Kooperativer Bibliotheksverbund

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Format: 1 online resource (317 pages)

Edition: 1st ed.

ISBN: 9783839466674

Series Statement: Studien Zur Popularmusik Series

Note: Cover -- Contents -- "It's how you flip it!" - Editorial Notes -- References -- Music Education and Hip‐Hop -- References -- Hip‐Hop and Music Education -- Introduction -- Hip‐Hop Pedagogies -- The Emergence of Hip‐Hop Education -- The Federal Republic of Germany: Hip‐Hop and Social Work (1980s-1990s) -- The Federal Republic of Germany: Hip‐Hop and Music Education (1980s-1990s) -- The United States: The First Wave of Hip‐Hop Education (1980s-2000s) -- Establishing Hip‐Hop in Music Education -- Why Hip‐Hop Still Challenges Music Education -- Different Forms of Learning and Teaching -- Aesthetic and Ethical Differences -- Teachers' Skills and Teaching Materials -- Misunderstandings between Hip‐Hop Artists and Music Educators -- Research in Music Education and Teacher Training -- Current Issues for Music Education -- Conclusion and Outlook -- References -- "Music can really, really raise you" (Pete Rock) -- It's All Clear, at Last: Preparations for a Hip‐Hop Seminar and the Genesis of a Rap Song -- Hip‐Hop as a (Creative) Space for Knowledge Transfer -- Hip‐Hop as Literature -- Literature as Hip‐Hop -- References -- Appendix -- Retrogott: Endlich eindeutig (2022) -- "Urgency. […] It's so much more than just interest or passion!" -- Institutionalizing Beatmaking -- Introduction -- Beatmaking as an Asynchronous Form of Phonographic Work -- Manifestation and Constitution of Artistic Agency -- Development of Artistic Agency -- Beatmaking as a Challenge and Opportunity for Music Education -- Conclusion -- References -- Invisible Skillz. Thoughts on Hip‐Hop as an Artistic, Creative Culture -- References -- The Archipelago as a Metaphor for the Creation of Collective Knowledge in Breaking -- Being Touched - Getting Moving - Exploring Exchange -- Archipelagic Thinking: Édouard Glissant and the Creolization of the World. , First Island: On the Origin as a Void and the Traces of Many Beginnings -- Second Island: Bricolage of the Self and "Identificatory Suspension" -- Third Island: The Poetic Cry of a United Germany and Its Echo in the Hip‑Hop Archipelago -- Fourth Island: Learning amid the Hip‐Hop Archipelago's Field of Potentiality -- Conclusion and Outlook -- References -- Breaking and the Island Life -- Analyzing Flow and Deconstructing Childhood -- "Starting from Scratch": Rap Music in My Classroom -- Analyzing Flow and Its Impact on Teaching Music -- Deconstructing Childhood-And Its Benefits for Music Education -- Conclusion -- References -- Flow in the Music Classroom -- Flow in Lesson Preparation -- Dealing with Problematic Lyrics -- Conclusion -- Examining the Ideological Tension and Institutional Constraint of Implementing Hip‑Hop‑Based Music Education within the Formal Academic Space -- Background and Introduction -- Schooling Hip‐Hop: Challenges to Implementation -- Case Study: Background and Corpus of the Data -- Methods and Analysis -- Staying Current, Meeting Expectations? The Case of Malcolm Y. -- Discussion and Conclusion -- References -- The Representation of Gangsta Rap in Music Education Textbooks -- Introduction -- Gangsta Rap: Challenges for Music Education -- Method -- Analysis -- Popularmusik im Kontext (2007) -- musik live 2 (2009) -- Further Results -- Conclusion and Outlook -- References -- Gangsta Rap in Everyday School Life -- Characteristics of a Hip‐Hop Pedagogy Based in Community Music Practices -- Introduction -- Swedish Hip‐Hop-Educational and Community Music Perspectives -- The Tradition of Nordic Bildung -- Characteristics of Local Swedish Hip‐Hop Education -- Disciple Pedagogy -- Pedagogy of Trust -- Cipher Pedagogy -- Lessons for the Music Classroom Drawn from Swedish Hip‑Hop Education -- Conclusions -- References. , What Germany's Educational System Can Learn from Sweden's Engagement with Hip‐Hop Culture -- Building Hip‐Hop Music Educators -- Introduction -- Our Approaches to Teaching Hip‐Hop in Music Education -- About Toni Blackman -- Toni's Teaching Practice -- About Ethan Hein -- Ethan's Teaching Practice -- What Is Hip‐Hop Music Education? -- How Do We Teach Hip‐Hop Responsibly? -- Conclusion -- References -- Hip‐Hop Doesn't Need School, School needs Hip‑Hop -- Hip‐Hop Is More than Music -- Making Dope Shit -- Introduction -- Learning (about) Flow -- Analyzing Flow -- Line‐Bar Interactions-Phrasing on/in Meter -- Stress Interactions-(Quantized) Rhythmic Surface Structure -- Microrhythm-Timing and Degrees of Ambiguity -- What Makes the Shit Dope? -- References -- Hip‐Hop and Intersectional Music Education: Learning from Hip‑Hop Feminisms -- Introduction: Intersectionality and Hip‐Hop -- Hip‐Hop Feminism -- Intersectional Music Education in Germany -- Developments of Hip‐Hop Feminisms -- a) Threading and Stitching-Redefining Technology and Tools -- b) Bringing the Wreck-Redefining Representation and Image -- c) Kinetic Orality-Redefining Storytelling -- d) Melodious Misogyny-Redefining Sound and Listening -- Conclusion: Redrawing the Lines of Difference -- References -- Eco Hip‐Hop Education -- Introduction -- Eco Hip‐Hop Education -- Hip‐Hop and Environmental Justice in Music Education -- Hip‐Hop and Place‐Based Learning in Music Education -- Hip‐Hop and Negotiating Normative Contradictions -- Conclusion and Outlook -- References -- Biographical Notes.

Additional Edition: Print version: Eusterbrock, Linus It's How You Flip It Bielefeld : transcript Verlag,c2024 ISBN 9783837666670

Language: English

Keywords: Electronic books.

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Format: 160 S.

Note: Kopie, erschienen im Verl. UMI, Ann Arbor

Language: English

Subjects: Slavic Studies

Keywords: Slawische Sprachen ; Literatur ; Schriftsteller ; Selbstverständnis

Author information: Erlich, Victor 1914-

UID:

Format: 1 online resource (178 pages)

ISBN: 9783110500882

Series Statement: Jewish Thought, Philosophy and Religion Ser. ; v.2

Note: Intro -- Contents -- 1. Space and Gender in the Song of Songs -- Space as Allegory: Premodern Readings -- Space as Scenery: Nineteenth-Century Readings -- Space as Travesty: Twentieth-Century Readings -- Space as Agonizing Metaphor: A Twenty-First Century Trend -- Space as Life-World: Preliminary Considerations for a Pluralistic Reading -- 2. A Sociospatial Approach to the Song of Song's Structure -- The Twenty Idylls -- Evidence from Versification -- Spatial Discontinuity and Formal Cohesion in Song of Songs 1:9-2:7 -- The Four Cycles -- Court (idylls 1, 4, 10, 13, and 15) -- City (idylls 6, 8, 14, 17, and 19) -- Vineyard (idylls 2, 7, 11, 16, and 20) -- Wilderness (idylls 3, 5, 9, 12, and 18) -- The Macrostructure of the Song of Songs -- Ten Speakers in Four Landscapes: The Tetractys Pattern -- Three-Idyll Sequences -- Symmetries inside the Cycles -- Symmetries across the Cycles -- 3. The Poetics of Social Diversity -- Greek Literary and Visual Models -- Production and Consumption -- Geographical Horizons -- Social Gender and the Exchange of Fantasies -- 4. Ptolemy IV Philopator and his Religious Policy -- Women -- Banquets -- Horse Races -- Bacchanals -- Dionysian Politics -- Tattoos -- Negotiating Religion -- 5. Was the Song of Songs Composed in Amman? -- "Jewish Sheikhs" of Transjordan -- One Thousand Cleruchs between Arabia and Judaea -- Warfare in a Love Poem -- A Judaean Garrison and a Greek City -- Peasants, Nomads, and Slaves -- A Skeptical Anthropology -- 6. Conclusion -- Appendix -- Images -- Structural Hypothesis for the Song of Songs -- Translation of the Song of Songs -- Bibliography -- Sources, 1: Classics -- Sources, 2: Papyri -- Studies -- Index of Biblical References -- Index of Names.

Additional Edition: Print version: Wilke, Carsten Farewell to Shulamit Berlin/Boston : De Gruyter, Inc.,c2017 ISBN 9783110500547

Language: English

Subjects: Theology

Keywords: Electronic books.

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Format: VIII, 352 S.

ISBN: 3-416-01634-3

Series Statement: Abhandlungen zur Kunst-, Musik- und Literaturwissenschaft 321

Language: German

Subjects: German Studies

Keywords: 1891-1950 Goll, Yvan ; Lyrik ; Bildersprache ; 1891-1950 Goll, Yvan ; Lyrik ; 1891-1950 Goll, Yvan

UID:

Format: 1 online resource.

ISBN: 9781003331971 , 1003331971 , 9781040037843 , 1040037844 , 9781040037874 , 1040037879

Series Statement: Early modern themes

Content: "Bringing together an international group of literary scholars, intellectual historians, and cultural historians, this book discusses history in its various forms, either as texts or images in the early modern period (1500-1800). This volume is of great use to upper-level undergraduates, postgraduates, and scholars interested in early modern Europe and the history of knowledge across both the history and literature disciplines"--

Note: Introduction: Early modern genres of history / Emil Nicklas Johnsen and Ina Louise Stovner -- Antiquarian poetry and royal performance / Anne Eriksen -- "Compiled from original authors" : on the status of compilers and compilation as historiographical practice in the eighteenth century / Thomas Ewen Daltveit Slettebø -- 'History from marble' : church notes and the rise of epigraphy in early modern England / Angus Vine -- From history painting to the painting of history : the evolution of a visual genre / Mark Salber Phillips -- Constructing a moment in history. The tableau as a communicational mode and genre in the end of the 18th-century / Ina Louise Stovner -- Royal historiographer without the title. The public sphere and the shaping of historical genres in the Niels Ditlev Riegels' (1755-1802) history writing / Emil Nicklas Johnsen -- From amusement to study? Historical genres in the 18th-century essay periodical press / Claire Boulard Jouslin -- Court intrigues between public and secret history : some eighteenth century Danish solutions / Sebastian Olden-Jørgensen -- Historical transfers : Ludwig Albrecht Gebhardi and the transformations of his late eighteenth-century histories of Denmark and Norway / Håkon Evju -- 'For no other cause than the lack of writers' : travel knowledge and the preservation of memory / Anne Helness -- Histories from Barbary. Empirical and imperial aspirations in an eighteenth-century history / Svein Atle Skålevåg -- Between Vico and the virgin : image and historiography in Lorenzo Boturini's History of New Spain / John Ødemark -- Afterword: Some reflections on genre in early modern histories / Daniel Woolf.

Additional Edition: Print version: EARLY MODERN GENRES OF HISTORY. [Place of publication not identified] : ROUTLEDGE, 2024 ISBN 1032364424

Language: English

DOI: 10.4324/9781003331971

URL: https://www.taylorfrancis.com/books/9781003331971

URL: Taylor & Francis

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Format: 1 online resource (329 pages).

ISBN: 9783110287158 (e-book)

Series Statement: Millennium-Studien zu Kultur und Geschichte des ersten Jahrtausends n. Chr. = Millennium studies in the culture and history of the first millennium C.E., Band 40

Note: I. Rom als universaler Diskursort -- The Emblematic City : Images of Rome before AD 410 / Karla Pollmann -- Die "Mauern" Roms in Claudians De Bello Gildonico und De Bello Getico : Diskurse der Angst in den Jahren 398-402 / Henriette Harich-Schwarzbauer -- Rom als heterodoxer Diskursort und Stadt der Apostel und Martyrer : Zur Semantik von Augustins Rombild-Konstruktionen / Therese Fuhrer -- II. Historische Perspektiven auf Rom nach 410 -- Kaiser Honorius und der Fall Roms : zur Macht des Glaubens / Beat Naf -- Alarico e il sacco di Roma nelle fonti dell'Oriente romano / Umberto Roberto -- Rome During the Ostrogoth Kingdom : Its Political Meaning as Apostolic See / Rita Lizzi Testa -- III. Der Fall Roms als Lehrbeispiel -- Grand Finale : Orosius' Historiae adversus paganos Or the Subversion of History / Marco Formisano -- Divine Anger and Divine Favour : Transformations in Roman Thought Patterns in Late Antiquity / Maijastina Kahlos -- La prise de Rome de 410, une etape dans la christianisation de la ville / Etienne Wolff -- L'eco letteraria del declino di Roma nel commento a Ezechiele di Girolamo e di Gregorio Magno / Cristina Ricci -- IV. Poetische Wiederauferstehungen Roms nach 410 -- Quod sine fine placet : Roma renascens bei Rutilius Namatianus und Prudentius / Petra Schierl -- Imperium sine fine after 410 : The Attempt of an Impossible Accomplishment in Some Latin Poetical Sources / Chiara Ombretta Tommasi -- Par tibi Roma nihil : Rom-Bilder in lateinischen und mittelhochdeutschen Dichtungen des 11. und 12. Jahrhunderts / Seraina Plotke.

Additional Edition: Print version: Fall Roms und seine Wiederauferstehungen in Antike und Mittelalter. Berlin : De Gruyter, [2013] ISBN 9783110286984

Language: German

Subjects: History

Keywords: Electronic books. ; Konferenzschrift ; Konferenzschrift ; Konferenzschrift

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Format: VIII, 186 S.

ISBN: 978-0-472-11850-2 , 978-0-472-02871-9

Content: " Imperial Latin epic has seen a renaissance of scholarly interest. This book illuminates the work of the poet Lucan, a contemporary of the emperor Nero. This maverick but socially prominent poet, whom Nero commanded to commit suicide at the age of 26, left an epic poem on the civil war between Caesar and Pompey that epitomizes the exuberance and stylistic experimentation of Neronian culture. This study focuses on Lucan's epic technique and traces his influence through the Middle Ages and the Renaissance. Martin Dinter's newest volume engages with Lucan's use of body imagery, sententiae, Fama (rumor), and open-endedness throughout his civil war epic. Although Lucan's Bellum Civile is frequently decried as a fragmented as well as fragmentary epic, this study demonstrates how Lucan uses devices other than teleology and cohesive narrative structure to bind together the many parts of his epic body. Anatomizing Civil War places at center stage characteristics of Lucan's work that have so far been interpreted as excessive, or as symptoms of an overly rhetorical culture indicating a lack of substance. By demonstrating that they all contribute to Lucan's poetic technique, Martin Dinter shows how they play a fundamental role in shaping and connecting the many episodes of the Bellum Civile that constitute Lucan's epic body. This important volume will be of interest to students of classics and comparative literature as well as literary scholars. All Greek and Latin passages have been translated"--

Note: Includes bibliographical references and index , Zugl.: Cambridge, Univ., Diss.

Language: English

Subjects: Ancient Studies

Keywords: 39-65 De bello civili Lucanus, Marcus Annaeus ; Erzähltechnik ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift

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Author information: Dinter, Martin 1950-

UID:

Format: XVI, 583 S. : , Ill. ; , 25 cm.

Edition: 1. publ.

ISBN: 978-0-19-923221-5

Note: Includes index , Generic boundaries in late fifth-century Athens / Helene P. Foley -- Audience and emotion in the reception of Greek drama / Ian Ruffell -- Greek middlebrow drama (something to do with Aphrodite?) / Mark Griffith -- Costing the Dionysia / Peter Wilson -- Nothing to do with Demeter? something to do with Sicily! : theatre and society in the early fifth-century West / Barbara Kowalzig -- The Odyssey as performance poetry / Oswyn Murray -- Performance and rivalry : Homer, Odysseus, and Hesiod / Adrian Kelly -- Performing the will of Zeus : the [actual symbol not reproducible] and the scope of early Greek epic / William Allan -- Theatrical Furies : thoughts on Eumenides / Pat Easterling -- Aeschylus' Eumenides, chronotopes, and the 'aetiological mode' / Martin Revermann -- Star choruses : Eleusis, Orphism, and new musical imagery and dance / Eric Csapo -- The last word : ritual, power, and performance in Euripides' Hiketides / Athena Kavoulaki -- Intimate relations : children, childbearing, and parentage on the Euripidean stage / Froma I. Zeitlin -- Character and characterization in Greek tragedy / Bernd Seidensticker -- Scenes at the door in Aristophanic comedy / Peter Brown -- The poetics of the mask in old comedy / David Wiles -- Putting performance into focus / Robin Osborne -- The Greek gem : a token of recognition / Alfonso Moreno -- Image and representation in the pottery of Magna Graecia / François Lissarrague -- Wagner's Greeks : the politics of Hellenism / Simon Goldhill -- Resurrecting ancient Greece in Nazi Germany : the Oresteia as part of the Olympic Games in 1936 / Erika Fischer-Lichte -- Can the Odyssey ever be tragic? : historical perspectives on the theatrical realization of Greek epic / Edith Hall -- An Oedipus for our times? : Yeats's version of Sophocles' Oedipus Tyrannos / Fiona Macintosh

Language: English

Subjects: General works , Ancient Studies

Keywords: Griechisch ; Literatur ; Darstellung ; Aufsatzsammlung ; Festschrift ; Aufsatzsammlung ; Festschrift ; Aufsatzsammlung ; Festschrift

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016599949&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

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URL: Inhaltsverzeichnis

UID:

Format: 1 online resource (375 pages)

Edition: 1st ed.

ISBN: 9783839472422

Series Statement: Digitale Gesellschaft Series

Note: Cover -- Contents -- Acknowledgements -- Introduction -- The Three Central Hypotheses -- The Logical Progression of the Three Concepts or Hypotheses -- Part One - Hyper‐Modernism: Digital Media Technologies and Science Fiction -- Part One to Part Two: From Hyper‐Modernism to Hyperreality -- Part Two - Hyperreality: Reevaluation of Jean Baudrillard's Media Theory and the Simulacrum -- Part Two to Part Three: From Hyperreality to Post‐Humanism and Creative Coding -- Part Three - Posthumanism: N. Katherine Hayles' History of Cybernetics, Creative Coding, and the Future of Informatics -- Originally Published Versions -- Methodology -- Thirty Minute Statement at my Ph.D. Oral Defense Alan N. Shapiro, April 12, 2024 -- Part One - Hyper‐Modernism: Digital Media Technologies and Science Fiction -- Overview of Part One -- Short Definitions of Modernity, Postmodernism, and Hyper‐Modernism -- The Three Essays of Part One -- Mobility and Science Fiction -- Introduction -- We Do Not Live in a Society Where Mobility is Encouraged -- The Dream of the Tomorrow‐Car -- Henri Matisse Paints "the Vision Machine" -- The New Vision Machine -- Close Encounters of the Third Kind: The Menace of Verticality -- The "Spinner" Flying Cars of Blade Runner: Simulation and Surveillance -- Blade Runner: We Are All Replicants -- Blade Runner 2049: Android Liberation Between Old and New Informatic Power -- Minority Report: The Utopia/Dystopia of Surveillance Technologies -- The Fifth Element: When Manhattan has no More Ways to Expand -- Back to the Future: A Speed So Fast that the Laws of Spacetime Get Shattered -- Total Recall: You're in a Johnny Cab -- Robots Versus Androids -- Self‐Owning Cars -- Enhance the Physical World -- The Simulacra, Do Androids Dream of Electric Sheep?, and Dr. Bloodmoney -- The "Science Fiction World" of Philip K. Dick's Ubik. , Who Is Jory Miller and What is Ubik? -- Fredric Jameson on Postmodernism -- Sonja Yeh on the Postmodern Media Theorists -- Donna J. Haraway's "A Manifesto for Cyborgs" -- Science Fiction Heterotopia: The Economy of the Future -- Introduction: Foucault's Heterotopia -- The Technologizing of Memory -- Black Mirror: "The Entire History of You" - Scenes from a Marriage -- Similar Technologies in the Real World Today -- Brain‐Computer Interface -- Designing the Brain‐Computer Interface -- Hyper‐Modernist Literature -- The Economy of the Future -- Post‐Capitalism and Technological Anarchism -- Star Trek Replicators and Star Trek Economics -- Ecologically Aware or Sustainable 3D Printers -- Additive Manufacturing and Living Organisms -- Andre Gorz: Human Liberation Beyond Work -- Murray Bookchin, Post‐Scarcity Anarchism -- Yanis Varoufakis' Vision of Post‐Capitalism -- Conclusion -- Geert Lovink on Post‐Capitalism -- Blockchain Decentralized Idealism -- Smart Contracts -- Between Law and Code -- Decentralized Autonomous Organization -- Between Corporate Intellectual Property Rights and the Rights of Users -- Fiction and Power in Postmodernism -- Cornelius Castoriadis, The Imaginary Institution of Society -- Donna J. Haraway on the Informatics of Domination -- Michel Foucault's Analytics of Power -- Jean Baudrillard, Forget Foucault -- Gilles Deleuze, "Postscript on the Societies of Control" -- Fiction, Power, and Codes in Hyper‐Modernism -- John Armitage on Hyper‐Modernism -- Albert Borgmann on Hyper‐Modernism -- Gilles Lipovetsky on Hyper‐Modernism -- What is Hyper‐Modernism? -- Introduction -- Access to History -- The Carnivalesque -- Modernity, Postmodernism, Hyper‐Modernism -- Gustave Flaubert: To Write a Novel About Nothing -- Hyper‐Modernist Creativity -- Body, Self, and Code in Hyper‐Modernism -- Sincerity and Authenticity. , Darko Suvin on Science Fiction Studies -- Carl Freedman on Science Fiction Studies -- Istvan Ciscsery‐Ronay, Jr. on Science Fiction Studies -- Part Two - Hyperreality: Reevaluation of Jean Baudrillard's Media Theory and the Simulacrum -- Overview of Part Two -- Defining the Simulacrum and Hyperreality -- Thinking Hyperreality: From Rhetoric to Code -- Baudrillard's Importance for the Future -- Baudrillard and the Situationists -- Baudrillard and Trump -- Baudrillard's Importance for the Future -- The Controversy Around Baudrillard -- Yes - Everything is Simulation! -- Early Baudrillard: The Consumer Society and For a Critique of the Political Economy of the Sign -- Symbolic Exchange and the Gift Economy -- The First Order of Simulacra: The Student of Prague -- The Second Order of Simulacra: The First Industrial Revolution -- The Third Order of Simulacra: Simulation and Hyperreality -- First‐Wave Digitalization as Interactive Performance -- The Fourth Order of Simulacra: Value Radiates in All Directions -- From Descartes to Baudrillard: The "Evil Demon" of Images -- Arthur C. Clarke, "The Nine Billion Names of God" -- The Trapdoor Escape Hatch Way Out of Hyperreality -- High Life: The Black Hole of Humanity's Extinction and New Hope -- Poetic Resolution in Baudrillard's Thought -- Daniel Boorstin, The Image: Hyperreality Overtakes America -- Umberto Eco, Travels in Hyperreality -- Roland Barthes, Mythologies -- Taking the Side of Objects -- Plato and the Simulacrum -- Plato as Software Designer -- Brian Gogan on Plato, Baudrillard, and Rhetoric -- Deleuze on "Plato and the Simulacrum" -- Upgrading Hyperreality and the Simulacrum for Digitalization -- Personalized Advertising -- Transdisciplinarity is Good for (Post‑)Humanity -- Virtual Reality, Augmented Reality, and the Metaverse -- Baudrillard and the Situationists -- Introduction. , "Taking the Side of Objects" and the Situationists -- Baudrillard's Paradigm Shift -- Is Baudrillard Fair to the Situationists? -- "Baudrillard and the Situationists" Commentators Douglas Kellner and Sadie Plant, and the Tension between Critical Theory and Fatal Theory -- Exhibit A (Baudrillard self‐simplifies): -- Exhibit B (Baudrillard's critique of the Situationists is reductionist): -- Exhibit C (Sadie Plant's critique of Baudrillard is reductionist): -- Situationist Practices -- Wandering or the Drift - Le Dérive -- Psycho‐Geography -- The Diverting of Technologies - Le détournement -- The Making or Creating or Construction of Situations -- The Radical Illusion Beyond Art -- Neo‐Situationism in the Field of Advanced Digital Technologies -- Urban and Street Art Activism -- Augmented Reality versus Wall Street -- Conclusion -- McKenzie Wark on the Situationists -- Play Don't Work -- Existential Encounter with the Object -- From the Subject to the Object in Jean‐Paul Sartre's Nausea -- The Myth of Sisyphus: Albert Camus on the Side of Objects -- Simone de Beauvoir, The Ethics of Ambiguity -- Jean Baudrillard and the Donald: Is Trump a Fascist or is He the Parody of Fascism? -- Epistemology of True and False -- Society of the Spectacle and Hyperreality -- Donald Trump the Empty Signifier -- From Simulation to the Grotesque and the Self‐Parody -- Springtime for Hitler -- Serge Latouche Remembers Baudrillard -- Biosphere 2: The Artificial Paradise of Nature -- Reality TV and Baudrillard's Telemorphosis -- The Truman Show: "The Last Thing That I Would Ever Do is Lie to You" -- My Two Key Differences from Baudrillard -- Part Three - Posthumanism: N. Katherine Hayles' History of Cybernetics, Creative Coding, and the Future of Informatics -- Overview of Part Three -- The Science Fiction of Star Trek. , Star Trek's Spock, Data, and Seven of Nine and the Three Orders of Cybernetics -- What is Posthumanism? -- The Concept of Nature in Whitehead and Merleau‐Ponty -- Rosi Braidotti's Celebratory Posthuman Philosophy -- A Fully Posthuman Situation -- Wendy Chun on Software Code -- Software Code as Expanded Narration -- The Software of the Future -- Star Trek: Technologies of Disappearance -- Technoscience and Storytelling -- From Liberal Humanism to Posthumanism -- Cyborg Spock and NASA's Cyborg -- First Order Cybernetics -- How Information Lost Its Body -- Claus Pias on First‐Order Cybernetics -- Gene Roddenberry Designs His First Alien -- "The Devil in the Dark": Empathy for Radical Otherness -- Second Order Cybernetics -- Bernhard Dotzler on Second‐Order Cybernetics -- The Android Data of Star Trek: The Next Generation -- "The Offspring": Data's Daughter Lal -- Third Order Cybernetics -- "Becoming‐Borg" Seven of Nine -- Star Trek: Picard, "Remembrance" -- "Embodied Informatics" is a Science Fiction Idea -- Hayles on Writing and Software Code -- Hyper‐Modernist Science -- I, Robot and the Moral Dilemmas of the Three Laws of Robotics -- The Zeroth Law of Robotics and the Robot Unconscious -- Hayles on the Cognitive Nonconscious -- Marie‐Luise Angerer Critiques Hayles -- Judith Butler and Gender Theory -- Ex Machina and the Turing Test -- Ex Machina: The Performance of Female and Human -- Monique Wittig, The Straight Mind -- Software Code as Expanded Narration -- Software Code as Expressive Media -- Friedrich Kittler: The Numeric Kernel is Decisive -- Kittler's Media Archaeology -- Wolfgang Hagen on Programming Languages -- Ten Paradigms of Informatics and Programming -- The First Hyper‐Modern Computers -- Enter Software Studies -- Enter Creative Coding -- Alan Turing: The Imitation Game and Befriending the Evil Demon. , Alan Turing: The Scientific and Cultural Levels of Computing.

Additional Edition: ISBN 9783837672428

Language: English

Keywords: Electronic books.

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Format: 1 online resource.

Edition: First edition.

ISBN: 9781350170636 , 9781350170629 , 9781350170612

Content: "Ranging across philosophy, theology, ecology, psychology, and art, Michael Marder argues that the earth and everything that lives and thinks on it is at an advanced stage of being converted into a dump for industrial output and its by-products feeding consumerism and its excesses. Describing the dump's fundamental characteristics and its effects on the body and mind, he contemplates wider physiological, social, economic, and environmental metabolisms in the age of dumping, as well as the role of philosophy caught in its crosshairs. Surveying the devastation that is today's reality, Marder provides a frightening yet intellectually spellbinding glimpse of the future"--

Note: Intro -- Title page -- Copyright page -- Dedication page -- Contents -- acknowledgments -- preface: dumped -- globality -- all the world's a dump -- mechanics: the fall, massiveness,piling up -- falling before and after the death of god -- je suis biomasse -- antilogos -- toward an intellectual history of heaps, piles, and other jumbled things -- our polluted senses -- toxicity -- shitty apocalypse, or scatological eschatology -- falling in love andbeing dumped -- on the arcane utility of the useless -- the portrait of a thing as its own wastebasket -- dumpology. , Estamira, esta mira, "this sight" -- the writing dump -- parts of the void -- in-formation -- rameau's nephew for the twenty-first century -- dump philosophy, or the task of thinking in the age of dumping -- a poetic appendix: elemental laments -- illustrations -- note on the images -- notes -- Index. , Also published in print. , Mode of access: World Wide Web.

Additional Edition: Print version: Marder, Michael, 1980- Dump philosophy New York : Bloomsbury Academic, 2020. ISBN 9781350170599

Language: English

Keywords: Electronic books. ; Electronic books

DOI: 10.5040/9781350170636

URL: Abstract with links to full text

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