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  • 1
    UID:
    b3kat_BV035173282
    Format: 352 S. , zahlr. Ill. , 24 cm
    ISBN: 9780500238547 (hbk.) , 0500238545 (hbk.)
    Content: Paintings in Proust is a companion guide to a monumental twentieth century work of art. Marcel Proust's In Search of Lost Time, one of the most expansive literary creations ever composed, is a vast novel teeming with visual references. Author Eric Karpeles has combined his experiences as painter and writer to create a lavishly illustrated book that illuminates the winding corridors of Proust's singular, labyrinthine masterpiece. For newcomers to Proust's work, Paintings in Proust functions as a complementary guidebook, providing a firmer ground from which to undertake the task of plunging into a novel famously known for its complexity and its length. At the same time, Paintings in Proust offers further nourishment to the seasoned Proustian reader, whose plate is already extravagantly full. Paintings in Proust animates the experience of reading by revealing and clarifying much that might otherwise remain obscure. Illustrating a treasure trove of visual references, Paintings in Proust provides access and insight in its presentation of paired groupings of texts and pictures, arranged sequentially, as they appear in volume after volume of In Search of Lost Time.
    Note: Includes bibliographical references (p. 329-344) and index
    Language: English
    Subjects: Romance Studies
    RVK:
    Keywords: Proust, Marcel 1871-1922 À la recherche du temps perdu ; Malerei ; Ikonographie ; Proust, Marcel 1871-1922 ; Malerei ; Proust, Marcel 1871-1922 À la recherche du temps perdu ; Ekphrasis
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  • 2
    UID:
    b3kat_BV013644930
    Format: 248 S.
    ISBN: 3906766179 , 0820453196
    Series Statement: Modern French identities 10
    Note: Zugl.: Cambridge, Univ., Diss.
    Language: English
    Subjects: Romance Studies
    RVK:
    Keywords: Proust, Marcel 1871-1922 À la recherche du temps perdu ; Künste ; Frankreich ; Kunstwissenschaft ; Methode ; Geschichte 1910-1920 ; Frankreich ; Kunst ; Literatur ; Geschichte 1910-1920 ; Hochschulschrift
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  • 3
    Book
    Book
    Princeton, N.J. [u.a.] : Princeton Univ. Press
    UID:
    b3kat_BV023018757
    Format: XX, 252 S. , Ill. , 25 cm
    ISBN: 9780691127262 , 0691127263
    Content: "Realist novels are celebrated for their detailed attention to ordinary life. But two hundred years before the rise of literary realism, Dutch painters had already made an art of the everyday - pictures that served as a compelling model for the novelists who followed. By the mid-1800s, seventeenth-century Dutch painting figured virtually everywhere in the British and French fiction we esteem today as the vanguard of realism. Why were such writers drawn to this art of two centuries before? What does this tell us about the nature of realism?" "In this book, Ruth Yeazell explores the nineteenth century's fascination with Dutch painting, as well as its doubts about an art that had long challenged traditional values." "After showing how persistent tensions between high theory and low genre shaped criticism of novels and pictures alike, Art of the Everyday turns to four major novelists - Honore de Balzac, George Eliot, Thomas Hardy, and Marcel Proust - who strongly identified their work with Dutch painting. For all these writers, Dutch art provided a model for training themselves to look closely at the particulars of middle-class life." "Yet even as nineteenth-century novelists strove to create illusions of the real by modeling their narratives on Dutch pictures, Yeazell argues, they chafed at the model. A concluding chapter on Proust explains why the nineteenth century associated such realism with the past and shows how the rediscovery of Vermeer helped resolve the longstanding conflict between humble details and the aspirations of high art."--BOOK JACKET.
    Note: Includes bibliographical references (p. 195-241) and index , Preface -- The novel as Dutch painting -- Low genre and high theory -- Balzac's bourgeois interiors and the quest for the absolute -- George Eliot's defense of Dutch painting -- Hardy's rural painting of the Dutch school -- Proust's genre painting and the rediscovery of Vermeer -- Notes
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures , Art History
    RVK:
    RVK:
    Keywords: Niederlande ; Malerei ; Rezeption ; Roman ; Realismus ; Geschichte 1600-1900 ; Französisch ; Roman ; Realismus ; Rezeption ; Niederlande ; Malerei ; Geschichte 1600-1900 ; Englisch ; Roman ; Realismus ; Rezeption ; Niederlande ; Malerei ; Geschichte 1600-1900 ; Kunst ; Literatur ; Geschichte 1800-1900 ; Niederlande ; Malerei ; Geschichte 1600-1700
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  • 4
    UID:
    b3kat_BV035966884
    Format: 352 S. , zahlr. Ill.
    ISBN: 9783832192761
    Uniform Title: Paintings in Proust
    Note: Aus dem Engl. übers.
    Language: German
    Subjects: Romance Studies
    RVK:
    Keywords: Proust, Marcel 1871-1922 À la recherche du temps perdu ; Malerei ; Proust, Marcel 1871-1922 À la recherche du temps perdu ; Malerei
    Author information: Karpeles, Eric 1954-
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  • 5
    Book
    Book
    Chicago ; London : The University of Chicago Press
    UID:
    b3kat_BV047211674
    Format: 275 Seiten
    ISBN: 9780226770772 , 9780226770802
    Content: "The relationship between philosophy and aesthetic criticism has occupied Robert Pippin throughout his illustrious career. Whether discussing film, literature, or modern and contemporary art, Pippin's claim is that we cannot understand aesthetic objects unless we reckon with the fact that some distinct philosophical issue is integral to their meaning. In his latest offering, Philosophy by Other Means, we are treated to a collection of essays that builds on this larger project, offering profound ruminations on philosophical issues in aesthetics along with revelatory readings of Henry James, Marcel Proust, and J. M. Coetzee"--
    Note: Part I: The arts in philosophy. Philosophical criticism -- Kant and the problem of tragedy -- The status of literature in Hegel's Phenomenology of spirit : on the lives of concepts -- The absence of aesthetics in Hegel's aesthetics -- Hegel on painting -- Authenticity in painting : remarks on Michael Fried's art history -- Photography as art : Fried and intention -- Adorno, aesthetic negativity, and the problem of idealism -- Part II. Philosophy in the arts. On Maisie's knowing her own mind -- Subjectivity : a Proustian problem -- The shadow of love : the role of jealousy in Proust's À la recherche du temps perdu -- The paradoxes of power in the early novels of J.M. Coetzee -- Philosophical fiction? On J.M. Coetzee's Elizabeth Costello
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-226-77094-9
    Language: English
    Subjects: Philosophy
    RVK:
    Keywords: Philosophie ; Literatur ; Kunst ; Ästhetik
    Author information: Pippin, Robert B. 1948-
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  • 6
    Book
    Book
    New Haven [u.a.] : Yale Univ. Press
    UID:
    b3kat_BV011180071
    Format: IX, 148 S. , Ill.
    ISBN: 0300066902
    Content: In this new book, a preeminent literary thinker muses over the central question of how we can feel at home in the world, given that the world is independent of and indifferent to our wishes. Drawing on books and films, cultural history and his own experiences, Gabriel Josipovici argues that it is possible to feel comfortable in the world and in our relationships with others only if we value touch over sight, if we respect distance but also work to overcome it
    Content: Josipovici moves from a Charlie Chaplin film to passages from Proust, from the world of sport to the world of addiction, from medieval pilgrimages to the cult of relics, from a wedding photograph of his grandparents to some of Chardin's most enigmatic paintings. Through these seemingly disparate topics he provides engaging and wise commentary on connection and communication in life. Contrasting the senses of sight and touch, Josipovici notes that although sight seems to give us the totality of what we behold, it is only when we walk or feel our way across the distances that things become more than images and begin to constitute the world in which we, as touchers and not mere observers, are included. If we depend on sight - which seems to offer a frictionless domination over reality - we may avoid the pains and uncertainties of living, but we also lose our involvement with life
    Language: English
    Subjects: English Studies
    RVK:
    Keywords: Nichtverbale Kommunikation
    Author information: Josipovici, Gabriel 1940-
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  • 7
    UID:
    b3kat_BV043370008
    Format: 352 Seiten , Illustrationen
    Edition: Neuausgabe
    ISBN: 9783832199074 , 3832199071
    Uniform Title: Paintings in Proust. A Visual Companion to In Search of Lost Time 〈dt.〉
    Language: German
    Keywords: Proust, Marcel 1871-1922 À la recherche du temps perdu ; Malerei ; Proust, Marcel 1871-1922 À la recherche du temps perdu ; Malerei
    Author information: Proust, Marcel 1871-1922
    Author information: Karpeles, Eric 1954-
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  • 8
    UID:
    b3kat_BV003413923
    Format: XIV,260 s.
    ISBN: 0835710920
    Series Statement: Studies in the fine arts. Criticism. 7.
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures , Art History
    RVK:
    RVK:
    Keywords: Pater, Walter 1839-1894 ; Malerei ; Metapher ; Proust, Marcel 1871-1922 ; Malerei ; Baudelaire, Charles 1821-1867 ; Delacroix, Eugène 1798-1863 ; Frankreich ; Kunstbetrachtung ; Malerei ; Geschichte 1800-1900 ; Baudelaire, Charles 1821-1867 ; Pater, Walter 1839-1894 ; Proust, Marcel 1871-1922 ; Delacroix, Eugène 1798-1863 ; Ruskin, John 1819-1900 ; Turner, Joseph Mallord William 1775-1851
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  • 9
    UID:
    b3kat_BV026309833
    Format: XV, 359 S.
    Note: Kopie, erschienen im Verl. Univ. Microfilms Internat., Ann Arbor, Mich. , Princeton Univ., Diss., 1982
    Language: English
    Keywords: Hochschulschrift
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  • 10
    Book
    Book
    Cambridge : Cambridge University Press
    UID:
    gbv_1617178993
    Format: XIX, 285 Seiten , Illustrationen , 228 x 152 mm
    Edition: First published
    ISBN: 1107103363 , 9781107103368
    Content: "Proust and the Arts brings together expert Proustians and renowned interdisciplinary scholars in a major reconsideration of the novelist's relation to the arts. Going beyond the classic question of the models used by Proust for his fictional artists, the essays collected here explore how he learned from and integrated in highly personal ways the work of such innovators as Wagner or Carpaccio. This volume reveals the breadth of Proust's engagement with varied art forms from different eras: from 'primitive' arts to sound recordings, from medieval sculpture to Art Nouveau glassmaking, from portrait photography to the private art of doodling. Chapters bring into focus issues of perception and detail in examining how Proust encountered and responded to works of art, and attend to the ways art shaped his complex relationship to identity, sexuality, humour, and the craft of writing"--
    Note: Includes bibliographical references and index , Machine generated contents note: Preface; Part I. Art's Way: 1. Primitives and primitive arts in the Recherche Nathalie Mauriac Dyer; 2. 'Some dear or sad fantasy': faith, idolatry, infidelity Sophie Duval; 3. I am [not] a painting: how Chardin and Moreau dialogue in Proust's writing Christie McDonald; Part II. Apprenticing and Integrating: 4. Art and craft in Marcel Proust's life and work Virginie Greene; 5. 'Those blessed days': Ruskin, Proust, and Carpaccio in Venice Susan Ricci Stebbins; 6. 'Cette douceur, pour ainsi dire wagne;rienne': musical resonance in Proust's Recherche John Hamilton; Part III. Expanding the Arts: 7. Proust and archeological discovery Kazuyoshi Yoshikawa; 8. Swann's gift, Odette's face: photography, money and desire in À la recherche du temps perdu Suzanne Guerlac; 9. Oriane's fashionable art Caroline Weber; 10. Glass and clay: Proust and Galle; Elaine Scarry; Part IV. Perceiving and Transforming: 11. Proust's eye Françoise Leriche; 12. Sound and music in Proust: what the Symbolists heard Sindhumathi Revuluri; 13. Inside a red cover: Proust and the art of the book Evelyne Ender and Serafina Lawrence; Part V. Creative Identities: 14. Proust and the Marx Brothers Elisabeth Ladenson; 15. Proust, Jews, and the arts Maurice Samuels; 16. 'Irregular' kin: Madeleine Lemaire and Reynaldo Hahn in Les Plaisirs et les Jours François Proulx; 17. The day Proust recognized he was a great writer Antoine Compagnon; Bibliography.
    Language: English
    Subjects: Romance Studies
    RVK:
    Keywords: Proust, Marcel 1871-1922 ; Kunst ; Musik ; Proust ; Künste ; Proust ; Künste ; Aufsatzsammlung
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