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  • 1
    Book
    Book
    Quem quaeritis : teatro sacro dell'alto medioevo (1981)
    Roma : Bulzoni
    Details
    UID:
    b3kat_BV004291720
    Format: 401 S.
    Series Statement: Biblioteca teatrale 39
    Language: Italian
    Subjects: Comparative Studies. Non-European Languages/Literatures , Ancient Studies
    RVK:
    EC 7632
    RVK:
    FU 3450
    Keywords: Osterspiel ; Mittellatein ; Geschichte 1100-1500 ; Geistliches Drama ; Mittellatein ; Geschichte 1100-1500 ; Geistliches Drama ; Geschichte 1100-1500
    Author information: Drumbl, Johann 1943-
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  • 2
    Book
    Book
    The quem quaeritis : its context as liturgical drama (1976)
    Details
    UID:
    b3kat_BV026273055
    Format: V, 318 Bl.
    Note: Kopie, erschienen im Verl. Univ. Microfilms Internat., Ann Arbor, Mich. , Arizona State Univ., Diss., 1976
    Language: English
    Keywords: Visitatio sepulchri ; Textgeschichte ; Hochschulschrift
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  • 3
    Book
    Book
    Quem quaeritis (1971)
    Guelph : Alive Press
    Details
    UID:
    b3kat_BV026552829
    Format: [49] S. , zahlr. Ill.
    ISBN: 0919568092
    Language: English
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  • 4
    Online Resource
    Online Resource
    Christian Rite and Christian Drama in the Middle Ages : Essays in the Origin and Early History of Modern Drama (2019)
    [Erscheinungsort nicht ermittelbar] : Johns Hopkins University Press
    Details
    UID:
    gbv_1832325881
    Format: 1 Online-Ressource (349 p.)
    ISBN: 9781421430478
    Content: Originally published in 1965. The European dramatic tradition rests on a group of religious dramas that appeared between the tenth and twelfth centuries. These dramas, of interest in themselves, are also important for the light they shed on three historical and critical problems: the relation of drama to ritual, the nature of dramatic form, and the development of representational techniques. Hardison's approach is based on the history of the Christian liturgy, on critical theories concerning the kinship of ritual and drama, and on close analysis of the chronology and content of the texts themselves. Beginning with liturgical commentaries of the ninth century, Hardison shows that writers of the period consciously interpreted the Mass and cycle of the church year in dramatic terms. By reconstructing the services themselves, he shows that they had an emphatic dramatic structure that reached its climax with the celebration of the Resurrection. Turning to the history of the Latin Resurrection play, Hardison suggests that the famous Quem quaeritis-the earliest of all medieval dramas-is best understood in relation to the baptismal rites of the Easter Vigil service. He sets forth a theory of the original form and function of the play based on the content of the earliest manuscripts as well as on vestigial ceremonial elements that survive in the later ones. Three texts from the eleventh and twelfth centuries are analyzed with emphasis on the change from ritual to representational modes. Hardison discusses why the form inherited from ritual remained unchanged, while the technique became increasingly representational. In studying the earliest vernacular dramas, Hardison examines the use of nonritual materials as sources of dramatic form, the influence of representational concepts of space and time on staging, and the development of nonceremonial techniques for composition of dialogue. The sudden appearance of these elements in vernacular drama suggests the existence of a hitherto unsuspected vernacular tradition considerably older than the earliest surviving vernacular plays
    Note: English
    Language: Undetermined
    URL: kostenfrei
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    Stabi Berlin
    UB Potsdam
  • 5
    Musical Score
    Musical Score
    Claudii Meruli Musica sacra; 4: Il primo libro de motetti a sei voci (1583) (1977)
    Rome : American Inst. of Musicology
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    Details
    UID:
    b3kat_BV000202472
    Format: XV, 208 S.
    Edition: [Partitur]
    ISBN: 9781595511416
    Series Statement: Corpus mensurabilis musicae 51,[4]
    Uniform Title: Werke
    Note: Enth. außerdem: Il secondo libro de' motetti a sei voci, con giunta di molti a sette, per concerti, & per cantare (1593). - Enth.: In te Domine speravi. Simile est regnum caelorum. Assumpsit Jesus Petrum. Ubi caritas. Veni Sancte Spiritus. Ne reminiscaris. Quae sunt in corde. In Deo speravit. Peccantem me quotidie. Delicta juventutis meae. Dominus dedit. O sacrum convivium. Ure igne Sancti Spiritus. Benedicits, spiritus. Magna enim sunt. O rex gentium. Verbum iniquum. Ubi sunt misericordiae. Gaude sponsa cara Dei. O altitudo divitiarum. Peccavi super numerum. Beata viscera. O quam suavis est. Adoramus te, Domine. Jesum quem quaeritis. Judica me, Domine. Jubilate Deo. Puer qui natus est nobis. Exaudi me, Domine. Apparuit benignitas. Quantas ostendisti mihi. Audi, Domine, hymnum. Laetabimur. Ecce Maria genuit. Spiritus Sanctus. Beata es, virgo Maria. Tribuat tibi. Hei mihi, Domine. O altitudo divitiarum. Dominus illuminatio. Exaudi, Domine. Magnus Dominus. In Deo laudabo. Bonum est confiteri. Lux fulgebit. Cantate Domino
    In: 4
    Language: Latin
    Subjects: Musicology
    RVK:
    LT 70000
    RVK:
    LU 24040
    Author information: Merulo, Claudio 1533-1604
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