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  • 1
    Book
    Book
    New York :Bookman,
    UID:
    almafu_BV005693906
    Format: 193 S.
    Note: Zugl.: New Haven, Univ., Diss., 1950
    Language: English
    Subjects: English Studies
    RVK:
    Keywords: 1572-1631 Donne, John ; Lyrik ; Hochschulschrift ; Hochschulschrift
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  • 2
    UID:
    almafu_BV003044050
    Format: XI,117 S.
    ISBN: 90-247-1551-2
    Series Statement: Archives internationales d'histoires des idées / Series minor 10
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures
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    Keywords: 1552-1630 Le printemps Aubigné, Théodore Agrippa d' ; Subjektivität ; Lyrik ; Subjektivität ; Symbol ; Buonarroti 1475-1564 Rime Michelangelo ; Subjektivität ; 1572-1631 Donne, John ; Lyrik ; Subjektivität ; Buonarroti 1475-1564 Michelangelo
    Author information: Altizer, Alma B. 1941-
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  • 3
    Book
    Book
    Cambridge [u.a.] :Cambridge Univ. Press,
    UID:
    almafu_BV010992980
    Format: X, 218 S. : Ill.
    Edition: 1. publ.
    ISBN: 0-521-48155-4
    Series Statement: Cambridge studies in Renaissance literature and culture 12
    Content: The historical construction of literary authorship has long been of particular interest to literary scholars. Yet an important aspect of the historical emergence of the author, the literary biography or "life of the poet" has received scant attention. In The emergence of the English author, Kevin Pask studies the early life-narratives of five now-canonical English poets: Geoffrey Chaucer, Philip Sidney, Edmund Spenser, John Donne and John Milton. By attending to the changing shape of the lives of these poets, Pask produces a history of the developing conception of literary authorship in England from the late medieval period to the end of the eighteenth century, and offers a long-term sociohistorical account of literary production. His book is the first full-scale history of the cultural construction of literary authority in early modern England.
    Language: English
    Subjects: English Studies
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    RVK:
    Keywords: Literarisches Leben ; Schriftsteller ; 1343-1400 Chaucer, Geoffrey ; Schriftsteller ; Soziale Situation ; 1554-1586 Sidney, Philip ; Schriftsteller ; Soziale Situation ; 1552-1599 Spenser, Edmund ; Schriftsteller ; Soziale Situation ; 1572-1631 Donne, John ; Schriftsteller ; Soziale Situation ; Biografie ; Biografie
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  • 4
    Online Resource
    Online Resource
    Suffolk :Boydell & Brewer
    UID:
    almahu_9948144225902882
    Format: 1 online resource (xix, 405 pages) : , digital, PDF file(s).
    ISBN: 9781787442566 (ebook)
    Series Statement: Aldeburgh studies in music ; volume 13
    Content: Britten is the most literary British composer of the twentieth century. His relationship to the many and varied texts that he set was deeply committed and sensitive. As a result, both his responses to poetry and his collaborations with his librettists tell us a great deal about his music, and often, about the man himself.
    Note: Title from publisher's bibliographic system (viewed on 31 Jul 2019). , Introduction / Kate Kennedy -- Britten and his librettists : the composer as auteur / Mervyn Cooke -- Britten, Auden and the 1930s / John Fuller -- James, Britten, Piper and the literary supernatural : the changing "vision of evil" in The turn of the screw and Owen Wingrave / Nick Clark -- "Thought's wildernesses" : the development of Britten's Nocturne from library to score / Kate Kennedy -- "Reading at intervals" : Britten's romantic poetry / Brian Young -- Britten's drops : the lyric into song / Rebekah Scott -- "Without any tune" : the role of the discursive shift in Britten's interpretation of poetry / Vicki P. Stroeher -- Britten and modern tragedy / Adrian Poole -- Settings from boyhood / Lucy Walker -- "Practical jokes" : Britten and Auden's Our hunting fathers revisited / Joanna Bullivant -- Choice and inevitability : the moral economy of Peter Grimes / Philip Ross Bullock -- Sin, death, and love : Britten's Holy sonnets of John Donne / David Fuller -- Britten's Donne meditation / Justin Vickers -- Scenes from Britten's Spring symphony / Philip Rupprecht -- "I have read Billy Budd" : the Forster-Britten reading(s) of Melville / Hanna Rochlitz -- Miles must die : ideological uses of "innocence" in Britten's The turn of the screw / J.P.E. Harper-Scott -- Benjamin Britten and medieval drama at Chester : from Abraham and Isaac to "The Nativity" / Peter Happe -- Ambiguous Venice / John Hopkins.
    Additional Edition: Print version: ISBN 9781783272853
    Language: English
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  • 5
    Online Resource
    Online Resource
    Philadelphia :University of Pennsylvania Press,
    UID:
    almahu_BV047145847
    Format: 1 Online-Ressource (234 Seiten).
    ISBN: 978-0-8122-9770-6
    Content: In The Erotics of Materialism, Jessie Hock maps the intersection of poetry and natural philosophy in the early modern reception of Lucretius and his De rerum natura. Subtly revising an ancient atomist tradition that condemned poetry as frivolous, Lucretius asserted a central role for verse in the practice of natural philosophy and gave the figurative realm a powerful claim on the real by maintaining that mental and poetic images have material substance and a presence beyond the mind or page. Attending to Lucretius's own emphasis on poetry, Hock shows that early modern readers and writers were alert to the fact that Lucretian materialism entails a theory of the imagination and, ultimately, a poetics, which they were quick to absorb and adapt to their own uses.Focusing on the work of Pierre de Ronsard, Remy Belleau, John Donne, Lucy Hutchinson, and Margaret Cavendish, The Erotics of Materialism demonstrates how these poets drew on Lucretius to explore poetry's power to act in the world. Hock argues that even as classical atomist ideas contributed to the rise of empirical scientific methodologies that downgraded the capacity of the human imagination to explain material phenomena, Lucretian poetics came to stand for a poetry that gives the imagination a purchase on the real, from the practice of natural philosophy to that of politics.In her reading of Lucretian influence, Hock reveals how early modern poets were invested in what Lucretius posits as the materiality of fantasy and his expression of it in a language of desire, sex, and love. For early modern poets, Lucretian eroticism was poetic method, and De rerum natura a treatise on the poetic imagination, initiating an atomist genealogy at the heart of the lyric tradition
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-0-8122-5272-9
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures , Ancient Studies
    RVK:
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    Keywords: v94-v55 De rerum natura Lucretius Carus, Titus ; Rezeption ; 1524-1585 Ronsard, Pierre de ; 1528-1577 Belleau, Remy ; 1572-1631 Donne, John ; 1620-1681 Hutchinson, Lucy ; 1624-1674 Newcastle, Margaret Cavendish of
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Cover
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  • 6
    Online Resource
    Online Resource
    Cambridge :Cambridge University Press,
    UID:
    almahu_9947415093602882
    Format: 1 online resource (xiii, 258 pages) : , digital, PDF file(s).
    ISBN: 9780511551680 (ebook)
    Content: In The Reinvention of Love Anthony Low argues that cultural, economic and political change transformed the way poets from Sidney to Milton thought and wrote about love. Examining the interface between social, political and economic practices and individual psyches, as reflected in literary texts, Professor Low illuminates the connections between material circumstances, perceptions, and ideals. Through detailed readings of the work of Sidney, Donne, Herbert, Crashaw, Carew, and Milton, he shows how from the late sixteenth century poets struggled to replace the older Petrarchan tradition with a form of love in harmony with a changing world, and to reconcile human love and sacred devotion. Donne fled the social world; Carew made new accommodations with it; Milton revised it. For Milton, sacred love, cut off from communal norms, verges on hatred, while married love takes on the burden of assuaging loneliness in a threatening world.
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015). , Preface -- Introduction -- Sir Philip Sidney: 'Huge desyre' -- John Donne: 'Defects of lonelinesse' -- John Donne: 'The Holy Ghost is amorous in his metaphors' -- George Herbert: 'The best love' -- Richard Crashaw: 'Love's delicious fire' -- Thomas Carew: 'Fresh invention' -- John Milton: 'Because we freely love' -- John Milton: 'Haile wedded love' -- Conclusion.
    Additional Edition: Print version: ISBN 9780521450300
    Language: English
    URL: Volltext  (lizenzpflichtig)
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  • 7
    Online Resource
    Online Resource
    Cambridge :Cambridge University Press,
    UID:
    almahu_9947414945702882
    Format: 1 online resource (xi, 320 pages) : , digital, PDF file(s).
    ISBN: 9781139028035 (ebook)
    Content: 'He who remembers or recollects, thinks' declared Francis Bacon, drawing attention to the absolute centrality of the question of memory in early modern Britain's cultural life. The vigorous debate surrounding the faculty had dated back to Plato at least. However, responding to the powerful influences of an ever-expanding print culture, humanist scholarship, the veneration for the cultural achievements of antiquity, and sweeping political upheaval and religious schism in Europe, succeeding generations of authors from the reign of Henry VIII to that of James I engaged energetically with the spiritual, political and erotic implications of remembering. Treating the works of a host of different writers from the Earl of Surrey, Katharine Parr and John Foxe, to William Shakespeare, Mary Sidney, Ben Jonson and Francis Bacon, this study explores how the question of memory was intimately linked to the politics of faith, identity and intellectual renewal in Tudor and early Stuart Britain.
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015). , Introduction: 'the dark backward and abyss of time' -- 1. 'To seke the place where I my self hadd lost': acts of memory in the poetry of Henry Howard, the Earl of Surrey -- 2. 'Remembre not (lorde) myne offences': Katherine Parr and the politics of recollection -- 3. 'Better a few things well pondered, than to trouble the memory with too much': troubling memory and martyr in Foxe's Acts and Monuments -- 4. Text, recollection and Elizabethan fiction: Nashe, Deloney, and Gascoigne -- 5. The doleful Clorinda? Mary Sidney, Countess of Pembroke, and the vocation of memory -- 6. 'Tell me, where all past yeares are': John Donne and the obligations of memory -- 7. 'Of all the powers of the mind ... the most delicate and fraile': the poetry of Ben Jonson and the renewal of memory -- 8. 'This art of memory': Francis Bacon, memory and the discourses of power.
    Additional Edition: Print version: ISBN 9780521761215
    Language: English
    Subjects: English Studies
    RVK:
    RVK:
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
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  • 8
    Online Resource
    Online Resource
    Cambridge :Cambridge University Press,
    UID:
    almahu_9947414634102882
    Format: 1 online resource (ix, 289 pages) : , digital, PDF file(s).
    ISBN: 9780511758546 (ebook)
    Content: Stanley Fish, one of the foremost critics of literature working today, has spent much of his career writing and thinking about Milton. This book brings together his finest published work with brand new material on Milton and on other authors and topics in early modern literature. In his analyses of Renaissance texts, he meditates on the interpretive problems that confront readers and offers a sustained critique of historicist methods of interpretation. Intention, he argues, is key to understanding which pieces of historical data are relevant to literary criticism. Lucid, provocative, direct and inimitable, this new book from Stanley Fish is required reading for anyone teaching or studying Milton and early modern literary studies.
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015). , Machine generated contents note: Introduction; Part I. Milton: 1. The Brenzel lectures; 2. To the pure all things are pure: law, faith and interpretation in the prose and poetry of John Milton; 3. 'There is nothing he cannot ask': Milton, liberalism, and terrorism; 4. Why Milton matters, or against historicism; 5. Milton in popular culture; 6. How the reviews work; 7. The New Milton criticism; Part II. Early Modern Literature: 8. Void of storie: the struggle for insincerity in Herbert's prose and poetry; 9. Authors-readers: Jonson's community of the same; 10. Marvell and the art of disappearance; 11. Masculine persuasive force: Donne and verbal power; 12. How Hobbes works; Index.
    Additional Edition: Print version: ISBN 9781107003057
    Language: English
    Subjects: English Studies
    RVK:
    URL: Volltext  (lizenzpflichtig)
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  • 9
    Online Resource
    Online Resource
    Cambridge :Cambridge University Press,
    UID:
    almahu_9947415141802882
    Format: 1 online resource (ix, 275 pages) : , digital, PDF file(s).
    ISBN: 9780511761089 (ebook)
    Content: Becoming a father was the main way that an individual in the English Renaissance could be treated as a full member of the community. Yet patriarchal identity was by no means as secure as is often assumed: when poets invoke the idea of paternity in love poetry and other forms, they are therefore invoking all the anxieties that a culture with contradictory notions of sexuality imposed. This study takes these anxieties seriously, arguing that writers such as Sidney and Spenser deployed images of childbirth to harmonize public and private spheres, to develop a full sense of selfhood in their verse, and even to come to new accommodations between the sexes. Shakespeare, Donne and Jonson, in turn, saw the appeal of the older poets' aims, but resisted their more radical implications. The result is a fiercely personal yet publicly-committed poetry that wouldn't be seen again until the time of the Romantics.
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015). , Machine generated contents note: 1. Presumptive fathers; 2. Uncertain paternity: the indifferent ideology of patriarchy; 3. The childish love of Philip Sidney and Fulke Greville; 4. Spenser's timely fruit: generation in The Faerie Queene; 5. 'We desire increase': Shakespeare's non-dramatic poetry; 6. John Donne's rhetorical contraception; 7. 'To propagate their names': Ben Jonson as poetic godfather; Coda: Sons.
    Additional Edition: Print version: ISBN 9780521191104
    Language: English
    Subjects: English Studies
    RVK:
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
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  • 10
    UID:
    gbv_1097740137
    Note: Anfangs: Gary A. Stringer, gen. ed , Später: Jeffrey S. Johnson, general editor
    Language: English
    Subjects: English Studies
    RVK:
    Keywords: Donne, John 1572-1631 ; Donne, John 1572-1631 Holy sonnets ; Kommentar
    Author information: Donne, John 1572-1631
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