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  • 2000-2004  (8)
  • Darstellende Kunst  (8)
  • 1
    Online-Ressource
    Online-Ressource
    Cambridge University Press (CUP) ; 2002
    In:  Theatre Survey Vol. 43, No. 02 ( 2002-11), p. 286-287
    In: Theatre Survey, Cambridge University Press (CUP), Vol. 43, No. 02 ( 2002-11), p. 286-287
    Materialart: Online-Ressource
    ISSN: 0040-5574 , 1475-4533
    RVK:
    Sprache: Englisch
    Verlag: Cambridge University Press (CUP)
    Publikationsdatum: 2002
    ZDB Id: 2057848-9
    SSG: 9,3
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Online-Ressource
    Online-Ressource
    Informa UK Limited ; 2002
    In:  Critical Studies in Media Communication Vol. 19, No. 4 ( 2002-12), p. 438-460
    In: Critical Studies in Media Communication, Informa UK Limited, Vol. 19, No. 4 ( 2002-12), p. 438-460
    Materialart: Online-Ressource
    ISSN: 1529-5036 , 1479-5809
    RVK:
    RVK:
    Sprache: Englisch
    Verlag: Informa UK Limited
    Publikationsdatum: 2002
    ZDB Id: 2005641-2
    ZDB Id: 2110224-7
    SSG: 9,3
    SSG: 3,5
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    In: Theatre Survey, Cambridge University Press (CUP), Vol. 41, No. 2 ( 2000-11), p. 125-127
    Materialart: Online-Ressource
    ISSN: 0040-5574 , 1475-4533
    RVK:
    Sprache: Englisch
    Verlag: Cambridge University Press (CUP)
    Publikationsdatum: 2000
    ZDB Id: 2057848-9
    SSG: 9,3
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 4
    Online-Ressource
    Online-Ressource
    University of Toronto Press Inc. (UTPress) ; 2002
    In:  Modern Drama Vol. 45, No. 1 ( 2002-03-01), p. 95-114
    In: Modern Drama, University of Toronto Press Inc. (UTPress), Vol. 45, No. 1 ( 2002-03-01), p. 95-114
    Kurzfassung: When August Wilson's play Ma Rainey's Black Bottom debuted in New York's Cort Theatre in the fall of 1984, it was received rather coolly by the critics, but quite warmly by its audiences. Early critical reception pigeonholed the work as an overdone piece on the problems of race in America. John Simon, the reviewer for New York magazine, wrote that what Wilson delivers in the work "is only intermittently drama, more often rousing monologues, and finally more melodramatically didactic than imaginatively satisfying." Simon concluded that, for all its strengths, the play "sorely misses the transformative spark" — he wished the playwright "[b]etter luck next time". Edwin Wilson, writing for The Wall Street Journal, observed that "There is an abundance of atmosphere and banter, and a strong racial statement, but not much of a play." After summarizing the plot, he proclaimed that "The theme of the play is racial injustice" and explained how that theme is executed; but he, like Simon, concluded that "polemics do not make a play". In its 17 October issue, Variety magazine introduced Ma Rainey's Black Bottom as yet another "tragedy of racial bigotry," and suggested that "its technical clumsiness and downbeat story make it a difficult Broadway box office proposition". Such hasty dismissals of Wilson's first Broadway production proved to be shallow and obtuse, as word-of-mouth raves generated a high volume of ticket sales and turned Ma Rainey into "the first hit of the season." The critics took a second look at Wilson and "his powerful play," which according to The New York Times was "reawakening audiences to the wonder and dimensions of drama". The production went on to be nominated for three Tony awards, including one for best play, and it won the New York Drama Critics Circle Award for Best Play of the 1984-85 season.
    Materialart: Online-Ressource
    ISSN: 0026-7694 , 1712-5286
    RVK:
    Sprache: Englisch
    Verlag: University of Toronto Press Inc. (UTPress)
    Publikationsdatum: 2002
    SSG: 9,3
    SSG: 7,24
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 5
    Online-Ressource
    Online-Ressource
    Intellect ; 2002
    In:  Asian Cinema Vol. 13, No. 1 ( 2002-03-01), p. 87-92
    In: Asian Cinema, Intellect, Vol. 13, No. 1 ( 2002-03-01), p. 87-92
    Kurzfassung: Majid Majidi, one of the distinguished names of new Iranian cinema started as an actor in amateur theatre groups and got roles in films after the Islamic revolution. His debut as a director and screenwriter) was with Baduk 1991), a feature film that was presented at the Directors' Fortnight of Cannes Film Festival 1992, which also won him several national awards. His second film, Pedar The Father) (1996) received the Jury Award of San Sebastian Film Festival. He won the Grand Prix of the Americas of the Montreal World Film Festival three times in five years. The first was with Bacheha-ye aseman (Children Of Heaven) in 1997; the second was with Rang-e-Khoda (The Color of Paradise) in 1999, and the third, in 2001, with Baran, which shared the top prize with Torzok (Abandoned) by Hungarian Arpad Sopsits. Having won several awards at its own country as well, Baran has become one of the most successful films of the year, having gained a special meaning after the September 11 events in New York.
    Materialart: Online-Ressource
    ISSN: 1059-440X , 2049-6710
    Sprache: Englisch
    Verlag: Intellect
    Publikationsdatum: 2002
    SSG: 9,3
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 6
    Online-Ressource
    Online-Ressource
    University of Waterloo ; 2003
    In:  Kinema: A Journal for Film and Audiovisual Media ( 2003-04-10)
    In: Kinema: A Journal for Film and Audiovisual Media, University of Waterloo, ( 2003-04-10)
    Kurzfassung: INTERNATIONALES LEIPZIGER FESTIVAL FUER DOKUMENTAR- UND ANIMATIONSFILM 2003 The timing could not have been better. Shortly after the 45th Leipzig International Festival for Documentary and Animation Films (15-20 October 2002) opened with the hit documentary of the year, Michael Moore's Bowling for Columbine (USA), the German edition of Moore's bestselling "Stupid White Men" hit the book stands. The biting, acerbic, stinging Bowling for Columbine had been invited to compete at Cannes and was awarded there an especially created "Unique Prize of the 55th Anniversary Festival." And "Stupid White Men," a riotous political satire penned in the journalistic vein of H.L. Mencken and Mike Royko, rode the best-seller list in the New York Times for nearly a year. How did this hard-nose statement on gun-related deaths in the United States and the ongoing battle with the gun lobby in Congress get made in the first place? Armed with a disarming...
    Materialart: Online-Ressource
    ISSN: 2562-5764 , 1192-6252
    Sprache: Unbekannt
    Verlag: University of Waterloo
    Publikationsdatum: 2003
    ZDB Id: 2003386-2
    ZDB Id: 2018664-2
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 7
    Online-Ressource
    Online-Ressource
    Cambridge University Press (CUP) ; 2004
    In:  Dance Research Journal Vol. 36, No. 1 ( 2004), p. 68-87
    In: Dance Research Journal, Cambridge University Press (CUP), Vol. 36, No. 1 ( 2004), p. 68-87
    Kurzfassung: For the past few years, critics, fans, and even Bill T. Jones himself have been talking about the artist's move from explicitly political, identity-based works to an investigation of aesthetics and pure movement. They talk about the more conventional makeup of Jones's current ensemble—the fact that Lawrence Goldhuber and Alexandra Beller are no longer in the company, dancers described in the New York Times as “imperfect” because “chubbier than the norm” (Dunning 2002). They discuss the fact that Jones rarely uses text these days and is no longer confrontational. He dances to Beethover and performs at Lincoln Center with the Chamber Music Society. In a 1997 mterview with Richard Covington, Jones explains this shift in his work by stating, “It's not quite as sexy to talk about. What was being said in those earlier works was as important as how it was being danced. Here, I'm trying to think about how it's danced first, trusting that the political, social, all those things are in our bodies literally, and in the eyes of the beholder” (Covington 1997).
    Materialart: Online-Ressource
    ISSN: 0149-7677 , 1940-509X
    Sprache: Englisch
    Verlag: Cambridge University Press (CUP)
    Publikationsdatum: 2004
    ZDB Id: 2067596-3
    SSG: 9,3
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 8
    Online-Ressource
    Online-Ressource
    University of Toronto Press Inc. (UTPress) ; 2004
    In:  Canadian Theatre Review Vol. 118 ( 2004-06), p. 121-123
    In: Canadian Theatre Review, University of Toronto Press Inc. (UTPress), Vol. 118 ( 2004-06), p. 121-123
    Kurzfassung: Aside from producers and performers, I was one of the few people able to attend both stagings of Québécité, a jazz opera composed by Ottawa native (now New York-based) D.D. Jackson, with a libretto by Governor General’s Award-winning poet George Elliott Clarke. The premiere at Guelph’s River Run Centre on 5 September 2003 was the main event of the tenth Guelph International Jazz Festival, for which it was commissioned. This performance was recorded by the CBC, which has broadcast portions of it several times over the past few months. The opera was mounted again in Vancouver for two nights in October at the Vancouver East Cultural Centre, a much more intimate venue. A comparison of this scaled-down performance with the grandiose version at Guelph – a remarkable and significant contrast, despite their obvious continuities – points up the demands of form and scale in this emergent musical genre. Jazz opera – with few, but powerful, antecedents in such works as Scott Joplin’s Treemonisha; Duke Ellington’s suite Black, Brown and Beige; and Wynton Marsalis’s Pulitzer Prize-winning oratorio Blood on the Fields – can mix volatile improvisation and recalcitrant narrative, a blur of freedom and stricture, to create what Clarke, in the libretto’s prelude, names “rhetorical ambition,” a phrase I take to suggest the reach of words and music beautifully, and sometimes perilously, exceeding their grasp: the jut and leap of extemporizing across well-heeled verbal and melodic lines.
    Materialart: Online-Ressource
    ISSN: 0315-0836 , 1920-941X
    Sprache: Englisch
    Verlag: University of Toronto Press Inc. (UTPress)
    Publikationsdatum: 2004
    SSG: 9,3
    SSG: 7,26
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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