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  • 1
    Online Resource
    Online Resource
    Berkeley :University of California Press,
    UID:
    almahu_9949863550602882
    Format: 1 online resource (285 pages)
    Edition: 1st ed.
    ISBN: 9780520968196
    Content: Motion pictures are made, not mass produced, requiring a remarkable collection of skills, self-discipline, and sociality--all of which are sources of enormous pride among Hollywood's craft and creative workers. The interviews collected here showcase the ingenuity, enthusiasm, and aesthetic pleasures that attract people to careers in the film and television industries. They also reflect critically on changes in the workplace brought about by corporate conglomeration and globalization. Rather than offer publicity-friendly anecdotes by marquee celebrities, Voices of Labor presents off-screen observations about the everyday realities of Global Hollywood. Ranging across job categories--from showrunner to make-up artist to location manager--this collection features voices of labor from Los Angeles, Atlanta, Prague, and Vancouver. Together they show how seemingly abstract concepts like conglomeration, financialization, and globalization are crucial tools for understanding contemporary Hollywood and for reflecting more generally on changes and challenges in the screen media workplace and our culture at large. Despite such formidable concerns, what nevertheless shines through is a commitment to craftwork and collaboration that provides the means to imagine and instigate future alternatives for screen media labor.
    Note: Cover -- Half Title -- Title Page -- Copyright -- Contents -- Acknowledgments -- 1 Listening to Labor -- 2 Company Town -- 3 Mara Brock Akil, showrunner -- 4 Tom Schulman, screenwriter -- 5 Allison Anders, director -- 6 Lauren Polizzi, art director -- 7 Mary Jane Fort, costume designer -- 8 Anonymous, makeup artist -- 9 Stephen Lighthill, cinematographer -- 10 Calvin Starnes, grip -- 11 Steve Nelson, sound recordist -- 12 Rob Matsuda, musician -- 13 Global Machine -- 14 Anonymous, studio production executive -- 15 David Minkowski, service producer -- 16 Adam Goodman, service producer -- 17 Stephen Burt, production manager -- 18 Belle Doyle, location manager -- 19 Wesley Hagan, location manager -- 20 Fringe City -- 21 Scott Ross, VFX manager -- 22 Dave Rand, VFX artist -- 23 Mariana Acuña-Acosta, VFX artist -- 24 Daniel Lay, VFX artist -- 25 Steve Kaplan, union official -- 26 Dusty Kelly, union official -- Appendix Interview Schedule.
    Additional Edition: Print version: Curtin, Michael Voices of Labor Berkeley : University of California Press,c2017 ISBN 9780520295438
    Language: English
    Keywords: Electronic books. ; Electronic books. ; Electronic books. ; Electronic books.
    URL: Cover
    URL: Cover
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  • 2
    Book
    Book
    New York, NY :Discus Books [u.a.],
    UID:
    almafu_BV014613043
    Format: 328 S.
    Language: English
    Keywords: Drehbuchautor ; Interview
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  • 3
    Online Resource
    Online Resource
    New York :Bloomsbury Academic, | New York :Bloomsbury Publishing (US),
    UID:
    almahu_9949700178302882
    Format: 1 online resource (408 pages)
    Edition: 1st ed.
    ISBN: 9781501390968
    Content: You're trying to finish a screenplay, but there's a voice in your ear whispering, "You should know more about how cinema story works." Perhaps you've heard how many successful screenwriters deconstruct or "break down" films and study them. You'd like to try this method but ask yourself, "How do I start?"〈i〉 Semiotics for Screenwriters〈/i〉 can help you with this daunting task by taking you on a unique journey through 3 classic films -〈i〉 It's a Wonderful Life, Lost in Translation, and 〈/i〉〈i〉Get Out〈/i〉 - that shows you the hidden universal language of plot, character, and theme at work in them. This method will reveal the mechanics of cinema story, then show you how to apply this knowledge to your own screenwriting. Semiotics is a powerful system of analysis applied in many fields, including literature and psychology. In this book you'll learn to deploy this method to break down classic films then apply it to writing, developing and correcting your own screenplays.
    Note: 〈i〉Dedication〈/i〉 〈i〉Acknowledgements〈/i〉 Introduction - The Hollywood Movie Breakdown System with a Semiotics Spin 1. The Semiotics for Screenwriters System 2. Isotopies, Part I 3. Isotopies, Part II - The Semiotic Square 4. The Narrative Level 5. The Deep Level of Meaning 6. The Breakdown of Three Specimen Movies 7. Demonstration of Using the Tools to Develop a Feature Screenplay - 〈i〉Through the Night〈/i〉 8. Using Final Draft Beat Board and Outline Editor with the Semiotics Tools Closing Thoughts 〈i〉Bibliography Index〈/i〉
    Language: English
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  • 4
    Online Resource
    Online Resource
    Frankfurt a.M. :Peter Lang GmbH, Internationaler Verlag der Wissenschaften,
    UID:
    almahu_9949568484002882
    Format: 1 online resource (260 pages)
    Edition: 1st ed.
    ISBN: 9783631813300
    Note: Cover -- Copyright information -- Preface -- Contents -- Notes on Contributors -- Part 1 Local Cinema and Digitization: Distribution and Exhibition -- The political economy of participatory community cinemas : -- Introduction -- Local, independent, participatory and community cinemas -- Community cinemas as alternative media -- Brief history of CineCiutat: A story of participatory resistance -- The political economy of CineCiutat -- Conclusions -- References -- Elements of a critical political economy of local cinema  in Digital Era: -- Introduction -- The values inside contemporary film markets -- The strategies of some French-speaking countries exhibitors: The lo-bal process -- The history of film exhibition crisis: A problem of disconnection inside the double side of the aesthetic of Cinema -- Conclusion: Some epistemological considerations about studying lo-bal process strategies -- References -- Film distribution in Finland : -- Introduction -- The study of film distribution -- From global to local distribution -- Distribution deals -- Release strategies, windows and box office revenues -- Moving away from the formal distribution -- Analysing distribution -- References -- Digitizing local cinema: -- Introduction -- Diversity or concentration? -- Digitizing Local Cinemas in Norway -- Empirical Method and Data -- Local cinema supply and demand -- Local cinema repertoire -- Distribution of Screenings and Attendance -- The rise of local cinema self-distributed films -- Conclusions -- References -- The political economy of Khaleeji cinema : -- Introduction -- Literature review -- What Khaleeji cinema means -- Periodisation -- (1) Khaleeji cinema and the rise of foreign oil companies -- Film exhibition and distribution -- Film production -- (2) Post-independence Khaleeji cinema: 1960s to 1990s. , The building of the cinema infrastructure -- Film distribution business model in Dubai -- Film production -- (3) Khaleeji cinema post 2002 to 2017 -- Development and production of films -- Informal circuit and film production -- Economic growth of GCC exhibition sector -- Conclusion -- References -- Part 2 Local Cinema and Globalization: Struggles, Survival and Sustainability -- Production of Main Melody Film in Post-Socialist China: -- Introduction -- Critical transculturalism : From domination to globalization -- Production of main melody film in China: A prehistory of Wolf Warrior 2 -- Birth of main melody film -- Marketization of the Chinese film industry and the "new" main melody film -- Deconstructing Wolf Warrior 2 -- 1. Financialization of the Chinese Hollywood style mega-production -- 2.  Discursive construction: Building nationhood of China through Hollywood story -- 3.  Marketing strategies: Domestic film protection month and national campaign for Army's day -- Conclusion -- References -- In the land of Finnish Swedish cinema : -- Introduction -- Universal stories -- The room of Finnish Swedish cinema -- Join the Empire or vanish? -- References -- Art against the odds -- Introduction -- Approach -- Methodology -- Bottom-tier films -- Case studies -- Case Study of Sione's Wedding (2006) -- Story, concept and development -- Budget and institutional objectives -- Domestic distribution -- Piracy -- International Distribution -- Case study of Boy (2010) -- Story, concept and development -- Budget and institutional objectives -- Domestic distribution -- Piracy -- International distribution -- Case study of The Orator (2011) -- Story, concept and development -- Budget and institutional objectives -- Production challenges -- Domestic distribution -- Piracy -- International distribution -- Comparative analysis and conclusion. , References -- Market censorship and Finnish cinema -- Introduction -- Towards a wider view of censorship -- Market censorship and self-censorship -- The 'Finnish Case' -- Conclusions -- 1. Context -- 2. Message -- 3. Author -- 4. Code -- 5. Medium and receiver -- References -- Sustainability as a framework of analysis and a guide for policy-making: -- Introduction -- Sustainability and cultural industries -- Theorising sustainable film industries -- Sustainable cycles -- Criteria for socio-economic sustainability -- A framework to analyse and foster sustainability in the film industry -- Self-sustainability : Local versus transnational and private versus public funding -- Methodology -- The film industry value chain in New Zealand -- The Wellington film district -- Mapping constraints to sustainability -- Financial capacity -- Ability to feed from creative sources and pools of specialised labour -- Screenwriters -- Top creative producers -- Intellectual property -- Productivity and appropriate infrastructure -- Captive local and international audiences -- Conclusions -- References -- List of Figures -- List of Tables -- Index.
    Additional Edition: Print version: Rajala, Anne The Political Economy of Local Cinema: a Critical Introduction Frankfurt a.M. : Peter Lang GmbH, Internationaler Verlag der Wissenschaften,c2020 ISBN 9783631799512
    Language: English
    Keywords: Electronic books. ; Electronic books.
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  • 5
    Book
    Book
    Jefferson, North Carolina :McFarland & Company, Inc., Publishers,
    UID:
    almahu_BV045079678
    Format: vii, 221 Seiten : , Illustrationen.
    ISBN: 978-1-4766-6887-1
    Content: "This collection of 23 new essays focuses on the lives of female screenwriters of Golden Age Hollywood, whose work helped create unforgettable stories and characters beloved by generations of audiences - but whose names have been left out of most film histories."... (cover)
    Note: Includes bibliographical references and index
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-4766-3277-3
    Language: English
    Subjects: General works
    RVK:
    Keywords: Drehbuchautorin ; Aufsatzsammlung ; Aufsatzsammlung
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  • 6
    Online Resource
    Online Resource
    Taylor & Francis | London ; : Routledge,
    UID:
    almahu_9948393418702882
    Format: 1 online resource (164 p.)
    ISBN: 0-415-64267-1 , 0-203-08077-7 , 1-136-16948-2 , 1-136-16949-0
    Content: "Screenwriting has been the subject of a wealth of popular literature that seeks to offer this work to all, to reveal the 'secrets' of screenwriting or to provide accounts of how to succeed in the mainstream screen production industries, primarily in Hollywood. But the deluge of How-to style manuals and interview collections offer little systematic analysis of the histories, practices, identities and subjects which form and shape the daily working lives of screenwriters. Screenwriting work demands particular and complex forms of subjectivity in order to distinguish it from other forms of filmmaking and writing, to make the work knowable and do-able. This book analyzes the ways in which screenwriters navigate and make sense of the labor markets in which they are immersed. Drawing on historical and critical perspectives of mainstream screenwriting in the USA and UK, as well as empirical data drawn from interviews, labour market and textual analysis, this book presents an original and multi-faceted case study of screenwriting as creative labor and professional practice. Using a range of theoretical approaches and an interdisciplinary methodological framework, it examines both the structural and subjective features of screenwriting work and it analyzes not only who has access to the work, but also who is excluded from this profession"--
    Note: Description based upon print version of record. , Cover; Half Title; Title Page; Copyright Page; Table of Contents; Acknowledgements; Introduction: Setting the scene; 1 Screenwriting histories and myths of the profession; 2 Screenwriting as creative labor; 3 Screenwriters' working lives; 4 Screenwriting work and the how-to genre; 5 Screenwriting work: Who's in and who's out?; Conclusion: Screenwriting as good work; Appendix 1: How-to titles and authors; Appendix 2: Indicative publishing information for five 'guru' how-to text; Bibliography; Index , English
    Additional Edition: ISBN 0-415-64265-5
    Additional Edition: ISBN 1-306-66166-8
    Language: English
    Keywords: Electronic books
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  • 7
    Online Resource
    Online Resource
    London ; : Routledge,
    UID:
    almahu_9949386083402882
    Format: 1 online resource.
    ISBN: 9780429029394 , 042902939X , 9780429639340 , 0429639341 , 9780429642517 , 0429642512 , 9780429636172 , 0429636172
    Series Statement: Routledge studies in media theory & practice ; 8
    Content: "As entertaining as it is enlightening, Creating Dialogue for TV: Screenwriters Talk Television presents interviews with five Hollywood professionals who talk about all things related to dialogue - from naturalistic style to the building of characters to swearing and dialect. Screenwriters/showrunners David Mandel (Curb Your Enthusiasm, Veep), Jane Espenson (Buffy, Battlestar Galactica, Once Upon a Time), Robert Berens (Supernatural), Sheila Lawrence (Gilmore Girls, Ugly Betty, The Marvelous Mrs Maisel), and Doris Egan (Tru Calling, House, Reign) field a linguist's inquiries about the craft of writing dialogue. This book is for anyone who has ever wondered what creative processes and attitudes lie behind the words they encounter when tuning into their favourite television show. It provides direct insights into Hollywood writers' knowledge and opinions of how language is used in television narratives, and in doing so shows how language awareness, attitudes and the craft of using words are utilised to create popular TV series. The book will appeal to students and teachers in screenwriting, creative writing and linguistics as well as lay readers"--
    Note: The writers/showrunners -- On great dialogue -- On naturalism -- On the expression of emotion -- On building characters through language -- On swearing -- On dialect -- Conclusion.
    Additional Edition: Print version: Creating dialogue for TV London ; New York : Routledge, 2019. ISBN 9780367139582 (hardcover)
    Language: English
    Keywords: Electronic books. ; Electronic books. ; Interviews.
    URL: Volltext  (URL des Erstveroeffentlichers)
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  • 8
    Book
    Book
    New Brunswick [u.a.] :Rutgers Univ. Press,
    UID:
    almafu_BV041751203
    Format: X, 258 S. : , Ill.
    ISBN: 978-0-8135-6262-9 , 978-0-8135-6261-2
    Series Statement: New directions in international studies
    Content: Documents the untold story of the American directors, screenwriters, and actors who emigrated to Europe as a result of the Hollywood blacklist. During the 1950s and early 1960s, these Hollywood exiles directed, wrote, or starred in almost 100 European productions, their contributions ranging from crime film masterpieces like Du rififi chez les hommes (dir. Jules Dassin, 1955) to international blockbusters such as The Bridge on the River Kwai (scr. Carl Foreman and Michael Wilson, 1957) to acclaimed art films like The Servant (dir. Joseph Losey, 1963). At once a lively portrait of a lesser-known American "lost generation" and an examination of an important transitional moment in European cinema,the book presents a compelling argument for the significance of the blacklisted exiles to our understanding of postwar American and European cinema and Cold War cultural relations. The experiences of the blacklisted in Europe not only suggest the need to rethink our understanding of the Hollywood blacklist as a purely domestic phenomenon, but, by shedding new light on European cinema's changing relationship with Hollywood, illuminates the postwar shift from national to "transnational" cinema"
    Note: Includes bibliographical references and index
    Language: English
    Keywords: Amerikaner ; Schwarze Liste ; Filmwirtschaft ; Bibliografie
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  • 9
    UID:
    b3kat_BV046887182
    Format: 1 Online-Ressource (viii, 297 Seiten) , Illustrationen
    ISBN: 9780231551434
    Series Statement: Film and culture
    Content: Today, the director is considered the leading artistic force behind a film. The production of a Hollywood movie requires the labor of many people, from screenwriters and editors to cinematographers and boom operators, but the director as author of the film overshadows them all. How did this concept of the director become so deeply ingrained in our understanding of cinema?In Hollywood’s Artists, Virginia Wright Wexman offers a groundbreaking history of how movie directors became cinematic auteurs that reveals and pinpoints the influence of the Directors Guild of America (DGA). Guided by Frank Capra’s mantra "one man, one film," the Guild has portrayed its director-members as the creators responsible for turning Hollywood entertainment into cinematic art. Wexman details how the DGA differentiated itself from other industry unions, focusing on issues of status and creative control as opposed to bread-and-butter concerns like wages and working conditions. She also traces the Guild’s struggle for creative and legal power, exploring subjects from the language of on-screen credits to the House Un-American Activities Committee’s investigations of the movie industry. Wexman emphasizes the gendered nature of images of the great director, demonstrating how the DGA promoted the idea of the director as a masculine hero. Drawing on a broad array of archival sources, interviews, and theoretical and sociological insight, Hollywood’s Artists sheds new light on the ways in which the Directors Guild of America has shaped the role and image of directors both within the Hollywood system and in the culture at large
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-0-231-19568-3
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-0-231-19569-0
    Language: English
    Keywords: USA ; Filmproduzent ; Filmregisseur ; Geschichte
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 10
    UID:
    gbv_1778701264
    Format: 1 Online-Ressource
    ISBN: 9780822395331
    Content: In an innovative cultural history of Argentine movies and radio in the decades before Peronism, Matthew B. Karush demonstrates that competition with jazz and Hollywood cinema shaped Argentina's domestic cultural production in crucial ways, as Argentine producers tried to elevate their offerings to appeal to consumers seduced by North American modernity. At the same time, the transnational marketplace encouraged these producers to compete by marketing "authentic" Argentine culture. Domestic filmmakers, radio and recording entrepreneurs, lyricists, musicians, actors, and screenwriters borrowed heavily from a rich tradition of popular melodrama. Although the resulting mass culture trafficked in conformism and consumerist titillation, it also disseminated versions of national identity that celebrated the virtue and dignity of the poor, while denigrating the wealthy as greedy and mean-spirited
    Note: English
    Language: English
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