Kooperativer Bibliotheksverbund

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Format: IX, 359 S.

Language: English

Keywords: New criticism ; Anthologie ; Hochschulschrift

UID:

Format: 1 online resource

ISBN: 9781118827338 , 1118827333 , 1118610512 , 9781118610510

Series Statement: Blackwell companions to literature and culture ; 84

Uniform Title: Companion to British literature (Wiley Blackwell)

Content: "A Companion to British Literature is a comprehensive guide to British literature and the contexts and ideas that have shaped and transformed it over the past 13 centuries. Its four volumes cover literature from all periods and places in Britain and demonstrate the wide variety of approaches to studying the subject"--

Note: volume I. Medieval Literature 700-1450. Introduction to Medieval Literature; Chronology 43-1476 / Samantha Zacher -- The Oral and the Written / Karl Reichl -- Old English Literature and the Negotiations of Tradition / Katherine O'Brien O'Keeffe -- Lyric Form, Subjectivity, and Consciousness / Emily V Thornbury -- Sermons and Saints / Paul E Szarmach -- The Lost and (Not) Found / Virginia Blanton -- Racial Imagination and the Theater of War / Suzanne M Yeager -- The Norman Conquest and English Literary Culture After 1066 / Neil Cartlidge -- Writing the Self / Liz Herbert McAvoy -- Courtly Love and Its Impossible Implementation / Christine Chism -- Writing Revolution / Marion Turner -- The Romance Genre / Corinne Saunders -- Interior Visions / Michael Calabrese -- British Chaucer / John M Ganim -- Writing Heresy, Apostasy, and Anticlericalism in Medieval England / Andrew Galloway -- Ecstasy, Intimacy, and Middle English Contemplative Culture / Denise L Despres -- Sources, Analogues, Creativity / Tim William Machan -- Performing Communities / Christina M Fitzgerald -- Old English and Anglo-Latin / Andy Orchard -- Before the / Rhiannon Purdie -- Originating Britain / Helen Fulton -- Writing from the "Other Shore" and the Beginnings of Vernacular Literature in Ireland / Joseph Falaky Nagy -- The Circulation and Compilation of Devotional Books / Jacqueline Jenkins -- Collectors and Collections / David N Bell -- In Praise of Power / Robert J Meyer-Lee -- Word and Image / Elaine Treharne -- New Technologies / Siân Echard -- Selected References and Further Reading -- Index to Volume I -- volume II. Early Modern Literature 1450-1660. Introduction to Early Modern Literature; Chronology 1450-1662 / Robert DeMaria -- The Spectral Past / David Matthews -- The Fortunes of Arthur / Willy Maley, Adam Swann -- Robert Burton and the Discontents of Print / David J Baker -- Anglo-European Literary Relations in the Sixteenth Century / Alessandra Petrina -- Mapping the British Archipelago in the Renaissance / Stewart Mottram -- Renaissance or Reformation? / Michael Payne -- Religious Reading and Writing in an Age of Bloodshed / Achsah Guibbory -- Translations of Virgil from Gavin Douglas to Sir John Denham / Robin Sowerby -- England, the "Orient", and the Ocean / Benedict S Robinson -- Politics and Religion in Elizabethan Drama / Lisa Hopkins -- Women's Literary and Intellectual Endeavors / Marcy L North -- Shakespeare and the Arts of Persuasion / Michael MacDonald -- Texts and Performances in the Age of Elizabeth / Tom Rutter -- Physics, Metaphysics, and Religion in Lyric Poetry / Wendy Beth Hyman -- The Early English Essay / Joshua Scodel -- Francis Bacon and Aristotelian Afterlives / Christopher Crosbie -- Scots Literature in the Age of the and Beyond / Katherine H Terrell -- Violence in Jacobean Drama / Zoltán Márkus -- First Folios / Adam G Hooks -- Riding Westward / Jonathan Locke Hart -- Cheap Print and Popular Reading During the Civil Wars, 1637-1660 / Joad Raymond -- Republican Writing from Milton to Locke / Nigel Smith -- John Bunyan and the Spaces of Religious Writing / Cynthia Wall -- / Barbara K Lewalski -- Human, Animal, and Machine in the Seventeenth Century / Lucinda Cole, Robert Markley -- Selected References and Further Reading -- Index to Volume II -- volume III. Long Eighteenth-Century Literature 1660-1837. Introduction to Long Eighteenth-Century Literature; Chronology 1658-1835 / Robert DeMaria -- Understanding Genre / David Venturo -- History and Literature from Milton to Wollstonecraft / Ruth Mack -- Shakespeare in the Eighteenth Century / Neil Rhodes -- Aphra Behn and the Profession of Writing in the Restoration and Early Eighteenth Century / Catherine Ingrassia -- The Virgilian Way from Milton to Wordsworth / Adam Potkay -- Women Readers and the Rise of the Periodical Essay / Manushag N Powell -- Female Satirists of the Eighteenth Century / Paul Baines -- Ireland, England, and Anglo-Irish Writers in England / David Oakleaf -- Alexander Pope / Pat Rogers -- Eighteenth-Century Science and the Literary Imagination / Tita Chico -- Epistolary Writing in the Long Eighteenth Century / Thomas Keymer -- Poetry Anthologies, Taste, and the Canon / Adam Rounce -- Performance in Eighteenth-Century English Verse / John Richetti -- Ranging Knowledge by the Alphabet / Lynda Mugglestone -- History, Biography, and Anecdote / Freya Johnston -- The Other in the British Eighteenth Century / Lynn Festa -- Aesthetics and Taste / G Gabrielle Starr -- The Poetry of Melancholy from Finch to Keats / John Sitter -- Jane Austen and the Conditions of Knowledge / Jenny Davidson -- Genius and Originality 1750-1830 / Christopher R Miller -- Blake and His Contemporaries / Laura Quinney -- Romantic Celebrities / Richard Cronin -- Gothic and Celtic Revivals / Nick Groom -- Romantic Women Writers in the Lecture Room / Sarah M Zimmerman -- Selected References and Further Reading -- Index to Volume III -- volume IV. Victorian and Twentieth-Century Literature 1837-2000. Introduction to Victorian and Twentieth-Century Literature; Chronology 1800-2006 / Heesok Chang -- Charles Dickens, Dramatist / Eileen Gillooly -- Becoming George Eliot / Kyriaki Hadjiafxendi -- "What Do the Women Do?" / Susan Zlotnick -- Evolution and Entropy / Suzy Anger -- Theater, Exhibition, and Spectacle in the Nineteenth Century / Sharon Aronofsky Weltman -- Art, Self, and Society / Matthew Campbell -- Pre-Raphaelite Brothers, Lovers, and the Sister Arts / Wendy Graham -- Regionalism and Consciousness / Keith Wilson -- Modernism and Empire / Laura Winkiel -- The Irish Literary Revival / James L Pethica -- Re-Envisioning Yeats's / Nico Israel -- First World War Poetry / Adam Piette -- "How to Enjoy James Joyce's Great Novel" / Stephen Dilks -- Anglophobia and Anglophilia / Robert Crawford -- Virginia Woolf and Experimental Fiction / Anne E Fernald -- Sartorial Modernity / Jane Garrity -- Doom in the Bud / Paul Lawley -- Form, Figure, and Ground / C D Blanton -- Historical Turns in Twentieth-Century Fiction / John T Connor -- Anthologizing Poetry / Nigel Alderman -- "Frail, and So Full of Fire" / Praseeda Gopinath -- Imagining Female Authorship After 1945 / Maria Francesca Fackler -- Sticks and Stones / Elaine K Chang -- The Modern Scottish Novel / Cairns Craig -- Queer Fiction in Contemporary Britain / Jodie Medd -- Global Markets / Richard Todd -- The British Dystopian Novel from Wells to Ishiguro / Phillip E Wegner. , English.

Additional Edition: Print version: Companion to British literature ISBN 9780470656044

Language: English

Keywords: Electronic books. ; Criticism, interpretation, etc. ; Electronic books. ; Criticism, interpretation, etc. ; Electronic books. ; Criticism, interpretation, etc.

DOI: 10.1002/9781118827338

URL: https://onlinelibrary.wiley.com/doi/book/10.1002/9781118827338

URL: https://onlinelibrary.wiley.com/doi/book/10.1002/9781118827338

URL: https://onlinelibrary.wiley.com/doi/book/10.1002/9781118827338

UID:

Format: xxv, 590 pages : , illustrations ; , 24.5 x 17 cm.

ISBN: 9781405102582 (pbk.) , 1405102586 (pbk.) , 9781405102575 (cased) , 1405102578 (cased)

Content: MACHINE-GENERATED SUMMARY NOTE: "Architectural Theory: Vitruvius to 1870 is a landmark anthology that surveys the development of the field of architecture from its earliest days to the year 1870. The first truly comprehensive anthology that brings together the classic essays in the field, the volume chronicles the major developments and trends in architecture from Vitruvius to Gottfried Semper. Volume 1 of the first overview of architectural thought from antiquity to the present day: * This volume covers 25 B.C. to 1870 * Collects over 200 classic essays in the field, organized thematically for the student and scholar, covering Classicism, Neoclassicism, the Enlightenment, Romanticism, and the Gothic * Includes German, French, and Italian essays appearing in English here for the first time * Features a general introduction and headnotes to each essay written by a renowned expert on architectural theory."

Note: MACHINE-GENERATED CONTENTS NOTE: Preface Acknowledgments General Introduction Part I Classicism and the Renaissance A. The Classical and Medieval Traditions Introduction 1. Vitruvius from De architectura,Book 1 (c.25 B.C.) 2. Vitruvius from De architectura, Book 2 (c.25 B.C.) 3. Vitruvius from De architectura, Book 3 (c.25 B.C.) 4. Vitruvius from De architectura, Book 4 (c.25 B.C.) 5. Old Testament from I Kings 6. Old Testament from The Book of Ezekiel (c.586 B.C.) 7. New Testament from The Revelation of Jesus Christ to Saint John (c.95 A.D.) 8. Abbot Suger from The Book of Suger, Abbot of Saint-Denis (c.1144) 9. William Durandus from Rationale divinorum officiorum (1286) B. Renaissance and Baroque Ideals Introduction 10. Antonio di Tuccio Manetti from The Life of Brunelleschi (1480s) 11. Leon Battista Alberti from De re aedificatoria, Prologue and Book I (1443-1452) 12. Leon Battista Alberti from De re aedificatoria, Book 6 13. Leon Battista Alberti from De re aedificatoria, Book 9 14. Il Filarete from Book I of untitled treatise on architecture (1461-3) 15. Il Filarete from Book VIII of untitled treatise on architecture 16. Sebastiano Serlio from Book 3, De antiquita (1540) 17. Giacomo Barozzi da Vignola from Preface to Regola delli cinque ordini d'architettura (1562) 18. Palladio from I quattro libri dell'architettura (1570) 19. Juan Bautista Villalpando from In: Ezekielem Explanationes (1604) 20. Georgio Vasari from Preface to Le vite de piu eccellenti architetti, pittori, et scultori italiani (1550, 1568) 21. Georgio Vasari from "Life of Michelangelo" in Le vite de piu eccellenti architetti, pittori, et scultori italiani (1550, 1568) 22. Peter Paul Rubens from Preface to Palazzi di Genova (1622) Part II. Classicism in France and Britain A. French Classicism: Ancients and Moderns Introduction 23. René Descartes from Regulae ad Directionen Ingenii (1628) 24. Roland Fréart de Chambray from Preface to Parallele de l'architecture antique et de la moderne (1650) 25. Paul Fréart de Chantelou from Diary of the Cavaliere Bernini's Visit to France (1665) 26. François Blondel from "Discours pronounce par Mr Blondel a l'ouverture de l'Academie d'Architecture" (1671) 27. François Blondel, from Cours d'architecture (1675) 28. René Ouvrard from Architecture harmonique (1677) 29. Claude Perrault, annotations to French translation of Les dix livres d'architecture de Vitruve (1673) 30. François Blondel from Cours d'architecture, Vol. II (1683) 31. Claude Perrault from Les dix livres d'architecture de Vitruve, second edition (1684) 32. Claude Perrault from Ordonnance des cinq espèces de colonnes selon la méthode des Anciens (1683) 33. Jean-François Félibien from Preface to Recueil historique de la vie et des ouvrages des plus célebres architectes (1687) 34. Charles Perrault from Preface to Parallèle des anciens et des modernes en ce qui regarde les arts et les sciences (1688) 35. Charles Perrault (1688-97) from "Dessin d'un portail pour l'Église de Sainte-Geneviève à Paris" (1697) 36. Michel de Frémin from Mémoires critiques d'architecture (1702) 37. Jean-Louis de Cordemoy from Nouveau traité de toute l'architecture (1706, 1714) B. British Classicism and Palladianism Introduction 38. Henry Wotton from The Elements of Architecture (1624) 39. Christopher Wren from Tract I on architecture (mid-1670s) 40. Christopher Wren from Tracts II and IV on architecture (mid-1670s) 41. Anthony Ashley Cooper, Third Earl of Shaftesbury from Characteristics of Men, Manners, Opinions, Times (1711) 42. Anthony Ashley Cooper, Third Earl of Shaftesbury from "A Letter Concerning Design" (1712) 43. Colin Campbell, Introduction to Vitruvius Britannicus, Vol. I (1715) 44. Nicholas Du Bois, Translator's Preface to The Architecture of A. Palladio (1715) 45. William Kent, "Advertisement"to The Designs of Inigo Jones (1727) 46. James Gibbs, Introduction to A Book of Architecture (1728) 47. Robert Morris from An Essay in Defence of Ancient Architecture (1728) 48. Alexander Pope from Of False Taste (1731) 49. Isaac Ware, "Advertisement" to Andrea Palladio: The Four Books of Architecture (1737) 50. Robert Morris from "An Essay upon Harmony" (1739) Part III Neoclassicism and the Enlightenment A. Early Neoclassicism Introduction 51. Johann Bernhard Fischer von Erlach from Preface to Entwurf einer historischen Architektur (1721) 52. Voltaire from Lettres philosophiques sur les anglais (1733) 53. Jacques-Gabriel Soufflot from "Mémoire sur les proportions de l'architecture" (1739) 54. Jacques-Gabriel Soufflot from "Mémoire sur l'architecture gothique" (1741) 55. Carlo Lodoli from Notes for a projected treatise on architecture (c.1740s) 56. Baron de Montesquieu from Preface to L'Esprit des Lois (1748) 57. Jean-Jacques Rousseau from Discours sur les sciences et les arts (1750) 58. Jean Le Rond D'Alembert from "Discours préliminaire des editeurs" (1751) 59. Jacques-François Blondel from "Architecture" in Diderot's Encyclopédie (1751) 60. Charles-Étienne Briseau from Preface to Traité du beau essentiel dans les arts (1752) 61. Marc-Antoine Laugier from Essai sur l'architecture (1753) 62. Marc-Antoine Laugier from Essai sur l'architecture (1753) 63. Isaac Ware from A Complete Body of Architecture, Chapter II (1756) 64. Isaac Ware from A Complete Body of Architecture, Chapter IX (1756) 65. William Chambers from A Treatise on Civil Architecture (1759) 66. William Chambers from A Treatise on the Decorative Part of Civil Architecture (1791) B. Greece and the Classical Ideal Introduction 67. James Stuart and Nicholas Revett from "Proposals for publishing an accurate description of the Antiquities of Athens" (1748) 68. Robert Wood and James Dawkins from The Ruins of Palmyra (1753) 69. Johann Joachim Winckelmann from Gedanken über die Nachahmung der griechischen Werke in der Mahlerey und Bildhauer-Kunst (1755) 70. Allan Ramsay from "A Dialogue on Taste" in The Investigator (1755) 71. Julien-David Leroy from Les Ruines des plus beaux monuments de la Grece (1758) 72. Julien-David Leroy from Les Ruines des plus beaux monuments de la Grece (1758) 73. James Stuart and Nicholas Revett from the Preface to The Antiquities of Athens (1762) 74. Johann Joachim Winckelmann from Geschichte der Kunst des Alterthums (1764) 75. Johann Joachim Winckelmann from Geschichte der Kunst des Alterthums (1764) 76. Johann Joachim Winckelmann from Geschichte der Kunst des Alterthums (1764) 77. Giovanni Battista Piranesi from Osservazioni sopra la letter de Monsieur Mariette (1765) 78. Giovanni Battista Piranesi from Parere su l'architettura (1765) 79. Giovanni Battista Piranesi from "An Apologetical Essay in Defence of the Egyptian and Tuscan Architecture" (1769) C. Character and Expression Introduction 80. Germain Boffrand from Livre d'architecture (1745) 81. Étienne Bonnot de Condillac from Essai sur l'origine des connaissances humaines (1746) 82. Julien-David Leroy from Histoire de la disposition et des formes differentes que les chréstiens ont données à leur temples (1764) 83. Jacques-François Blondel from Cours d'architecture (1771) 84. Nicolas Le Camus de Mézières from Le génie de l'architecture (1780) 85. Nicolas Le Camus de Mézières from Le génie de l'architecture (1780) 86. Jean-Louis Viel de Saint-Maux from Lettres sur l'architecture des anciens et celles des modernes (1787) 87. A. C. Quatremère de Quincy from Encyclopédie méthodique (1788) 88. Étienne-Louis Boullée from Architecture, essai sur l'art (c.1794) 89. Étienne-Louis Boullée from Architecture, Essai sur l'art (c.1794) 90. Claude Nicolas Ledoux from L'architecture considérée sous le rapport de l'art, des moeurs et de la législation (1804) 91. John Soane from Royal Academy Lectures on Architecture (V and XI; 1812-15 Part IV Theories of the Picturesque and Sublime A. Sources of the Picturesque Introduction 92. John Locke from An Essay Concerning Human Understanding (1690) 93. William Temple from "Upon the Gardens of Epicurus; or, of Gardening in the Year 1685" (1692

Language: English

Keywords: Edited volumes

UID:

Format: 1 online resource (xi, 624 pages) : , digital, PDF file(s).

ISBN: 9781139053587 (ebook)

Content: This is the fullest account to date of American poetry and literary criticism in the Modernist period. Andrew Dubois and Frank Lentricchia examine the work of Robert Frost, T. S. Eliot, Ezra Pound, and Wallace Stevens. They show how the conditions of literary production in a democratic, market-driven society forced the boldest of the Modernists to try to reconcile their need for commercial remuneration with their knowledge that their commitment to high art might never pay. Irene Ramalho Santos broadens the scope of the poetic scene through attention to a wide diversity of writers - with special emphasis on writers including Gertrude Stein, Marianne Moore, and Langston Hughes. William Cain traces both the rise of an internationalist academic aesthetics and the process by which the study of a distinctive national literature was instituted. Considered together, these three narratives convey the astonishing Modernist poetic achievement in its full cultural, institutional, and aesthetic complexity.

Note: Title from publisher's bibliographic system (viewed on 18 Nov 2015). , Acknowledgments; Introduction; Part I. Modernist Lyric in the Culture of Capital Andrew Dubois and Frank Lentricchia: 1. Anthologies and audience, genteel to modern; 2. Robert Frost; 3. Wallace Stevens; 4. T.S. Eliot; 5. Ezra Pound; Epilogue; Part II. Poetry in the Machine Age Irene Ramalho Santos: 1. Gertrude Stein: the poet as master of repetition; 2. William Carlos Williams: in search of a western dialect; 3. H.D.: a poet between worlds; 4. Marianne Moore: a voracity of contemplation; 5. Hart Crane: tortured with history; 6. Langston Hughes: the color of modernism; Part III. Literary Criticism William Cain: Preface; 1. Inventing American literature; 2. Intellectuals, cultural critics, men and women of letters; 3. Southerners, agrarians, and New Critics: the institutions of a modern criticism.

Additional Edition: Print version: ISBN 9780521301091

Language: English

URL: https://doi.org/10.1017/CHOL9780521301091

UID:

Format: 1 online resource (xi, 624 pages) : , digital, PDF file(s).

ISBN: 1-139-05358-2

Content: This is the fullest account to date of American poetry and literary criticism in the Modernist period. Andrew Dubois and Frank Lentricchia examine the work of Robert Frost, T. S. Eliot, Ezra Pound, and Wallace Stevens. They show how the conditions of literary production in a democratic, market-driven society forced the boldest of the Modernists to try to reconcile their need for commercial remuneration with their knowledge that their commitment to high art might never pay. Irene Ramalho Santos broadens the scope of the poetic scene through attention to a wide diversity of writers - with special emphasis on writers including Gertrude Stein, Marianne Moore, and Langston Hughes. William Cain traces both the rise of an internationalist academic aesthetics and the process by which the study of a distinctive national literature was instituted. Considered together, these three narratives convey the astonishing Modernist poetic achievement in its full cultural, institutional, and aesthetic complexity.

Note: Title from publisher's bibliographic system (viewed on 18 Nov 2015). , Acknowledgments; Introduction; Part I. Modernist Lyric in the Culture of Capital Andrew Dubois and Frank Lentricchia: 1. Anthologies and audience, genteel to modern; 2. Robert Frost; 3. Wallace Stevens; 4. T.S. Eliot; 5. Ezra Pound; Epilogue; Part II. Poetry in the Machine Age Irene Ramalho Santos: 1. Gertrude Stein: the poet as master of repetition; 2. William Carlos Williams: in search of a western dialect; 3. H.D.: a poet between worlds; 4. Marianne Moore: a voracity of contemplation; 5. Hart Crane: tortured with history; 6. Langston Hughes: the color of modernism; Part III. Literary Criticism William Cain: Preface; 1. Inventing American literature; 2. Intellectuals, cultural critics, men and women of letters; 3. Southerners, agrarians, and New Critics: the institutions of a modern criticism. , English

Additional Edition: ISBN 0-521-30109-2

Language: English

UID:

Format: 1 online resource

ISBN: 1-61376-696-3

Content: "Print culture expanded significantly in the nineteenth century due to new print technologies and more efficient distribution methods, providing literary critics, who were alternately celebrated and reviled, with an ever-increasing number of venues to publish their work. Adam Gordon embraces the multiplicity of critique in the period from 1830 to 1860 by exploring the critical forms that emerged. Prophets, Publicists, and Parasites is organized around these sometimes chaotic and often generative forms and their most famous practitioners: Edgar Allan Poe and the magazine review; Ralph Waldo Emerson and the quarterly essay; Rufus Wilmot Griswold and the literary anthology; Margaret Fuller and the newspaper book review; and Frederick Douglass's editorial repurposing of criticism from other sources. Revealing the many and frequently competing uses of criticism beyond evaluation and aesthetics, this insightful study offers a new vision of antebellum criticism, a new model of critical history, and a powerful argument for the centrality of literary criticism to modern life"--

Additional Edition: ISBN 1-62534-452-X

Language: English

UID:

Format: 1 online resource (XXII, 1058 p.)

ISBN: 9783110789164

Series Statement: Semiotics, Communication and Cognition [SCC] , 35

Content: Existential semiotics is a new paradigm which combines classical semiotics with continental philosophy. It does not mean a return to existentialism, albeit philosophers from Hegel and Kierkegaard to Heidegger, Jaspers and Sartre are its sources of inspiration. It introduces completely new sign categories and concepts to the field, recasting the whole of semiotics, communication and signification as integral to a transcendental art. The volume contains essays on music, the voice, silence, calligraphy, metaphysics, myth, aesthetics, entropy, cultural heritage, film, the Bible, among other subjects.

Note: Frontmatter -- , Preface to the anthology Transcending Signs -- , Contents -- , Figure list -- , Finnish Baroque of existential semiotics: Eero Tarasti’s musical synthesis of the voluptuous dance of signs -- , Above and beneath of existential semiotics? -- , Exact sciences and the semiotics of existence -- , Voice as transcendence and otherness -- , The Transcendental and the Transcendent -- , The metaphysical system of existential semiotics -- , Being, resistance and post-truth -- , From semiotic pragmatism to existential semiotics -- , Structural, yet existential -- , Prolegomena on the semiotics of silence (from Jankélévitch to Tarasti) -- , Myth, music and postmodernity -- , XX century philosophical paradigms of Japan and the West: A view from Greimassian perspective -- , Thought and consciousness in language as prerequisites for the existential-identity perception of the human self -- , Umwelt, Lebenswelt, Dasein & monde vécu – (de)constructing the semiotic cosmology of human existentiality -- , Aesthetics and human praxis. Notes on the existential semiotics of Eero Tarasti -- , Eero Tarasti, existential semiotics, music, and mind. On the existential and cognitive notions of situation -- , Cosmologies of life after Peirce, Heidegger and Darwin -- , Existential semiotics, semiosis and emotions -- , The Plane of Dasein. Existential Semiotics and the problem of the medium -- , Existential universals. Biosemiosis and existential semiosis -- , Memories of the body and pre-signity in music: Points of contact between Existential Semiotics and Globality of Languages -- , The existential question between musical and linguistic signification -- , Growth and entropy in semiosis: Signs coming full circle -- , Creativity in existential semiotics and psychoanalysis -- , Ethnomethodological, symbolic interactionist, semiotic and existential micro-foundations of research on institutions -- , “Disturbing quiet people” – on the hyper-bureaucratization and corporatization of universities -- , The modes of being inside (or outside) the value fragment: The application of Tarasti’s theory of subject, transcendence and modalities of self to the consumer research -- , Existential semiotics and sociology of music -- , Destruction of cultural heritages: The case of Jerusalem in the Light of Jeremiah’s prophecies -- , From identity to transcendence: A semiotic approach to the survival of the Carolingian cycle in the Brazilian cultural heritage -- , Saudade: A semiotic study of the cultural episteme of Brazilian existence -- , Semiolinguistic look on mythology, cultural history and meanings of places in Azerbaijan -- , Ludo Ergo Sum: Play, existentialism and the ludification of culture -- , Uncertain signifiers: ‘An Affective Phantasy’ in Jacopo Pontormo’s Joseph in Egypt -- , Existential being of an artist -- , An essay on the Persian calligraphy in the light of the theory of existential semiotics by Eero Tarasti -- , Transcending violence: Artistic interpretations of the myths of Kullervo from the Kalevala to Tero Saarinen -- , Existential soundtracks: Analysing semiotic meanings in minimalist and post-minimal music -- , Existential choices of existential signs. Love stories, structuralism, and existential semiotics -- , Exploration on the construction of existential semiotic theory of film criticism -- , The transcendent arithmetic of Jesus: An exercise in semiotic reading -- , Descriptions of death in the Book of Job -- , Memory in Eero Tarasti’s novel Europe/ Perhaps -- , Varieties of masculine subjectivity in the Finnish modern literature according to Eero Tarasti’s Zemic-model -- , H.P. Lovecraft’s subjectivity: an existential semiotic perspective -- , Structure and meaning in music. A dialogue with Greimas -- , Existential semiotics and musical hermeneutics: On musical sense advention -- , Lohengrin by Wagner. Existential narrative-analysis of the Prelude to act I -- , The emergence of individual subjects in Western music -- , Existential semiotics and correla(c)tivity of (non-conventional) music (Personal retrospection) -- , When a few Me-Tones meet: Beethoven à la russe -- , In the quest of compositional matrices for music themes concerning landscape: Exploring senses as a means for creative processes. Villa-Lobos and his existential signs -- , Musical arrangement and literary translation as signs: Preserving and renewing cultural heritages -- , Gustav Mahler’s Wunderhorn orchestral songs: A topical analysis and a semiotic square -- , Beyond the signs: Art and an artist’s life in Hector Berlioz’s Opus 14 -- , The singing body in a zemic approach: The case of Miguel Garrido -- , Notes on contributors -- , Person index -- , Subject index , Issued also in print. , In English.

Additional Edition: ISBN 9783110789201

Additional Edition: ISBN 9783110789041

Language: English

DOI: 10.1515/9783110789164

URL: https://doi.org/10.1515/9783110789164

URL: https://www.degruyter.com/isbn/9783110789164

UID:

Format: 1 online resource (XXII, 1058 p.)

ISBN: 9783110789164 , 9783111175782

Series Statement: Semiotics, Communication and Cognition [SCC] , 35

Content: Existential semiotics is a new paradigm which combines classical semiotics with continental philosophy. It does not mean a return to existentialism, albeit philosophers from Hegel and Kierkegaard to Heidegger, Jaspers and Sartre are its sources of inspiration. It introduces completely new sign categories and concepts to the field, recasting the whole of semiotics, communication and signification as integral to a transcendental art. The volume contains essays on music, the voice, silence, calligraphy, metaphysics, myth, aesthetics, entropy, cultural heritage, film, the Bible, among other subjects.

Note: Frontmatter -- , Preface to the anthology Transcending Signs -- , Contents -- , Figure list -- , Finnish Baroque of existential semiotics: Eero Tarasti's musical synthesis of the voluptuous dance of signs -- , Above and beneath of existential semiotics? -- , Exact sciences and the semiotics of existence -- , Voice as transcendence and otherness -- , The Transcendental and the Transcendent -- , The metaphysical system of existential semiotics -- , Being, resistance and post-truth -- , From semiotic pragmatism to existential semiotics -- , Structural, yet existential -- , Prolegomena on the semiotics of silence (from Jankélévitch to Tarasti) -- , Myth, music and postmodernity -- , XX century philosophical paradigms of Japan and the West: A view from Greimassian perspective -- , Thought and consciousness in language as prerequisites for the existential-identity perception of the human self -- , Umwelt, Lebenswelt, Dasein & monde vécu - (de)constructing the semiotic cosmology of human existentiality -- , Aesthetics and human praxis. Notes on the existential semiotics of Eero Tarasti -- , Eero Tarasti, existential semiotics, music, and mind. On the existential and cognitive notions of situation -- , Cosmologies of life after Peirce, Heidegger and Darwin -- , Existential semiotics, semiosis and emotions -- , The Plane of Dasein. Existential Semiotics and the problem of the medium -- , Existential universals. Biosemiosis and existential semiosis -- , Memories of the body and pre-signity in music: Points of contact between Existential Semiotics and Globality of Languages -- , The existential question between musical and linguistic signification -- , Growth and entropy in semiosis: Signs coming full circle -- , Creativity in existential semiotics and psychoanalysis -- , Ethnomethodological, symbolic interactionist, semiotic and existential micro-foundations of research on institutions -- , "Disturbing quiet people" - on the hyper-bureaucratization and corporatization of universities -- , The modes of being inside (or outside) the value fragment: The application of Tarasti's theory of subject, transcendence and modalities of self to the consumer research -- , Existential semiotics and sociology of music -- , Destruction of cultural heritages: The case of Jerusalem in the Light of Jeremiah's prophecies -- , From identity to transcendence: A semiotic approach to the survival of the Carolingian cycle in the Brazilian cultural heritage -- , Saudade: A semiotic study of the cultural episteme of Brazilian existence -- , Semiolinguistic look on mythology, cultural history and meanings of places in Azerbaijan -- , Ludo Ergo Sum: Play, existentialism and the ludification of culture -- , Uncertain signifiers: 'An Affective Phantasy' in Jacopo Pontormo's Joseph in Egypt -- , Existential being of an artist -- , An essay on the Persian calligraphy in the light of the theory of existential semiotics by Eero Tarasti -- , Transcending violence: Artistic interpretations of the myths of Kullervo from the Kalevala to Tero Saarinen -- , Existential soundtracks: Analysing semiotic meanings in minimalist and post-minimal music -- , Existential choices of existential signs. Love stories, structuralism, and existential semiotics -- , Exploration on the construction of existential semiotic theory of film criticism -- , The transcendent arithmetic of Jesus: An exercise in semiotic reading -- , Descriptions of death in the Book of Job -- , Memory in Eero Tarasti's novel Europe/ Perhaps -- , Varieties of masculine subjectivity in the Finnish modern literature according to Eero Tarasti's Zemic-model -- , H.P. Lovecraft's subjectivity: an existential semiotic perspective -- , Structure and meaning in music. A dialogue with Greimas -- , Existential semiotics and musical hermeneutics: On musical sense advention -- , Lohengrin by Wagner. Existential narrative-analysis of the Prelude to act I -- , The emergence of individual subjects in Western music -- , Existential semiotics and correla(c)tivity of (non-conventional) music (Personal retrospection) -- , When a few Me-Tones meet: Beethoven à la russe -- , In the quest of compositional matrices for music themes concerning landscape: Exploring senses as a means for creative processes. Villa-Lobos and his existential signs -- , Musical arrangement and literary translation as signs: Preserving and renewing cultural heritages -- , Gustav Mahler's Wunderhorn orchestral songs: A topical analysis and a semiotic square -- , Beyond the signs: Art and an artist's life in Hector Berlioz's Opus 14 -- , The singing body in a zemic approach: The case of Miguel Garrido -- , Notes on contributors -- , Person index -- , Subject index , Issued also in print. , Mode of access: Internet via World Wide Web. , In English.

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Additional Edition: ISBN 9783110789201

Additional Edition: ISBN 9783110789041

Language: English

DOI: 10.1515/9783110789164

URL: https://doi.org/10.1515/9783110789164

URL: https://www.degruyter.com/isbn/9783110789164

URL: Cover