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  • 1
    UID:
    b3kat_BV025262520
    Format: 306 S.
    ISBN: 3826020138
    Series Statement: Epistemata : Reihe Literaturwissenschaft Bd. 351
    Note: Zugl.: Berlin, Freie Univ., Diss., 2000
    Language: English
    Subjects: Philosophy , English Studies
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    Keywords: Schopenhauer, Arthur 1788-1860 ; Ästhetik ; Selbst ; Pater, Walter 1839-1894 ; Eliot, T. S. 1888-1965 ; Schopenhauer, Arthur 1788-1860 ; Ästhetik ; Selbst ; Pater, Walter 1839-1894 ; Ästhetik ; Selbst ; Eliot, T. S. 1888-1965 ; Ästhetik ; Selbst ; Schopenhauer, Arthur 1788-1860 ; Ästhetik ; Schopenhauer, Arthur 1788-1860 ; Ästhetik ; Pater, Walter 1839-1894 ; Poetik ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
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  • 2
    Book
    Book
    Folcroft, Pa. : Folcroft Pr.
    UID:
    b3kat_BV007134341
    Format: VII,157 S.
    Note: Repr.d.Ausg.v.1940
    Language: English
    Subjects: English Studies
    RVK:
    Keywords: Pater, Walter 1839-1894 ; Ästhetik
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  • 3
    Book
    Book
    New York : Octagon Books
    UID:
    b3kat_BV026228687
    Format: VII, 157 S.
    Edition: Reprint
    Language: English
    Subjects: English Studies
    RVK:
    Keywords: Pater, Walter 1839-1894 ; Ästhetik
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  • 4
    Book
    Book
    New York : Columbia University Press
    UID:
    b3kat_BV044556085
    Format: xxiii, 327 Seiten, 16 ungezählte Seiten Bildtafeln , Illustrationen
    ISBN: 9780231180207
    Series Statement: Gender and culture
    Content: Founded by a band of young iconoclasts, the Pre-Raphaelite Brotherhood stunned Victorian England with its revaluation of culture and lifestyle. With Pre-Raphaelitism ascendant in the 1850s and canonical by the 1880s, the movement's refractory reception history is an object lesson in how avant-gardes burst upon the scene, dispense with their antagonistic posture, and become a mainstay of tradition. Wendy Graham traces the critical discourses that greeted the Pre-Raphaelites' debut, shaped their contemporary reception, and continued to inform responses to them well after their heyday. She explains the mechanics of fame and the politics of scandal contributing to the rise of aestheticism, providing a new interpretation of the place of aesthetic counterculture in Victorian England.0'Critics, Coteries, and Pre-Raphaelite Celebrity' sheds new light on Victorian discourses on sexuality and masculinity through a thick description of literary bravado, the emotions of male bonding within cliques, and homoerotic frissons among the creators and reviewers of Pre-Raphaelitism. She threads together the qualities that made William Holman Hunt, John Everett Millais, and Gabriel Rossetti exemplary figures of aesthetic celebrity in the 1850s; Algernon Swinburne and Simeon Solomon in the 1860s; and Edward Burne-Jones and Walter Pater in the 1870s. The book documents the symbiotic relationship between periodical writers and the artists and poets they helped make famous, demonstrating that the origin myth of Bohemian artistic transcendence was connected with the rise of a professional class of journalists. Graham shows that the Pre-Raphaelites innovated many of the phenomena now associated with Oscar Wilde, arguing that they were foundational for him in forging an artistic and personal identity with a full-blown publicity apparatus. Wilde had models. This book is about them
    Note: The Pre-Raphaelite vanguard -- Puff, slash, burn : literary celebrity -- Fortune's weal -- Dante Gabriel Rossetti, aesthetic celebrity -- Anonymous journalism -- Henry James and British aestheticism
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-231-54253-1
    Language: English
    Subjects: English Studies
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    Keywords: Präraffaeliten ; Berühmte Persönlichkeit ; Ästhetizismus
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  • 5
    Online Resource
    Online Resource
    Ithaca, N.Y. : Cornell University Press
    UID:
    gbv_88289370X
    Format: 1 online resource
    ISBN: 9781501707124
    Content: Exploring the intricacy and complexity of Walter Pater’s prose, Transfigured World challenges traditional approaches to Pater and shows precise ways in which the form of his prose expresses its content. Carolyn Williams asserts that Pater’s aestheticism and his historicism should be understood as dialectically interrelated critical strategies, inextricable from each other in practice. Williams discusses the explicit and embedded narratives that play a crucial role in Pater’s aesthetic criticism and examines the figures that compose these narratives, including rhetorical tropes, structures of argument such as genealogy, and historical or fictional personae.
    Note: Frontmatter -- -- Contents -- -- Acknowledgments -- -- Abbreviations -- -- Introduction -- -- Part One. Opening Conclusions -- -- 1. "That Which Is Without" -- -- 2. "The Inward World of Thought and Feeling" -- -- 3. Aestheticism -- -- 4. Answerable Style -- -- 5. Historicism -- -- 6. Aesthetic Historicism and "Aesthetic Poetry" -- -- 7. The Poetics of Revival -- -- Part Two. Figural Strategies in The Renaissance -- -- 1. Legend and Historicity -- -- 2. Myths of History: The Last Supper -- -- 3. The Historicity of Myth -- -- 4. Myths of History: The Mona Lisa -- -- 5. Types and Figures -- -- 6. Low and High Relief: " Luca Della Robbia" -- -- 7. The Senses of Relief -- -- Part Three. Historical Novelty and Marius the Epicurean -- -- 1. The Transparent Hero -- -- 2. Autobiography of the Zeitgeist -- -- 3. The Transcendental Induction -- -- 4. Typology as Narrative Form -- -- 5. Typological Ladders -- -- 6. Christian Historicism -- -- 7. Literary History as "Appreciation" -- -- Part Four. "Recovery as Reminiscence" : The Greek Studies and Plato and Platonism -- -- 1. Histories of Myth: The Greek Studies -- -- 2. The House Beautiful and Its Interpreter -- -- 3. The Philosophy of Mythic Form -- -- 4. The History of Philosophy -- -- 5. The Anecdote of the Shell -- -- 6. Dialogue and Dialectic -- -- 7. Paterian Recollection: The Anagogic Mind -- -- Afterword -- -- Index , Mode of access: Internet via World Wide Web. , In English
    Language: English
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 6
    Book
    Book
    New York, NY : Macmillan
    UID:
    kobvindex_ADK234920
    Format: VII, 157 S.
    Series Statement: A Wellesley College Publication
    Language: English
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  • 7
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Cornell University Press
    UID:
    gbv_1778818102
    Format: 1 Online-Ressource (304 p.)
    ISBN: 9781501707247
    Content: 〈p〉Exploring the intricacy and complexity of Walter Pater’s prose, Transfigured World challenges traditional approaches to Pater and shows precise ways in which the form of his prose expresses its content. Carolyn Williams asserts that Pater’s aestheticism and his historicism should be understood as dialectically interrelated critical strategies, inextricable from each other in practice. Williams discusses the explicit and embedded narratives that play a crucial role in Pater’s aesthetic criticism and examines the figures that compose these narratives, including rhetorical tropes, structures of argument such as genealogy, and historical or fictional personae.〈p〉
    Note: English
    Language: English
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  • 8
    UID:
    gbv_869476939
    Format: xiv, 353 Seiten
    Edition: First edition
    ISBN: 0198723415 , 9780198723417
    Series Statement: Classical presences
    Content: Pater the Classicist is the first book to address in detail Walter Pater's important contribution to the study of classical antiquity. Widely considered our greatest aesthetic critic and now best known as a precursor to modernist writers and post-modernist thinkers of the twentieth century, Pater was also a classicist by profession who taught at the University of Oxford. He wrote extensively about Greek art and philosophy, but also authored an influential historical novel set in ancient Rome, Marius the Epicurean, and a variety of short stories depicting the survival of classical culture in later ages. These superficially diverging interests actually went closely hand-in-hand: it can plausibly be asserted that it is the classical tradition in its broadest sense, including the question of how to understand its workings and temporalities, which forms Pater's principal subject as a writer. Although he initially approached antiquity obliquely, through the Italian Renaissance, for example, or the poetry of William Morris, later in his career he wrote more, and more directly, about the ancient world, and particularly about Greece, his first love. The essays in this collection cover all his major works and reveal a many-sided and inspirational figure, whose achievements helped to reinvigorate the classical studies that were the basis of the English educational system of the nineteenth century, and whose conception of Classics as cross-disciplinary and outward-looking can be a model to scholars and students today. They discuss his classicism generally, his fiction set in classical antiquity, his writings on Greek art and culture, and those on ancient philosophy, and in doing so they also illuminate Pater's position within his Victorian context, among figures such as J. A. Symonds, Henry Nettleship, Vernon Lee, and Jane Harrison, as well as his place in the study and reception of Classics today
    Content: "Pater the Classicist is the first book to address in detail Walter Pater's important contribution to the study of classical antiquity. Widely considered our greatest aesthetic critic and now best known as a precursor to modernist writers and post-modernist thinkers of the twentieth century, Pater was also a classicist by profession who taught at the University of Oxford. He wrote extensively about Greek art and philosophy, but also authored an influential historical novel set in ancient Rome, Marius the Epicurean, and a variety of short stories depicting the survival of classical culture in later ages. These superficially diverging interests actually went closely hand-in-hand: it can plausibly be asserted that it is the classical tradition in its broadest sense, including the question of how to understand its workings and temporalities, which forms Pater's principal subject as a writer. Although he initially approached antiquity obliquely, through the Italian Renaissance, for example, or the poetry of William Morris, later in his career he wrote more, and more directly, about the ancient world, and particularly about Greece, his first love. The essays in this collection cover all his major works and reveal a many-sided and inspirational figure, whose achievements helped to reinvigorate the classical studies that were the basis of the English educational system of the nineteenth century, and whose conception of Classics as cross-disciplinary and outward-looking can be a model to scholars and students today. They discuss his classicism generally, his fiction set in classical antiquity, his writings on Greek art and culture, and those on ancient philosophy, and in doing so they also illuminate Pater's position within his Victorian context, among figures such as J. A. Symonds, Henry Nettleship, Vernon Lee, and Jane Harrison, as well as his place in the study and reception of Classics today."--Dust jacket
    Note: Hier auch später erschienene, unveränderte Nachdrucke
    Language: English
    Subjects: English Studies
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    Keywords: Pater, Walter 1839-1894 ; Pater, Walter 1839-1894 ; Altertumswissenschaft ; Aufsatzsammlung ; Konferenzschrift
    Author information: Prettejohn, Elizabeth 1961-
    Author information: Pater, Walter 1839-1894
    Author information: Evangelista, Stefano 1974-
    Author information: Martindale, Charles 1949-
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  • 9
    Book
    Book
    Basingstoke [u.a.] : Palgrave Macmillan
    UID:
    b3kat_BV021828659
    Format: XX, 210 S. , 23 cm
    ISBN: 1403992134 , 9781403992130
    Series Statement: Palgrave studies in nineteenth-century writing and culture
    Content: "Focusing on the work of the aesthete and intellectual Vernon Lee, this collection offers a wide range of critical writings that reflect the diversity of Lee's own interests. Organized in a broadly chronological order these essays examine key pieces in Lee's oeuvre, offering original approaches to a number of Lee's works including Euphorion, Hauntings: Fantastic Stories, Prince Albert and the Lady Snake, Louis Norbert, The Ballet of the Nations, The Handling of Words, and Music and Its Lovers. The book will also shed new light on Lee's relationship with contemporaries such as her brother, the poet Eugene Lee-Hamilton, her friend and mentor Walter Pater, and the art historian and fellow intellectual Bernard Berenson."--Provided by publisher.
    Note: "This collection of essays stems from an international conference 'Vernon Lee: literary revenant', organized by Catherine Maxwell and Patricia Pulham, and held in London at the Institute of English Studies in June 2003"--Pref. , Includes bibliographical references (p. 193-204) and index
    Language: English
    Subjects: English Studies
    RVK:
    Keywords: Lee, Vernon 1856-1935 ; Konferenzschrift ; Konferenzschrift ; Aufsatzsammlung
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  • 10
    UID:
    b3kat_BV047892380
    Format: ix, 260 Seiten , Illustrationen
    ISBN: 9781108845977
    Series Statement: Cambridge studies in nineteenth-century literature and culture 133
    Content: "Casting fresh light on late nineteenth- and early twentieth-century British art, literature, ecological science and paganism, Decadent Ecology reveals the pervasive influence of decadence and paganism on modern understandings of nature and the environment, queer and feminist politics, national identities, and changing social hierarchies. Combining scholarship in the environmental humanities with aesthetic and literary theory, this interdisciplinary study digs into works by Simeon Solomon, Algernon Swinburne, Walter Pater, Robert Louis Stevenson, Vernon Lee, Michael Field, Arthur Machen and others to address trans-temporal, trans-species intimacy; the vagabondage of place; the erotics of decomposition; occult ecology; decadent feminism; and neo-paganism. Decadent Ecology reveals the mutually influential relationship of art and science during the formulation of modern ecological, environmental, evolutionary and trans-national discourses, while also highlighting the dissident dynamism of new and recuperative pagan spiritualities - primarily Celtic, Nordic-Germanic, Greco-Roman and Egyptian - in the framing of personal, social and national identities."
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-108-99159-9
    Language: English
    Subjects: English Studies
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    Keywords: Dekadenz ; Ökologie ; Natur ; Umwelt ; Englisch ; Literatur ; Dekadenz ; Heidentum ; Ökologie ; Natur ; Umwelt ; Geschichte 1860-1910
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