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  • 1
    UID:
    almahu_BV006236107
    Format: XV,315 S.
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures
    RVK:
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  • 2
    UID:
    kobvindex_ZLB12160995
    Format: XV, 315 Seiten
    Edition: 1
    Language: German
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  • 3
    UID:
    almafu_BV026602769
    Format: XV, 315 S.
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures
    RVK:
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  • 4
    Online Resource
    Online Resource
    Abingdon, Oxon ; : Routledge,
    UID:
    almahu_9949385278502882
    Format: 1 online resource.
    ISBN: 9781003042358 , 100304235X , 9781000539127 , 1000539121 , 9781000539165 , 1000539164
    Series Statement: Routledge contemporary Russia and Eastern Europe series
    Content: "This book explores how queerness and representations of queerness in media and culture are responding to the shifting socio-political, cultural and legal conditions in post-Soviet Russia, especially in the light of the so-called "anti-gay" law of 2013. Based on extensive original research, the book outlines developments historically both before and after the fall of the Soviet Union and provides the background to the 2013 law. It discusses the proliferating alternative visions of gender and sexuality, which are increasingly prevalent in contemporary Russia. The book considers how these are represented in film, personal diaries, photography, theatre, protest art, fashion and creative industries, web series, news media and how they relate to the "traditional values" rhetoric. Overall, the book provides a rich and detailed, yet complex insight into the developing nature of queerness in contemporary Russia"--
    Note: Introduction: Queering Russian media and culture Galina Miazhevich 1. Queer First-person Life Writing in Post-Soviet Russia: Between Symbol and Secret Brian James Baer 2. Queer Readings of Soviet Children's Films, 1931-1954 Alexandra Ihnatovich 3. Representations of Female Masculinity in Soviet History, or Visibility of Diversity Through Art Practice Victoria Suvoroff 4. Transgression and the Social Body in Petr Pavlensky and Seroe Fioletovoe's Political Performance Art Alice Underwood 5. A Quare Story of the North Caucasian Lesbian and Trans Women in the Staging of The Voices Tatiana Klepikova 6. Russia as the West's Queer Other: Gosha Rubchinskiy's Politics of Fashion Maria Engström 7. Queer Economics: Worlds, Appearances, and the Symbolic Exchange Vlad Strukov 8. Lesbian love stories and online popular culture: the case of web series Saara Ratilainen 9. Queering #MeToo: Russian media discourse on same-sex sexual harassment in the context of a global anti-harassment movement Olga Andreevskikh Afterword: Making Russia Queerer, or the Strange Paradox of President Putin's Incitement to Discourse Dan Healey
    Additional Edition: Print version: Queering Russian media and culture New York, NY : Routledge, 2022 ISBN 9780367487065
    Language: English
    Keywords: Electronic books. ; History.
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  • 5
    Online Resource
    Online Resource
    London :Palgrave Macmillan UK :
    UID:
    edoccha_9958131409402883
    Format: 1 online resource
    Edition: 1st ed. 2016.
    ISBN: 1-137-45427-X
    Content: This volume gathers contributions from a range of international scholars and geopolitical contexts to explore why people organise themselves into performance communities in sites of crisis and how performance – social and aesthetic, sanctioned and underground – is employed as a mechanism for survival. The chapters treat a wide range of what can be considered 'survival', ranging from sheer physical survival, to the survival of a social group with its own unique culture and values, to the survival of the very possibility of agency and dissent. Performance as a form of political resistance and protest plays a large part in many of the essays, but performance does more than that: it enables societies in crisis to continue to define themselves. By maintaining identities that are based on their own chosen affiliations and not defined solely in opposition to their oppressors, individuals and groups prepare themselves for a post-crisis future by keeping alive their own notions of who they are and who they hope to be.
    Note: Description based upon print version of record. , Introduction: performing (for) survival: frameworks and mapping / Patrick Duggan and Lisa Peschel -- Surviving war and exile: national and ethnic identity in performance. Surviving (with) theatre: a history of the elf and eplf cultural troupes in the Eritrean War of Independence / Christine Matzke -- Theatre for survival: art of creation and protection (kubunda) / Ananda Breed and Alice Mukaka -- A space where something might survive: theatre in concentration camps. The cultural life of the Terezin Ghetto in 1960s survivor testimony: theatre, trauma and resilience / Lisa Peschel -- Imagining theatre in Auschwitz: performance, solidarity and survival in the works of Charlotte Delbo / Amanda Stuart Fisher -- Tactics and strategies: dissent under oppressive regimes. Swazzles of subversion: puppets under dictatorship / Cariad Astles -- Against order[s]: dictatorship, absurdism, and the plays of Sony Labou Tansi / Macelle Mahala -- Surviving censorship: El-Hakawati's Mahjoob mahjoob and the struggle for the permission to perform / Samer al-Saber -- Coming in from the outside: theatre, community, crisis. The council estate as hood: SPID Theatre Company and grass-roots arts practice as cultural politics / Katie Bbeswick -- The art of survival: social circus, youth regeneration and projected community in the North East of Scotland / Graham Jeffery, Neill Patton, Kerrie Schaefer and Tom Wakeford -- Crisis and extremity as performance. The paradox of dis/appearance: Hunger strike in Athens as a performance of survival / Aylwyn Walsh -- "Dis-ease" and the performance of radical resistance in the Maze Prison / Patrick Duggan -- Coda: "Je suis Charlie": the afterlife of inspiration / Sophie Nield.
    Additional Edition: ISBN 1-349-56857-0
    Additional Edition: ISBN 1-137-45426-1
    Language: English
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  • 6
    UID:
    almahu_9948017375302882
    Format: XVII, 339 p. 20 illus., 12 illus. in color. , online resource.
    ISBN: 9783319988931
    Content: This book assembles texts by renowned academics and theatre artists who were professionally active during the wars in former Yugoslavia. It examines examples of how various forms of theatre and performance reacted to the conflicts in Serbia, Croatia, Bosnia and Herzegovina, Slovenia, and Kosovo while they were ongoing. It explores state-funded National Theatre activities between escapism and denial, the theatre aesthetics of protest and resistance, and symptomatic shifts and transformations in the production of theatre under wartime circumstances, both in theory and in practice. In addition, it looks beyond the period of conflict itself, examining the aftermath of war in contemporary theatre and performance, such as by considering Ivan Vidić’s war trauma plays, the art campaigns of the international feminist organization Women in Black, and Peter Handke’s play Voyage by Dugout. The introduction explores correlations between the contributions and initiates a reflection on the further development of the research field. Overall, the volume provides new perspectives and previously unpublished research in the fields of theory and historiography of theatre, as well as Southeast European Studies.
    Note: 1. Introduction -- 2. Testimony: Borka PAVIĆEVIĆ -- 3. Irena ŠENTEVSKA: Stages of Denial: State-funded Theatres in Serbia and the Yugoslav Wars -- 4. Senad HALILBAŠIĆ: Bosnia and Herzegovina's National Theatres in the Context of Language Politics During the War -- 5. Testimony: Amela KRESO -- 6. Jeton NEZIRAJ: Theatre as Resistance. The Dodona Theatre in Kosovo -- 7. Ksenija RADULOVIĆ: War Discourse on Institutional Stages: Serbian Theatre 1991-1995 -- 8. Jana DOLEČKI: Theatre on the Front Lines: Ad Hoc Cabaret in Croatia, 1991–1992 -- 9. Lada ČALE FELDMAN: Within and Beyond Theatre: President Tuđman's Birthday Celebration at the Croatian National Theatre in Zagreb -- 10. Testimony: Snježana BANOVIĆ -- 11. Milena DRAGIĆEVIĆ ŠEŠIĆ: Culture of Dissent, Art of Rebellion: The Psychiatric Hospital as a Theatre Stage in the Work of Zorica Jevremović -- 12. Ana DEVIĆ: Theatre of Diversity and Avant-Garde in Late Socialist Yugoslavia and Beyond: Paradoxes of the Disintegration and Cultural Subversion -- 13. Testimony: Borut ŠEPAROVIĆ -- 14. Barbara OREL: The Theatre Exchange between Slovenia and the Republics of Former Yugoslavia in the 1990s -- 15. Branislav JAKOVLJEVIĆ: Peter Handke’s River Journeys: Fording the Stream of Conscience -- 16. Testimony: Nihad KREŠEVLJAKOVIĆ -- 17. Darko LUKIĆ: Strategies for Challenging Official Mythologies in War Trauma Plays: The Croatian Playwright Ivan Vidić -- 18. Aleksandra JOVIĆEVIĆ: Postmodern Antigones: Women in Black and the Performance of Involuntary Memory -- 19. Testimony: Dino MUSTAFIĆ.
    In: Springer eBooks
    Additional Edition: Printed edition: ISBN 9783319988924
    Additional Edition: Printed edition: ISBN 9783319988948
    Language: English
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