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  • French  (358)
  • Latin  (24)
  • Stabi Berlin  (381)
  • Jüdisches Museum  (1)
  • GB Blankenfelde-Mahlow
  • SB Perleberg
  • 2015-2019  (382)
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  • 1
    UID:
    b3kat_BV044027992
    Format: XXI, 482 Seiten , Illustrationen, 1 Diagramm, 1 Karte, Pläne
    ISBN: 9782503566757 , 9782503568737
    Series Statement: Bibliothèque de l'antiquité tardive 31
    Content: Recueil de contributions d'histoire romaine en hommage à l'oeuvre de Jean-Michel Carrié par ses collègues, élèves et amis. 00During a career that led him from Paris X to the EHESS, Jean-Michel Carrié profoundly enriched our knowledge of Late Antiquity, to which he dedicated the largest part of his works. In his detailed articles as in his syntheses, he gave a documented and balanced appreciation of the Late Roman Empire, through a combined examination of various sources, particularly papyrus and imperial constitutions. His work shed new and fertile light on large parts of the structures of the Late Roman State: the administration and its tax system, with their impact on the Roman society, or the defence of the Empire, its methods and means, to mention only the main domains which he illustrated. With this volume, the editors wished to pay a due tribute to Jean-Michel Carrié's scientific and human 'libera curiositas': a "free curiosity" variously experienced by the forty contributors of these 'Mélanges', as colleagues, friends, readers or students. The studies collected in the volume cover the main fields explored by Jean-Michel Carrié, first of all the tax system and the Late Roman army, its foreign auxiliaries as its Egyptian garrisons. Secondly, the Roman frontier policy is studied through the questions of diplomatic exchanges, alliances and federates? recruitment. In the third part, the contributions dedicated to the regional societies and economies reflect the geographical extent of the scientific interests of Jean-Michel Carrié, from Britain to Syria, through Italy and Egypt. A tribute is also given to its method in the interpretation of the literary sources, such as the 'Latin Panegyrics', the 'Res Gestae' of Ammianus, the 'Historia Augusta', the speeches of Libanios and Procopius? 'Wars'. Finally, the last part of the volume is dedicated to the Christianisation of the Late Roman State and Society
    Note: Beiträge teilweise französisch, teilweise englisch, teilweise italienisch, teilweise deutsch
    Language: French
    Subjects: History
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    Keywords: Römisches Reich ; Geschichte ; Spätantike ; Aufsatzsammlung ; Festschrift ; Bibliografie ; Festschrift ; Aufsatzsammlung ; Bibliografie
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  • 2
    UID:
    b3kat_BV047930755
    Format: 1 Online-Ressource (376 Seiten) , 21 x 28cm
    ISBN: 9789264958982 , 9789264512900 , 9789264428225
    Content: Afin de faire face aux problèmes mondiaux les plus urgents et atteindre les Objectifs de développement durable, la communauté internationale a promis d'unir les forces d'un nombre sans précédent d'acteurs financiers : entreprises, gouvernements, organisations philanthropiques ou encore particuliers transférant de l'argent vers leur pays d'origine. Pourtant le déficit en matière de financement du développement durable se creuse : alors que les besoins continuent d'augmenter, les ressources à la disposition des pays en développement restent limitées, voire régressent, comme en atteste la baisse de l'investissement direct étranger observée récemment. Il faut de nouveaux instruments financiers et de nouveaux modes d'interaction pour mobiliser les ressources qui font défaut. Or, malgré des avancées notables, nous ne parvenons pas à encore à cerner avec précision toutes les opportunités et tous les risques auxquels les acteurs de ce nouveau « marché » doivent se mesurer. Ce rapport tire la sonnette d'alarme. Pour concrétiser les engagements du Programme 2030, et sortir des centaines de millions d'êtres humains de l'extrême pauvreté, la communauté internationale doit non seulement mobiliser de nouvelles ressources, mais également accroître la contribution des financements existants à un développement réellement durable. Première édition d'une nouvelle série, ce rapport propose des options innovantes pour améliorer la mesure des flux de financements, la qualité des politiques publiques et la coordination des acteurs afin de réaliser ces objectifs ambitieux
    Language: French
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 3
    UID:
    b3kat_BV044297800
    Format: 438 Seiten, 24 ungezählte Seiten Bildtafeln , Illustrationen
    ISBN: 9782503568584
    Series Statement: Hagiologia volume 12
    Content: Scholarly investigation of devotional images from the medieval period has never explored, in a European context, the question of Marian paintings functioning as portable relics. The model of the picture-reliquary ? : a single, diptych, or triptych panel comprising the portrait of the ?Virgin and Child? painted on wood (or, more rarely, on gilded glass, ?verreéglomisé?) set in a large framework encrusted with relics (occasionally with precious stones) was particularly widespread in the territory of Little Poland from c. 1420. Polish reliquaries, known until the beginning of the sixteenth century, should be considered as an adaptation of iconic types and forms of Byzantine provenance, which were reinterpreted in the painting of the Italian ?Trecento?. Of particular note is the Siennese model of the portable Marian altar piece made popular from the 1330s-40s. From the comparative study of the works, concerning their similarities and their antiquity, one envisages the advent of such a formal concept in Poland either directly from Italy, or by the intermediary of Bohemia
    Note: Dissertation Université Lumière Lyon II 2010
    Language: French
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    Keywords: Mariendarstellung ; Christusdarstellung ; Devotionalie ; Andachtsbild ; Reliquienkult ; Frömmigkeit ; Geschichte 1300-1550 ; Hochschulschrift ; Hochschulschrift
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  • 4
    UID:
    gbv_1778506143
    Format: 1 Online-Ressource (386 p.)
    Series Statement: Orbis biblicus et orientalis 287
    Content: What was the function of representing deities and also humans in the ancient Near-East? Which were the different ways of making gods visible, and the specific functions of these representations? Might these material and visual representations help us to better understand official cults, as well as private cults? What was the role of images in the royal cult? Was the king the only “image” of the gods, or could all humans fulfill this role? Why were cult images forbidden? Does the biblical prohibition have any precedent or parallel in the ancient Near-East, or elsewhere? And how do the ways of representing gods and humans change in the absence of cultic images? The conference Representing Gods and Humans in the Ancient Near-East and in the Bible, held at the Collège de France, Paris, on May 5-6 2015, sought to shed light on these questions surrounding the image, a critical issue for our understanding of ancient as well as modern religions
    Note: French
    Additional Edition: Erscheint auch als Druck-Ausgabe Représenter dieux et hommes dans le Proche-Orient ancien et dans la Bible Leuven : Peeters, 2019 ISBN 9789042939738
    Language: French
    Subjects: History , Comparative Studies. Non-European Languages/Literatures , Theology
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    Keywords: Alter Orient ; Gottesvorstellung ; Gottesverehrung ; Geschichte ; Konferenzschrift ; Konferenzschrift
    Author information: Römer, Thomas 1955-
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  • 5
    UID:
    gbv_1615593047
    Format: 590 Seiten , 24 cm
    ISBN: 9782213680897
    Content: Even before the First World War, Paris attracted artists from throughout Europe: Russian, Polish, Hungarian, Czech, or German artists, who came to study at the Academies of painting or of music. Several waves of migration brought Jewish artists who were fleeing persecution, and these artists formed networks of friendship with French artists in Paris: channels that operated during the Occupation and the Vichy regime to protect the victims of that regime. The intervention by Sacha Guitry and Arletty on behalf of Tristan Bernard is well known, but Limore Yagil reveals many others as well. At the intersection of cultural and political history, Yagil traces these networks of solidarity from their origins, reconstructing a geography of mutual cooperation, and investigating the significance that should be given to these acts of civil disobedience
    Content: Paris, capitale artistique, 1918-1939 -- Le contrôle du champ artistique sous l'Occupation -- Les peintres dans le Paris occupé -- Peintres et sculpteurs en zone libre, 1940-1944 -- Le théâtre sous l'Occupation -- Le cinéma sous l'Occupation -- Musiciens et musique en France, 1918-1945 -- L'Opéra de Paris sous l'Occupation -- Les music halls, les cabarets, la chanson et le jazz sous l'Occupation -- Le refuge americain -- D'autres lieux d'exil: l'exemple de la Suisse et de la Palestine
    Note: Literaturverzeichnis: Seite 535-560 , Habilitationsschrift Universität Paris 2010
    Language: French
    Subjects: Art History
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    Keywords: Paris ; Künstler ; Nationalsozialismus ; Exil ; Solidarität ; Geschichte 1933-1945 ; Paris ; Künstler ; Exil ; Nationalsozialismus ; Solidarität ; Geschichte 1933-1945 ; Hochschulschrift
    URL: Cover
    Author information: Yagil, Limor 1961-
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  • 6
    UID:
    b3kat_BV045125893
    Format: 324 Seiten , 1 Illustration , 22 cm
    ISBN: 9782406066606 , 2406066606 , 9782406066613 , 2406066614
    Series Statement: Études et textes occitans 5
    Content: The French Renaissance celebrates Petrarch but ignores Occitan troubadours. We owe their rediscovery to the Vies of the most famous and ancient Provençal Poets of Provençal Jean de Nostredame, published in 1575 in Lyon in French and, the same year, in Italian. The influence of this founding work is considerable in France and in Europe during the next two centuries. In France, Nostradamus theories about medieval literary history are taken by scholars of the late XVIth and beginning of the XVIIth century, such as Claude Fauchet and Etienne Pasquier in whom we can see the founders of French literary historiography. In their turn, the ideas of these scholars are integrated in the reflections carried out from the 1640s in Languedoc by authors such as Pierre de Caseneuve or Pierre Borel. In Provence, finally, perpetuates, through many modalities, the teachings of Nostredame
    Note: This volume is in part derived from an international meeting held in Aix-en-Provence (Aix-Marseille Université, UMR 7303 Telemme) on the 3rd of October 2013 - page 7 , Abstracts in French and English
    Language: French
    Subjects: Romance Studies
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    Keywords: Okzitanisch ; Troubadour ; Troubadourlyrik ; Rezeption ; Provence ; Geschichte 1500-1800 ; Konferenzschrift ; Konferenzschrift
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  • 7
    Book
    Book
    [Paris] : Gallimard
    UID:
    b3kat_BV042502417
    Format: 366 S.
    ISBN: 9782070399802
    Series Statement: Nrf essais
    Content: Contempler un tableau ou un paysage, écouter une pièce de musique, s'immerger dans un univers sonore, lire un poème, voir un film : telle est l'expérience esthétique. Or, dans chaque culture humaine, elle est de toutes les expériences communément vécues à la fois la plus banale et la plus singulière. Singulière car elle a pour condition qu'on s'y adonne sans autre but immédiat que cette activité elle-même ; banale, car elle n'en demeure pas moins de part en part une des modalités de base de l'expérience commune du monde. Elle exploite le répertoire de l'attention, de l'émotion et du plaisir mais elle leur donne une inflexion particulière, voire paradoxale. Il s'agit donc, démontre Jean-Marie Schaeffer, de comprendre non pas l'expérience des ouvres d'art dans sa spécificité, mais l'expérience esthétique dans son caractère générique, c'est-à-dire indépendamment de son objet. Si l'expérience esthétique est une expérience de la vie commune, alors les oeuvres d'art, lorsqu'elles opèrent esthétiquement, s'inscrivent elles aussi dans cette vie commune
    Language: French
    Subjects: Comparative Studies. Non-European Languages/Literatures , Philosophy
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    Keywords: Ästhetische Wahrnehmung
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  • 8
    UID:
    gbv_1657053121
    Format: Online-Ressource (1 online resource (188 p.))
    Edition: Online-Ausg.
    ISBN: 9781464804878
    Series Statement: Directions in Development; Directions in Development - Energy and Mining
    Content: Africa needs power-power to enhance the welfare of its people and expand its economies. But Sub-Saharan Africa's power sector has the lowest generation capacity in the world. Two-thirds of the regional population remains without electricity and even those with access consume the least among the world's regions. Businesses say unreliable electricity is a major hurdle. Meanwhile, vast energy resources remain untapped. One possible solution is to leverage the mining industry's substantial need for power as an anchor for energy infrastructure development. 'The Power of the Mine: A Transformative Opportunity for Sub-Saharan Africa' is the first study to systematically analyze both the potential and the challenges of power-mining integration. The findings show that industry demand for electricity can be a game changer. Mining operations often devote a quarter or more of operating costs to electricity. This consistent, high-volume demand can spur development of national power systems, thus expanding electrification for the populace. As a result, citizens can also benefit from safe, adequate access to electricity. Countries benefit from larger exports and tax revenues, more business and job opportunities, and higher GDP. Utilities benefit from having creditworthy mining partners as a core source of revenue that attracts investment. And mines benefit from the significant cost reductions a stable power grid provides. 'The Power of the Mine' will be of interest to policymakers, researchers, and business analysts engaged in energy infrastructure development
    Note: Description based on print version record
    Additional Edition: ISBN 9781464804861
    Additional Edition: Druckausg. ISBN 978-1-4648-0486-1
    Language: French
    URL: Volltext  (Deutschlandweit zugänglich)
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  • 9
    Online Resource
    Online Resource
    Paris : Presses de l'Inalco
    UID:
    b3kat_BV048630327
    Format: 1 Online-Ressource (256 Seiten)
    ISBN: 9782858312634
    Series Statement: EuropeS
    Content: Les essais réunis dans le recueil KinoFabula interrogent les images du cinéma dans leur rapport originel et sans cesse renouvelé avec la littérature sous toutes ses formes (fable, conte oral, poésie, théâtre ou roman) et analysent les différents types de relations et de circulation qui permettent le dialogue des œuvres : relations intergénériques (fable cinématographique, ciné-skaz, poème cinégraphique...) ; relations intermédiales entre les mots de la littérature et les images du cinéma qui en sont un commentaire a posteriori mais qui favorisent aussi, par un effet rétroactif, un retour sémantique sur les textes et nous renseignent sur le régime de leur interprétation ; relations temporelles qui imbriquent l'Histoire - le passé historique - dans les histoires - le présent de l'énonciation fictionnelle.
    Content: Les œuvres qui entrent ainsi en dialogue sont considérées comme des espaces (textuels ou visuels) de transition, des objets à jamais imparfaits et inachevés mais qui aspirent à être chacun complétés de la même façon que, selon Walter Benjamin, une traduction viendrait compléter le texte dit « original » et en révéler le mode de visée. En s'ajoutant les unes aux autres, en se commentant les unes et les autres, en se traduisant les unes les autres ou en se réécrivant les unes les autres, les œuvres littéraires et visuelles participent du mouvement même de la culture qui ne cesse de « métisser » et de réinterpréter et ses propres données. The essays in this anthology examine the images of cinema in light of their original and ever-changing relationship with literature in all its forms (fables, oral tales, poetry, theatre and novels).
    Content: They analyze the different types of relationships and circulation that enable dialogue between works: inter-genre relationships (the cinematic fable, skaz or poem, etc.); intermedial relationships between the words of literature and the images of cinema, which are an a posteriori commentary on the former but also retroactively encourage a...
    Additional Edition: Erscheint auch als Druckausgabe ISBN 9782858312641
    Language: French
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  • 10
    UID:
    gbv_823370054
    Format: 215 p , col. ill , 30 cm
    ISBN: 9788836630646
    Note: Catalog of an exhibition held at the Musée Bonnard, Le Cannet, France, June 27-Oct. 31, 2015 , Text in English and French , Henri Manguin (1874-1949) , French, English , French, English
    Language: French
    Keywords: Manguin, Henri 1874-1949 ; Malerei ; Fauvismus ; Ausstellungskatalog
    Author information: Manguin, Henri 1874-1949
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