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  • 1
    Book
    Book
    Washington Square Philadelphia : David McKay Company
    UID:
    b3kat_BV044427866
    Format: 170 Seiten , Illustration
    Series Statement: The Living thoughts library
    Language: German
    Subjects: German Studies
    RVK:
    Keywords: Nietzsche, Friedrich 1844-1900 ; Briefsammlung
    Author information: Mann, Heinrich 1871-1950
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    UID:
    b3kat_BV042987010
    Format: 170 S. , Ill. , 8
    Series Statement: The Living thoughts library 7
    Note: Enhält Pers. Bibliogr.
    Language: German
    Subjects: German Studies
    RVK:
    Author information: Mann, Heinrich 1871-1950
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  • 3
    UID:
    kobvindex_INT0002746
    Format: xxx, 620 pages : , illustrations ; , 24.5 x 17 cm.
    ISBN: 9781405102605 (pbk.) , 1405102608 (pbk.) , 9781405102599 (cased) , 1405102594 (cased)
    Content: MACHINE-GENERATED SUMMARY NOTE: "This second volume of the landmark Architectural Theory anthology surveys the development of architectural theory from the Franco-Prussian war of 1871 until the end of the twentieth century. Together with volume I, it is the first anthology to follow the full range of architectural literature from its beginnings in classical times to its impact today. Drawing on diverse international texts, this book explores various reform movements in Europe and North America, including Arts & Crafts; spans the technological and conceptual innovations of the late-nineteenth century in connection with the rise and development of modern theory; and reviews early critiques of modernism, the "post-modern" discussions of the 1970s, and post-structural and regionalist thought in the 1980s. The editors also consider the counter-movements of the 1990s - inspired by the digital revolution, technological innovations, and growing concerns for sustainable design. This anthology maps a wide array of debates in architectural history, placing the writings of starchitects like Koolhaas, Eisenman, and Lynn alongside the work of prominent architectural critics. It also sheds new historical perspective on topics such as ecology and sustainability, as well as CAD and blobs. The result is an inspiring and comprehensive resource for those studying or working in architectural theory and art history."
    Note: MACHINE-GENERATED CONTENTS NOTE: Acknowledgements. General Introduction. Part I: Early Modernism. A. The Arts and Crafts Movement in Great Britain. Introduction. 1. John Ruskin from Fors Clavigera (1871). 2. Christopher Dresser from Studies in Design (1874-76). 3. Richard Redgrave from Manual of Design (1876). 4. William Morris from The Prospects of Architecture in Civilization (1881). 5. Christopher Dresser from Japan: Its Architecture, Art, and Art Manufacturers (1882). 6. Oscar Wilde from Art and the Handicraftsman (1882). 7. Arthur H. Mackmurdo from Arbitrary Conditions of Art (1884). 8. William Morris from The Revival of Architecture (1888). 9. Walter Crane from The Claims of Decorative Art (1892). 10. John D. Sedding from Design (1891?). 11. Charles Rennie Mackintosh from Architecture (1893). 12. C. Robert Ashbee from A Few Chapters in Workshop Re-Construction and Citizenship (1894). B. Continental Reforms. Introduction. 13. Jakob Falke from Art in the House (1871). 14. George Hirth from The German Renaissance Room (1880). 15. Robert Dohme from The English House (1888). 16. Cornelius Gurlitt from Inside the Middle-Class House (1888). 17. Louis-Charles Boileau from Shops of the Bon Marché in Paris—Grand Staircase (1876). 18. Charles Blanc from The Fine Arts at the Universal Exposition of 1878 (1878). 19. Eugène-Emmanuel Viollet-le-Duc from The Buildings of the Universal Exposition of 1878 (1878). 20. Émile Zola from Au Bonheur des Dames (1883). 21. Joris-Karl Huysmans from Against Nature (1884). 22. Samuel Bing from Artistic Japan (1888). 23. Joseph Eugene Anatole de Baudot from The Architecture of the Universal Exposition of 1889 (1889). 24. Louis Gonse from The Architecture of the Universal Exposition of 1889 (1889). 25. Edmond de Goncourt from Journal, mémoires de la vie littéraire (1895). C. Reforms in the United States. Introduction. 26. Henry Hudson Holly from Modern Dwellings: Their Construction, Decoration, and Furniture (1876). 27. Robert Swain Peabody from Georgian Homes of New England (1877). 28. Clarence Cook from House Beautiful (1877). 29. Leopold Eidlitz from The Nature and Function of Art: More Especially of Architecture (1881). 30. Louis Sullivan from Characteristic and Tendencies of American Architecture (1885). 31. George William Sheldon from Artistic Country-Seats (1886). 32. John Root, et al from What are the Present Tendencies in Architectural Design in America (1887). 33. Mariana Griswold Van Rensselaer from Henry Hobson Richardson and His Works (1888). 34. Friedrich Baumann from Thoughts on Architecture (1889). 35. Louis Sullivan from Ornament in Architecture (1892). 36. Montgomery Schuler from Last Words about the World's Fair (1894). 37. Louis Sullivan from Emotion Architecture as Compared with Intellectual (1894). D. Conceptual Underpinnings of German Modernism: Space, Form, and Realism. Introduction. 38. Richard Lucae from On the Aesthetic Development of Iron Construction, especially its Use in Spaces of a Significant Span (1870). 39. Friedrich Nietzsche from The Use and Abuse of History (1872). 40. Robert Vischer from On the Optical Sense of Form (1872). 41. Constantine Lipsius from On the Aesthetic Treatment of Iron in Tall Building (1878). 42. Conrad Fiedler from Observations on the Nature and History of Architecture (1878). 43. Hans Auer from The Development of Space in Architecture (1883). 44. Josef Bayer from Style Crisis of our Time (1886). 45. Heinrich Wölfflin from Prolegomena to a Psychology of Architecture (1886). 46. Adolf Göller from What is the Cause of Perpetual Style Change in Architecture? (1887). 47. Cornelius Gurlitt from Göller's Aesthetic Theory (1887). 48. Ferdinand Tönnies from Community and Society (1887). 49. Camillo Sitte from City Planning According to Its Artistic Principles (1889). 50. August Schmarsow from The Essence of Architectural Creation (1893). Part II: The Formation of the Modern Movement: 1894-1914. A. The Wagner School and the German Werkbund. Introduction. 51. Otto Wagner from Inaugural Address to the Academy of Fine Arts (1894). 52. Max Fabiani from Out of the Wagner School (1895). 53. Julius Lessing from New Paths (1895). 54. Richard Streiter from Out of Munich (1896). 55. Otto Wagner from Modern Architecture (1896). 56. Richard Streiter from Contemporary Architectural Questions (1898). 57. Fritz Schumacher from Style and Fashion (1898). 58. August Endell from On the Possibility and Goal of a New Architecture (1898). 59. Adolf Loos from Potemkin City (1898). 60. Hermann Muthesius from New Ornament and New Art (1901). 61. Herrmann Muthesius from Style-Architecture and Building Art (1902). 62. Fritz Schumacher from The Re-conquest of a Harmonious Culture (1907). 63. Adolf Loos from Ornament and Crime (1908). 64. Joseph August Lux from Engineer Aesthetic (1910). 65. Peter Behrens from Art and Technology (1910). 66. Hermann Muthesius and Henry van de Velde from The Debate at the Cologne Werkbund Congress (1914). B. European Modernism Elsewhere. Introduction. 67. Camillo Boito from On the Future Style of Italian Architecture (1880). 68. Hendrik P. Berlage from Architecture and Impressionism (1894). 69. Ebenezer Howard from To-morrow: A Peaceful Path to Real Reform (1898). 70. Henry van de Velde from The New Ornament (1901). 71. Henry van de Velde from Clarification of Principles (1902). 72. Hendrik Berlage from Thoughts on Style (1905). 73. Hendrik Berlage from Foundations and Development of Architecture (1908). 74. Charles-Edouard Jeanneret (Le Corbusier) from Study of the Decorative Art Movement in Germany (1912). 75. Antonio Sant' Elia from the Messaggio (1914). 76. Tont Garnier from An Industrial City (1917). C. The Chicago School. Introduction. 77. Louis Sullivan from The Tall Office Building Artistically Considered (1896). 78. Denkmar Adler from Function and Environment (1896). 79. Oscar Lovell Triggs from Chapters in the History of the Arts and Crafts Movement (1901). 80. Gustav Stickley from The Craftsman (1901). 81. Frank Lloyd Wright from The Art and Craft of the Machine (1901). 82. Louis Sullivan from What is Architecture? (1906). 83. Frank Lloyd Wright from In the Cause of Architecture (1908). 84. Gustav Stickley from Craftsman Homes (1909). 85. Daniel Burnham from Plan for Chicago (1909). 86. Frank Lloyd Wright from Executed Buildings and Designs of Frank Lloyd Wright (1911). 87. Irving Gill from The Home of the Future: The New Architecture of the West (1916). Part III: The 1920s. A. American Modernism. Introduction. 88. Frederick Winslow Taylor from The Principles of Scientific Management (1911). 89. Claude Bragdon from Architecture and Democracy (1918). 90. Irving K. Pond from Zoning and the Architecture of High Buildings (1921). 91. Hugh Ferris from The New Architecture (1922). 92. Chicago Tribune Announcement of an Architectural Competition (1922). 93. Lewis Mumford from Sticks and Stones (1924). 94. Lewis Mumford from The Search for 'Something More' (1928). 95. Hugh Ferriss from The Metropolis of Tomorrow (1929). 96. Buckminster Fuller from The Dymaxiom House (1929). 97. Henry-Russell Hitchcock from Modern Architecture (1929). 98. Frank Lloyd Wright from The Cardboard House (1930). 99. Alfred H. Barr, Jr. from Modern Architecture: International Exhibition (1932). 100. Henry-Russell Hitchcock and Philip Johnson from The International Style (1932). B. Soviet Constructivism. Introduction. 101. V. I. Lenin from The State and Revolution (1917). 102. Vladimir Tatlin et al The Work Ahead of Us (1920). 103. Alexander Rodchenko from Slogans (1921). 104. Aleksei Gan from Constructivism (1922). 105. Moisei Ginzburg from Style and Epoch (1924). 106. El Lissitzky from Element and Invention (1924). 107. Nikolai Ladovsky and El Lissitzky from ASNOVA Review of the Association of New Architects (1926). C. De Stijl and Purism. Introduction. 108. Theo van Doesburg et al from Manifesto 1 (1918). 109. Amédée Ozenfant and Charles-Edouard Jeanneret (Le Corbusier) from Preface to L'Es
    Language: English
    Keywords: Edited volumes
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  • 4
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    UID:
    gbv_76638196X
    Format: Online-Ressource (304 p)
    Edition: Online-Ausg. 2013 Electronic reproduction; Available via World Wide Web
    ISBN: 9781107036543
    Series Statement: Modern European Philosophy
    Content: A unique exploration of Adorno's ethics, defending his challenging views about how to live in an evil world
    Note: Description based upon print version of record , Cover; Contents; Acknowledgements; Abbreviations; Introduction; 1 The whole is untrue; I Auschwitz, radical evil, and failed culture; II The whole is untrue 1 (modern society); III The whole is untrue 2 (modern thought forms); IV Conclusion; 2 No right living; I 'Refuge for the homeless': a summary; II The antinomical structure of our lives; III False consciousness and guilt context; IV 'Life does not live'; V Living less wrongly; VI No golden past and insufficient material progress; VII Exceptions to the rule?; 3 Social determination and negative freedom; I Beholden to (social) externality , II Freedom is historicalIII The (political) quest for freedom; IV The negative freedom to resist unfreedom; V A crisis in moral practice; VI To punish or not to punish: an objective antagonism; 4 Adorno's critique of moral philosophy; I Adorno's critique of Kant's moral philosophy; I.1 Moral worth, repression, and happiness; I.2 Pure egos, consequences, and The Wild Duck; I.3 Adorno's Empty Formalism Objection; I.4 Adorno's critique of the fact of reason; II Adorno's critique of non-Kantian moral philosophy; II.1 Hostage to existing reality: critique of the ethics of responsibility , II.2 Against (Nietzsche's) new valuesII.3 Virtue has grown old; II.4 Always too little compassion; 5 A new categorical imperative; I To arrange our thoughts and actions so that Auschwitz will not repeat itself; II Historically indexed; III Imposed on humankind in its state of unfreedom; IV Not maxim-centred; V The materialistic motive; VI The absolute moral minimum; VII Addressed at humankind; VIII The outrage of (attempts at) discursive grounding; IX Intermediate summary; X Radical evil and moralising; 6 An ethics of resistance; I Resistance and not living wrongly; II Fostering resistance , III Conclusion7 Justification, vindication, and explanation; I Against discursive grounding; II What kind of account of normativity (if any) does Adorno need?; 8 Negativism defended; I The normative force of the bad; II A negative characterisation of the good underdetermines it; III No need to be constructive; IV A negativistic philosophy can have practical import; V We can recognise badness without knowledge of the good; VI Conclusion; 9 Adorno's negative Aristotelianism; I The Aristotelian conception of normativity; II Adorno's negative Aristotelianism , Appendix The jolt - Adorno on spontaneous willingI The jolt in freedom: impulses and spontaneity; II Towards a different view of nature, the self, and agency; Bibliography; Index , Electronic reproduction; Available via World Wide Web
    Additional Edition: ISBN 9781107248007
    Additional Edition: ISBN 9781107036543
    Additional Edition: Print version Adorno's Practical Philosophy Living Less Wrongly
    Language: English
    Keywords: Electronic books
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  • 5
    Online Resource
    Online Resource
    Bradford : Emerald Group Publishing Limited
    UID:
    gbv_796918015
    Format: Online-Ressource (221 p)
    Edition: Online-Ausg.
    ISBN: 9781783509492
    Series Statement: Research in Ethical Issues in Organizations v.11
    Content: Stories are essential to any organization. They help organizations define who they are, what they do, and how they do it. In this issue we consider how fiction has questioned the moral rules, and examined such situations, and in doing so how it has contributed to our understanding of organizational ethics
    Content: Stories are essential to any organization. They help organizations define who they are, what they do, and how they do it. In this issue we consider how fiction has questioned the moral rules, and examined such situations, and in doing so how it has contributed to our understanding of organizational ethics
    Note: Description based upon print version of record , Front Cover; The Contribution of Fiction to Organizational Ethics; Copyright page; Contents; Editorial Board; List of Contributors; About the Authors; Editor's Introduction to 'The Contribution of Fiction to Organizational Ethics' issue; Fictive Creativity and Morality: A Multi-Dimensional Exploration; Interpretation One: Creativity Is Morally Neutral and Needs to be Checked by Morality; Interpretation Two: Moral Imagination as Crucial Part of the Deliberative Process; Interpretation Three: Creativity Alters the Nature of Morality Itself , Interpretation Four: Creative Thinking as the Only Adequate Ethical StandardInterpretation Five: Creation as an Attempt to Understand Who Is a Person; Interpretation Six: Creation as a Way of Synthesizing and Living Ethical Truths; Conclusion; Notes; References; Otherness in Self and Organisations: Kafka's The Metamorphosis to Stir Moral Reflection; Introduction; Analytical Psychology and Fictional Material to Know Oneself; Moral Reflection on Life, Work and Organisations: Themes from The Metamorphosis; Fiction and Moral Development: Imagination to Nurture Individual and Organisational Ethics , ConclusionNotes; References; Wired to Fail: Virtue and Dysfunction in Baltimore's Narrative; Introduction; Problems Impel Institutions; Institutions Impel Problems; A Solution: Ethos and Virtue; Conclusion: The Wire as Narrative; Acknowledgement; References; Profile of a Narcissistic Leader: Coffee's for Closers Only; Narcissism and Narcissistic Leadership; The Narcissistic Leader in Film and Television; Glengarry Glen Ross; Discussion; The Implications of Narcissistic Leadership on Organizations and Workers; Conclusion; Notes; References; Into Darkness: A Study of Deviance in Star Trek , IntroductionScience Fiction as Literature; Science Fiction as Ethical Literature; Science Fiction as Ethical Organisational Literature; Star Trek and Organisational Ethics; Organisational Deviance; Research Methods and Strategy; Findings; Discussion; Conclusion; Notes; Acknowledgement; References; Why Moral Philosophy Cannot Explain Oskar Schindler but Keneally's Novel Can; Introduction; Schindler and Moral Theory; The Holocaust and Moral Philosophy; The Holocaust and History; The Holocaust in Literature; Keneally's Novel and History; Keneally's Novel and Schindler's Motives , Keneally's Novel, Schindler and the HolocaustConcluding Thoughts; Notes; References; A Critique of Business School Narratives and Protagonists; Introduction; A Preliminary Note from Nietzsche; Business Case Narratives and "Felt" Knowledge; Entrepreneur-Adventurers in Front of the Classroom; Responsibilism and the Need for "Thick" Narratives; The Case Writer as (Literary) Artist; The Language of Action: Innovation, Risk, and Opportunity; Conclusion; Notes; References; How Stories Can Be Used in Organisations Seeking to Teach the Virtues; Introduction; Stories in Organisations; Discussion , Conclusion
    Additional Edition: ISBN 9781783509485
    Additional Edition: Print version The Contribution of Fiction to Organizational Ethics
    Language: English
    Keywords: Electronic books
    URL: Volltext  (lizenzpflichtig)
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  • 6
    Online Resource
    Online Resource
    s.l. : PM Press
    UID:
    gbv_836469852
    Format: Online-Ressource (409 p)
    Edition: Online-Ausg.
    ISBN: 9781629632032
    Content: Was anarchism in areas outside of Europe an import and a script to be mimicked? Was it perpetually at odds with other currents of the Left? The authors in this collection take up these questions of geographical and political peripheries. Building on recent research that has emphasized the plural origins of anarchist thought and practice, they reflect on the histories and cultures of the antistatist mutual aid movements of the last century beyond the boundaries of an artificially coherent Europe. At the same time, they reexamine the historical relationships between anarchism and communism witho
    Note: Description based upon print version of record , ""Front Cover ""; ""Title Page""; ""Copyright""; ""Contents""; ""Acknowledgments ""; ""Raymond Craib A Foreword""; ""Learning from Indigenous Experience: Anarchism and Indigeneity - Is there a Native philosophical alternative? And what might one achieve by standing against the further entrenchment of institutions modeled on the state?�Taiaiake Alfred""; ""Silvia Rivera Cusicanqui The Ch�ixi Identity of a Mestizo: Regarding an Anarchist Manifesto of 1929""; ""Hilary Klein The Zapatista Movement: Blending Indigenous Traditions with Revolutionary Praxis"" , ""Maia Ramnath No Gods, No Masters, No Brahmins: An Anarchist Inquiry on Caste, Race, and Indigeneity in India""""Intervention Peter Linebaugh Ypsilanti Vampire May Day""; ""A Thousand Links: Transnational Lines in An Anarchist Age - We never live only by our own efforts, we never live only for ourselves; our most intimate, our most personal thinking is connected by a thousand links with that of the world. �Victor Serge""; ""Adrienne Hurley Let�s Ditch School and Be Unmanageable""; ""David Porter Kabylia�s 2001 Horizontalist Insurrection"" , ""The Horizon at the Centre: No Peripheries - Social space . . . is the horizon at the centre of which they place themselves and in which they live. �Henri Lefebvre""""Raymond Craib Anarchism and Alterity: The Expulsion of Casimiro Barrios from Chile in 1920""; ""Geoffroy de Laforcade The Ghosts of Insurgencies Past: Waterfront Labor, Working-Class Memory, and the Contentious Emergence of the National-Popular State in Argentina""; ""Steven J. Hirsch Anarchism, the Subaltern, and Repertoires of Resistance in Northern Peru, 1898�1922""; ""Intervention Bahia Shehab Spraying No"" , ""The Black Mirror: Anarchism, Surrealism, and the Situationists - It was in the black mirror of anarchism that surrealism first recognized itself.�André Breton""""Penelope Rosemont Surrealism and Situationism: An attempt at a comparison and critique by an Admirer and Participant, including a brief look at a seemingly faraway place in space and time; or, King Kong meets Godzilla . . . How New Thoughts are let loose in the World""; ""Barry Maxwell Blackened Syllabus: Will Alexander�s Figure of the King"" , ""Gavin Arnall Masters without Slaves: Raoul Vaneigem�s Détournement of Nietzsche""""Black, Red, and Grey: Anarchism, Communism, and Political Theory - All theory is grey. �the Devil""; ""Mohammed A. Bamyeh Anarchist Method, Liberal Intention, Authoritarian Lesson: The Arab Spring between Three Enlightenments""; ""Bruno Bosteels Neither Proletarian nor Vanguard: On a Certain Underground Current of Anarchist Socialism in Mexico""; ""Silvia Federici Global Anarchism: Provocations""; ""Barry Maxwell Afterword, Beginning with “A�""; ""Notes on Contributors""; ""Index""
    Additional Edition: ISBN 9781629632032
    Additional Edition: ISBN 9781629630984
    Additional Edition: Print version No Gods, No Masters, No Peripheries : Global Anarchisms
    Language: English
    Keywords: Electronic books
    URL: Volltext  (lizenzpflichtig)
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  • 7
    Online Resource
    Online Resource
    Oxford : Oxford University Press
    UID:
    gbv_1885037570
    Format: 1 Online-Ressource (xxx, 346 Seiten) , illustrations
    ISBN: 0191957631
    Series Statement: Oxford mid-century studies
    Content: A ground-breaking account of the poet Frank O'Hara and the extraordinary cultural blossoming O'Hara catalysed, namely the mid-century experimental and multi-disciplinary arts scene, the New York School
    Note: Also issued in print: 2024 , Includes bibliographical references and index , Zielgruppe: Specialized , Cover -- Frank O'Hara's New York School and Mid-Century Mannerism: Perfectly Disgraceful -- Copyright -- Dedication -- Acknowledgements -- Contents -- Permissions -- Image Permissions -- List of Illustrations -- Epilogue -- Preface -- The Paragone of the New York School -- Introduction: New York School Mannerisms -- Mannerism -- The Interdisciplinary Rhetoric of Maniera -- A Genealogy of Rhetoric -- Chapter Summaries -- 1. Sprezzatura: Diligent Negligence -- You Just Go on Your Nerve -- The Renaissance of Sprezzatura -- Disgrace -- Difficulty -- The Difficulty of Death , The Difficulty of Love: Lost Time -- The Difficulty of Love: Distraction -- The Difficulty of Love: Disquiet -- The Art of Diligent Negligence -- Injudicious Affectation -- Denoting Camp -- Sprezzatura and Race: 'The Successful Syndrome of the Cool' -- 2. Grace: 'Joyous Irony in Tenderest Pathos' -- In Public, In Private -- A Step Away from Them -- The Consubstantiation of Grace -- Elegy -- Balanchine's Poetics -- The Flight of the Dancer: The Transcendental -- Bach in Bathing Suits: The Constructivist -- Balanchine's Elephant Ballet: The Vernacular , Some Thoughts About Classicism and George Balanchine -- A Genealogy of Grace -- Unconscious Grace and Grace of Irony -- 3. Agon: 'The Energy of Contradictory Actions' -- Three Moments of Agonism: Classical, Mannerist, and Mid-Century -- Renato Poggioli's Avant-GardeAgon -- Nietzsche's Agon -- Agonal Communities of Taste -- The New York School of the 1930s -- The Pindaric -- Three Sides of 'Ode to Willem de Kooning' -- 4. Figura Serpentinata: 'And Now it is the Serpent's Turn' -- Figura Serpentinata -- Queer Figures -- The Cancerous Statue -- The Serpent -- Rhetorical Turns , 5. Frank Speech: 'The Living Ought to be Alive in Every Part' -- Ornate Poetics -- Paul Valéry: The Order of the Serpent -- Frank Speech -- Explosive Grief and Anger -- The Sun's Motto -- To Hell with Content -- Apostrophe or Invocation -- 'It' -- 6. Marvellous: 'Remember Life's Marvellous' -- Forms in Motion and in Thought -- The Prosody of 'Ode to Joy' -- The Poetry of 'Ode to Joy' -- The Mannerist Sublime -- Where Air Is Flesh -- Ode on Causality -- Our Tempestuous Rights -- Coca-ColaCarpe Diem -- Conclusion: 'Style at its Highest Ebb is Personality' -- Bibliography -- Index
    Additional Edition: ISBN 9780191957635
    Additional Edition: ISBN 9780192692030
    Additional Edition: ISBN 0192692038
    Additional Edition: ISBN 9780192866721
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9780192866721
    Language: English
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  • 8
    UID:
    b3kat_BV025719286
    Format: 92 S. , zahlr. Ill.
    ISBN: 9780977832903 , 0977832902
    In: 1
    Language: English
    Subjects: Philosophy
    RVK:
    Author information: Van Lente, Fred 1972-
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  • 9
    Online Resource
    Online Resource
    Knopf Doubleday Publishing Group
    UID:
    kobvindex_ZLB35157521
    ISBN: 9780593317068
    Content: " FINALIST FOR THE KIRKUS PRIZE FOR NONFICTION &bull,ONE OF TIME' S160 100 MUST-READ BOOKS OF THE YEAR &bull,An intimate, insightful, at times even humorous blend of memoir and philosophy that examines why the thought of death is so compulsive for some while demonstrating that there&rsquo, always another solution&mdash,rom the acclaimed writer and philosophy professor, based on his viral essay, &ldquo,&rsquo, Still Here.&rdquo,/b〉&ldquo, deep meditation that searches through Martin&rsquo, past looking for answers about why he is the way he is, while also examining the role suicide has played in our culture for centuries, how it has evolved, and how philosophers have examined it.&rdquo,&mdash,i〉Esquire &ldquo, rock for people who&rsquo,e been troubled by suicidal ideation, or have someone in their lives who is.&rdquo,&mdash,i〉The New York Times&ldquo,f you&rsquo,e going to write a book about suicide, you have to be willing to say the true things, the scary things, the humiliating things. Because everybody who is being honest with themselves knows at least a little bit about the subject. If you lie or if you fudge, the reader will know.&rdquo,/i〉 The last time Clancy Martin tried to kill himself was in his basement with a dog leash. It was one of over ten attempts throughout the course of his life. But he didn&rsquo, die, and like many who consider taking their own lives, he hid the attempt from his wife, family, coworkers, and students, slipping back into his daily life with a hoarse voice, a raw neck, and series of vague explanations. In How Not to Kill Yourself, Martin chronicles his multiple suicide attempts in an intimate depiction of the mindset of someone obsessed with self-destruction. He argues that, for the vast majority of suicides, an attempt does not just come out of the blue, nor is it merely a violent reaction to a particular crisis or failure, but is the culmination of a host of long-standing issues. He also looks at the thinking of a number of great writers who have attempted suicide and detailed their experiences (such as David Foster Wallace, Yiyun Li, Akutagawa, Nelly Arcan, and others), at what the history of philosophy has to say both for and against suicide, and at the experiences of those who have reached out to him across the years to share their own struggles. The result combines memoir with critical inquiry to powerfully give voice to what for many has long been incomprehensible, while showing those presently grappling with suicidal thoughts that they are not alone, and that the desire to kill oneself&mdash,ike other self-destructive desires&mdash,s almost always temporary and avoidable."
    Content: Biographisches: " CLANCY MARTIN is the acclaimed author of the novel How to Sell (FSG) as well as numerous books on philosophy, and has translated works by Friedrich Nietzsche, Sø,en Kierkegaard, and other philosophers. A Guggenheim Fellow, his writing has appeared in The New Yorker , New York , The Atlantic , Harper&rsquo, , Esquire , The New Republic , Lapham&rsquo, Quarterly , The Believer , and The Paris Review . He is a professor of philosophy at the University of Missouri in Kansas City and Ashoka University in New Delhi. He is the survivor of more than ten suicide attempts and a recovering alcoholic." Rezension(2): "〈a href=http://lj.libraryjournal.com/ target=blank〉〈img src=https://images.contentreserve.com/libraryjournal_logo.png alt=Library Journal border=0 /〉〈/a〉: October 1, 2022 Stand-up comic, actor (e.g., Netflix's Cobra Kai ), and host of the No. 1 food podcast in the country, Green Eggs and Dan , Ahdoot uses an essay format in Undercooked to explain how food became a crutch and finally a dangerous obsession for him, starting with his brother's untimely death. Before he died of cancer, Braitman's father rushed to teach her important things like how to fix a carburetor and play good practical jokes,long after his death, she realized the cost of What Looks Like Bravery in suppressing her sorrow at his passing,following the New York Times best-selling Animal Madness . In Forager , journalism professor Dowd recalls her upbringing in the fervently Christian cult Field, founded by her domineering grandfather, where she was often cold, hungry, and abused and learned to put her trust in the natural world. Hospitalized from ages of 14 to 17 with anorexia nervosa, Freeman ( House of Glass ) recalls in Good Girls her subsequent years as a functioning anorexic and interviews doctors about new discoveries and treatments regarding the condition. In Happily , which draws on her Paris Review column of the same name, Mark uses fairytale to show how sociopolitical issues impact her own life, particularly as a Jewish woman raising Black children in the South. Philosophy professor Martin's How Not To Kill Yourself examines the mindset that has driven him to attempt suicide 10 times. Award-winning CBS journalist Miller here limns a sense of not Belonging : abandoned at birth by her mother, a Chicana hospital administrator who hushed up her affair with the married trauma surgeon (and Compton's first Black city councilman) who raised Miller, the author struggled to find her place in white-dominated schools and newsrooms and finally sought out her lost parent (60,000-copy first printing). From Mouton, Houston's first Black poet laureate and once ranked the No. 2 Best Female Performance Poet in the World (Poetry Slam Inc.), Black Chameleon relates an upbringing in a world devoid of the stories needed by Black children--which she argues women must now craft (60,000-copy first printing). A graduate of the Oprah Winfrey Leadership Academy for Girls in South Africa, Mount Holyoke College, and Columbia University, Ramotwala demonstrates The Will To Be in a memoir of early hardship (her mother's first-born daughter died in a firebombing before the author was born) and adjusting to life in the United States (75,000-copy first printing). In Stash , Robbins, host of the podcast The Only One in the Room , relates her recovery from dangerous drug use (e.g., stockpiling pills and scheduling withdrawals around PTA meetings and baby showers) as she struggles with being Black in a white world. Author of the multi-award-winning, multi-award-nominated No Visible Bruises , a study of domestic violence, Snyder follows up with Women We Buried, Women We Burned , her story of escaping the cult her widowed father joined and as a teenager making her way in the world (100,000-copy first printing). Copyright 2022 Library Journal, LLC Used with permission. " Rezension(3): "〈a href=http://www.publishersweekly.com target=blank〉〈img src=https://images.contentreserve.com/pw_logo.png alt=Publisher's Weekly border=0 /〉〈/a〉: Starred review from January 16, 2023 Philosopher and novelist Martin ( How to Sell ) delivers a disturbing and transfixing dissection of suicide and its circumstances. Toggling between the personal and the analytical, Martin presents a patient, chilling consideration of “what it’s like to want to kill yourself, sometimes on a daily basis, yet to go on living,” as well as his “own particular good reasons for doing so.” In three sections, Martin addresses societal conceptions of self-slaughter, his own struggles with alcohol and the times he hit rock bottom, and how to chart a path toward recovery. Along the way, he touches on famous suicides from Seneca to Anne Sexton, and historical and philosophical cases considering or even justifying the act, from philosophies as distinct as Bushido, pessimism, and stoicism. Funny but never flippant, Martin takes into account throughout the weight of his subject, even when describing his own grisly attempts, or those of his friends, without platitude or sentiment (“The last time I tried to kill myself,” the book begins, “was in my basement with a dog leash”). This provocative dive into a difficult subject shouldn’t be missed. Agent: Susan Golomb, Writers House. " Rezension(4): "〈a href=http://www.kirkusreviews.com target=blank〉〈img src=https://images.contentreserve.com/kirkus_logo.png alt=Kirkus border=0 /〉〈/a〉: Starred review from February 15, 2023 A recovering alcoholic reflects on his experiences with suicidal ideation. Novelist and philosophy professor Martin, the author of How To Sell and other books, has survived more than 10 suicide attempts. In his disturbing, thoughtfully composed self-analysis, the author admits to chronicling oscillating between hating his life and being grateful to be alive. Married three times and the father to five children, Martin harbors a deep understanding of others who suffer with the same dark feelings of despair, including several suicidal relatives in his deeply dysfunctional family. Each of the memoir's three sections correspond to distinctly pivotal periods in his life. The author considers how complex and pervasive thoughts of self-annihilation initially infiltrate someone's psyche. While mining his own experiences, including chilling anecdotes about his gun-in-mouth phase, he describes the suicidal histories of notable writers and celebrities (Kate Spade, Anthony Bourdain, Robin Williams). While experts impart captivating psychological explanations, Martin's perspective inspires the most incisive and disquieting passages. Sections on his murky descent into alcoholism smoothly dovetail with accounts of the author's candid, heartfelt work toward making peace with life and pages of proactive tools for crisis for anyone considering suicide. As a philosopher, Martin provides sharp insight about how two distinct historical luminaries--Buddha and Freud--both postulated that the human death drive is as fundamental to our psychology as our desire to eat or have sex. Martin's belief that suicidal people can see into the world of ghosts in a way that sturdier folks cannot is as fascinating as his attempts to draw correlations between suicide and theories on addictive thinking. Not one to gloss over any aspect of his difficult journey, the author dissects the thorny dilemma that has tormented him since childhood. With dark humor intact, he humanizes it in a way that makes it palatable for readers chronically haunted by suicide--or those whose lives have been touched by it. Disquieting, deeply felt, eye-opening, and revelatory. COPYRIGHT(2023) Kirkus Reviews, ALL RIGHTS RESERVED. "
    Language: English
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