 1998.
    Language: German
    Subjects: German Studies
    RVK:
    Author information: Ponnier, Matthias 1940-
    Author information: Rühm, Gerhard 1930-
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  • 2
    Musical Score
    Musical Score
    London [u.a.] : Boosey & Hawkes
    UID:
    kobvindex_ZLB15469091
    Format: 188 Seiten , 31 cm
    ISBN: 9781423418320
    Note: Dirge. Spring. Spring is like a perhaps hand. When faces called flowers float out of the ground / Dominick Argento. - In the public gardens. Indiana homecoming / Jack Beeson. - Civet à toute vitesse (rabbit at top speed). Greeting. I hate music! Jupiter has seven moons / Leonard Bernstein. - Love went a-riding / Frank Bridge. - At the mid hour of night. If it's ever spring again. Nocturne. The sally gardens. Sephestia's lullaby / Benjamin Britten. - These, my Ophelia / Theodore Chanler. - Down by the sally gardens. The seal man / Rebecca Clarke. - At the river. Heart, we will forget him. The little horses. Poet's song. Why do they shut me out of heaven? / Aaron Copland. - Acrostic song / David del Tredici. - Central Park at dusk. There will be stars / John Duke. - Fear no ,ore the heat o' the sun. It was a lover and his lass. Oh fair to see / Gerald Finzi. - Two Stevenson songs: Rain. Where go the boats? / Carlisle Floyd. - Sleep / Ivor Gurney. - Money, o! / Michael Head. - The astronomers. Sweet suffolk owl. Waterbird / Richard Hundley. - Spring Sorrow / John Ireland. - How should I your true love know? My life's delight. Weep you no more / Roger Quilter. - Alleluia. Ferry me across the water. Jeanie with the light brown hair. Love. Stopping by woods on a snowy evening / Ned Rorem. - The lads in their hundreds / Arthur Somervell. - Bright is the ring of words. Linden Lea / Ralph Vaughan Williams. - Take, o take those lips away / Peter Warlock. - Alleluia. The astronomers. At the river. The little horses. Sweet suffolk owl. Weep you no more / Anonymous. - Nocturne / W.H. Auden. - Linden LEa / William Barnes. - In the public gardens / John Betjeman. - Spring sorrow / Leonard Bernstein. - My life's delight / Thomas Campion. - Acrostic song / Lewis Carroll. - Love went a-riding / Mary E. Coleridge. - Poet's song. Spring is like perhaps hand. When faces called flowers float out of the ground / E.E. Cummings. - Money, o! / W.H. Davies. - Heart, we will forget him. Why do they shut me out of heaven? / Emily Dickinson. - Civet à tout vitesse / Émile Dumont. - Sleep / John Fletcher. - Jeanie with the light browm hair / Stephen Foster. - Stopping by woods on a snowy evening / Robert Frost. - Sephestia's lullaby / Robert Green. -If it's ever spring again / Thomas Hardy. - The lads in their hundreds / A.E. Housman. - Indiana homecoming / Abraham Lincoln. - Love / Thomas Lodge. - These, my Ophelia / Archibald Macleish. - At the mid hour of night / Thomas Moore. - Spring / Thomas Nash. - Waterbird / James Purdy. - Ferry me across the water. Oh fair to see / Christina Rossetti. - Dirge. Fear no more the heat o' the sun. How should I your true love know? It was a lover and his lass. Take, o' take those lips away / William Shakespeare. - Bright is the ring of words. Rain. Where go the boats? / Robert Louis Stevenson. - Central Park at dusk. There will be stars / Sara Teasdale. - Down by the salley gardens. The salley gardens / W.B. Yeats , Text engl.
    Language: English
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  • 3
    Musical Score
    Musical Score
    London [u.a.] : Boosey & Hawkes
    UID:
    kobvindex_ZLB15469095
    Format: 188 Seiten , 31 cm
    ISBN: 9781423418313
    Note: Dirge. Spring. Spring is like a perhaps hand. When faces called flowers float out of the ground / Dominick Argento. - In the public gardens. Indiana homecoming / Jack Beeson. - Civet à toute vitesse (rabbit at top speed). Greeting. I hate music! Jupiter has seven moons / Leonard Bernstein. - Love went a-riding / Frank Bridge. - At the mid hour of night. If it's ever spring again. Nocturne. The sally gardens. Sephestia's lullaby / Benjamin Britten. - These, my Ophelia / Theodore Chanler. - Down by the sally gardens. The seal man / Rebecca Clarke. - At the river. Heart, we will forget him. The little horses. Poet's song. Why do they shut me out of heaven? / Aaron Copland. - Acrostic song / David del Tredici. - Central Park at dusk. There will be stars / John Duke. - Fear no ,ore the heat o' the sun. It was a lover and his lass. Oh fair to see / Gerald Finzi. - Two Stevenson songs: Rain. Where go the boats? / Carlisle Floyd. - Sleep / Ivor Gurney. - Money, o! / Michael Head. - The astronomers. Sweet suffolk owl. Waterbird / Richard Hundley. - Spring Sorrow / John Ireland. - How should I your true love know? My life's delight. Weep you no more / Roger Quilter. - Alleluia. Ferry me across the water. Jeanie with the light brown hair. Love. Stopping by woods on a snowy evening / Ned Rorem. - The lads in their hundreds / Arthur Somervell. - Bright is the ring of words. Linden Lea / Ralph Vaughan Williams. - Take, o take those lips away / Peter Warlock. - Alleluia. The astronomers. At the river. The little horses. Sweet suffolk owl. Weep you no more / Anonymous. - Nocturne / W.H. Auden. - Linden LEa / William Barnes. - In the public gardens / John Betjeman. - Spring sorrow / Leonard Bernstein. - My life's delight / Thomas Campion. - Acrostic song / Lewis Carroll. - Love went a-riding / Mary E. Coleridge. - Poet's song. Spring is like perhaps hand. When faces called flowers float out of the ground / E.E. Cummings. - Money, o! / W.H. Davies. - Heart, we will forget him. Why do they shut me out of heaven? / Emily Dickinson. - Civet à tout vitesse / Émile Dumont. - Sleep / John Fletcher. - Jeanie with the light browm hair / Stephen Foster. - Stopping by woods on a snowy evening / Robert Frost. - Sephestia's lullaby / Robert Green. -If it's ever spring again / Thomas Hardy. - The lads in their hundreds / A.E. Housman. - Indiana homecoming / Abraham Lincoln. - Love / Thomas Lodge. - These, my Ophelia / Archibald Macleish. - At the mid hour of night / Thomas Moore. - Spring / Thomas Nash. - Waterbird / James Purdy. - Ferry me across the water. Oh fair to see / Christina Rossetti. - Dirge. Fear no more the heat o' the sun. How should I your true love know? It was a lover and his lass. Take, o' take those lips away / William Shakespeare. - Bright is the ring of words. Rain. Where go the boats? / Robert Louis Stevenson. - Central Park at dusk. There will be stars / Sara Teasdale. - Down by the salley gardens. The salley gardens / W.B. Yeats , Text engl.
    Language: English
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  • 4
    Musical Score
    Musical Score
    Berlin : Wise Publications
    UID:
    kobvindex_ZLB01401169
    Format: 1 Songbook (173 Seiten) , 31 cm
    ISBN: 9781785583056
    Series Statement: The complete guitar player
    Content: Sammlung von 50 Hits, für Gitarre arrangiert, von Bob Dylan, The Beatles, Donovan, Don McLean, Queen, Radiohead, Aretha Franklin, Eric Clapton, Rod Stewart, Cat Stevens, David Bowie, Sting, Elton John u.v.a.m.
    Note: Alone again or / Love. - American pie / Don McLean. - Angie / The Rolling Stones. - Blackbird / The Beatles. - Budapest / George Ezra. - Catch the wind / Donovan. - Coat of many colors / Dolly Parton. - Brazy little thing called love / Queen. - Creep / Radiohead. - The first time ever I saw your face / Roberta Flack. - Free fallin' / Tom Petty. - The girl from Ipanema / Stan Getz & Joao Gilberto feat. Astrud Gilberto. - Hold back the river / James Bay. - I am a man of constant sorrow / Soggy Bottom Boys feat. Dan Tyminski. - I have a dream / Abba. - I say a little prayer / Aretha Franklin. - I'm yours / Jason Mraz. - It's all over now, baby blue / Bob Dylan. - Layla / Eric Clapton. - Let her go / Passenger. - Love the one you're with / Crosby, Stills, Nash & Young. - Lover, you should've come over / Jeff Buckley. - Maggie May / Rod Stewart , The man who sold the world / David Bowie. - Me and Julio down by the schoolyard / Paul Simon. - Moonshadow / Cat Stevens. - More than words / Extreme. - One love (people get ready) / Bob Marley & The Wailers. - Ophelia / The Lumineers. - Our house / Madness. - Rolling in the deep / Adele. - Running scared / Bob Orbison. - Shape of my heart / Sting. - She's always a woman / Billy Joel. - (Sittin' on) The dock oft the bay / Otis Redding. - Stay with me / Sam Smith. - Streets of London / Ralph McTell. - Take me home, country roads / John Denver. - These boots are made for walking / Nancy Sinatra. - Thinking out loud / Ed Sheeran. - Tiny dancer / Elton John. - Wake up little Susie / The Everly Brothers. - Walk on the wild side / Lou Reed. - Waltz #2 (XO) / Elliott Smith. - We have all the time in the world / Louis Armstrong. - Who knows where the time goes? / Fairport Convention. - Wichita lineman / Glen Campbell. - Your cheatin' heart / Hank Williams. - You're beautiful / James Blunt. - You're so vain / Carly Simon
    Language: English
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  • 5
    UID:
    gbv_337611947
    Format: 1 CD (76:05 Min.) , ADD/DDD , Beih. (22 S.) , 12 cm
    Series Statement: Musik in Deutschland 1950-2000 / Deutscher Musikrat. [Ed.-Ltg.: Hermann Danuser und Frank Schneider] b
    Note: Die Vorlage enth. insgesamt 12 Werke , Radio. Hörtext II / Ferdinand Kriwet. - Nah und fern / Mauricio Kagel. - Satelliten-Klangbrücke Köln - Kyoto / Bill Fontana. - Antagonismen / Pierre Henry. - Mirage Kino / Barry Bermange. - Da du der bist / Franz Mon. - Fever / Michael Riessler. - Ophelia and the words / Gerhard Rühm. - For Julian / Alvin Curran. - Bohnen-Sequenzen / Alosin Knowles. - Winter diary / R. Murray Schafer. - Roaratorio / John Cage
    Language: German
    Keywords: Computermusik ; Elektronische Musik ; CD
    Author information: Danuser, Hermann 1946-
    Author information: Schneider, Frank 1942-
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  • 6
    UID:
    kobvindex_ZLB14018181
    Format: 1 CD , Beih. , 12 cm
    Series Statement: Musik in Deutschland 1950 - 2000 : [CD]
    Note: Frühere P-Jahre: 1979 - 2000. , Radio. Hörtext II (1983) / Ferdinand Kriwet. - Nah und Fern / Mauricio Kagel. - Satelliten-Klangbrücke Köln - Kyoto / Bill Fontana. - Antagonismen / Pierre Henry. - Mirage Kino / Barry Bermange. - Da du der bist / Franz Mon. - Fever / Michael Riessler. - Ophelia and the words / Gerhard Rühm. - For Julian / Alvin Curran. - Bohnen-Sequenzen / Alison Knowles. - Winter diary / R. Murray Schafer. - Roarotorio / John Cage.
    Author information: Stockhausen, Markus
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  • 7
    Online Resource
    Online Resource
    Oxford : Oxford University Press
    UID:
    gbv_1003270395
    Format: 1 Online-Ressource (viii, 318 Seiten)
    Edition: First edition
    ISBN: 9780191767609
    Content: Synaesthesia is a strange sensory blending - synaesthetes report experiences of colours or tastes associated with particular sounds or words. This volume presents new essays by scientists and philosophers exploring what such cases can tell us about the nature of perception and its boundaries with illusion and imagination
    Additional Edition: ISBN 9780199688289
    Additional Edition: Erscheint auch als Druck-Ausgabe Sensory blending Oxford : Oxford University Press, 2017 ISBN 0199688281
    Additional Edition: ISBN 9780199688289
    Language: English
    Subjects: Philosophy
    RVK:
    Keywords: Synästhesie
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 8
    UID:
    gbv_1822212340
    Format: 1 Online-Ressource (1 video file 1 hr., 37 min., 41 sec.) , sound, color
    Uniform Title: The Magic Flute, K. 620
    Content: On August 26, 2016, the City of Birmingham Symphony Orchestra played their first concert with their brand-new music director Mirga Gražinytė-Tyla, the first woman ever to hold the post. The following evening, before a worldwide audience at the BBC Proms, they performed a marvelously varied and deeply moving program, featuring astounding Canadian soprano Barbara Hannigan in an extraordinary work composed specially for her. Maestra Mirga and her ensemble begin the evening with Mozart's Magic Flute Overture, a charged rendition that "fizzes and sparkles with a clarity and subtlety we rarely hear in such a well­worn opener" (Birmingham Post). Next comes the song cycle let me tell you by Danish composer Hans Abrahamsen, a depiction of the tragic Ophelia from Hamlet using only the 480 words afforded to the character by Shakespeare. This remarkable piece, composed for and dedicated to Hannigan herself, was voted the greatest classical work of the 21st century by The Guardian. Finally, Gražinytė-Tyla leads the CBSO in Tchaikovsky's epic Fourth Symphony, famously inflected with a "Fate" motif that culminates in a grand and triumphant apotheosis
    Note: The Magic Flute, K. 620 / , let me tell you / , Symphony No. 4 in F Minor, Op. 36 / , Sleeping Beauty /
    Language: English
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  • 9
    Online Resource
    Online Resource
    Gallery Books
    UID:
    kobvindex_ZLB35205837
    ISBN: 9781668032701
    Content: " *National Bestseller* If you have a teenage girl in your life, you need to read this. 8212 Oprah Daily In the vein of Reviving Ophelia and Untangled comes a fresh, unexpected, and empowering guide to better understand teenage girls, revealing how their insights can create heartfelt connections and impactful change. Written with warmth and humor, Underestimated is the first book to invite us into a teenage girl's brain and heart, as told from the point of view of a beloved and trusted mentor. Chelsey Goodan is a highly sought-after academic tutor who has worked with hundreds of girls from all different backgrounds, earning their trust, confidence, and friendship. They in turn have shared with her their innermost concerns, doubts, and what they wish they could communicate to their parents and the world at large. With topics and language directly chosen by the girls, Goodan reveals how the solutions to a girl's well-being lie within her. She offers parents the exact words they can use to help her discover these solutions and demonstrates how adults can better support a teenage girl's voice to create positive change. Rather than dismissing teenage girls based on our own fears or treating them as problems that need to be solved, Goodan encourages us as parents, and as a society, to help girls unleash their power and celebrate their intrinsic wisdom, creating more healing and connection for everyone. With inspiring ease, Underestimated shows us how to do this with accessible advice, entertaining narratives, and profound wisdom."
    Content: Biographisches: "Chelsey Goodan has been an academic tutor and mentor for sixteen years, with a particular emphasis on the empowerment of teenage girls. She speaks regularly to audiences about gender justice, conducts workshops, and coaches parents on how to better understand and connect with their daughters. She is the mentorship director of the nonprofit DemocraShe and founder of The Activist Cartel. As an activist, she advises public figures, galvanizes volunteers, and organizes large-scale events for national nonprofits, while also serving on the board of A Call to Men. Her passion to explore humanity's potential for authenticity, liberation, and empowerment permeates all of her work. A graduate of NYU's Tisch School of the Arts, Chelsey lives in Los Angeles." Rezension(2): "〈a href=http://www.kirkusreviews.com target=blank〉〈img src=https://images.contentreserve.com/kirkus_logo.png alt=Kirkus border=0 /〉〈/a〉: December 1, 2023 An activist offers a view of modern life through one of the most dismissed of all social groups: teenage girls. Despite a variety of stereotypes about teenage girls, they are a wildly underestimated force for good in the world, writes Goodan, mentorship director of DemocraShe and founder of the Activist Cartel. Informed by a decade and a half of experience working with young women of different races, sexual orientations, and socioeconomic backgrounds, Goodan probes key issues, both internal and external, that girls struggle with on their journey to adulthood. The stormy adolescent feelings that can make girls appear emotionally lawless top the list. They cause well-meaning adults to take an advise and fix approach to girls' problems, but the author proposes a far more effective idea: create a validating, nonjudgmental space in which girls can express their emotions. The need to speak honestly about themselves and their lives can also present problems to young women. In Goodan's experience, teens such as 16-year-old Lori believe that adults...cover the truth because they think [girls] can't handle it. What truth actually does offer is permission to successfully express selfhood. The pressure to be beautiful according to Eurocentric, heteronormative standards is also a source of profound female angst, causing girls to constantly question their value and social worth and fall victim to dangerous disorders such as anorexia and bulimia. When older women model attitudes of self-acceptance, however, girls like 15-year-old Rosy are able to articulate important truths: [B]eauty is...transparency within yourself, not hiding, being real. What makes this book stand out is the way Goodan allows girls to share their truths openly and without judgment. In this way, the author empowers young women by showing readers what they have to teach adults about the power of (inter)personal authenticity. A heartfelt and humane sociological report. COPYRIGHT(2023) Kirkus Reviews, ALL RIGHTS RESERVED. " Rezension(3): "〈a href=http://www.publishersweekly.com target=blank〉〈img src=https://images.contentreserve.com/pw_logo.png alt=Publisher's Weekly border=0 /〉〈/a〉: January 8, 2024 A teenage girl “want to scream A battle cry loud enough to shatter the glass above her and obliterate what tries to contain her,” according to this shortsighted debut guide to learning from and connecting with teen daughters. Academic tutor Goodan contends that teen girls are frequently silenced by society, and parents would do well to ask nonjudgmental questions (“How can I support you in this?”) that make space for emotions without trying to “solve” the issue at hand, thus allowing their daughters’ natural problem-solving skills to emerge. Unfortunately, Goodan undermines that helpful advice with some selective interpretations (selfies almost exclusively help girls empower themselves, she suggests, without adequately unpacking how posting such images in search of “likes” can create a harmful validation loop). In addition, parents will struggle to apply such vague lessons as “rather than working to prevent and judge teenage girls’ sexual choices, let’s work to create a world that thoroughly educates everyone on sexual responsibility and pleasure.” Despite the author’s good intentions, this stumbles. Agent: Karen Murgolo, Aevitas Creative Management. " Rezension(4): "〈a href=https://www.booklistonline.com target=blank〉〈img src=https://images.contentreserve.com/booklist_logo.png alt=Booklist border=0 /〉〈/a〉: February 1, 2024 What are teenage girls thinking and feeling? What are their struggles? What do they need from adults in their lives? Tutor, academic coach, and speaker Goodan learned the answers to these questions from years of working with and listening to teenage girls. Her debut is a wise, well-articulated handbook to help adults listen to and hold space for teens. Goodan starts with the topic of fear. Teenage girls fear being judged, stereotyped, and dismissed as hormonal, crazy, dramatic. Topical chapters form a catalog of common challenges (media, friends, perfection) and emotions (shame, self-doubt) experienced by teenage girls. Chapters on feelings and sexuality have practical wisdom that belongs in the toolbox of every teenager. Each chapter ends with a section titled Core Insights, with key bullet point reminders plus memorable quotations as Goodan hands the microphone to the girls themselves. Goodan concludes with the topic of liberation, which is found in each of the book's lessons. Liberation is the product of self-healing, owning mistakes, making amends--the work of teens and adults who care about them. COPYRIGHT(2024) Booklist, ALL RIGHTS RESERVED. "
    Language: English
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  • 10
    Online Resource
    Online Resource
    Oxford : Oxford University Press
    UID:
    gbv_1745383840
    Format: 1 Online-Ressource (xii, 258 Seiten) , Illustrationen
    Edition: First edition
    ISBN: 9780191082078
    Series Statement: Oxford Shakespeare topics
    Content: This volume explores post-1950s East Asian interpretations of Shakespeare and it analyses cinematic and dramatic works from Japan, China, Taiwan, Singapore, and Hong Kong.
    Content: Cover -- Oxford Shakespeare Topics: Shakespeare and East Asia -- Copyright -- Dedication -- Contents -- Contents -- List of Illustrations -- A Note on the Text -- Prologue: The Cultural Meanings of Shakespeare and Asia Today -- Compulsory Realpolitik -- The Postnational Space -- Cinematic Stage and Theatrical Film -- Form, Ideology, Reception, Diaspora -- Caveat Lector -- Conclusion -- Chapter 1: "To unpath'd waters, undream'd shores": Sound and Spectacle -- A Winding Path -- Three Approaches -- Ears of the Other -- "Full of sound and fury" -- Gendered Pronouns -- Ninagawa's Use of Music -- Eyes of the Other -- Coda -- Chapter 2: "Our toil shall strive to mend": Politics of Remediation -- Remedial Functions of Art -- The Special Place of King Lear in Remedial Arts -- Parodies of Remedial Arts -- A Theory of Reparative Adaptation -- A Place-Based Myth -- Ophelia Empowered: The Banquet and Prince of the Himalayas -- The King's Two Bodies and Lear's Two Faces -- Buddhism in Michael Almereyda's Hamlet -- Star-Crossed Lovers in Hong Kong: One Husband Too Many -- Botched Reparation: Revenge Comedy in Taiwan -- Sinophone Shakespeares -- Conclusion -- Chapter 3: An "isle . . . full of noises": Polyphonic Reception -- Productive Echoes: King Uru -- Echoing Ophelia: The King and the Clown -- Reception Theory -- Oh Tae-suk's Romeo and Juliet in London -- Oh Tae-suk's The Tempest in Edinburgh -- Polyphonic Reception of Touring Theatre -- Conclusion -- Chapter 4: "Divided in three our kingdom": Multilingualism and Diaspora -- Screening Multilingualism: Chicken Rice War -- Sonic Ethnic Lines -- Chicken Not So Well Received -- Multilingual Lear and Desdemona -- Multilingual Search: Hamlet -- Diasporic Subject Positions -- New Accents and Multilingual Shakespeare -- Epilogue -- Words Made Flesh -- Deep Connection -- Conclusion -- Notes -- Prologue -- Chapter 1.
    Note: Description based on publisher supplied metadata and other sources
    Additional Edition: ISBN 9780198703570
    Additional Edition: Erscheint auch als Druck-Ausgabe Joubin, Alexa Alice, 1973 - Shakespeare and East Asia Oxford : Oxford University Press, 2021 ISBN 9780198703570
    Additional Edition: ISBN 0198703570
    Additional Edition: ISBN 9780198703563
    Additional Edition: ISBN 0198703562
    Language: English
    Subjects: English Studies
    RVK:
    Keywords: Shakespeare, William 1564-1616 ; Rezeption ; Ostasien ; Verfilmung
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