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  • Stabi Berlin  (771)
  • SB Ludwigsfelde  (29)
  • HPol Brandenburg  (9)
  • SB Guben  (2)
  • Bibliothek Lübbenau - Vetschau  (1)
  • 2020-2024  (809)
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  • 1
    UID:
    b3kat_BV049163520
    Format: 1 Online-Ressource (ix, 349 Seiten)
    ISBN: 9781800733350
    Series Statement: Time and the world volume 5
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-80073-323-7
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-1-80539-311-5
    Language: English
    Subjects: General works
    RVK:
    Keywords: Zeit ; Periodisierung ; Geschichtswissenschaft ; Humanökologie ; Naturwissenschaften ; Klimaänderung ; Aufsatzsammlung ; Aufsatzsammlung
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    Author information: Bergwik, Staffan
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Book
    Book
    New York : Columbia University Press
    UID:
    b3kat_BV046266246
    Format: xii, 300 Seiten
    ISBN: 9780231196710 , 9780231196703
    Series Statement: Religion, culture, and public life
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-231-55178-6
    Language: English
    Subjects: History
    RVK:
    Keywords: Marcus, Hugo 1880-1966 ; Biografie ; Biografie
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  • 3
    UID:
    b3kat_BV047144746
    Format: 260 Seiten , 24 cm
    Edition: First edition
    ISBN: 9780525575689
    Content: Innovation, Kritik, kritische Auseinandersetzung mit "Innovation" .. "or forty years, innovation has been the hottest buzzword in business. But what if the benefits of innovation have been exaggerated, and our obsession with the new has distracted us from the work that matters most? It's hard to avoid innovation these days. Nearly every product gets marketed as being disruptive, whether it's a new technology or a new toothbrush. But in this manifesto on the state of American work, historians of technology Lee Vinsel and Andrew Russell argue that our focus on shiny new things has made us poorer, less safe, and--ironically--less innovative. Drawing on years of original research and reporting, Russell and Vinsel show how our fixation on innovation has harmed every corner of the economy. Corporations have spent millions hiring chief innovation officers while their core businesses tanked.
    Content: Computer science programs have focused on programming and development even though the overwhelming majority of jobs are in IT and maintenance. Suburban sprawl has saddled cities with expensive infrastructure and piles of deferred maintenance that they can't afford to fix. And sometimes, innovation even kills--like in 2018, when a Miami bridge hailed for its innovative design collapsed onto a highway and killed six people. Vinsel and Russell tell the at-times humorous, at-times alarming story of how we devalued the work that keeps our world going--and in so doing, wrecked our economy, left our public infrastructure derelict, and lined the pockets of consultants who combine the ego of Silicon Valley with the worst of Wall Street's greed. They offer a compelling plan for how we can shift our focus in resources away from the pursuit of growth at all costs, and back toward the people and technologies underpinning so much of modern life.
    Content: For anyone concerned by the crumbling state of our roads, bridges, and airports, and the direction our economy is headed, The Innovation Delusion is a deeply necessary re-evaluation of a trend we can still disrupt"--
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 9780525575696
    Language: English
    Subjects: Economics , Sociology
    RVK:
    RVK:
    RVK:
    Keywords: Forschung und Entwicklung ; Innovationsmanagement ; Technischer Fortschritt
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  • 4
    Book
    Book
    New York, New York : Metropolitan Books - Henry Holt and Company
    UID:
    b3kat_BV046908816
    Format: 307 Seiten, 8 ungezählte Seiten Bildtafeln , Illustrationen , 22 cm
    Edition: First edition
    ISBN: 9781250220110
    Content: "From the prophetic author of the now-classic What's the Matter with Kansas? and Listen, Liberal, an eye-opening account of populism, the most important-and misunderstood-movement of our time. Rarely does a work of history contain startling implications for the present, but in The People, No Thomas Frank pulls off that explosive effect by showing us that everything we think we know about populism is wrong. Today "populism" is seen as a frightening thing, a term pundits use to describe the racist philosophy of Donald Trump and European extremists. But this is a mistake. The real story of populism is an account of enlightenment and liberation; it is the story of American democracy itself, of its ever-widening promise of a decent life for all. Taking us from the tumultuous 1890s, when the radical left-wing Populist Party-the biggest mass movement in American history-fought Gilded Age plutocrats to the reformers' great triumphs under Franklin Roosevelt and Harry Truman, Frank reminds us how much we owe to the populist ethos. Frank also shows that elitist groups have reliably detested populism, lashing out at working-class concerns. The anti-populist vituperations by the Washington centrists of today are only the latest expression. Frank pummels the elites, revisits the movement's provocative politics, and declares true populism to be the language of promise and optimism. The People, No is a ringing affirmation of a movement that, Frank shows us, is not the problem of our times, but the solution for what ails us"--
    Content: Today "populism" is seen as a frightening thing, a term pundits use to describe the racist philosophy of Donald Trump and European extremists. But the real story of populism is the story of American democracy itself, of its ever-widening promise of a decent life for all. Taking us from the tumultuous 1890s, when the radical left-wing Populist Party fought Gilded Age plutocrats to the reformers' great triumphs under Franklin Roosevelt and Harry Truman, Frank reminds us how much we owe to the populist ethos. The anti-populist vituperations by the Washington centrists of today are only the latest expression. -- adapted from publisher info
    Note: Includes bibliographical references and index , Introduction : the cure for the common man -- What was populism? -- "Because right is right and God Is God" -- Peak populism in the proletarian decade -- "The upheaval of the unfit" -- Consensus redensus -- Lift every voice -- The money changers burn the temple -- Let us now scold uncouth men -- Conclusion : the question
    Additional Edition: Erscheint auch als Online-Ausgabe Frank, Thomas, 1965- People, no New York : Metropolitan Books, 2020 ISBN 9781250220103
    Language: English
    Subjects: Political Science
    RVK:
    Keywords: USA ; Populismus ; Geschichte
    Author information: Frank, Thomas 1965-
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  • 5
    UID:
    b3kat_BV047249520
    Format: xxvii, 491 Seiten , 24 cm
    ISBN: 9781526629852
    Content: Filled with spies, hackers, arms dealers, and a few unsung heroes, written like a thriller and a reference, This Is How They Tell Me the World Ends is an astonishing feat of journalism. Based on years of reporting and hundreds of interviews, The New York Times reporter Nicole Perlroth lifts the curtain on a market in shadow, revealing the urgent threat faced by us all if we cannot bring the global cyber arms race to heel
    Content: Zero day: a software bug that allows a hacker to break into your devices and move around undetected. For decades, under cover of classification levels and non-disclosure agreements, the United States government became the world's dominant hoarder of zero days. U.S. government agents paid top dollar to hackers willing to sell their lock-picking code and their silence. Now those zero days are in the hands of hostile nations and mercenaries who do not care if your vote goes missing, your clean water is contaminated, or our nuclear plants melt down. Perlroth lifts the curtain on a market in shadow, revealing the urgent threat faced by us all if we cannot bring the global cyber arms race to heel. -- adapted from jacket
    Note: Prologue -- Part I: Mission impossible. Closet of secrets ; The fucking salmon -- Part II: The capitalists. The cowboy ; The first broker ; Zero-day Charlie -- Part III: The spies. Project Gunman ; The godfather ; The omnivore ; The Rubicon ; The factory -- Part IV: The mercenaries. The Kurd ; Dirty business ; Guns for hire -- Part V: The resistance. Aurora ; Bounty hunters ; Going dark -- Part VI: The twister. Cyber gauchos ; Perfect storm ; The grid -- Part VII: Boomerang. The Russians are coming ; The shadow brokers ; The attacks ; The backyard -- Epilogue
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-5266-2983-8
    Language: English
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  • 6
    Online Resource
    Online Resource
    New Delhi ; London ; Oxford ; New York ; Sydney : Bloomsbury India
    UID:
    b3kat_BV047276369
    Format: 1 Online-Ressource (xxv, 309 Seiten)
    ISBN: 9789389812442 , 9789389812435 , 9789389812428
    Content: "Locating World Cinema argues for the importance of understanding the local context of a film's creation and the nuances that it conveys to the spectator. It examines the sociocultural contexts intrinsic to cinema from milieus like the USSR/Russia, China, Japan, France, the US, Iran and India. The book analyses the works of some of the more celebrated but, at times, less than fully understood auteurs, such as Kenji Mizoguchi from Japan; Robert Bresson, Jacques Rivette and Éric Rohmer from France; Abbas Kiarostami from Iran; Martin Scorsese from the US; Zhang Yimou from China and Aleksei German from Russia. Further, it examines how the conditions of exhibition for art house cinema has transformed into the 'global art film' that attempts to bypass the local by addressing international audiences. The book deals with complex ideas but is lucidly written, making it accessible to film students and lay persons alike."
    Note: Includes bibliographical references (pages 283-290) and index , Introduction: Between Meaning and Significance -- 1. The Engineered Look: The Film Festival Circuit and the Aesthetics of the Global Art Film -- 2. A Fallible Tradition: Kenji Mizoguchi and the Post-War Transformation of Japan -- 3. World and Text: Interpreting Jacques Rivette -- 4. Unattainable Women: Sexual Anxiety and Location- Scorsese, Rohmer and Kiarostami -- 5. Beyond Religion: The Spiritual Cinema of Robert Bresson -- 6. Nation and Transgression: Ideology and the Horror Film in India and Pakistan -- 7. A Trajectory of Form: The Development of Soviet/Russian Cinema (1910-2010) -- 8. History as Polyphony: Understanding Aleksei German -- 9. Utopia and the Patriarchal Order: Zhang Yimou as a Chinese National Artist -- Bibliography -- Film Index -- Index -- About the Author
    Additional Edition: Erscheint auch als Druck-Ausgabe, Festeinband ISBN 9789389714203
    Additional Edition: Erscheint auch als Druck-Ausgabe, Broschur ISBN 9780567696830
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-93-89714-21-0
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-93-89714-20-3
    Language: English
    Subjects: General works
    RVK:
    Keywords: Film ; Globalisierung ; Entstehung ; Soziokultureller Faktor
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 7
    Online Resource
    Online Resource
    London ; New York ; Oxford ; New Delhi ; Sydney : Bloomsbury Visual Arts
    UID:
    b3kat_BV048381842
    Format: 1 Online-Ressource (xviii, 299 Seiten, 31 ungezählte Seiten Bildtafeln) , Illustrationen
    ISBN: 9781350265103
    Content: "The world is in crisis, bringing activists and protestors onto the streets and into the public eye. More than ever, activism relies on spectacle and visibility in order to be noticed in the era of globalized capitalism and networked media. At the same time, a growing number of artists employ creative strategies to critique the establishment, act in resistance, and demand change. Visual activism of this kind is not new, but it is rapidly evolving. This anthology presents 22 case-studies of visual activism from across the globe, providing an up-to-date picture of the impact of contemporary visual and art activism, and combining a scholarly interrogation of visual activism with an examination of how it works in practice. The case studies address a wide range of issues including human rights abuses; state violence; gender and sexuality; racism; migration; and climate breakdown. They examine a range of approaches from playful carnivalesque parades to extreme practices such as 'gluing-on' and 'lip-sewing', and are drawn from a wide range of international contexts -- from Europe and the US to Israel, Palestine, Iran, India, Pakistan, Tunisia, and China. This diverse scope enables readers to consider examples comparatively -- noticing emerging trends and key differences to reveal how geopolitical and cultural factors play an important role in shaping activist practices. This rich and timely collection provides a fresh perspective on the possibilities, limitations and politics of visual activism, as activists, artists, and curators respond to the changing world around them in this most uncertain of times."
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-350-26507-3
    Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 978-1-3502-6508-0
    Language: English
    RVK:
    Keywords: Politische Kunst ; Kunstsoziologie ; Geschichte 2000-2019 ; Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 8
    UID:
    b3kat_BV047344829
    Format: 1 Online-Ressource (ix, 286 Seiten) , Illustrationen
    ISBN: 9780300259896
    Content: A leading critic's inside story of "the photo boom" during the crucial decades of the 1970s and 80s When Andy Grundberg landed in New York in the early 1970s as a budding writer, photography was at the margins of the contemporary art world. By 1991, when he left his post as critic for the New York Times, photography was at the vital center of artistic debate. Grundberg writes eloquently and authoritatively about photography's "boom years," chronicling the medium's increasing role within the most important art movements of the time, from Earth Art and Conceptual Art to performance and video. He also traces photography's embrace by museums and galleries, as well as its politicization in the culture wars of the 80s and 90s.   Grundberg reflects on the landmark exhibitions that defined the moment and his encounters with the work of leading photographers-many of whom he knew personally-including Gordon Matta-Clark, Cindy Sherman, and Robert Mapplethorpe. He navigates crucial themes such as photography's relationship to theory as well as feminism and artists of color. Part memoir and part history, this perspective by one of the period's leading critics ultimately tells a larger story about the crucial decades of the 70s and 80s through the medium of photography
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-0-300-23410-7
    Language: English
    Subjects: General works
    RVK:
    RVK:
    Keywords: Fotografie ; Kunst ; Geschichte 1960-1990 ; Fotografie ; Kunstkritik ; Ästhetik
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Cover
    Author information: Grundberg, Andy 1947-
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  • 9
    Book
    Book
    Berlin ; Bern ; Bruxelles ; New York ; Oxford ; Warszawa ; Wien : Peter Lang
    UID:
    b3kat_BV047098881
    Format: 232 Seiten
    ISBN: 9783631801505
    Series Statement: Cross-roads volume 22
    Content: Music in Romantic literature and criticism : approximations / Elżbieta Nowicka -- Shakespeare of the Polish Romantics / Alina Borkowska-Rychlewska -- Irony as a 'centrifugal force of disincarnations' in Polish Romanticism / Wojciech Hamerski -- Memory instead of history : Mickiewicz, Słowacki, Norwid / Krzysztof Trybuś -- The views of Mickiewicz and Krasiński on Russia / Jerzy Fiećko -- Princess Trubecka in a Siberian hell : a dialogue between three European poets (with the participation of Dante) / Zbigniew Przychodniak -- A duet to democracy : Cyprian Norwid - Alexis de Tocqueville / Elżbieta Lijewska -- Beauty and truth in Cyprian Norwid's Italian novellas / Mirella Kryś -- Italian Renaissance art in Teofil Lenartowicz's literary and visual creative output : a case study / Arkadiusz Krawczyk -- India and the history of Slavdom in Mickiewicz's Paris lectures / Dagmara Nowakowska -- Miłosz's Mickiewicz as a mystical poet / Lidia Banowska
    Content: "The book contains essays on the heterogeneity of Polish Romantic literature and its links with Europe's cultural heritage. The essays deal with, among other topics, the idea of beauty and truth, correspondences between the arts, the role of tradition and memory in the Romantic era, and the significance of mysticism and irony. The authors of the essays write about such seemingly distant issues as music and revolution in Chopin's times, and travel to places as disparate as Siberia and Italy. Their thematically diverse reflections are linked by questions they pose about the romantic roots of today's Europe. The works of Mickiewicz and other Romantic poets discussed in this book thus clearly do not concern merely the past, but also speak to the present day, describing the experiences of everyday life in its various dimensions"
    Note: Includes bibliographical references and index , Essays translated from Polish into English by various translators
    Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 978-3-631-81075-0
    Additional Edition: Erscheint auch als Online-Ausgabe, EPUB ISBN 978-3-631-81076-7
    Additional Edition: Erscheint auch als Online-Ausgabe, MOBI ISBN 978-3-631-81077-4
    Language: English
    Subjects: Slavic Studies
    RVK:
    RVK:
    Keywords: Polnisch ; Romantik ; Literatur ; Aufsatzsammlung ; Aufsatzsammlung
    Author information: Trybuś, Krzysztof 1957-
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  • 10
    Book
    Book
    London ; New York, New York : Thames & Hudson
    UID:
    b3kat_BV048463233
    Format: 352 Seiten, 16 ungezählte Seiten Tafeln , Illustrationen
    ISBN: 9780500024430
    Content: In This is Tomorrow Michael Bird takes a fresh look at the ‘long twentieth century’, from the closing years of Queen Victoria’s reign to the turn of the millennium, through the lens of the artists who lived and worked in this ever-changing Britain. Bird examines how the rhythms of change and adaptation in art became embedded in the collective consciousness of the nation and vividly evokes the personalities who populate and drive this story, looking beyond individual careers and historical moments to weave together interconnecting currents of change that flowed through London, Glasgow, Leeds, Cornwall, the Caribbean, New York, Moscow and Berlin. From the American James McNeill Whistler’s defence of his new kind of modern art against the British art establishment in the latter half of the 19th century to the Danish-Icelandic artist Olafur Eliasson’s melting icebergs in London, he traverses the lives of the artists that have recorded, questioned and defined our times. At the heart of this original book are the successive waves of displacement caused by global wars and persecution that conversely brought fresh ideas and new points of view to the British Isles; educational reforms opened new routes for young people from working-class backgrounds; movements of social change enabled the emergence of female artists and artists of colour; and the emergence of the mass media shaped modern modes of communication and culture. These are the ebbs and flows that Michael Bird teases out in this panoramic account of Britain and its artists in across the twentieth century
    Language: English
    Subjects: Art History
    RVK:
    Keywords: Großbritannien ; Kunst ; Künstler ; Geschichte 1900-2000
    Author information: Bird, Michael 1958-
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