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  • 1
    UID:
    gbv_418234973
    Format: [V, 251 S.] , 8"
    Language: Undetermined
    Author information: Lee, Sidney 1859-1926
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    UID:
    b3kat_BV014620662
    Format: XV, 251 S.
    Language: English
    Subjects: English Studies
    RVK:
    Keywords: Shakespeare, William 1564-1616 ; Aufsatzsammlung
    Author information: Lee, Sidney 1859-1926
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
  • 4
    Book
    Book
    New York, NY : Oxford University Press
    UID:
    b3kat_BV042532591
    Format: XXVI, 1021 Seiten , Illustrationen , 26 cm
    ISBN: 9780199917495
    Content: The Oxford Handbook of Dance and Theater collects a critical mass of border-crossing scholarship on the intersections of dance and theatre. Taking corporeality as an idea that unites the work of dance and theater scholars and artists, and embodiment as a negotiation of power dynamics with important stakes, these essays focus on the politics and poetics of the moving body in performance both on and off stage. Contemporary stage performances have sparked global interest in new experiments between dance and theater, and this volume situates this interest in its historical context by extensively investigating other such moments: from pagan mimes of late antiquity to early modern archives to Bolshevik Russia to post-Sandinista Nicaragua to Chinese opera on the international stage, to contemporary flash mobs and television dance contests. Ideologically, the essays investigate critical race theory, affect theory, cognitive science, historiography, dance dramaturgy, spatiality, gender, somatics, ritual, and biopolitics among other modes of inquiry. In terms of aesthetics, they examine many genres such as musical theater, contemporary dance, improvisation, experimental theater, television, African total theater, modern dance, new Indian dance theater aesthetics, philanthroproductions, Butoh, carnival, equestrian performance, tanztheater, Korean Talchum, Nazi Movement Choirs, Lindy Hop, Bomba, Caroline Masques, political demonstrations, and Hip Hop. The volume includes innovative essays from both young and seasoned scholars and scholar/practitioners who are working at the cutting edges of their fields. The handbook brings together essays that offer new insight into well-studied areas, challenge current knowledge, attend to neglected practices or moments in time, and that identify emergent themes. The overall result is a better understanding of the roles of dance and theater in the performative production of meaning.
    Content: Nadine George-Graves is Professor of Theater and Dance at the University of California, San Diego. She is the author of "The Royalty of Negro Vaudeville: The Whitman Sisters and the Negotiation of Race, Gender, and Class in African American Theater, 1900-1940" (2000) and "Urban Bush Women: Twenty Years of Dance Theater, Community Engagement and Working It Out" (2010) as well as numerous articles on American theater and dance.
    Note: 0-19-991749-3 , Magnetic fields : too dance for theater, too theater for dance / Nadine George-Graves -- Section I: In theory/in practice. Split intimacies : corporeality in contemporary theater and dance / Ann Cooper Albright -- Negotiating theatrics : dialogues of the working man / Anita Gonzalez -- How do I touch this text? : or, The interdisciplines between dance and theater in early modern archives / VK Preston -- Dance dramaturgy : definitions, perspectives, projections / Ray Miller -- Some fleshy thinking : improvisation, experience, perception / Vida L. Midgelow -- Section II: Genus (part 1). Fleshing out : physical theater, postmodern dance, and som[e]agency / Maiya Murphy -- Dance in musical theater / Liza Gennaro and Stacy Wolf -- Dance and theater : looking at television's deployment of theatricality through dance / Colleen Dunagan -- Why not 'improv everywhere'? / Susan Leigh Foster -- Section III: Genus (part 2). A theater of bodily presence : Pina Bausch and Tanztheater Wuppertal / Royd Climenhaga -- The total theater aesthetic paradigm in African theater / Praise Zenenga -- Jean Gascon's theatricalist approach to Molière and Shakespeare / Jane Baldwin -- Dancing drama : ancient Greek theater in modern shoes and shows / Marianne McDonald -- Section IV: Historiographical presence and absence. The Post Natyam Collective : innovating Indian dance and theater via Abhinaya and multimedia / Ketu H. Katrak -- Persistent pagans : dancing for Dionysos in the year of years / Odai Johnson -- A witch in the Morris : hobbyhorse tricks and early modern erotic transformations / Erika T. Lin -- Designed bodies : a historiographical study of costume design and Asian American theater / Esther Kim Lee -- Moving American history : an examination of works by Ken Burns and Bill T. Jones / Ann Dils -- , Section V: Place, space, and landscape. From landscape to climatescape in contemporary dance-theater : Meredith Monk, the Wooster Group, and the TEAM / Amy Strahler Holzapfel -- Colonial theatrics in Canada : managing Blackfoot dance during Western expansionism / Lisa Doolittle and Anne Flynn -- A slip on the cables : touristic rituals and landscape performance in Yosemite National Park / Sally Ann Ness -- Orientations as materializations : the Love Art Laboratory's Eco-sexual blue wedding to the sea / Michael J. Morris -- Section VI: Affect, somatics, and cognition. Social somatics and community performance : touching presence in public / Petra Kuppers -- Bodied forth : a cognitive scientific approach to performance analysis / Amy Cook -- Images of love and power : Butoh, Bausch, and Streb / Sondra Horton Fraleigh -- Thoughts on the discursive imagery of Robert Lepage's theater / Darcey Callison -- Section VII: Unruly bodies. A slender pivot : empathy, public space, and the choreographic imperative / Patrick Anderson -- Conjuring magic as survival : hip-hop theater and dance / Halifu Osumare -- Notorious Jeffrey Hudson : the 'court wonder' of the Caroline masques (1626-1640) / Thomas Postlewait -- 'What do women want, my God, what do they want?' : mimesis, fantasy and female sexuality in Ann Liv Young's Michael / Krista K. Miranda -- Section VIII: Biopolitics. Dance your opera, mime your words : (mis)translate the Chinese body on the international stage / Daphne P. Lei -- El Güegüence, post-Sandinista Nicaragua, and the resistant politics of dancing / E.J. Westlake -- From Soberao to stage : Afro-Puerto Rican Bomba and the speaking body / Jade Y. Power Sotomayor -- Lindy hop, community, and the isolation of appropriation / William Given -- , Section IX: National scales and mass movements. Russian mass spectacle and the Bolshevik regime / Sandy Peterson -- Movement choirs and the Nazi Olympics / Marie C. Percy -- Talchum : an embodied inquiry / J.L. Murdoch -- Circus echoes : dancing the human-equine relationship under the millennial big top / Kim Marra -- Capital city camp : gay Carnival and capitalist display / Neal Hebert -- Section X: Infection. Borrowed crowds : the Living Theatre's contagious revolution / Miriam Felton-Dansky -- The Salome epidemic : degeneracy, disease, and race suicide / Marlis Schweitzer -- Choreographing a cause : Broadway bares as philanthroproduction and embodied index to changing attitudes toward HIV/AIDS / Virginia Anderson -- Dance and the plague : epidemic choreomania and Artaud / Michael Lueger
    Language: English
    Subjects: General works
    RVK:
    Keywords: Tanz ; Theater ; Aufsatzsammlung ; Aufsatzsammlung
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  • 5
    Online Resource
    Online Resource
    London : The Arden Shakespeare | [London, England] : Bloomsbury Publishing
    UID:
    gbv_1751748081
    Format: 1 Online-Ressource (416 pages)
    Edition: First edition
    Edition: Also published in print
    ISBN: 9781350080706 , 9781350080683 , 9781350225169 , 9781350080676 , 1350080675 , 9781350080690
    Series Statement: The Arden Shakespeare handbooks
    Content: The archive : show reporting Shakespeare / Rob Conkie -- The audience : receiving and remaking experience / Margaret Jane Kidnie -- The event : festival Shakespeare / Paul Prescott -- Original practices : old ways and new directions / Sarah Dustagheer -- Space : Locus and Platea in modern Shakespearean performance / Stephen Purcell -- Economics : Shakespeare performing cities / Susan Bennett -- Networks : researching global Shakespeare / Sonia Massai -- Global mediation : performing Shakespeare in the age of networked and digital cultures / Alexa Alice Joubin -- Canon : framing not-Shakespearean performance / Eoin Price -- Pedagogy : decolonizing Shakespeare on stage / Andrew James Hartley, Kaja Dunn and Christopher Berry -- Ethics : practising diversity at the Stratford Festival of Canada : Shakespeare, performance and ethics in the twenty-first century / Erin Julian and Kim Solga -- Bodies : gender, race, ability and the Shakespearean stage / Roberta Barker -- Technology : the desire called cinema : materiality, biopolitics and post-anthropocentric feminism in Julie Taymor's The Tempest / Courtney Lehmann -- Anne G. Morgan -- Jatinder Verma -- Judith Greenwood -- Dan Bray and Colleen MacIsaac -- Migdalia Cruz -- Lisa Wolpe -- Julia Nish-Lapidus and James Wallis -- Ravi Jain -- Emma Whipday -- Wole Oguntokun -- Vishal Bhardwaj -- Adam Cunis -- James Loehlin -- Denice Hicks -- Shakespeare -- Jung-ung Yang -- Chronology : a fifty-year history of performance criticism / James C. Bulman -- A-Z of key terms / Bríd Phillips, with Peter Kirwan and Kathryn Prince -- Annotated bibliography / Karin Brown, Peter Kirwan and Kathryn Prince -- Resources / Peter Kirwan and Kathryn Prince.
    Content: "The Arden Research Handbook of Shakespeare and Contemporary Performance is a wide-ranging, authoritative guide to research on Shakespeare and performance studies by an international team of leading scholars. It contains chapters on the key methods and questions surrounding the performance event, the audience, and the archive - the primary sources on which performance studies draws. It identifies the recurring trends and fruitful lines of inquiry that are generating the most urgent work in the field, but also contextualises these within the histories and methods on which researchers build. A central section of research-focused essays offers case studies of present areas of enquiry, from new approaches to space, bodies and language to work on the technologies of remediation and original practices, from consideration of fandoms and the cultural capital invested in Shakespeare and his contemporaries to political and ethical interventions in performance practice. A distinctive feature of the volume is a curated section focusing on practitioners, in which leading directors, writers, actors, producers, and other theatre professionals comment on Shakespeare in performance and what they see as the key areas, challenges and provocations for researchers to explore. In addition, the Handbook contains various sections that provide non-specialists with practical help: an A-Z of key terms and concepts, a guide to research methods and problems, a chronology of major publications and events, an introduction to resources for study of the field, and a substantial annotated bibliography. The Arden Research Handbook of Shakespeare and Contemporary Performance is a reference work aimed at advanced undergraduate and graduate students as well as scholars and libraries, a guide to beginning or developing research in the field, and an essential companion for all those interested in Shakespeare and performance"--
    Note: Includes bibliographical references and index , Also published in print. , Mode of access: World Wide Web.
    Additional Edition: ISBN 9781350225169
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9781350225169
    Language: English
    Subjects: English Studies
    RVK:
    Keywords: Shakespeare, William 1564-1616 ; Drama ; Aufführung ; Geschichte 1995-2020
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  • 6
    Book
    Book
    Lincoln ; London : University of Nebraska Press
    UID:
    b3kat_BV045438219
    Format: viii, 366 Seiten , Illustrationen, Karten
    ISBN: 9781496202260
    Series Statement: Early modern cultural studies
    Content: Popular English travel guides from the sixteenth and seventeenth centuries asserted that women who wandered too far afield were invariably suspicious, dishonest, and unchaste. As the essays in Travel and Travail reveal, however, early modern women did travel, often quite extensively, with no diminution of their moral fiber. Female travelers were also frequently represented on the English stage and in other creative works, both as a reproach to the ban on female travel and as a reflection of historical women's travel, whether intentional or not.Travel and Travail conclusively refutes the notion of female travel in the early modern era as "an absent presence." The first part of the volume offers analyses of female travelers (often recently widowed or accompanied by their husbands), the practicalities of female travel, and how women were thought to experience foreign places. The second part turns to literature, including discussions of roving women in Shakespeare, Margaret Cavendish, and Thomas Heywood. Whether historical actors or fictional characters, women figured in the wider world of the global Renaissance, not simply in the hearth and home
    Additional Edition: Erscheint auch als Online-Ausgabe, EPUB ISBN 978-1-4962-1029-6
    Additional Edition: Erscheint auch als Online-Ausgabe, MOBI ISBN 978-1-4962-1030-2
    Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 978-1-4962-1031-9
    Language: English
    Subjects: English Studies
    RVK:
    RVK:
    RVK:
    Keywords: England ; Frau ; Reise ; Geschichte 1500-1700 ; Englisch ; Drama ; Reiseliteratur ; Frau ; Reise ; Geschichte 1500-1700 ; Aufsatzsammlung ; Aufsatzsammlung
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  • 7
    UID:
    gbv_86400348X
    Format: 1 Online-Ressource (XI, 442 Seiten) , Illustrationen
    ISBN: 9789004323421
    Series Statement: Drama and theatre in early modern Europe volume 5
    Content: "Politics and Aesthetics in European Baroque and Classicist Tragedy is a volume of essays investigating European tragedy in the seventeenth century, comparing Shakespeare, Vondel, Gryphius, Racine and several other vernacular tragedians, together with consideration of neo-Latin dramas by Jesuits and other playwrights. To what extent were similar themes, plots, structures and styles elaborated? How is difference as well as similarity to be accounted for? European drama is beginning to be considered outside of the singular vernacular frameworks in which it has been largely confined (as instanced in the conferences and volumes of essays held in the Universities of Munich and Berlin 2010-12), but up-to-date secondary material is sparse and difficult to obtain. This volume intends to help remedy that deficit by addressing the drama in a full political, religious, legal and social context, and by considering the plays as interventions in those contexts. Contributors are: Christian Biet, Jan Bloemendal, Helmer J. Helmers, Blair Hoxby, Sarah M. Knight, Tatiana Korneeva, Frans-Willem Korsten, Joel B. Lande, Russell J. Leo, Howard B. Norland, Kirill Ospovat, James A. Parente, Jr., Freya Sierhuis, Nienke Tjoelker and Emily Vasiliauskas"--
    Content: Introduction / Jan Bloemendal and Nigel Smith -- Part 1: Sovereignty. What Roman paradigm for the Dutch Republic? Baroque tragedies and ambiguities concerning Dominium and torture / Frans-Willem Korsten -- Grotius among the dagonists: Joost van den Vondel's Samson, of heilige wraeck, revenge and the Ius gentium / Russ Leo -- Performing the medieval past: Vondel's Gysbreght van Aemstel / Freya Sierhuis -- Part 2: Religion. Political martyrdom at the English College in Rome / Howard B. Norland -- Historical tragedy and the end of Christian humanism: Nicolaus Vernulaeus (1583-1649) / James A. Parente, Jr -- The baroque tragedy of the Roman Jesuits: Flavia and beyond / Blair Hoxby -- Part 3: Ethics. Mortal knowledge: akrasia in English Renaissance tragedy / Emily Vasiliauskas -- A fabulis ad veritatem: Latin tragedy, truth and education in early modern England / Sarah Knight -- The political theater and theatrical politics of Andrea Giacinto Cicognini: Il Don Gastone di Moncada / Tatiana Korneeva -- French tragedy during the seventeenth century: from cruelty on a scaffold to poetic distance on stage and critical judgment / Christian Biet -- Part 4: Mobility. German Trauerspiel and its international nexus: on the migration of poetic forms / Joel Lande -- The politics of mobility: Shakespeare's Titus Andronicus, Jan Vos' Aran and Titus and the poetics of empire / Helmer Helmers -- French classicism in Jesuit theater poetics of eighteenth century Germany / Nienke Tjoelker -- Scenario of terror: royal violence and the origins of Russian tragic drama / Kirill Ospovat
    Note: Includes bibliographical references and index
    Additional Edition: ISBN 9789004323414
    Additional Edition: Erscheint auch als Druck-Ausgabe Politics and aesthetics in European baroque and classicist tragedy Leiden : Brill, 2016 ISBN 9789004323414
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures
    RVK:
    Keywords: Europa ; Tragödie ; Politik ; Geschichte 1600-1700 ; Latein ; Drama ; Rezeption ; Europa ; Aufsatzsammlung ; Electronic books
    URL: Volltext  (kostenfrei)
    URL: Volltext  (DOI)
    URL: Volltext  (kostenfrei)
    Author information: Bloemendal, Jan 1961-
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  • 8
    UID:
    kobvindex_HPB1102604113
    Format: 1 online resource
    ISBN: 1783745517 , 9781783745524 , 1783745525 , 9781783745531 , 1783745533 , 9781783747238 , 1783747234 , 9781783745517 , 1783745495 , 9781783745494 , 1783745509 , 9781783745500
    Content: "From Darkness to Light explores from a variety of angles the subject of museum lighting in exhibition spaces in America, Japan, and Western Europe throughout the nineteenth and twentieth centuries. Written by an array of international experts, these collected essays gather perspectives from a diverse range of cultural sensibilities. From sensitive discussions of Tintoretto's unique approach to the play of light and darkness as exhibited in the Scuola Grande di San Rocco in Venice, to the development of museum lighting as part of Japanese artistic self-fashioning, via the story of an epic American painting on tour, museum illumination in the work of Henry James, and lighting alterations at Chatsworth (to name only a few topics) this book is a treasure trove of illuminating contributions. The collection is at once a refreshing insight for the enthusiastic museum-goer, who is brought to an awareness of the exhibit in its immediate environment, and a wide-ranging scholarly compendium for the professional who seeks to proceed in their academic or curatorial work with a more enlightened sense of the lighted space."--Publisher's website
    Note: "This book originated from the international conference "From darkness to light : writers in museusm 1798-1898", organized by the Venice Committee of the Dante Alighieri Society, the Fondazione Musei Civici Veneziani, the Scuola Grande di San Rocco, and the Graduate School of the City University of New York, which took place in Venice between 27-29 April 2016"--Introduction, unnumbered page 1 , Acknowledgments -- Notes on Contributors -- Introduction: From Darkness to Light: Writers in Museums 1798-1898 / Rosella Mamoli Zorzi and Katherine Manthorne -- Part I: On Light. 1. Tintoretto: An Unexpected Light. Lightnings, Haloes, Embers and Other Glowing Lights / Melania G. Mazzucco ; 2. The Artificial Lighting Available to European and American Museums, 1800-1915 / David E. Nye -- Part II: On Light at the Scuola Grande di San Rocco and in Venice. 3. Tintoretto in San Rocco Between Light and Darkness / Maria Agnese Chiari Moretto Wiel ; 4. John Ruskin and Henry James in the Enchanting Darkness of the Scuola Grande di San Rocco / Rosella Mamoli Zorzi ; 5. Light at the Scuola Grande di San Rocco / Demetrio Sonaglioni ; 6. The Light in the Venice Ducal Palace / Camillo Tonini ; 7. Latent in Darkness: John Ruskin's Virtual Guide to the Academy of Fine Arts in Venice / Emma Sdegno ; 8. Venice, Art and Light in French Literature: 1831-1916 / Cristina Beltrami -- Part III: On Light in American Museums. 9. One Hundred Gems of Light: The Peale Family Introduces Gaslight to America / Burton K. Kummerow ; 10. Illuminating the Big Picture: Frederic Church's Heart of the Andes Viewed by Writers / Katherine Manthorne ; 11. Italian Genius in American Light: The James Jackson Jarves Collection at Yale / Kathleen Lawrence ; 12. Shedding Light on the History of Lighting at the Isabella Stewart Gardner Museum / Holly Salmon ; 13. Seeing Beauty: Light and Design at the Freer Gallery, ca. 1923 / Lee Glazer -- Part IV: On Light in Museum and Mansions in England, France, and Spain. 14. Lighting up the Darkness: The National Gallery, London / Sarah Quill ; 15. Sir John Soane / Helen Dorey ; 16. Chatsworth, a Modern English Mansion / Marina Coslovi ; 17. Daylight and Gold: In the Galleries With Henry James / Paula Deitz ; 18. Remarks on Illumination in Nineteenth-Century American Travel Writings on Madrid's Prado Museum / Pere Gifra-Adroher -- Part V: On Light in Italian Museums. 19. To Look (and to See) in the Nineteenth Century: At the Uffizi and Elsewhere / Cristina Acidini -- 20. Ways of Perceiving: The Passionate Pilgrims' Gaze in Nineteenth-Century Italy / Margherita Ciacci ; 21. 'In the Quiet Hours and the Deep Dusk, These Things too Recovered Their Advantage': Henry James on Light in European Museums / Joshua Parker ; 22. 'Shedding Light on Old Italian Masters': Timothy Cole's Series for the Century / Page S. Knox ; 23. 'Into the Broad Sunlight': Anne Hampton Brewster's Chronicle of Gilded Age Rome / Adrienne Baxter Bell -- Part VI: On Light in Museums in Japan. 24. In Praise of Shadows: Ernest Fenollosa and the Origins of Japanese Museum Culture / Dorsey Kleitz and Sandra Lucore -- Postscript. 25. Premonitions: Shakespeare to James / Sergio Perosa ; 26. The Museum on Stage: From Plato's Myth to Today's Perception / Alberto Pasetti Bombardella ; 27. Time and Light / Antonio Foscari -- Bibliography -- List of Illustrations.
    Additional Edition: Hardback version : 9781783745500
    Additional Edition: Paperback version : 9781783745494
    Language: English
    Keywords: Electronic books. ; Electronic books. ; History.
    URL: Image  (Thumbnail cover image)
    URL: Image
    URL: Image  (Thumbnail cover image)
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  • 9
    Online Resource
    Online Resource
    Leiden : E.J. Brill
    UID:
    gbv_878874186
    Format: 1 Online-Ressource (123 p)
    ISBN: 9004073191 , 9789004320659 , 9789004073197
    Series Statement: Philosophia antiqua v. 43
    Content: "Politics and Aesthetics in European Baroque and Classicist Tragedy is a volume of essays investigating European tragedy in the seventeenth century, comparing Shakespeare, Vondel, Gryphius, Racine and several other vernacular tragedians, together with consideration of neo-Latin dramas by Jesuits and other playwrights. To what extent were similar themes, plots, structures and styles elaborated? How is difference as well as similarity to be accounted for? European drama is beginning to be considered outside of the singular vernacular frameworks in which it has been largely confined (as instanced in the conferences and volumes of essays held in the Universities of Munich and Berlin 2010-12), but up-to-date secondary material is sparse and difficult to obtain. This volume intends to help remedy that deficit by addressing the drama in a full political, religious, legal and social context, and by considering the plays as interventions in those contexts. Contributors are: Christian Biet, Jan Bloemendal, Helmer J. Helmers, Blair Hoxby, Sarah M. Knight, Tatiana Korneeva, Frans-Willem Korsten, Joel B. Lande, Russell J. Leo, Howard B. Norland, Kirill Ospovat, James A. Parente, Jr., Freya Sierhuis, Nienke Tjoelker and Emily Vasiliauskas"--
    Content: Introduction / Jan Bloemendal and Nigel Smith -- Part 1: Sovereignty. What Roman paradigm for the Dutch Republic? Baroque tragedies and ambiguities concerning Dominium and torture / Frans-Willem Korsten -- Grotius among the dagonists: Joost van den Vondel's Samson, of heilige wraeck, revenge and the Ius gentium / Russ Leo -- Performing the medieval past: Vondel's Gysbreght van Aemstel / Freya Sierhuis -- Part 2: Religion. Political martyrdom at the English College in Rome / Howard B. Norland -- Historical tragedy and the end of Christian humanism: Nicolaus Vernulaeus (1583-1649) / James A. Parente, Jr -- The baroque tragedy of the Roman Jesuits: Flavia and beyond / Blair Hoxby -- Part 3: Ethics. Mortal knowledge: akrasia in English Renaissance tragedy / Emily Vasiliauskas -- A fabulis ad veritatem: Latin tragedy, truth and education in early modern England / Sarah Knight -- The political theater and theatrical politics of Andrea Giacinto Cicognini: Il Don Gastone di Moncada / Tatiana Korneeva -- French tragedy during the seventeenth century: from cruelty on a scaffold to poetic distance on stage and critical judgment / Christian Biet -- Part 4: Mobility. German Trauerspiel and its international nexus: on the migration of poetic forms / Joel Lande -- The politics of mobility: Shakespeare's Titus Andronicus, Jan Vos' Aran and Titus and the poetics of empire / Helmer Helmers -- French classicism in Jesuit theater poetics of eighteenth century Germany / Nienke Tjoelker -- Scenario of terror: royal violence and the origins of Russian tragic drama / Kirill Ospovat.
    Note: Available to subscribing member institutions only , Includes indexes , Includes bibliographical references (p. 114-116) , Revision of work Originally presented as the author's thesis (doctoral--University of Texas at Austin)
    Additional Edition: ISBN 9789004073197
    Additional Edition: Online version Nill, Michael Morality and self-interest in Protagoras, Antiphon, and Democritus Leiden : E.J. Brill, 1985
    Language: English
    URL: Volltext  (DOI)
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  • 10
    Online Resource
    Online Resource
    Kalamazoo, Western Michigan : Medieval Institute Publications | Berlin : Walter de Gruyter GmbH
    UID:
    gbv_1672161797
    Format: 1 Online-Ressource (ix, 213 Seiten)
    ISBN: 9783110661996 , 9781580443661 , 9783110660449
    Series Statement: Studies in medieval and early modern culture 65
    Content: A "blind spot" suggests an obstructed view, or partisan perception, or a localized lack of understanding. Just as the brain "reads" the "blind spot" of the visual field by a curious process of readjustment, Shakespearean drama disorients us with moments of unmastered and unmasterable knowledge, recasting the way we see, know and think about knowing. Focusing on such moments of apparent obscurity, this volume puts methods and motives of knowing under the spotlight, and responds both to inscribed acts of blind-sighting, and to the text or action blind-sighting the reader or spectator. While tracing the hermeneutic yield of such occlusion is its main conceptual aim, it also embodies a methodological innovation: structured as an internal dialogue, it aims to capture, and stake out a place for, a processive intellectual energy that enables a distinctive way of knowing in academic life; and to translate a sense of intellectual "community" into print
    Content: Frontmatter -- Contents -- Acknowledgments -- Introduction: Blind Spots of Knowledge in Shakespeare and His World / Mukherji, Subha -- Essays and Responses -- 1. Baffling Terms / Zucker, Adam -- Baffling Comedy, Baffling Ourselves: A Response to Adam Zucker / Spiess, Stephen -- Knowing Games: A Response to Adam Zucker / Mukherji, Subha -- 2. Shakespeare’s Nuts: The Blind Spots of the Edible Contact Zone / Harris, Jonathan Gil -- Flying Blind, Going Nuts: A Response to Jonathan Gil Harris / Mukherji, Subha -- 3. Eyes Wide Shut: Seeing and Knowing in Othello / Chaudhuri, Supriya -- Seeing Blindness: A Response to Supriya Chaudhuri / Harris, Jonathan Gil -- Towards an Epistemology of the Stage? A Response to Supriya Chaudhuri / Spiess, Stephen -- 4. What Emilia Knew: Shakespeare Reads James / Sen, Aveek -- Minding Shakespeare’s Gaps: A Response to Aveek Sen / Pollard, Tanya -- Darkness Visible: A Response to Aveek Sen / Mukherji, Subha -- 5. Knowing Kin and Kind in The Winter’s Tale / Pollard, Tanya -- Unknowing Kind: A Response to Tanya Pollard / Lesser, Zachary -- Difficult Loves: A Response to Tanya Pollard / Sen, Aveek -- 6. The Epistemology of Violence in The Comedie of Errors / Spiess, Stephen -- What Does the Slave Know? A Response to Stephen Spiess / Chaudhuri, Supriya -- Narrating Violence: A Response to Stephen Spiess / Zucker, Adam -- 7. Broken English: A Dialogue / Witmore, Michael / Hope, Jonathan -- “To sleep, maybe to dream” and Other Encounters with a Trained Machine / Witmore, Michael -- The Inheritance of Meat / Hope, Jonathan -- 8. Conscience Doth Make Errors: The Blind Spot of Shakespearean Quotation / Lesser, Zachary -- On Not Knowing Shakespeare: A Response to Zachary Lesser / Pollard, Tanya -- The Food of Points: A Response to Zachary Lesser / Zucker, Adam -- Notes on Contributors -- Index
    Note: Mode of access: Internet via World Wide Web.
    Additional Edition: ISBN 9781580443654
    Additional Edition: Erscheint auch als EPUB ISBN 9783110660449
    Additional Edition: Erscheint auch als print ISBN 9781580443654
    Language: English
    Keywords: Aufsatzsammlung
    URL: Cover
    URL: Cover
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