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  • Staatliche Museen  (3)
  • SB Storkow
  • SB Rathenow
  • Grünes Gedächtnis
  • SB Golßen
  • Licensed  (3)
  • 1
    UID:
    almahu_9949701705802882
    Format: 1 online resource.
    ISBN: 9789004395107
    Series Statement: Yearbook of the Research Centre for German and Austrian Exile Studies, volume 19
    Content: Yearbook Volume 19 continues an investigation which began with Arts in Exile in Britain 1933-45 (Volume 6, 2004). Twelve chapters, ten in English and two in German, address and analyse the significant contribution of émigrés across the applied arts, embracing mainstream practices such as photography, architecture, advertising, graphics, printing, textiles and illustration, alongside less well known fields of animation, typography and puppetry. New research adds to narratives surrounding familiar émigré names such as Oskar Kokoschka and Wolf Suschitzky, while revealing previously hidden contributions from lesser known practitioners. Overall, the volume provides a valuable addition to the understanding of the applied arts in Britain from the 1930s onwards, particularly highlighting difficulties faced by refugees attempting to continue fractured careers in a new homeland. Contributors are: Rachel Dickson, Burcu Dogramaci, Deirdre Fernand, Fran Lloyd, David Low, John March, Sarah MacDougall, Anna Nyburg, Pauline Paucker, Ines Schlenker, Wilfried Weinke, and Julia Winckler.
    Note: Front Matter -- , Copyright Page -- , Dedication -- , Acknowledgments -- , List of Illustrations -- , Notes on Contributors -- , Introduction 1 / , 1 New Homes in a Foreign Country. Bauen und Wohnen im britischen Exil der 1930er Jahre 6 / , 2 Peter Moro and the Men from Mars 27 / , 3 Women Exile Photographers 49 / , 4 "Quite content to be called a good craftsman" - an Exploration of some of Wolf Suschitzky's Extensive Contributions to the Field of Applied Photography between 1935 and 1955 67 / , 5 Navigating Wolf Suschitzky's Charing Cross Road  93 / , 6 "It is the spaces between the notes that give the sound". Von Hamburg, über London, New York nach Australien: Der Fotograf Francis Reiss 107 / , 7 Drawing for Radio Times: the Contribution of Émigré Artists 132 / , 8 "The Craftsman's Sympathy": Bernhard Baer, Ganymed and Oskar Kokoschka's King Lear  150 / , 9 Typographers in Exile 176 / , 10 Making Animation Matter: Peter Sachs Comes to Britain 191 / , 11 Textile in Exile: Refugee Textile Surface Designers in Britain 212 / , 12 "The Man from the Bauhaus": the Lost Career of Werner 'Jacky' Jackson 229 / , Back Matter -- , Index. , English and German.
    Additional Edition: Print version: Applied Arts in British Exile from 1933: Changing Visual and Material Culture Leiden ; Boston : Brill | Rodopi, [2019], ISBN 9789004395091
    Language: English
    Subjects: Art History
    RVK:
    Keywords: Aufsatzsammlung ; Aufsatzsammlung
    URL: DOI:
    URL: DOI
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  • 2
    UID:
    gbv_1656048957
    Format: VII, 200, 39 S. , Ill., graph. Darst., Kt.
    Edition: Online-Ausg. 2013 Online-Ressource Ebook-Paket Oldenbourg/Akademie. Altertum
    ISBN: 9783050058283
    Series Statement: Amorium reports 4
    Content: Biographical note: Constantina Katsari ist Dozentin für Alte Geschichte an der School of Archaeology and Ancient History an der Universität Leicester. Christopher S. Lightfoot ist Kurator am Institut für griechische und römische Kunst am Metropolitan Museum of Art in New York und Leiter des Amorium Excavations Project. Adil Özme ist Archäologe und Forscher in der Generaldirektion Kulturelles Erbe und Museen des Ministeriums für Kultur und Tourismus in Ankara sowie Lehrbeauftragter für Kunstgeschichte an der Universität Ankara, Fachbereich Restaurierung und Konservierung (Baskent Meslek Yüksekokulu).
    Content: This fourth volume in the Amorium Monograph Series is devoted to the numismatic evidence from the ancient and mediaeval city of Amorium in central Anatolia (Turkey). It comprises two distinct parts. In Section 1 the city mint of Amorium is discussed and illustrated by a chronological and typological catalogue of known specimens. The city mint flourished from the Late Republican period until the reign of the emperor Caracalla. In Sections 2 and 3 there is a catalogue of some 730 coins dating from Hellenistic to Ottoman times that have been found at the site between 1987 and 2006. The majority of these finds belong to the Byzantine period between the reigns of Anastasius I and Alexius I and provide confirmation of the city’s enduring importance and economic vitality as the capital of the Anatolic Theme.
    Additional Edition: ISBN 9783050058290
    Additional Edition: ISBN 9783050058283
    Additional Edition: ISBN 9783050102023
    Additional Edition: Erscheint auch als Druck-Ausgabe The Amorium mint and the coin finds Berlin : Akad.-Verl., 2012 ISBN 9783050058283
    Additional Edition: ISBN 3050058285
    Language: German
    Subjects: History
    RVK:
    Keywords: Münze ; Geschichte 323 v. Chr.-1774 ; Funde ; Amorion ; Geschichte 1987-2006 ; Amorion ; Römerzeit ; Münzstätte ; Verzeichnis
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Cover
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  • 3
    Online Resource
    Online Resource
    London ; New York ; Oxford ; New Delhi ; Sidney :Bloomsbury Visual Arts,
    UID:
    almahu_BV047068725
    Format: 1 Online-Ressource (xxviii, 181 Seiten) : , Illustrationen.
    ISBN: 978-1-5013-4709-2 , 978-1-5013-4708-5
    Series Statement: Visual cultures and German contexts
    Content: "Photography and fascism in interwar Europe developed into a highly toxic and combustible formula. Particularly in concert with aggressive display techniques, the European fascists were utterly convinced of their ability to use the medium of photography to manufacture consent among their publics. Unfortunately, as we know in hindsight, they succeeded. Other dictatorial regimes in the 1930s harnessed this powerful combination of photography and exhibitions for their own odious purposes. But this book, for the first time, focuses on the particularly consequential dialectic between Germany and Italy in the early-to-mid 1930s, and within each of those countries vis-à-vis display culture. The 1930s provides a potent case study for every generation, and it is as urgent as ever in our global political environment to deeply understand the central role of visual imagery in what transpired. Photofascism demonstrates precisely how dictatorial regimes use photographic mass media, methodically and in combination with display, to persuade the public with often times highly destructive-even catastrophic-results."
    Note: Includes bibliographical references and index. - Last stop before photofascism : activist photo spaces and the exhibition of the Building Workers Unions, Berlin, 1931 -- "Acting on the visitor's mind" : the Exhibition of the Fascist Revolution, Rome, 1932 -- Nazis in ascendance : Die Kamera, Berlin, 1933 -- "A fundamental irony" : international art in the age of nationalism at the Venice International Film Festivals 1932-36 -- Both/And : German and Italian photography exhibitions in 1936-37 -- Epilogue : Hegemony to terror, 1938-1942 & visual culture in the 21st century
    Additional Edition: Erscheint auch als Druck-Ausgabe, hardback ISBN 978-1-5013-4706-1
    Language: English
    Subjects: General works
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Fotografie ; Film ; Nationalsozialismus ; Faschismus ; Propaganda ; Museumskunde ; Ausstellung ; Nationalsozialismus ; Faschismus ; Propaganda ; Electronic books
    URL: Volltext  (URL des Erstveröffentlichers)
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