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  • 1
    Book
    Book
    Princeton [u.a.] : Princeton Univ. Press
    UID:
    b3kat_BV014247568
    Format: XIV, 312 S. , Ill.
    ISBN: 0-609-06270-6
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures
    RVK:
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  • 2
    Book
    Book
    Princeton, NJ : University Press
    UID:
    gbv_1110450133
    Format: XIV, 312 Seiten , 8 Ill.
    Note: Andere Umschrift: Yuan zaju
    Language: English
    Keywords: Yuandynastie ; Zaju
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Book
    Book
    Princeton, NJ : Princeton Univ. Press
    UID:
    gbv_373492782
    Format: XIV, 312 S , Ill
    Edition: Orig.-Ausg
    Language: English
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  • 4
    Book
    Book
    New York : Columbia Univ.Press
    UID:
    b3kat_BV042039934
    Format: 409 S. , Ill.
    ISBN: 0231122667 , 0231122675 , 9780231122665 , 9780231122672
    Series Statement: Translations from the Asian Classics
    Content: Table of Contents; Acknowledgments; Introduction; Part 1. Historical Plays; 1. Ji Junxiang, The Zhao Orphan, translated by Pi-twan Huang and Wai-yee Li; The Zhao Orphan in Yuan Editions, by Wai-yee Li; 2. Anonymous, Tricking Kuai Tong, translated by Wai-yee Li; Part 2. Crime and Punishment; 3. Anonymous, Selling Rice in Chenzhou, translated by Richard C. Hessney; 4. Meng Hanqing, The Moheluo Doll, translated by Jonathan Chaves; Part 3. Folly and Consequences; 5. Qin Jianfu, The Eastern Hall Elder, translated by Robert E. Hegel and Wai-yee Li
    Content: 6. Li Zhifu, The Tiger Head Plaque, translated by Yoram Szekely, C. T. Hsia, Wai-yee Li, and George KaoPart 4. Female Agency; 7. Guan Hanqing, Rescuing a Sister, translated by George Kao and Wai-yee Li; 8. Shi Junbao, Qiu Hu Tries to Seduce His Wife, translated by John Coleman, James M. Hargett, Kuan-fook Lai, Gloria Shen, and Wang Ming; Part 5. Romantic Love; 9. Bai Pu, On Horseback and Over the Garden Wall, translated by Jerome Cavanaugh and Wai-yee Li; 10. Li Haogu, Scholar Zhang Boils the Sea, translated by Allen A. Zimmerman; Bibliography
    Content: This anthology features translations of ten seminal plays written during the Yuan dynasty (1279?1368), a period considered the golden age of Chinese theater. By turns lyrical and earthy, sentimental and ironic, Yuan drama spans a broad emotional, linguistic, and stylistic range. Combining sung arias with declaimed verses and doggerels, dialogues and mime, and jokes and acrobatic feats, Yuan drama formed a vital part of China's culture of performance and entertainment in the thirteenth and fourteenth centuries. To date, few Yuan-dynasty plays have been translated into English. Well-known
    Note: Includes bibliographical references and index
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 0-231-53734-4
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-231-53734-6
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures
    RVK:
    Keywords: Yuandynastie ; Chinesisch ; Drama ; Geschichte 1279-1368 ; Anthologie
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  • 5
    Book
    Book
    New Brunswick (U.S.A.) and London (U.K.) : Transaction Publishers
    UID:
    gbv_77766285X
    Format: xxxviii, 370 pages , 24 cm
    ISBN: 9781412854597 , 1412854598
    Note: Includes index , DedicationForeword / by Robert Sullivan -- Prologue / by Wilton S. Dillon -- Part One. Curtain time, stages, characters -- My Smithsonian beginning -- Man and beast : two inquiries, 1969 and 1986 -- The cultural drama : identity and ferment -- Our simply sensational salon : the South Tower -- Savants and muses in the Castle -- Part Two. Enrichments -- Our French connection -- Variations on Indian and Chinese themes -- Space age on the ground -- Play and inventiveness -- New generations at the Smithsonian -- Part Three. Interactions -- Encountering the White House, Congress, and Judiciary -- Owls and falcons -- Imagining a museum of humankind -- Elizabeth Taylor and Mr. Smithson's ghost -- Linking Yves Klein and Marcel Mauss -- Part Four. Commemorations -- Celebrating Copernicus -- Whither "STEM" and the liberal arts -- Einstein redux -- Pax Americana : 1976 -- Edinburgh 1984 : the enduring Scottish Enlightenment -- Acknowledgments and epilogue -- Appendices: [A] A harvest of Smithsonian contributions to knowledge -- [B] Major symposia and participants.
    Language: English
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  • 6
    UID:
    gbv_1765120454
    Format: 1 online resource (xxxviii, 370 pages)
    ISBN: 9781315129389 , 9781351490733
    Content: part Part One Curtain Time, Stages, Characters -- chapter 1 My Smithsonian Beginning -- chapter 2 Man and Beast: Two Inquiries, 1969 and 1986 -- chapter 3 The Cultural Drama: Identity and Ferment -- chapter 4 Our Simply Sensational Salon: The South Tower -- chapter 5 Savants and Muses in the Castle -- part Part Two Enrichments -- chapter 6 Our French Connection -- chapter 7 Variations on Indian and Chinese Themes -- chapter 8 Space Age on the Ground -- chapter 9 Play and Inventiveness -- chapter 10 New Generations at the Smithsonian -- part Part Three Interactions -- chapter 11 Encountering the White House, Congress, and Judiciary -- chapter 12 Owls and Falcons -- chapter 13 Imagining a Museum of Humankind -- chapter 14 Elizabeth Taylor and Mr. Smithson’s Ghost -- chapter 15 Linking Yves Klein and Marcel Mauss -- part Part Four Commemorations -- chapter 16 Celebrating Copernicus -- chapter 17 Whither “STEM” and the Liberal Arts? -- chapter 18 Einstein Redux -- chapter 19 Pax Americana: 1976 -- chapter 20 Edinburgh 1984: e Enduring Scottish Enlightenment.
    Additional Edition: ISBN 9781412854597
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9781412854597
    Language: English
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  • 7
    Online Resource
    Online Resource
    Crown
    UID:
    kobvindex_ZLB35104954
    ISBN: 9780593443446
    Content: " From the star of The Book of Mormon and Girls, candid, hilarious essays on anxiety, ambition, and the uncertain path to adulthood that ask: How will we know when we get there? 160 &ldquo,ith the unsparing eye of David Sedaris and the social wisdom of Nora Ephron, Andrew Rannells tackles the most foundational questions of growing up.&rdquo,mdash,ena Dunham In Uncle of the Year, Andrew Rannells wonders: If he, now in his forties, has everything he&rsquo, supposed to need to be an adult&mdash, career, property, a well-tailored suit&mdash,hy does he still feel like an anxious twenty-year-old climbing his way toward solid ground? Is it because he hasn&rsquo, won a Tony, or found a husband, or had a child? And what if he doesn&rsquo, want those things? (A husband and a child, that is. He wants a Tony.) 160 In deeply personal essays drawn from his life as well as his career on Broadway and in Hollywood, Rannells argues that we all pretend&mdash,or friends, partners, parents, and others&mdash,hat we are constantly succeeding in the process known as &ldquo,dulting.&rdquo,But if this acting is leaving us unfulfilled, then we need new markers of time, new milestones, new expectations of what adulthood is and can be. 160 Along the way, Rannells navigates dating, aging, mental health, bad jobs, and much more. In his essay &ldquo,ncle of the Year,&rdquo,he explores the role that children play in his life, as a man who never thought having kids was necessary or even possible&mdash,ntil his siblings have kids and he falls in love with a man with two of his own. In &ldquo,lways Sit Next to Mark Ruffalo,&rdquo,he reveals the thrills and absurdities of the awards circuit, and the desire to be recognized for one&rsquo, work. And in &ldquo,orses, Not Zebras,&rdquo,he shares the piece of wisdom that helped him finally come to terms with his anxiety and perfectionism. 160 Filled with honest insights and a sharp wit, Uncle of the Year challenges us to take a long look at who we&rsquo,e pretending to be, who we know we160 are, and who we want to become."
    Content: Biographisches: " Andrew Rannells is160" Rezension(2): "〈a href=http://lj.libraryjournal.com/ target=blank〉〈img src=https://images.contentreserve.com/libraryjournal_logo.png alt=Library Journal border=0 /〉〈/a〉: December 1, 2022 In Why Fathers Cry at Night , Newbery Medalist and New York Times best-selling author Alexander ( Swing ) blends memoir and love poems, recalling his parent and his first years of marriage and fatherhood as he ponders learning to love (50,000-copy first printing). After abandoning her marriage as the wrong path, Biggs looked at women from Mary Wollstonecraft to Zora Neale Hurston to Elena Ferrante as she considered how to find A Life of One's Own . A celebrated New York-based carpenter (e.g., his iconic Sky House was named best apartment of the decade by Interior Design ), self-described serial dropout Ellison recounts how he found his path to Building . Shot five times at age 19 by a Pittsburgh police officer (a case of mistaken identity that amounted to racial profiling), Ford awoke paralyzed from the waist down and learned he was a new father,a decade later, he recounts his path to social activism and An Unspeakable Hope for himself and his son. From the first Black American female designer to win a CFDA Award, Wildflower takes James from high school dropout to designer of a sustainable fashion line showcasing traditional African design to founder of the booming social justice nonprofit Fifteen Percent Pledge (businesses pledge to dedicate 15 percent of their shelf space to Black-owned brands). Minka's fans will proclaim Tell Me Everything when they pick up her hand-to-mouth-to Hollywood memoir (30,000-copy first printing). In Whistles from the Graveyard , which aims to capture the experience of confused young millennials in the U.S. Marines, Lagoze recalls serving as a combat cameraman in the Afghan War and witnessing both bonding with locals against the Taliban and brutality toward innocent people by young men too practiced in violence. To cement ties with his eldest son, star of Netflix's hit Dead to Me , veteran actor and New York Times best-selling author McCarthy found himself Walking with Sam along Spain's 500-mile Camino de Santiago. A first-generation Chinese American with a seafaring father and a seamstress mother, Pen/Faulkner Award finalist Ng ( Bone ) recounts being raised in San Francisco's Chinatown by the community's Orphan Bachelors , older men without wives or children owing to the infamous Exclusion Act. Thought-provoking novelist Pittard ( Reunion ) turns to nonfiction with We Are Too Many , an expansion of her attention-getting Sewanee Review essay about her husband's affair with her best friend (80,000-copy first printing). Delighted by all the queer stories she encountered when she moved to Brooklyn, book publicist Possanza uses Lesbian Love Story to recover the personal histories of lesbians in the 20th century and muse about replacing contemporary misogynistic society with something markedly lesbian. In Uncle of the Year , Tony, Drama Desk, and Critics Choice Award nominee Rannells wonders at age 40 what success means and whether he wants a husband and family,19 original essays and one published in the New York Times. Describing himself as Uneducated (he was tossed out of high school and never went to college), Zara ended up as senior editor at Fast Company , among other leading journalist stints,here's how he did it (30,000 copy first printing.) Copyright 2022 Library Journal, LLC Used with permission. " Rezension(3): "〈a href=http://www.kirkusreviews.com target=blank〉〈img src=https://images.contentreserve.com/kirkus_logo.png alt=Kirkus border=0 /〉〈/a〉: March 1, 2023 A second book on showbiz life from the popular actor. Anyone familiar with Rannells through his numerous stage and TV performances and his first book, Too Much Is Not Enough, will know what to expect from his latest collection of short essays. In this charming follow-up, he searches for his true markers of adulthood by returning to moments and stories from my life that mark examples of progress. Rannells writes in a conversational style throughout, as when he notes, I will confide in you--and please try to hold your judgment until the end--the story of when I was a guest on The Ricki Lake Show. In that piece, he chronicles a debacle from before he was famous when a female friend convinced him to fill in for her boyfriend, who refused to show up for their joint appearance on the show, and to allow her to pretend she had a secret crush on him. Other pieces describe the married and very Christian man, a fellow actor in a show they performed in, who came on to Rannells in a public bathroom (He was like an octopus,his hands were suddenly everywhere) and initiated an affair,and the acting jobs he got, didn't get, or was fired from. In the title essay, the author admits he isn't good with kids, a fact that became more bothersome when he began a relationship with fellow actor Tuc Watkins, who has two children. A couple of pieces are silly rather than charming, but most are endearing. Rannells has a gift for writing genuinely funny prose, and he has a way with self-deprecation. Chronicling his trip to an East Village club that dangerous, heavily tattooed gay men attend, he failed to blend in: I still looked like a Precious Moments confirmation cake topper. Winningly snarky, well-written essays on life, love, and celebrity. COPYRIGHT(2023) Kirkus Reviews, ALL RIGHTS RESERVED. " Rezension(4): "〈a href=http://www.publishersweekly.com target=blank〉〈img src=https://images.contentreserve.com/pw_logo.png alt=Publisher's Weekly border=0 /〉〈/a〉: March 6, 2023 Tony-nominated actor Rannells ( Too Much Is Not Enough ), who appeared in HBO’s Girls and Broadway’s The Book of Mormon , recalls his upbringing, career breakthroughs, aging woes, and more in this pithy essay collection. Rannells delivers 20 vignettes that skew wild and gossipy: in “Things You Learn at an Underwear Party,” he describes losing his wallet during a night out in the East Village, while in “Always Sit Next to Mark Ruffalo,” he gives a star-studded account of his trip to the 2015 Golden Globes as Lena Dunham’s date. He also dives into his often “fraught” and “painful” dating life, but scattered among the laughs and winces are moments of real heart, as when he tenderly recounts, in the title essay, caring for his nieces and nephews. In conversational prose, Rannells successfully welcomes readers into his world with humor, grace, and wisdom. Theatergoers and comedy fans alike will find much to love. Agent: Bill Clegg, Clegg Agency. " Rezension(5): "〈a href=https://www.booklistonline.com target=blank〉〈img src=https://images.contentreserve.com/booklist_logo.png alt=Booklist border=0 /〉〈/a〉: April 1, 2023 Rannells, best known for his work on Broadway, follows up 2019's Too Much Is Not Enough with this collection of essays that focuses on the highs and lows of being a working actor of both stage and screen. If his first book was about becoming an adult, this one is firmly about becoming middle aged and looking back on how he got there. Whether he's sharing devastating memories of unfortunate hookups with cast mates, sharing what it's like to have Paul Rudd flirt with your mom, or explaining the anxiety of losing your wallet at an underwear party, Rannells is frank and funny, drops the right amount of names, and displays enough self-reflection to reckon with his own worst tendencies. He intersperses his tales of auditions, summer stock, and of course The Book of Mormon with candid discussions of therapy and mental health as well as his feelings on not having kids. His openness feels like connecting with a good friend to talk about old times. Give this to the reader who is anxiously awaiting this year's Tony nominations or to fans of celebrity memoirs in general. COPYRIGHT(2023) Booklist, ALL RIGHTS RESERVED. "
    Language: English
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  • 8
    Online Resource
    Online Resource
    Penguin Young Readers Group
    UID:
    kobvindex_ZLB34975527
    ISBN: 9780525555292
    Content: " &ldquo,ull of yearning, ponderances about art and what it means to be an artist, and self-revelation, A Scatter of160 Light160 has a simmering intensity that makes it hard to put down.&mdash,PR An Instant New York Times Bestseller Last Night at the Telegraph Club author Malinda Lo returns to the Bay Area with another masterful queer coming-of-age story, this time set against the backdrop of the first major Supreme Court decisions legalizing gay marriage.160 Aria Tang West was looking forward to a summer on Martha&rsquo, Vineyard with her best friends&mdash,ne last round of sand and sun before college. But after a graduation party goes wrong, Aria&rsquo, parents exile her to California to stay with her grandmother, artist Joan West. Aria expects boredom, but what she finds is Steph Nichols, her grandmother&rsquo, gardener. Soon, Aria is second-guessing who she is and what she wants to be, and a summer that once seemed lost becomes unforgettable&mdash,or Aria, her family, and the working-class queer community Steph introduces her to. It&rsquo, the kind of summer that changes a life forever. And almost sixty years after the end of Last Night at the Telegraph Club , A Scatter of Light also offers a glimpse into Lily and Kath&rsquo, lives since 1955."
    Content: Rezension(1): "〈a href=http://www.kirkusreviews.com target=blank〉〈img src=https://images.contentreserve.com/kirkus_logo.png alt=Kirkus border=0 /〉〈/a〉: August 15, 2022 During the summer before college, Aria discovers her sexuality. It is 2013, and Aria West is in Woodacre, California, a small town in Marin County, staying with her widowed paternal grandmother, Joan, an artist who is White,Aria's opera singer mom is a Chinese immigrant. This wasn't the summer Aria had in mind: Her plans were derailed after a boy took topless photos of her at a party and posted them online. Instead of staying on Martha's Vineyard with her best friends, she is now under the care of her grandma. On her first day in town, Aria meets Steph Nichols, her grandma's gardener, a heavily tattooed, gender-nonconforming singer/songwriter who reads White. From the Dyke March to the Queer Music Festival in Golden Gate Park, Aria explores the Bay Area queer scene along with Steph,Steph's girlfriend, Lisa,and their friend Mel. Over the course of the summer, Aria finds her attraction to Steph deepening, a mutual feeling complicated by Steph's relationship with Lisa. In this stand-alone companion to Last Night at the Telegraph Club (2021), Lo updates readers on Lily and Kath's love story through an email from Aria's mom, who is related to Lily, and a news article on the legalization of same-sex marriage in California. The plot and setting are richly detailed, but readers will wish for deeper exploration of the characters' emotional lives, which would have strengthened the romance and family drama. A contemporary queer coming-of-age story steeped in pivotal events. (Fiction. 14-18) COPYRIGHT(2022) Kirkus Reviews, ALL RIGHTS RESERVED. " Rezension(2): "〈a href=http://www.publishersweekly.com target=blank〉〈img src=https://images.contentreserve.com/pw_logo.png alt=Publisher's Weekly border=0 /〉〈/a〉: Starred review from August 22, 2022 This raw and bittersweet story by Lo, a 2013-set standalone companion to Last Night at the Telegraph Club , follows MIT-bound 18-year-old Aria West, who’s anticipating spending her summer visiting friends on Martha’s Vineyard, like she does every year. But those plans are canceled when a classmate circulates topless photos of Aria online just before graduation. Disappointed and blaming her for the photo leak, Aria’s parents send her to stay with her paternal grandmother in “the remote woods of Marin County” outside of San Francisco, where she immediately connects with gender-nonconforming singer-songwriter Steph Nichols. Led by Steph, Steph’s possessive girlfriend, and their acerbic friend Mel Lopez, Aria immerses herself in San Francisco’s joyous LBGTQ culture. Aria’s enthusiastic exploration of her sexuality, her growing feelings for Steph, and her discovery of old photos, videotapes, and papers from her divorced parents’ complicated history turn what she assumed would be a lonely summer in exile into a transformative experience. Aria’s vulnerable narration is an intensely driving force in this expansive tale of yearning, self-discovery, and first love. Aria is white and Chinese,Mel is Latinx-cued,most other characters read as white. Ages 14–up. Agent: Michael Bourret, Dystel, Goderich &,Bourret. " Rezension(3): "〈a href=https://www.booklistonline.com target=blank〉〈img src=https://images.contentreserve.com/booklist_logo.png alt=Booklist border=0 /〉〈/a〉: September 15, 2022 Grades 9-12 Aria didn't think she'd be spending the summer before college stuck at her grandmother's house instead of being with her friends. But after pictures of her (taken without her consent) are spread online, her parents decide she needs a chaperone. As the summer unfolds she begins to experiment with visual art in her grandmother's old studio and meets another young woman, Steph, who makes her feel things she'd never before considered. Lo follows her Printz Honor-winning Last Night as the Telegraph Club (2021) with a new, beautifully written companion story about self-discovery that lightly touches upon Lily and Kath's long-lasting relationship. Aria's discussions with her grandmother and Steph about what it means to want to create and what defines art are both profound and unpretentious. The exploration of her queer identity reads as both timeless and wonderfully early 2010s, with Tumblr used as a resource for new vocabulary. A Scatter of Light is not one but many love letters--to art, to first crushes, and to friendships that span decades and ground you while letting you grow. COPYRIGHT(2022) Booklist, ALL RIGHTS RESERVED. " Rezension(4): "〈a href=https://www.hbook.com target=blank〉〈img src=https://images.contentreserve.com/thehornbook_logo.png alt =The Horn Book border=0 /〉〈/a〉: September 1, 2022 The summer before heading to MIT, in 2013, eighteen-year-old Aria finds herself banished to her artist grandmother's remote Northern California home after an unfortunate revenge porn incident. There she meets Steph, a twenty-something lead singer in a queer band. Their physical attraction is immediate, even though Aria has always dated boys and Steph has a girlfriend. Suddenly all aspects of Aria's identity seem to be in transition. Is she gay or straight? An artist or a scientist? A dutiful daughter and friend or the kind of person who would cheat with someone else's partner? When tragedy strikes, Aria realizes that asking the questions is more important than having the answers, and that life, as her grandmother Joan wisely observed about making art, could be extremely frustrating, but the point of it was the process. This deeply perceptive bildungsroman thoughtfully explores several absorbing topics, but first and foremost it is an intimate, exhilarating story of first love. It's billed as a companion novel to Lo's Last Night at the Telegraph Club (rev. 1/21), and readers will be delighted to discover the connection between Aria's and Lily's stories. Jennifer Hubert Swan (Copyright 2022 by The Horn Book, Incorporated, Boston. All rights reserved.) " Rezension(5): "〈a href=http://www.slj.com/ target=blank〉〈img src=https://images.contentreserve.com/schoollibraryjournal_logo.png alt=School Library Journal border=0 /〉〈/a〉: Starred review from November 1, 2022Gr 9 Up- Exiled to spend the summer with her grandmother in California after an incident at a graduation party, Aria Tang West expects a summer of boredom. Enter Steph Nichols, her grandmother's gardener, who befriends Aria and brings her into her circle of friends and the queer community to which they belong. The more time Aria spends with Steph, the more she questions her identity. Using the summer of 2013, when same-sex marriage became legal in California, as the backdrop, Lo here presents an excellent coming-of-age and coming out story. Characters are complicated and messy but in a realistic and relatable way. The story is driven by Aria's truthful narration, which is beautifully reflective of an 18-year-old at that time. Aria is biracial (Asian and white), with most other characters defined or cued as white. Although not a sequel to Last Night at the Telegraph Club , there is a glimpse into Lily and Kath's life since the events of that novel. VERDICT A must-have for any library collection.- Amanda BorgiaCopyright 2022 School Library Journal, LLC Used with permission. "
    Language: English
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  • 9
    Online Resource
    Online Resource
    Bonnier Publishing Fiction
    UID:
    kobvindex_ZLB35025444
    ISBN: 9781804182529
    Content: " Can anyone really own a culture? This magnificent account argues that the story of global civilisations is one of mixing, sharing, and borrowing. It shows how art forms have crisscrossed continents over centuries to produce masterpieces. From Nefertiti's lost city and the Islamic Golden Age to twentieth century Nigerian theatre and Modernist poetry, Martin Puchner explores how contact between different peoples has driven artistic innovation in every era - whilst cultural policing and purism have more often undermined the very societies they tried to protect. Travelling through Classical Greece, Ashoka's India, Tang dynasty China, and many other epochs, this triumphal new history reveals the crossing points which have not only inspired the humanities, but which have made us human."
    Content: Biographisches: "Martin Puchner, the Byron and Anita Wien Professor of English and Comparative Literature at Harvard University, is an award-winning author, educator, public speaker, and institution builder in the arts and humanities. His writings, which include a dozen books and anthologies and over seventy articles and essays, range from philosophy and theatre to world literature and have been translated into many languages. Through his best-selling Norton Anthology of World Literature and his HarvardX MOOC Masterpieces of World Literature, he has brought four thousand years of literature to audiences across the globe. He is a permanent member of the European Academy." Rezension(2): "〈a href=http://www.publishersweekly.com target=blank〉〈img src=https://images.contentreserve.com/pw_logo.png alt=Publisher's Weekly border=0 /〉〈/a〉: December 19, 2022 The circuitous paths by which art, literature, customs, and ideology diffuse through and transform the world are traced in this exhilarating treatise. Harvard English professor Puchner ( The Drama of Ideas ) spotlights works that crystallize episodes of cultural cross-pollination, including the famous bust, discovered in 1912, of ancient Egyptian Queen Nefertiti, leader of a monotheistic religious movement that influenced early Judaism,a medieval Japanese noblewoman’s diary, which reveals the deep imprint of Chinese poetry and manners on Japanese society,enigmatic Aztec picture-writing books and contemporary Albrech D252"
    Language: English
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  • 10
    UID:
    gbv_1858293723
    Format: 1 Online-Ressource (344 pages) , 28 B/W illustrations
    ISBN: 9781399508186
    Series Statement: Screen Serialities
    Content: Considers the remake from a variety of critical and theoretical perspectives and positions it alongside other serialized cultural formsExamines the historical significance of the remake in revitalizing local industries and breathing life into established film genres (e.g., action-adventure, crime drama, romantic comedy, the Western, etc.)Draws attention to previously overlooked motion pictures produced in East Asia and acknowledges the significant contributions of several prolific yet neglected filmmakersRe-evaluates canonical texts and offers fresh assessments of legendary auteurs such as Ozu Yasujiro, Yu Hyun-mok, Miike Takashi, Johnnie To, and Stephen ChowShowcases the role of remakes in forging cross-cultural alliances — both within and beyond the East Asian region — while pointing toward prospects of increased transnational coproductions in the coming yearsThis wide-ranging, historically grounded exploration of motion picture remakes produced in East Asia brings together original contributions from experts in Chinese, Hong Kong, Japanese, South Korean, and Taiwanese cinemas and puts forth new ways of thinking about the remaking process as both a critically underappreciated form of artistic expression and an economically motivated industrial practice. Exploring everything from ethnic Korean filmmaker Lee Sang-il’s Unforgiven (2013), a Japanese remake of Clint Eastwood’s Western of the same title, to Stephen Chow’s The Mermaid (2016), a Chinese slapstick reimagining of Walt Disney’s The Little Mermaid (1989) and Hans Christian Andersen’s 1837 fairy tale, East Asian Film Remakes contributes to a better understanding of cinematic remaking across the region and offers vital alternatives to the Eurocentric and Hollywood-focused approaches that have thus far dominated the field
    Note: Frontmatter , Contents , Illustrations , Foreword , Notes on Contributors , Introduction: East Asian Film Remakes , Part I Re-fleshing the Text: Sex, Seduction, Desire , Chapter 1 How to Sell a Remake: The Gate of Flesh Media Franchise , Chapter 2 Against Anaesthesia: An Empty Dream, Pleasurable Pain and the ‘Illicit’ Thrills of South Korea’s Golden Age Remakes , Chapter 3 Two Faces of Seduction: Martial Heroines and Karmic Women in Chor Yuen’s Intimate Confessions of a Chinese Courtesan and Lust for Love of a Chinese Courtesan , Chapter 4 Japanese Self-Made Film Remakes as Self-Improvement: Professional Desires and DIY Fulfilment, from Panic High School to Tetsuo , Part II Serialising Ozu: The Enduring Legacy of a Cinematic ‘Tofu Maker’ , Chapter 5 Definition and Progression: Ozu Yasujirō’s ‘Noriko Trilogy’ , Chapter 6 A Remake, But. . .: Media Infantility in Ozu’s Good Morning , Chapter 7 The Cinema of Serial Vitality: Ozu Yasujirō and Yamada Yoji , Part III Revisiting Personal/Political Traumas in East Asian Action Films, Gangster Films and Westerns , Chapter 8 Opting Out of History: Miike Takashi’s New Graveyard of Honor , Chapter 9 The Promise of Hokkaidō: Trauma, Violence and the Legacy of the Imperial Frontier in Lee Sang-Il’s Unforgiven , Chapter 10 Benny Chan’s Connected and the Hollywoodisation of Hong Kong Cinema , Chapter 11 Vessels and Cargos: Spaces of Inclusion and Exclusion in Johnnie To’s Drug War and Lee Hae-young’s Korean Remake Believer , Part IV Local Flavours and Transcultural Flows in East Asian Comedies, Dramas and Fantasies , Chapter 12 The Power of Healing in Little Forest(s): Cross-Cultural Perspectives on Food, Friendship and Self-identity, from Japan to Korea , Chapter 13 More than Blue and Man in Love: Transnational Korean-Taiwanese Film Remakes as a Facilitator for Taiwan Cinema , Chapter 14 The Pan-Asian ‘Miss Granny’ Phenomenon , Chapter 15 Remaking in the Age of Chthulumedia: Stephen Chow’s The Mermaid , Index , In English
    Additional Edition: ISBN 9781399508162
    Additional Edition: Erscheint auch als print ISBN 9781399508162
    Language: English
    URL: Cover  (lizenzpflichtig)
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