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  • Stabi Berlin  (10)
  • GB Hoppegarten
  • Zentrum Info.arbeit Bundeswehr
  • GB Brieselang
  • 2015-2019  (10)
  • Film  (10)
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  • 1
    Book
    Book
    London ; New York :Routledge, Taylor & Francis Group,
    UID:
    almahu_BV045402903
    Format: x, 198 Seiten.
    ISBN: 978-1-138-56440-4
    Series Statement: The cultural politics of media and popular culture
    Content: Contested terms, the European Union contribution and a financial crisis / Betty Kaklamanidou and Ana Corbalán -- National, transnational and intermedial perspectives in post-2008 European cinema / Thomas Elsaesser -- France after the crisis : work, home and flexible solidarity in Les neiges du Kilimandjaro (2011) and Ma part du gateau (2011) / Michael Gott -- Spanish science fiction film in times of emergency : crisis and entrapment in Nacho Vigalondo's Extraterrestrial and David and Álex Pastor's The last days / Antonio Cordoba -- Narratives of migration and the sense of crisis in post-2008 European cinema / György Kalmár -- Undocumented migration in European borderlands : re-locating the crisis in contemporary documentaries / Jan Kühnemund -- Post-2008 European comedies of crisis : La vida inesperada and Casse-tête chinois / Debra J. Ochoa -- Depression as aesthetic answer to the socioeconomic crisis in two days, one night / Tobias Dietrich -- French and Italian co-production redux : the Fondo initiative / claudia Romanelli -- The contemporary Serbian film industry : issues of production and distribution (2008-2017) / Sandra Nikolic and Biljana Mitrovic -- La jeunesse désaffectée in contemporary Serbian cinema / Nevena Daković and Maša Seničić -- The Greek new wave : representing work and unemployment in crisis / Ursula-Helen Kassaveti and Afroditi Nikolaidou -- Contemporary Greek and Polish "best foreign language films" in an age of austerity / Anne Ciecko
    Content: "This book offers a range of accounts of the state of 'European Cinema' in a specific sociopolitical era: that of the global economic crisis that began in 2008 and the more recent refugee and humanitarian crisis. With the recession having become a popular theme of economic, demographic and sociological research in recent years, this volume examines representations of the crisis and its attendant market instability and mistrust of neoliberal political systems in film. It thus sheds light on the mediation, reimagination and reformulation of recent history in the depiction of personal, cultural and political memories, and raises new questions about crisis narratives in European film, asking whether the theoretical notion of 'national' cinema is less or more powerful during moments of sociopolitical turbulence, and investigating the kinds of cultural representations and themes that characterize the narratives of European documentary and fictional films from both small and large national markets"--
    Note: Includes bibliographical references and index
    Additional Edition: Erscheint auch als Online-Ausgabe, ebk. ISBN 978-1-315-12242-7
    Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 9781351347075
    Additional Edition: Erscheint auch als Online-Ausgabe, EPUB ISBN 9781351347068
    Additional Edition: Erscheint auch als Online-Ausgabe, MOBI ISBN 9781351347051
    Language: English
    Subjects: General works
    RVK:
    Keywords: Film ; Wirtschaftskrise ; Flucht ; Aufsatzsammlung ; Aufsatzsammlung
    Author information: Corbalán Vélez, Ana.
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Book
    Book
    New York :Random House,
    UID:
    almafu_BV045093828
    Format: XII, 577 Seiten : , Illustrationen, Portraits, 2 Portraits [der Verfasser].
    ISBN: 978-0-399-58919-5
    Content: "The extraordinary, highly anticipated memoir from visionary filmmaker David Lynch In this memoir, David Lynch, co-creator of Twin Peaks and writer and director of groundbreaking films like Eraserhead, The Elephant Man, Blue Velvet and Mulholland Drive, opens up about a lifetime of extraordinary creativity, the friendships he has made along the way and the struggles he has faced...sometimes successful, sometimes not...to bring his projects to fruition. Part-memoir, part-biography, Room to Dream interweaves Lynch's own reflections on his life with the story of those times, as told by Kristine McKenna, drawing from extensive and explosive interviews with ninety of Lynch's friends, family members, actors, agents, musicians, and collaborators. Lynch responds to each recollection and reveals the inner story of the life behind the art"...
    Note: Includes bibliographical references
    Additional Edition: Erscheint auch als Online-Ausgabe, ebk. ISBN 978-0-399-58920-1
    Language: English
    Subjects: General works
    RVK:
    Keywords: 1946- Lynch, David ; Film ; Biografie ; Biografie
    Author information: McKenna, Kristine
    Author information: Lynch, David 1946-
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    New York : Bloomsbury Academic | London : Bloomsbury Publishing
    UID:
    gbv_1018533141
    Format: 1 Online-Ressource (x, 222 p) , Illustrationen
    Edition: 2014
    ISBN: 9781501315831 , 9781501315824 , 9781501315817
    Content: "Brings together theories of affect, trauma and power to propose new practices of bearing literary witness to the torture of the war on terror"--
    Content: " After 9/11, the United States became a nation that sanctioned torture. Detainees across the globe were waterboarded, deprived of sleep, beaten by guards, blasted with deafening music and forced into obscene acts. Their torture presents a profound problem for literature: torturous pain and its traumatic aftermath have long been held to destroy language, shatter experience, and refuse representation. Challenging accepted thinking, Gestures of Testimony: Torture, Trauma, and Affect in Literature asks how literature might bear witness to the tortures of a war waged against fear itself. Bringing the vibrant field of affect theory to bear on theories of torture and power, Richardson adopts an interdisciplinary approach to show how testimony founded in affect can bear witness to torture and its traumas. Grounded in provocative readings of fiction by George Orwell, Franz Kafka, Arthur Koestler, Anne Michaels and Janette Turner Hospital, poems by Guantanamo detainees, memoirs of interrogators and detainees, contemporary films, and the Torture Memos of the Bush Administration, the analysis traverses politics, law and cinema to re-think literary testimony. Drawing upon some of the most influential thinkers of recent times on power, affect, trauma and torture, the book does more than critique culture and literature: it proposes new practices of literary witnessing. Gestures of Testimony gives shape to a mode of gestural testimony, a reaching beyond the page in the writing of torture in fiction that reveals the shape, depth and intensity of violent trauma-even as it embodies its veiling. "--
    Content: Machine generated contents note: -- Acknowledgments -- Introduction: Gesturing the Unrepresentable -- Chapter 1: Tortured Bodies -- Chapter 2: Reading Torture -- Chapter 3: Seeing Torture -- Chapter 4: Writing Trauma -- Chapter 5: Witnessing and the Poetics of Trauma -- Chapter 6: Writing Torturous Affect -- Conclusion: Speaking Beyond Words -- Endnotes -- Bibliography -- Index
    Note: Includes bibliographical references and index , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Additional Edition: ISBN 9781501315800
    Additional Edition: Erscheint auch als Druck-Ausgabe Richardson, Michael Gestures of testimony New York : Bloomsbury, an imprint of Bloomsbury publishing inc, 2016 ISBN 9781501315800
    Language: English
    Subjects: American Studies , Comparative Studies. Non-European Languages/Literatures
    RVK:
    RVK:
    Keywords: Literatur ; Folter ; Film ; Politik ; Folter ; Folter ; Affekt ; Psychisches Trauma ; Zeugnis ; Electronic books
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  • 4
    UID:
    almahu_BV044231559
    Format: xv, 262 Seiten : , Illustrationen.
    ISBN: 978-1-138-86027-8
    Series Statement: Routledge interdisciplinary perspectives on literature 56
    Content: Cover -- Half Title -- Title Page -- Copyright Page -- Contents -- List of Figures -- Acknowledgments -- Introduction: Human Rights in Precarious Times -- 1 Spectrally Human: African Child Soldier Narratives at the Limits of Legal Personhood -- 2 Disturbing the Archive: Human Rights Storytelling of Zimbabwe's Gukurahundi -- 3 Overexposed: Compounded Vulnerability and Continuing Liability in Fiction of Bhopal -- 4 Re-purposing Témoignage: Humanitarian Spaces and Subjects in Photo/Graphic Narratives of Médecins Sans Frontières
    Content: 5 In the Aftermath of Mass Murder: Visuality and Vertigo in the Indonesia Films of Joshua Oppenheimer -- References -- Index
    Note: Includes bibliographical references and index
    Additional Edition: Erscheint auch als Online-Ausgabe, ebk ISBN 978-1-315-71654-1
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures , General works
    RVK:
    RVK:
    Keywords: Literatur ; Film ; Fotografie ; Verwundbarkeit ; Gewalt ; Menschenrecht
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  • 5
    UID:
    gbv_842518991
    Format: XVII, 390 Seiten , Illustrationen
    ISBN: 9781501312625
    Content: "A thorough and robust reassessment of the auteur figure in the age of global cinema"--
    Content: Machine generated contents note: Introduction (Jeremi Szaniawski, and Seung-hoon Jeong) -- The Global Author: Control, Creative Constraints and Performative Self Contradiction (Thomas Elsaesser) -- Abderrahmane Sissako: On the Politics of African Auteurs (Rachel Gabara) -- Godard's Stereoscopic Essay: Thinking in and with Adieu au langage (Rick Warner) -- Michael Winterbottom: A Self-Effacing Auteur? (William Brown) -- Provocation and Perversity: Lars von Trier's Cinematic Anti-Philosophy (Robert Sinnerbrink) -- From Political Engagement to Politics of Abjection in Polish Auteur Cinema: The Case of Wojtek Smarzowski (Izabela Kalinowska) -- Of Intruders (and Guests): The Films of Michael Haneke and Aleksey Balabanov (Jeremi Szaniawski) -- Contemporary Romanian Auteurs: Politics, Irony and Reflevixity (Dominique Nasta) -- Fatih Akin's Moral Geometry (Dudley Andrew) -- Richard Linklater's Post-Nostalgia and the Temporal Logic of Neoliberalism (Dan Hassler-Forest) -- 'Black in White': Language, World-making and the American Contract in the Cinema of Quentin Tarantino (John Pitseys) -- Battle with History: Carlos Reygadas and the Cinema of Being (Michael Cramer) -- The Art of Encounter and (Self)Fabulation: Eduardo Coutinho's Cinema of Bodies and Words (Consuelo Lins) -- Shareable Cinema: The Politics of Abbas Kiarostami -- (Nico Baumbach) -- Migration and Contemporary Indian Cinema: A Consideration of Anurag Kashyap and la politique des auteurs in the Times of Globalization (Kaushik Bhaumik) -- Space and Time in the Land of the End of History (Marco Grosoli) -- Revisiting Jia Zhangke: Individuality, Subjectivity, and Autonomy in Contemporary Chinese Independent Cinema (Victor Fan) -- Kurosawa Kiyoshi, Dis/continuity, and the Ghostly Ethics of Meaning and Auteurship (Aaron Gerow) -- A Generational Spectrum of Global Korean Auteurs: Political Matrix and Ethical Potential (Seung-hoon Jeong)
    Note: Includes bibliographical references and index , Machine generated contents note: Introduction (Jeremi Szaniawski, and Seung-hoon Jeong)The Global Author: Control, Creative Constraints and Performative Self Contradiction (Thomas Elsaesser) -- Abderrahmane Sissako: On the Politics of African Auteurs (Rachel Gabara) -- Godard's Stereoscopic Essay: Thinking in and with Adieu au langage (Rick Warner) -- Michael Winterbottom: A Self-Effacing Auteur? (William Brown) -- Provocation and Perversity: Lars von Trier's Cinematic Anti-Philosophy (Robert Sinnerbrink) -- From Political Engagement to Politics of Abjection in Polish Auteur Cinema: The Case of Wojtek Smarzowski (Izabela Kalinowska) -- Of Intruders (and Guests): The Films of Michael Haneke and Aleksey Balabanov (Jeremi Szaniawski) -- Contemporary Romanian Auteurs: Politics, Irony and Reflevixity (Dominique Nasta) -- Fatih Akin's Moral Geometry (Dudley Andrew) -- Richard Linklater's Post-Nostalgia and the Temporal Logic of Neoliberalism (Dan Hassler-Forest) -- 'Black in White': Language, World-making and the American Contract in the Cinema of Quentin Tarantino (John Pitseys) -- Battle with History: Carlos Reygadas and the Cinema of Being (Michael Cramer) -- The Art of Encounter and (Self)Fabulation: Eduardo Coutinho's Cinema of Bodies and Words (Consuelo Lins) -- Shareable Cinema: The Politics of Abbas Kiarostami -- (Nico Baumbach) -- Migration and Contemporary Indian Cinema: A Consideration of Anurag Kashyap and la politique des auteurs in the Times of Globalization (Kaushik Bhaumik) -- Space and Time in the Land of the End of History (Marco Grosoli) -- Revisiting Jia Zhangke: Individuality, Subjectivity, and Autonomy in Contemporary Chinese Independent Cinema (Victor Fan) -- Kurosawa Kiyoshi, Dis/continuity, and the Ghostly Ethics of Meaning and Auteurship (Aaron Gerow) -- A Generational Spectrum of Global Korean Auteurs: Political Matrix and Ethical Potential (Seung-hoon Jeong).
    Additional Edition: ISBN 9781501312649
    Additional Edition: ISBN 9781501312656
    Additional Edition: Erscheint auch als Online-Ausgabe Global auteur New York : Bloomsbury Academic, 2016
    Additional Edition: Erscheint auch als Online-Ausgabe The global auteur New York : Bloomsbury Academic, 2016 ISBN 9781501312663
    Additional Edition: ISBN 9781501312656
    Additional Edition: ISBN 9781501312649
    Language: English
    Subjects: General works
    RVK:
    Keywords: Film ; Regisseur ; Autorenfilme ; Geschichte 1990-2015 ; Aufsatzsammlung
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  • 6
    Online Resource
    Online Resource
    New York : Fordham University Press
    UID:
    gbv_880629126
    Format: 1 Online-Ressource (VIII, 352 Seiten)
    Edition: First edition
    ISBN: 9780823265503
    Content: Discusses the transcultural uses of Holocaust memory in literature, cinema and theory in the French-speaking world from the postwar years to contemporary times. Examines the political force and ethical perils of complicity and practices of historical remembrance
    Content: Cover -- Contents -- Acknowledgments -- Introduction: Pathways of Memory, Dangerous Intersections -- 1. A Soccer Match in Auschwitz: Passing Trauma in Holocaust Studies -- 2. Concentrationary Migrations in and around Albert Camus -- 3. Auschwitz as Allegory: From Night and Fog to Guantánamo Bay -- 4. Crabwalk History: Torture, Allegory, and Memory in Sartre -- 5. Reading Nazi Memory in Jonathan Littell's The Kindly Ones -- 6. Holocaust and Colonial Memory in the Age of Terror: Assia Djebar and Boualem Sansal -- Afterword -- Notes -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- V -- W -- Z
    Additional Edition: Erscheint auch als Druck-Ausgabe Sanyal, Debarati, 1969 - Memory and complicity New York, NY : Fordham Univ. Press, 2015 ISBN 9780823265473
    Additional Edition: ISBN 9780823265480
    Language: English
    Keywords: Französisch ; Literatur ; Film ; Judenvernichtung
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  • 7
    Online Resource
    Online Resource
    New York : Oxford University Press
    UID:
    gbv_1662874863
    Format: 1 Online-Ressource (x, 272 Seiten)
    ISBN: 9780190630966 , 9780190630942 , 9780190630959
    Series Statement: Oxford scholarship online
    Content: A comprehensive and first-ever examination of the careers, lives and work of Betty Comden and Adolph Green, They Made Us Happy turns the clock back to the glamorous world of Broadway and Hollywood of the 1930s through 1950s, examining the creation of such shows as On the Town and Wonderful Town and such movies as Singin’ in the Rain and The Band Wagon. As it moves forward, the creation of such shows as Do Re Mi, Subways Are for Sleeping, and On the Twentieth Century comes to life as this pair of witty authors also pursues their lives as performers and moves on to become one of the longest-running writer partnerships in theatrical history. Beyond their work together, They Made Us Happy explores their collaborations with other artists, such as composers Leonard Bernstein, Jule Styne, and Cy Coleman, as well as their work with artists such as Gene Kelly, Fred Astaire, and Vincente Minnelli. Offstage their lives were just as glamorous, and the book contains appearances by the likes of Charlie Chaplin, Greta Garbo, John F. Kennedy, and Jacqueline Kennedy, to name just a few.
    Content: Chapter 1 Childhood Dreams, Chapter 2 The Revuers Emerge, Soar … and Coast, Chapter 3 Taking the Town, Chapter 4 Turning to the 1920s, Chapter 5 Theatrical Disaster … Cinematic Success, Chapter 6 Broadway to Hollywood and Back Again, Chapter 7 Turning Back the Clock, Chapter 8 Theatrical Adventures On Screen and On- and Offstage, Chapter 9 Serious Screen Fare, but Flying High on Stage, Chapter 10 Hollywood Passes, Broadway Says “Yes”, Chapter 11 Throwing a Stage Party and a Cinematic Revel, Chapter 12 A Movie, Some TV … and Jukeboxes, Chapter 13 Writing a Darker Musical Fairy Tale, Chapter 14 Stage and Screen Confections … and Something a Little Deeper, Chapter 15 Part of the Times, Personally and Professionally, Chapter 16 Going Backstage, Then Getting Nostalgic, Chapter 17 Returning (Artistically) to the 1930s, Chapter 18 Ten Years of Performing and Writing, Chapter 19 A Follies Finish and Farewell
    Additional Edition: ISBN 9780190630935
    Additional Edition: Erscheint auch als Druck-Ausgabe Propst, Andy They made us happy New York : Oxford University Press, 2019 ISBN 9780190630935
    Language: English
    Subjects: Musicology
    RVK:
    RVK:
    RVK:
    Keywords: Comden, Betty 1915-2006 ; Green, Adolph 1914-2002 ; USA ; Musical ; Film ; Song ; Drehbuch ; Text ; Geschichte ; Electronic books
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  • 8
    UID:
    gbv_884729893
    Format: xv, 215 Seiten , 23 cm
    ISBN: 9781784536640 , 1784536644
    Series Statement: Library of gender and popular culture 13
    Content: "From the gritty landscapes of The Hunger Games and The Walking Dead, to the portrayal of the twenty-first-century precariat in Girls, this book explores how transatlantic visual culture has represented and reconstructed ideas of gender in times of financial crisis. Drawing on social, cultural and feminist theory, these writers explore how men and women experience austerity differently and illuminate the problematic ways in which economic policy can shape how gender is presented in popular culture. Written from the perspective that the popular is indeed political, this book considers film, literature and television's ideological attitudes towards race, sex and disability. It also takes into account how mass culture has responded to austerity in the past and the present, whilst examining the impact that feminism will have in the future." -- Publisher's description
    Content: Introduction: boom and bust? gender and austerity in popular culture / Helen Davies and Claire O'Callaghan -- A big-neo Victorian society? gender, austerity and conservative family values in The Mill / Helen Davies -- THe Downturn at Downton : money and masculinity in Downton Abbey / Claire O'Callaghan -- Wartime housewives and vintage women : A.S. Byatt's Ragnarok : THe End of the Gods and reframing popular nostalgia / Leanne Bibby -- 'Thatcher's Bloody Britain!' : unemployment and gender in neoliberal Britain in The Young Ones and Men Behaving Badly / Lauren Piko and Evan Smith -- From homebuyer advisor to angel of the hearth : the development of Kirstie Allsopp as the female face of channel 4 'Squeezed Middle' austerity programming / Diane Charlesworth -- The Walking Dead and gendering zombie austerity / Zach Finch -- Embodying austerity : food and physicality in The Hunger Games / Erin Wyble Newcomb -- 'I Want What Everyone Wants' : cruel optimism in HBO's Girls / Ruth Charnock -- Baring the recession : sexual sensationalism and gender (a)politics in contemporary culture / Stephanie Genz
    Note: Includes bibliographical references and index
    Additional Edition: ISBN 9781786720924
    Additional Edition: ISBN 9781786730923
    Additional Edition: Erscheint auch als Online-Ausgabe Gender and austerity in popular culture : femininity, masculinity and recession in film & television London ; New York, NY : I.B. Tauris & Co. Ltd, 2017
    Language: English
    Subjects: General works
    RVK:
    Keywords: Großbritannien ; USA ; Film ; Fernsehserie ; Geschlecht ; Rezession ; Aufsatzsammlung
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  • 9
    UID:
    gbv_1822445175
    Format: 472 pages , illustrations , 26 cm
    Edition: First edition
    ISBN: 9781937220099 , 1937220095
    Content: Introduction : why this book exists -- Part I. Essays on Japanese cinema -- Part II. Interviews with directors and actors -- Part III. Select film reviews -- Part IV. Annual best of lists.
    Content: From popular genre films to cult avant-garde works, this book is an essential guide to Japan's vibrant cinema culture. It collects two decades of the best of Mark Schilling's film writing for Variety, Japan Times, and other publications. The book offers an in-depth look at hundreds of landmark Japanese movies as well as undeservedly neglected ones. The essays and detailed analyses are interwoven with interviews showcasing Japan's most talented directors and stars. This book enables students, teachers and lovers of Japanses cinema to make new discoveries while learning more about their favorite films
    Language: English
    Keywords: Japan ; Film ; Filmregisseur ; Filmregisseurin ; Filmschauspieler ; Filmschauspielerin ; Interview ; Biography
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  • 10
    UID:
    gbv_870964216
    Format: xiv, 300 Seiten , Illustrationen , 21 cm
    ISBN: 9781349949311 , 1349949310
    Series Statement: Global cinema
    Content: Situating Hong Kong and Bollywood Cinemas in the Global / Satish Kolluri and Joseph Tse-Hei Lee -- The Trajectory of Bollywood Lyrics / Ali Mir and Raza Mir -- Transformation of Hong Kong Gangster Movies Before and After CEPA / Yau Shuk-Ting, Kinnia -- Despair and Hope: Political Cinema in Hong Kong / Joseph Tse-Hei Lee / Chinaman, Not Hindustani: Stereotypes and Solidarity in a Hong Kong Film on India / S.V. Srinivas -- Cinematic Contradictions of Greater China / Siu-Keung Cheung -- What is so Asian about Asian Parenting? Deconstructing "Tiger Moms" and "Tiger Dads" in Neoliberal Times Through Taare Zameen Par and I Not Stupid / Satish Kolluri -- Negotiating Cold War and Postcolonial Politics: Borders and Boundaries in 1950s Hong Kong Cinema / Jing Jing Chang -- Slum Extravaganza!: Cultural and Geopolitical Representation of Dharavi in Celluloid India / Sony Jalarajan Raj and Rohini Sreekumar -- Life Without Principle: Financial Irregularities in Hong Kong / Siu-Keung Cheung -- Discontents of Modernity: Space, Consumption and Loss in Hong Kong New Wave and Bombay Parallel Cinema / Surajit Chakravarty -- Naqal and the Aesthetics of the Copy / Anjali Roy -- Undercranking and Step-Printing in Wong Kar-Wai's Filmography / Patrick Sullivan -- Mirroring Alterity: The Imaginary China and the Comedic Self in Chandni Chowk to China / Michael A Mikita -- Hong Kong, Films, and the Building of China's Soft Power: The Cross-Promotion of Chinese Films on Globally Oriented State Television / Lauren Gorfinkel and Xuezhong Su
    Additional Edition: ISBN 9781349949328
    Additional Edition: Erscheint auch als [Online-Ausgabe] Hong Kong and Bollywood
    Language: English
    Subjects: General works
    RVK:
    Keywords: Hongkong ; Indien ; Film ; Bollywood ; Globalisierung ; Aufsatzsammlung
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