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  • 1
    UID:
    b3kat_BV000580309
    Format: VIII, 307 Seiten , Illustrationen , 24 cm
    ISBN: 0870811568
    Note: Political and literary sources of Sophocles' Oedipus Coloneus / William M. Calder III -- Horace, Odes 4.7 : "The most beautiful poem in ancient literature"? / E.A. Fredricksmeyer -- Lucretius to Noeteric / Joy K. King -- Myth, science, philosophy : a question of origins / Jaap Mansfeld -- Reception theory and classical scholarship : a plea for convergence / Peter Lebracht Schmidt -- One man's metis : another man's ate / Jon Solomon -- On the thematic structure of Aristophanes' Frogs / John Vaio -- Aristophanes in East Germany : Peter Hacks's adaptation of Peace / Lurich K. Goldsmith -- Strawberries and mulberries : Ulysses and Othello / Julia B. Holloway -- Order's image in Heinrich von Morungen, Dante, Chaucer, and two Middle English lyrics / E. Peter Nolan -- Sartre, ontology, and the other / Oreste F. Pucciani -- Rhetoric and irony in Aristophanes' Clouds 518-62 / J.E. Rivers -- Mortification of the emancipated flesh : the case of Heine / Jeffrey L. Sammons -- Epic theater and the Antigone versions by Anouily and Brecht / Hugo Schmidt -- Sartre's idea of community / Betty Cannon -- Dewey's Message to China / Jane Cauvel -- Merleau-Ponty and the critique of dialectical reason / Thomas R. Flynn -- Value of contradiction / Phyllis Berdt Kenevan -- Ironic entertainments and teaching philosophy / William Sacksteder -- Sartre's concept of freedom : an Anglo-Saxon analysis / Philip Thody -- Psychologies, scientific and philosophical : some variations on a theme by Sartre / Forrest Williams
    Language: English
    Subjects: Ancient Studies
    RVK:
    Keywords: Barnes, Hazel Estella 1915-2008 ; Antike ; Literatur ; Vergleichende Literaturwissenschaft ; Philosophie ; Aufsatzsammlung ; Bibliografie ; Festschrift ; Bibliografie ; Aufsatzsammlung ; Festschrift
    Author information: Calder, William M. 1932-2022
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  • 2
    UID:
    gbv_893554413
    Format: 1 Online-Ressource (178 p)
    ISBN: 9783110500882 , 9783110498875
    Series Statement: Jewish thought, philosophy, and religion Volume 2
    Content: The Song of Songs, a lyric cycle of love scenes without a narrative plot, has often been considered as the Bible’s most beautiful and enigmatic book. The present study questions the still dominant exegetical convention that merges all of the Song’s voices into the dialogue of a single couple, its composite heroine Shulamit being a projection screen for norms of womanhood. An alternative socio-spatial reading, starting with the Hebrew text’s strophic patterns and its references to historical realia, explores the poem’s artful alternation between courtly, urban, rural, and pastoral scenes with their distinct characters. The literary construction of social difference juxtaposes class-specific patterns of consumption, mobility, emotion, power structures, and gender relations. This new image of the cycle as a detailed poetic frieze of ancient society eventually leads to a precise hypothesis concerning its literary and religious context in the Hellenistic age, as well as its geographical origins in the multiethnic borderland east of the Jordan. In a Jewish echo of anthropological skepticism, the poem emphasizes the plurality and relativity of the human condition while praising the communicative powers of pleasure, fantasy, and multifarious Eros
    Note: Open Access , Frontmatter -- -- Contents -- -- 1. Space and Gender in the Song of Songs -- -- 2. A Sociospatial Approach to the Song of Song’s Structure -- -- 3. The Poetics of Social Diversity -- -- 4. Ptolemy IV Philopator and his Religious Policy -- -- 5. Was the Song of Songs Composed in Amman? -- -- 6. Conclusion -- -- Appendix -- -- Bibliography -- -- Index of Biblical References -- -- Index of Names , Mode of access: Internet via World Wide Web. , In English
    Additional Edition: ISBN 9783110498875
    Additional Edition: ISBN 9783110500547
    Additional Edition: Erscheint auch als Druck-Ausgabe Wilke, Carsten, 1962 - Farewell to Shulamit Berlin : De Gruyter, 2017 ISBN 311050054X
    Additional Edition: ISBN 9783110500547
    Language: English
    Subjects: Theology
    RVK:
    Keywords: Bibel Hoheslied ; Sozialgeschichtliche Exegese ; Zeithintergrund
    URL: Volltext  (Open Access)
    URL: Cover
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
    Author information: Wilke, Carsten 1962-
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  • 3
    Book
    Book
    Purmerend : Muusses
    UID:
    gbv_420416218
    Format: 202 S. 8"
    Language: Undetermined
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    Book
    Book
    Folcroft, Pa. : Folcroft Pr.
    UID:
    b3kat_BV007104261
    Format: X,202 S.
    Note: Zugl.phil.Diss.Amsterdam. - Repr.d.Ausg.Purmerend 1931
    Language: Undetermined
    Subjects: English Studies
    RVK:
    Keywords: Hochschulschrift
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  • 5
    Book
    Book
    Purmered : Muusses
    UID:
    b3kat_BV014827306
    Format: X,202 S.
    Note: Zugl.phil.Diss.Amsterdam.1931
    Language: English
    Subjects: English Studies
    RVK:
    Keywords: Hochschulschrift
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  • 6
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : De Gruyter
    UID:
    gbv_1778572014
    Format: 1 Online-Ressource (viii, 170 p.)
    ISBN: 9783110500882 , 9783110498875
    Series Statement: Jewish Thought, Philosophy, and Religion
    Content: The Song of Songs, a lyric cycle of love scenes without a narrative plot, has often been considered as the Bible’s most beautiful and enigmatic book. The present study questions the still dominant exegetical convention that merges all of the Song’s voices into the dialogue of a single couple, its composite heroine Shulamit being a projection screen for norms of womanhood. An alternative socio-spatial reading, starting with the Hebrew text’s strophic patterns and its references to historical realia, explores the poem’s artful alternation between courtly, urban, rural, and pastoral scenes with their distinct characters. The literary construction of social difference juxtaposes class-specific patterns of consumption, mobility, emotion, power structures, and gender relations. This new image of the cycle as a detailed poetic frieze of ancient society eventually leads to a precise hypothesis concerning its literary and religious context in the Hellenistic age, as well as its geographical origins in the multiethnic borderland east of the Jordan. In a Jewish echo of anthropological skepticism, the poem emphasizes the plurality and relativity of the human condition while praising the communicative powers of pleasure, fantasy, and multifarious Eros
    Note: English
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 7
    UID:
    gbv_1814685723
    Format: 1 Online-Ressource
    ISBN: 9789401202510 , 9789042019065
    Series Statement: Brill Book Archive Part 1, ISBN: 9789004472495 89
    Content: At the beginning of the 21st century, there is still no generally accepted comprehensive definition of the lyric or differentiated modern toolkit for its analysis. The reception of poetry is largely characterised either by an empathetic identification of critics with the lyric persona or by exclusive interest in formal patterning. The present volume seeks to remedy this deficit. All the contributors 'theorise' the lyric to overcome the impasse of an impressionistic and narrowly formalistic critical debate on the genre. Their papers focus on a variety of different questions: the problem of establishing a framework for definition and classification; the search for dynamic and potent critical approaches; investigations of poetry's cultural performance and its fundamental relevance for the construction of group cohesion. The essays collected in this volume offer a consciously polyphonic range of theories and interpretations, suggesting to the reader a variety of theoretical frameworks and practical illustrations of how a discussion of poetry may be firmly grounded in modern literary theory
    Note: Includes bibliographical references and index , Eva MÜLLER-ZETTELMANN and Margarete RUBIK: Introduction -- Defining the Lyric -- Werner WOLF: The Lyric: Problems of Definition and a Proposal for Reconceptualisation -- Sabine COELSCH-FOISNER: The Mental Context of Poetry: From Philosophical Concepts of Self to a Model of Poetic Consciousness ( Ethos - Mode - Voice) -- Angelica MICHELIS: Eat My Words: Poetry as Transgression -- Narratology and Beyond -- Monika FLUDERNIK: Allegory, Metaphor, Scene and Expression. The Example of English Medieval and Early Modern Lyric Poetry -- Eva MÜLLER-ZETTELMANN: "A Frenzied Oscillation": Auto-Reflexivity in the Lyric Peter Hühn Plotting the Lyric: Forms of Narration in Poetry -- Wolfgang G. MÜLLER: The Lyric Insertion in Fiction and Drama: Theory and Practice -- Margarete RUBIK: In Deep Waters. Or: What's the Difference between Drowning in Poetry and in Prose? -- Manfred PFISTER: "As an unperfect actor on the stage": Notes Towards a Definition of Performance and Performativity in Shakespeare's Sonnets -- Max NÄNNY: Diagrammatic Iconicity in Poetry -- Mapping (Post) Modern Poetry -- Peter V. ZIMA: Inhuman Aesthetics. From Poe, Mallarmé and Valéry to Adorno and Lyotard -- Pilar ABAD-GARCIA: Generic Description and the Postmodern Lyric Discourse/Mode: Carol Ann Duffy's "Anne Hathaway" -- Brian MCHALE: Poetry under Erasure -- Norbert BACHLEITNER: The Virtual Muse. Forms and Theory of Digital Poetry -- Constructing Group Identity -- Michael METZELTIN: Courtship Rituals as Paradigmatic Forms of Poetry. A textual and anthropological perspective -- Eva MÜLLER-ZETTELMANN: Poetry, Cultural Memory and the English Lyric Tradition -- Notes on Contributors.
    Additional Edition: Erscheint auch als Druck-Ausgabe Theory into Poetry : New Approaches to the Lyric Leiden : BRILL, 2005 ISBN 9789042019065
    Language: English
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  • 8
    Musical Score
    Musical Score
    Milwaukee, WI : Hal Leonard Corporation | [New York] : Boosey & Hawkes
    UID:
    kobvindex_ZLB16146436
    Format: 1 Partitur (237 Seiten) , 31 cm
    Edition: Low voice
    ISBN: 9781495059254
    Uniform Title: Lieder Auswahl
    Note: Gesangstext englisch, einige Gesangstexte französisch , From "Three songs, op. 3", No. 1: Love's philosophy / Percy B. Shelley. - No. 2: Now sleeps the crimson petal / Alfred, Lord Tennyson. - "Three Shakespeare songs, op. 6 (first set)": Come away death. O mistress mine. Blow, blow, thou winter wind. - "To Julia : op. 8": Prelude. The bracelet. The maiden blush. To daisies. The night piece. Julia's hair. Interlude. Cherry ripe / Robert Herrick. - "Seven Elizabethan lyrics, op. 12": Weep you no more / Anonymous. My life's delight / Thomas Campion. Damask roses. The faithless shepherdess. Brown is my love / Anonymous. By a fountainside / Ben Jonson. Fair house of joy / Anonymous. - "Three songs of William Blake, op. 20": No. 1, Dream Valley. - "Five Shakespeare songs : op. 23 (second set)": Fear no more the heat o' the sun. Under the greenwood tree. It was a lover and his lass. Take, o take those lips away. Hey, ho, the wind and the rain. - "Five English love lyrics, op. 24": No. 3: Go, lovely rose / Edmund Waller. - "Six songs, op. 25": Song of the stream / Alfred Williams. The fuchsia tree / Old Manx ballad, attributed to Charles Dalmon. An old carol / Anonymous, 15th century. Arab love song. Music, when soft voices die / Shelley. In the bud of the morning-O / James Stephens. - "Five Jacobean lyrics, op. 28": The jealous lover / Earl of Rochester (1647-1680). Why so pale and wan? / Sir John Suckling. I dare not ask a kiss / Robert Herrick. To Althea from prison / Richard Lovelace. The constant lover / Sir John Suckling. - "Four Shakespeare songs, op. 30 (third set)": Who is Silvia? When daffodils begin to peer. How should I your true love know? Sigh no more, ladies. - "The Arnold book of old songs": The ash grove / Old Welsh melody. Barbara Allen / Old English melody. Believe me, if all those endearing young charms / Old Irish melody. Ca' the yowes to the knowes / Old Scottish melody. Charlie is my darling / Scottish Jacobite marching tune (1775). Drink to me only with thine eyes / English melody (18th century). The jolly miller / Old English melody. The man behind the plough = Le pauvre laboureur / Old French melody. My lady greensleeves / Old English melody. My lady's garden = L'amour de moi / Old French melody. Oh! 'tis sweet to think / Old Irish melody. Over the mountains / Old English melody. Pretty month of May = Joli moi de Mai / Old French melody. Since first I saw your face / melody by Ford. Three poor mariners / Old English melody. Ye banks and braes / Old Scottish melody. "Songs not from a cycle or set": June / Nora Hopper. 'Tis St. Valentine's day / tune from D'Urfey's "Wit and mirth, 1707"arr. Roger Quilter, William Shakespeare, from Hamlet
    Language: English
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  • 9
    Musical Score
    Musical Score
    Milwaukee, WI : Hal Leonard Corporation | [New York] : Boosey & Hawkes
    UID:
    kobvindex_ZLB16146444
    Format: 1 Partitur (237 Seiten) , 31 cm
    Edition: High voice
    ISBN: 9781495059117
    Uniform Title: Lieder Auswahl
    Note: Gesangstext englisch, einige Gesangstexte französisch , From "Three songs, op. 3", No. 1: Love's philosophy / Percy B. Shelley. - No. 2: Now sleeps the crimson petal / Alfred, Lord Tennyson. - "Three Shakespeare songs, op. 6 (first set)": Come away death. O mistress mine. Blow, blow, thou winter wind. - "To Julia : op. 8": Prelude. The bracelet. The maiden blush. To daisies. The night piece. Julia's hair. Interlude. Cherry ripe / Robert Herrick. - "Seven Elizabethan lyrics, op. 12": Weep you no more / Anonymous. My life's delight / Thomas Campion. Damask roses. The faithless shepherdess. Brown is my love / Anonymous. By a fountainside / Ben Jonson. Fair house of joy / Anonymous. - "Three songs of William Blake, op. 20": No. 1, Dream Valley. - "Five Shakespeare songs : op. 23 (second set)": Fear no more the heat o' the sun. Under the greenwood tree. It was a lover and his lass. Take, o take those lips away. Hey, ho, the wind and the rain. - "Five English love lyrics, op. 24": No. 3: Go, lovely rose / Edmund Waller. - "Six songs, op. 25": Song of the stream / Alfred Williams. The fuchsia tree / Old Manx ballad, attributed to Charles Dalmon. An old carol / Anonymous, 15th century. Arab love song. Music, when soft voices die / Shelley. In the bud of the morning-O / James Stephens. - "Five Jacobean lyrics, op. 28": The jealous lover / Earl of Rochester (1647-1680). Why so pale and wan? / Sir John Suckling. I dare not ask a kiss / Robert Herrick. To Althea from prison / Richard Lovelace. The constant lover / Sir John Suckling. - "Four Shakespeare songs, op. 30 (third set)": Who is Silvia? When daffodils begin to peer. How should I your true love know? Sigh no more, ladies. - "The Arnold book of old songs": The ash grove / Old Welsh melody. Barbara Allen / Old English melody. Believe me, if all those endearing young charms / Old Irish melody. Ca' the yowes to the knowes / Old Scottish melody. Charlie is my darling / Scottish Jacobite marching tune (1775). Drink to me only with thine eyes / English melody (18th century). The jolly miller / Old English melody. The man behind the plough = Le pauvre laboureur / Old French melody. My lady greensleeves / Old English melody. My lady's garden = L'amour de moi / Old French melody. Oh! 'tis sweet to think / Old Irish melody. Over the mountains / Old English melody. Pretty month of May = Joli moi de Mai / Old French melody. Since first I saw your face / melody by Ford. Three poor mariners / Old English melody. Ye banks and braes / Old Scottish melody. "Songs not from a cycle or set": June / Nora Hopper. 'Tis St. Valentine's day / tune from D'Urfey's "Wit and mirth, 1707"arr. Roger Quilter, William Shakespeare, from Hamlet
    Language: English
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  • 10
    Book
    Book
    London ; New York : I.B. Tauris
    UID:
    b3kat_BV044719433
    Format: xxviii, 330 Seiten , Illustrationen , 24 cm
    Edition: New paperback edition
    ISBN: 9781784532123
    Series Statement: Iran and the Persianate world
    Note: Includes bibliographical references (p. . [295]-318) and index (p. 319-330) , Contents -- List of Contributors -- List of Plates -- Foreword: Hafiz of Shiraz -- Peter Avery -- Editor's Introduction and Acnowledgements -- PART I -- HAFIZ IN THE SOCIO-HISTORICAL, LITERARY AND MYSTICAL MILIEU OF MEDIEVAL PERSIA -- Prolegomenon to the Study of Hafiz -- 1 -- Socio-historical and Literary Contexts: Hafiz in Shiraz -- Leonard Lewisohn -- 2 -- The Mystical Milieu: Hafiz's Erotic Spirituality -- Leonard Lewisohn -- PART II -- HAFIZ AND THE SCHOOL OF LOVE IN CLASSICAL POETRY -- The Principles of the Religion of Love in Classical Persian Poetry -- Husayn Ilahi-Ghomshei -- The Erotic Spirit: Love, Man and Satan in Hafiz's Poetry -- Ali-Asghar Seyed-Gohrab -- The Radiance of Epiphany: The Vision of Beauty and Love in Hafiz's Poem of Pre-Eternity -- Leili Anvar -- PART III -- HAFIZ AND THE PERSIAN SUFI TRADITION -- Hafiz and the Sufi -- Charles-Henry de Fouchecour -- The Religion of Love and the Puritans of Islam: Sufi Sources of Hafiz's Anti-clericalism -- Leonard Lewisohn -- Jalal al-Din Davani's Interpretation of Hafiz -- Carl W. Ernst -- PART IV -- HAFIZ'S ROMANTIC IMAGERY AND LANGUAGE OF LOVE -- The Allegory of Drunkenness and the Theophany of the Beloved in Sixteenth-Century Illustrations of Hafiz -- Michael Barry -- Transfiguring Love: Perspective Shifts and the Contextualization of Experience in the Ghazals of Hafiz -- James Morris -- The Semiotic Horizons of Dawn in the Poetry of Hafiz -- Franklin Lewis -- Hafiz and the Language of Love in Nineteenth-Century English and American Poetry -- Parvin Loloi -- Bibliography -- Index of Proper Names, Places, Works and Themes -- Index of Persian and Arabic Technical Terms , The romantic lyricism of the great Persian poet Hafiz (1315-1390) continues to be admired around the world. Recent exploration of that lyricism by Iranian scholars has revealed that, in addition to his masterful use of poetic devices, Hafiz's verse is deeply steeped in the philosophy and symbolism of Persian love mysticism. This innovative volume discusses the aesthetic theories and mystical philosophy of the classical Persian love-lyric (ghazal) as particularly exemplified by Hafiz (who, along with Rumi and Sa'di, is Persia's most celebrated poet). For the first time in western literature, Hafiz's rhetoric of romance is situated within the broader context of what scholars refer to as 'Love Theory' in Arabic and Persian poetry in particular and Islamic literature more generally. Contributors from both the West and Iran conduct a major investigation of the love lyrics of Hafiz and of what they signified to that high culture and civilization which was devoted to the School of Love in medieval Persia. The volume will have strong appeal to scholars of the Middle East, medieval Islamic literature, and the history and culture of Iran.
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-85773-660-4
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures
    RVK:
    Keywords: Ḥāfiẓ 1315-1390 ; Persisch ; Literatur ; Liebe ; Sufismus ; Geschichte 1300-1400 ; Aufsatzsammlung
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