Kooperativer Bibliotheksverbund

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Format: XX, 252 S. , Ill. , 25 cm

ISBN: 9780691127262 , 0691127263

Content: "Realist novels are celebrated for their detailed attention to ordinary life. But two hundred years before the rise of literary realism, Dutch painters had already made an art of the everyday - pictures that served as a compelling model for the novelists who followed. By the mid-1800s, seventeenth-century Dutch painting figured virtually everywhere in the British and French fiction we esteem today as the vanguard of realism. Why were such writers drawn to this art of two centuries before? What does this tell us about the nature of realism?" "In this book, Ruth Yeazell explores the nineteenth century's fascination with Dutch painting, as well as its doubts about an art that had long challenged traditional values." "After showing how persistent tensions between high theory and low genre shaped criticism of novels and pictures alike, Art of the Everyday turns to four major novelists - Honore de Balzac, George Eliot, Thomas Hardy, and Marcel Proust - who strongly identified their work with Dutch painting. For all these writers, Dutch art provided a model for training themselves to look closely at the particulars of middle-class life." "Yet even as nineteenth-century novelists strove to create illusions of the real by modeling their narratives on Dutch pictures, Yeazell argues, they chafed at the model. A concluding chapter on Proust explains why the nineteenth century associated such realism with the past and shows how the rediscovery of Vermeer helped resolve the longstanding conflict between humble details and the aspirations of high art."--BOOK JACKET.

Note: Includes bibliographical references (p. 195-241) and index , Preface -- The novel as Dutch painting -- Low genre and high theory -- Balzac's bourgeois interiors and the quest for the absolute -- George Eliot's defense of Dutch painting -- Hardy's rural painting of the Dutch school -- Proust's genre painting and the rediscovery of Vermeer -- Notes

Language: English

Subjects: Comparative Studies. Non-European Languages/Literatures , Art History

Keywords: Niederlande ; Malerei ; Rezeption ; Roman ; Realismus ; Geschichte 1600-1900 ; Französisch ; Roman ; Realismus ; Rezeption ; Niederlande ; Malerei ; Geschichte 1600-1900 ; Englisch ; Roman ; Realismus ; Rezeption ; Niederlande ; Malerei ; Geschichte 1600-1900 ; Kunst ; Literatur ; Geschichte 1800-1900 ; Niederlande ; Malerei ; Geschichte 1600-1700

URL: Inhaltsverzeichnis

URL: Klappentext

URL: Klappentext

URL: Inhaltsverzeichnis

UID:

Format: 248 S.

ISBN: 3906766179 , 0820453196

Series Statement: Modern French identities 10

Note: Zugl.: Cambridge, Univ., Diss.

Language: English

Subjects: Romance Studies

Keywords: Proust, Marcel 1871-1922 À la recherche du temps perdu ; Künste ; Frankreich ; Kunstwissenschaft ; Methode ; Geschichte 1910-1920 ; Frankreich ; Kunst ; Literatur ; Geschichte 1910-1920 ; Hochschulschrift

URL: Inhaltsverzeichnis

URL: Inhaltsverzeichnis

UID:

Format: 335 S. , Ill., Kt.

ISBN: 0500016674

Content: Taking particular instances of the portrayal of the Jew in fiction, painting and prints, in film, caricature, pamphlets, medical journals, propaganda and architecture - in works by authors and artists as different as Dickens, Lautrec

Content: ... Proust, Sargent, Joyce and Sartre - this book demonstrates in fascinating and sometimes shocking ways how representations of the Jew are embodied in some of the best known cultural products, situated 'in the text' itself, not behind or

Content: ... beyond it

Language: English

Subjects: Comparative Studies. Non-European Languages/Literatures , Sociology

Keywords: Literatur ; Judenbild ; Geschichte 1830-1990 ; Künste ; Judenbild ; Geschichte 1830-1990 ; Juden ; Aufsatzsammlung

URL: Inhaltsverzeichnis

Author information: Nochlin, Linda 1931-2017

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Format: 275 Seiten

ISBN: 9780226770772 , 9780226770802

Content: "The relationship between philosophy and aesthetic criticism has occupied Robert Pippin throughout his illustrious career. Whether discussing film, literature, or modern and contemporary art, Pippin's claim is that we cannot understand aesthetic objects unless we reckon with the fact that some distinct philosophical issue is integral to their meaning. In his latest offering, Philosophy by Other Means, we are treated to a collection of essays that builds on this larger project, offering profound ruminations on philosophical issues in aesthetics along with revelatory readings of Henry James, Marcel Proust, and J. M. Coetzee"--

Note: Part I: The arts in philosophy. Philosophical criticism -- Kant and the problem of tragedy -- The status of literature in Hegel's Phenomenology of spirit : on the lives of concepts -- The absence of aesthetics in Hegel's aesthetics -- Hegel on painting -- Authenticity in painting : remarks on Michael Fried's art history -- Photography as art : Fried and intention -- Adorno, aesthetic negativity, and the problem of idealism -- Part II. Philosophy in the arts. On Maisie's knowing her own mind -- Subjectivity : a Proustian problem -- The shadow of love : the role of jealousy in Proust's À la recherche du temps perdu -- The paradoxes of power in the early novels of J.M. Coetzee -- Philosophical fiction? On J.M. Coetzee's Elizabeth Costello

Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-226-77094-9

Language: English

Subjects: Philosophy

Keywords: Philosophie ; Literatur ; Kunst ; Ästhetik

URL: Inhaltsverzeichnis

Author information: Pippin, Robert B. 1948-

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Format: 352 S. , zahlr. Ill. , 24 cm

ISBN: 9780500238547 (hbk.) , 0500238545 (hbk.)

Content: Paintings in Proust is a companion guide to a monumental twentieth century work of art. Marcel Proust's In Search of Lost Time, one of the most expansive literary creations ever composed, is a vast novel teeming with visual references. Author Eric Karpeles has combined his experiences as painter and writer to create a lavishly illustrated book that illuminates the winding corridors of Proust's singular, labyrinthine masterpiece. For newcomers to Proust's work, Paintings in Proust functions as a complementary guidebook, providing a firmer ground from which to undertake the task of plunging into a novel famously known for its complexity and its length. At the same time, Paintings in Proust offers further nourishment to the seasoned Proustian reader, whose plate is already extravagantly full. Paintings in Proust animates the experience of reading by revealing and clarifying much that might otherwise remain obscure. Illustrating a treasure trove of visual references, Paintings in Proust provides access and insight in its presentation of paired groupings of texts and pictures, arranged sequentially, as they appear in volume after volume of In Search of Lost Time.

Note: Includes bibliographical references (p. 329-344) and index

Language: English

Subjects: Romance Studies

Keywords: Proust, Marcel 1871-1922 À la recherche du temps perdu ; Malerei ; Ikonographie ; Proust, Marcel 1871-1922 ; Malerei ; Proust, Marcel 1871-1922 À la recherche du temps perdu ; Ekphrasis

URL: Inhaltsverzeichnis

URL: Inhaltsverzeichnis

UID:

Format: X, 261 S.

Language: English

Keywords: Proust, Marcel 1871-1922 ; Malerei

UID:

Format: XIV,260 s.

ISBN: 0835710920

Series Statement: Studies in the fine arts. Criticism. 7.

Language: English

Subjects: Comparative Studies. Non-European Languages/Literatures , Art History

Keywords: Pater, Walter 1839-1894 ; Malerei ; Metapher ; Proust, Marcel 1871-1922 ; Malerei ; Baudelaire, Charles 1821-1867 ; Delacroix, Eugène 1798-1863 ; Frankreich ; Kunstbetrachtung ; Malerei ; Geschichte 1800-1900 ; Baudelaire, Charles 1821-1867 ; Pater, Walter 1839-1894 ; Proust, Marcel 1871-1922 ; Delacroix, Eugène 1798-1863 ; Ruskin, John 1819-1900 ; Turner, Joseph Mallord William 1775-1851

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Format: VIII, 180 S. , Ill.

ISBN: 0064947920 , 0719005914

Language: English

Subjects: American Studies , Comparative Studies. Non-European Languages/Literatures

Keywords: Roman ; Geschichte 1860-1960 ; Malerei ; Geschichte 1300-1916 ; Ästhetik ; Geschichte 1800-2000 ; Malerei ; Roman ; Dostoevskij, Fëdor Michajlovič 1821-1881 ; Proust, Marcel 1871-1922 ; Mann, Thomas 1875-1955 ; Geschichte 1800-2000

Author information: Meyers, Jeffrey 1939-

UID:

Format: XI, 284 S. , Ill.

Edition: Orig. print.

ISBN: 0804728070 , 0804728089

Uniform Title: Images proustiennes, ou comment lire visuellement

Content: The Mottled Screen studies a great literary work that cannot be confined to language alone, even though it consists exclusively of words: Proust's Remembrance of Things Past. The author offers a sustained "visual" reading of Proust's masterpiece, pointing out its visual strategies of representation, fantasy, and poetic thought. Beginning with the attempts to emulate painting, the book develops a Proust a la Chardin, working around Chardin's painting The Skate, but only after first reading Chardin through Proust. The second part of the book is devoted to Proust's use of optical instruments - such as the magnifying glass, the eyeglass, the telescope - to produce or enhance the visions that constitute the raw material of his poetic imagination. The final part reads the specifically "photographic" writing that permeates Remembrance as a highly original and astonishingly contemporary, almost postmodern, poetics.

Language: English

Subjects: Romance Studies

Keywords: Proust, Marcel 1871-1922 À la recherche du temps perdu ; Sprache ; Visualisierung

URL: Publisher description

URL: Table of contents

URL: Inhaltsverzeichnis

Author information: Bal, Mieke 1946-

UID:

Format: 1 Online-Ressource (296 Seiten) , Illustrationen

ISBN: 9783110793215

Series Statement: Edition Voldemeer

Content: Contemporary art in context The main title of this second volume of Writings on Contemporary Art is borrowed from Claude Lévi-Strauss, whose thinking influenced a generation. Inspired by Marcel Proust, Lévi-Strauss wrote about the processes of producing painting, music, literature, calling the technique described by Proust "double articulation." This volume focuses primarily on works of art in which the "first-order units" are themselves artistic works that are cited, recombined, and reworked. The concepts of "primary objects" and of "double articulation" deepen our understanding of the disruption of sequences and the disturbance of cultural traditions. The works of art discussed in this book inscribe themselves in a context of transmission that is modified and renewed for experience in the present. Vol. II of Writings on Contemporary Art, following on from vol. I, Existenz und Form (2015) Discussion of individual artworks and the function of art in culture From Rembrandt and Sturtevant to Hyun-Sook Song, Latifa Echakhch, Katharina Grosse, Pamela Rosenkranz, and Louise Guerra

Content: Neuere Kunst im Kontext Der Titel der Schriften zur neueren Kunst II ist Claude Lévi-Strauss zu verdanken, dessen Denken eine Generation geprägt hat. Er spricht in Anlehnung an Marcel Proust über das Verfertigen von Malerei, Musik, Literatur und bezeichnet die von Proust beschriebene Technik als "doppelte Artikulation". Im vorliegenden Band stehen vor allem Werke im Fokus, bei denen die "Einheiten erster Ordnung" selbst künstlerische Werke sind, die zitiert, neu kombiniert, bearbeitet werden. Von "primären Objekten" und von "doppelter Artikulation" zu sprechen vertieft unser Verständnis für die Unterbrechung von Sequenzen und die Störung kultureller Überlieferungen. Die im Buch diskutierten Kunstwerke schreiben sich in einen Überlieferungszusammenhang ein, der für die Erfahrung in der jeweiligen Gegenwart modifiziert und erneuert wird. Band II der Schriften zur neueren Kunst, anknüpfend an Existenz und Form (2015) Diskussion einzelner Kunstwerke und der Funktion von Kunst in der Kultur Von Rembrandt und Sturtevant über Hyun-Sook Song bis zu Latifa Echakhch, Katharina Grosse, Pamela Rosenkranz und Louise Guerra

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-11079167-9

Language: German

Keywords: Kunst ; Ästhetik ; Aufsatzsammlung ; Aufsatzsammlung

DOI: 10.1515/9783110793215

URL: Volltext  (URL des Erstveröffentlichers)

URL: lizenzpflichtig

URL: lizenzpflichtig

URL: Cover  (lizenzpflichtig)

Author information: Kurzmeyer, Roman 1961-

Author information: Apfelbaum, Polly 1955-