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  • Filmuniversität Babelsberg  (4)
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  • Filmuniversität Babelsberg  (4)
  • AFZ
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  • Stiftung Fürst-Pückler-Museum
  • GB Fredersdorf-Vogelsdorf
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  • Lizenziert  (4)
  • 1
    Online-Ressource
    Online-Ressource
    Manchester, UK : Manchester University Press
    UID:
    b3kat_BV048724691
    Umfang: 1 online resource (272 pages) , digital, PDF file(s)
    ISBN: 9781526125439
    Inhalt: The first book devoted to the study of horror film and adaptation. Comprised of essays by top scholars in the field, this anthology includes analyses of such under-examined films as Thomas Edison’s Frankenstein, John Barrymore’s Jekyll and Hyde, Jean Epstein’s La Chute de la maison Usher, Gus van Sant’s Psycho and Guillermo de Toro’s Cronos
    Inhalt: Consists of completely original essays by top scholars in the field of horror film analysis and adaptation studies. This book engages with an impressive range of horror texts, from the earliest silent horror films through to important contemporary phenomena, such as Japanese horror cinema. Offers significant insights into cinematic adaptations of horror literature by H.P. Lovecraft, Edgar Allen Poe, and Clive Barker
    Inhalt: The fifteen groundbreaking essays contained in this book address the concept of adaptation in relation to horror cinema. Adaptation is not only a key cultural practice and strategy for filmmakers, but it is also a theme of major importance within horror cinema as a hole. The history of the genre is full of adaptations that have drawn from fiction or folklore, or that have assumed the shape of remakes of pre-existing films. The horror genre itself also abounds with its own myriad transformations and transmutations.〈BR〉〈BR〉The essays within this volume engage with an impressive range of horror texts, from the earliest silent horror films by Thomas Edison and Jean Epstein through to important contemporary phenomena, such as the western appropriation of Japanese horror motifs. Classic works by Alfred Hitchcock, David Cronenberg and Abel Ferrara receive cutting-edge re-examination, as do unjustly neglected works by Mario Bava, Guillermo del Toro and Stan Brakhage
    Anmerkung: Includes bibliographical references and index , Monstrous adaptation -- an introduction – Richard J. Hand and Jay McRoy〈BR〉PART I: From page to scream: literary adaptation and horror cinema〈BR〉1. Paradigms of metamorphosis and transmutation: Thomas Edison’s Frankenstein and John Barrymore’s Jekyll and Hyde – Richard J. Hand〈BR〉2. Painting the life out of her: aesthetic integration and disintegration in Jean Epstein’s La Chute de la maison Usher – Guy Crucianelli〈BR〉3. The unfilmable? H. P. Lovecraft and the cinema – Julian Petley〈BR〉4. Imperfect geometry: identity and culture in Clive Barker’s ‘The Forbidden’ and Bernard Rose’s Candyman – Brigid Cherry〈BR〉PART II: Re-imaginings and re-articulations: thematic adaptation in contemporary horror cinema〈BR〉5. Out from the realist underground; or, the Baron of Blood visits Cannes: recursive and self-reflexive patterns in David Cronenberg’s Videodrome and eXistenZ – Steffen Hantke〈BR〉6. , ‘These Children That You Spit On -- horror and generic hybridity – Andy W. Smith〈BR〉7. ‘Our Reaction Was Only Human’: monstrous becomings in Abel Ferrara's Body Snatchers – Jay McRoy〈BR〉PART III: From avant garde to exploitation: cinematic experiments as monstrous adaptation〈BR〉8. Adapting the occult: horror and the avant garde in the cinema of Stan Brakhage and Ken Jacob – Marianne Shaneen〈BR〉9. The Gorgon: adapting classical myth as gothic romance – I. Q. Hunter〈BR〉10. Marion Crane dies twice – Murray Pomerance〈BR〉PART IV: Displacements and border crossings: horror cinema and transcultural adaptation〈BR〉11. Adapting legends: urban legends and their adaptation in horror cinema – Mikel J. Koven〈BR〉12. Fulcanelli as a vampiric Frankenstein and Jesus as his vampiric Monster: the Frankenstein and Dracula myths in Guillermo del Toro’s Cronos – Brad O’Brien〈BR〉13. , Gothic horrors, family secrets and the patriarchal imperativ -- the early horror films of Mario Bava – Reynold Humphries〈BR〉14. ‘In the Church of the Poison Mind’: adapting the metaphor of psychopathology to look back at the mad, monstrous 80s – Ruth Goldberg〈BR〉15. ‘Everyone Will Suffer’: national identity and the spirit of subaltern vengeance in Nakata Hideo’s Ringu and Gore Verbinski’s The Ring – Linnie Blake
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Online-Ressource
    Online-Ressource
    Manchester, UK : Manchester University Press
    UID:
    b3kat_BV048724692
    Umfang: 1 online resource (208 pages) , illustrations (black & white); digital, PDF file(s)
    ISBN: 9781526125477
    Inhalt: This book offers an appreciation of all of Fisher's films
    Inhalt: Fisher made most of the classic Hammer horrors in the 1950s and 60s including The Curse of Frankenstein and Dracula. He also had success with Gainsborough melodramas and science-fiction including The Earth Dies Screaming. Hutchings treats the Hammer horrors seriously and points out levels of complexity that have been overlooked by previous criticism. Through this book Hutchings offers a picture of Fisher's whole career while acknowledging his accomplishments as a horror-master
    Inhalt: Terence Fisher is best known as the director who made most of the classic Hammer horrors – including The Curse of Frankenstein, Dracula and The Devil Rides Out. But there is more to Terence Fisher than Hammer horror. In a busy twenty-five-year career, he directed fifty films, not just horrors but also thrillers, comedies, melodramas and science-fiction. This book offers an appreciation of all of Fisher's films and also gives a sense of his place in British film history. 〈BR〉〈BR〉Looking at Fisher’s career as a whole not only underlines his importance as a film-maker but also casts a new, interesting light on the areas in which he worked – Gainsborough melodrama, the 1950s B film, 1960s science-fiction and, of course, Hammer, one of the most successful independent film companies in the history of British cinema
    Anmerkung: Includes bibliographical references and index , 1. Introduction〈BR〉2. Fisher before horror〈BR〉3. The horror ma -- 1957–62〈BR〉4. Highs and lows: 1962–72〈BR〉Conclusion〈BR〉Filmography〈BR〉Select bibliography〈BR〉Index
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    Online-Ressource
    Online-Ressource
    Manchester, UK : Manchester University Press
    UID:
    b3kat_BV048724693
    Umfang: 1 online resource (288 pages) , illustrations (black & white); digital, PDF file(s)
    ISBN: 9781526125514
    Inhalt: This book is the most sustained and comprehensive examination to date of one of cinema’s most challenging and lauded auteur. It proposes new ways of seeing Gilliam and his films that go beyond reductive readings of him as a gifted but manic fantasist. It analyses Gilliam’s work over nearly four decades, from Monty Python, to Brazil and Tideland
    Inhalt: By investigating his work through a variety of lenses, including auterism, genre, adaptation, the grotesque and the gothic, the book opens up new ways of seeing Gilliam that go beyond that reductive figure, the gifted but manic fantasist. This book considers his work at greater length and in more detail than any previous study. It gives substantial critical space to Gilliam’s work in the Monty Python troupe, both on cinema and film and provides detailed readings of all his major work from television’s Monty Python’s Flying Circus to the controversial film Tideland. Situates Gilliam’s television and film work within the cinematic and broader cultural contexts of Britain, Europe and the US.
    Inhalt: Terry Gilliam presents a sustained examination of one of cinema's most challenging and lauded auteurs, proposing fresh ways of seeing Gilliam that go beyond reductive readings of him as a gifted but manic fantasist. Analysing Gilliam's work over nearly four decades, from the brilliant anarchy of his Monty Python animations through the nightmarish masterpiece Brazil to the provocative Gothic horror of Tideland, it critically examines the variety and richness of Gilliam's sometimes troubled but always provocative output. 〈BR〉The book situates Gilliam within the competing cultural contexts of the British, European and American film industries, examining his regular struggles against aesthetic and commercial pressures. He emerges as a passionate, immensely creative director, whose work encompasses a dizzying array of material: anarchic satire, childhood and adult fantasy, dystopia, romantic comedy, surrealism, road movie, fairy tale and the Gothic. The book charts how Gilliam interweaves these genres and forms to create magical interfaces between reality and the illuminating, frightening but liberating worlds of the imagination. 〈BR〉Scrutinising the neglected importance of literature and adaptation in Gilliam's career, this study also observes him through the lenses of auteurism, genre, performance, design and national culture, explaining how someone born in Minnesota and raised in California came to be one of British television and film's most compelling figures
    Anmerkung: Includes bibliographical references and index , List of plates〈BR〉Series editors’ foreword〈BR〉Acknowledgements〈BR〉1. Introduction〈BR〉2. Something completely different〈BR〉3. Monsters and gods〈BR〉4. Time and meaning〈BR〉5. Dreams, fantasies and nightmares〈BR〉6. Pasts, presents and futures in America〈BR〉7. Transatlantic Gonzo 〈BR〉8. Fairy tales, nightmares and fantasies〈BR〉Filmography〈BR〉Bibliography〈BR〉Index
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 4
    Online-Ressource
    Online-Ressource
    Manchester, UK : Manchester University Press
    UID:
    b3kat_BV048724694
    Umfang: 1 online resource (224 pages) , illustrations (black & white); digital, PDF file(s)
    ISBN: 9781526125736
    Inhalt: Films and trends discussed include: the period film and Picnic at Hanging Rock; the Gothic film and the Mad Max trilogy; camp and kitsch comedy and the Adventures of Pricilla, Queen of the Desert. The evolution of the film genres peculiar to Australia, and the adaptation of conventional Hollywood forms (such as the musical and the road movie) are examined in detail through textual readings of landmark films. The key issue of the revival (the definition, representation and propagation of a national image) is woven through analysis of the new Australian cinema :Traces the development of Australian film, in terms of prominent directors and stars, consistent themes, styles and evolving genres
    Inhalt: Provides an introduction to the products and context of the new Australian film industry which arose toward the end of the 1960s. Traces the development of Australian film, in terms of prominent directors and stars, consistent themes, styles and evolving genres. The evolution of the film genres peculiar to Australia, and the adaptation of conventional Hollywood forms (such as the musical and the road movie) are examined in detail through textual readings of landmark films. Films and trends discussed include: the period film and Picnic at Hanging Rock; the Gothic film and the Mad Max trilogy; camp and kitsch comedy and the Adventures of Pricilla, Queen of the Desert. The key issue of the revival (the definition, representation and propagation of a national image) is woven through analysis of the new Australian cinema
    Anmerkung: Preface〈BR〉I INTRODUCTION〈BR〉1. The nationalities of the cinema〈BR〉2. The prehistory of Australian cinema〈BR〉3. Representing the nation〈BR〉4. The valuable territory〈BR〉5. The big country〈BR〉6. The Australian abroad〈BR〉7. Reading the national cinema〈BR〉〈BR〉II AUSTRALIAN GOTHIC〈BR〉8. Origins〈BR〉9. The gothic rural community〈BR〉10. The Mad Max trilogy〈BR〉11. The urban gothic〈BR〉12. Conclusion〈BR〉〈BR〉III THE PERIOD FILM〈BR〉13. The AFC genre〈BR〉14. Picnic at Hanging Rock and the literary adaptation〈BR〉15. The period film cycle〈BR〉16. Fred Schepisi's period films〈BR〉17. Newsfron -- the nation on record〈BR〉18. Sirens: the parody of the period film〈BR〉19. Conclusion〈BR〉〈BR〉IV THE MALE ENSEMBLE FILM〈BR〉20. Australian-ness and masculinity〈BR〉21. The working environment〈BR〉22. Sexual politics〈BR〉23. The sporting life〈BR〉24. The personal factor: between wars〈BR〉25. Sons of Anzac: The Odd Angry Shot〈BR〉26. Parabolic history〈BR〉27. Landscape cinema〈BR〉28. Male drama and the mini-series〈BR〉29. Male
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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