Kooperativer Bibliotheksverbund

UID:

Format: viii, 323 p. , ill , 24 cm

Edition: Online_Ausgabe Boulder, Colo NetLibrary 2004 E-Books von NetLibrary Sonstige Standardnummer des Gesamttitels: 22382847

ISBN: 1417520027

Content: When New German cinema directors like R. W. Fassbinder, Ulrike Ottinger, and Werner Schroeter explored issues of identity--national, political, personal, and sexual--music and film style played crucial roles. Most studies of the celebrated film movement, however, have sidestepped the role of music, a curious oversight given its importance to German culture and nation formation. Caryl Flinn's study reverses this trend, identifying styles of historical remembrance in which music participates. Flinn concentrates on those styles that urge listeners to interact with difference--including that embodied in Germany's difficult history--rather than to "master" or "get past" it. Flinn breaks new ground by considering contemporary reception frameworks of the New German Cinema, a generation after its end. She discusses transnational, cultural, and historical contexts as well as the sexual, ethnic, national, and historical diversity of audiences. Through detailed case studies, she shows how music helps filmgoers engage with a range of historical subjects and experiences. Each chapter of The New German Cinema examines a particular stylistic strategy, assessing music's role in each. The study also examines queer strategies like kitsch and camp and explores the movement's charged construction of human bodies on which issues of ruination, survival, memory, and pleasure are played out.

Note: Includes bibliographical references and index , Introduction: "strategies of remembrance" -- Mourning, melancholia, and "new German melodrama" -- Modernism's aftershocks: Peer Raben's film music for Fassbinder -- Kluge's assault on history: trauma, testimony, and difference in the patriot -- Undoing act 5: history, bodies, and operatic remains: Kluge's the power of emotion -- Restaging history with fantasy: body, camp, and sound in the films of Treut, Ottinger, and Von Praunheim -- Introjecting kitsch: Werner Schroeter, music, and alterity

Additional Edition: Reproduktion von Flinn, Caryl The new German cinema c2004

Language: English

Subjects: General works , Musicology

Keywords: Neuer deutscher Film ; Filmmusik ; Geschichtsdarstellung ; Geschichte ; Neuer deutscher Film ; Filmmusik ; Filmästhetik ; Electronic books. ; Electronic books. ; Electronic books. ; Electronic books

URL: Volltext

URL: Full text  (Click to View (Currently Only Available on Campus))

URL: Volltext  (Deutschlandweit zugänglich)

URL: Volltext  (Deutschlandweit zugänglich)

UID:

Format: 1 Online-Ressource (314 Seiten) : , Illustrationen, Diagramme.

Edition: 1. Auflage

ISBN: 978-3-8288-7431-2

Series Statement: Systematische Musikwissenschaft und Musikkulturen der Gegenwart Band 8

Content: Rund 14 Millionen Deutsche musizieren regelmäßig in ihrer Freizeit. Viele sind Mitglied in einem Blasorchester oder einer Blaskapelle, und ihr ehrenamtliches Engagement leistet einen wichtigen Beitrag zur regionalen (Musik-)Kultur. Doch was ist die Motivation dahinter? In einer Online-Befragung von 214 hessischen Amateurmusikern und 123 Amateurfußballern geht Jennifer Nowak dieser Frage auf den Grund. Die Autorin beleuchtet ausgewählte Konzepte der Motivationspsychologie und präsentiert anschließend die Ergebnisse ihrer Online-Befragung zu Motivation, Persönlichkeit und Flow-Erleben. Ihre daraus abgeleiteten Hypothesen sowie ein Modellvorschlag zur Motivation des ehrenamtlichen Musizierens führen zu relevanten Ergebnissen für Theorie und Praxis

Content: Around 14 million people in Germany regularly play music in their spare time. Many of them are members of wind orchestras or brass bands, who thus make an important contribution to regional (music) culture. However, what are their incentives in this respect? In an online survey of 214 amateur musicians and 123 amateur football players in Hesse, Jennifer Nowak addresses this question in depth. She highlights selected concepts in motivational psychology and subsequently presents the results of her online survey in terms of incentives, personality and flow state. Both the hypotheses she derives from these results plus a blueprint she suggests for encouraging playing music in one’s spare time reveal relevant findings for theory and practice in this regard

Note: Dissertation Universität Gießen

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-8288-4422-3

Language: German

Subjects: Musicology

Keywords: Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift

DOI: 10.5771/9783828874312

URL: Volltext  (URL des Erstveröffentlichers)

URL: Volltext  (URL des Erstveröffentlichers)

URL: Volltext  (URL des Erstveröffentlichers)

URL: Volltext  (URL des Erstveröffentlichers)

URL: Volltext  (URL des Erstveröffentlichers)

URL: Volltext  (URL des Erstveröffentlichers)

URL: lizenzpflichtig

URL: lizenzpflichtig

Author information: Nowak, Jennifer 1988-

UID:

Format: 1 online resource (370 p.)

ISBN: 9783839447390 , 9783110743357

Series Statement: Musik und Klangkultur ; 37

Content: Sexistische Praktiken und Diskriminierungen sind, wie fast überall, auch innerhalb der Szene der Neuen Musik verbreitet. So wurden Frauen etwa als Komponistinnen über Jahrzehnte kaum wahrgenommen. Die Beiträge des Bandes repräsentieren unterschiedliche Perspektiven der Autor*innen auf den Themenkomplex Gender und Neue Musik. Gefragt wird nach Vorurteilen in Bezug auf die Geschlechter, die fest in der Tradition verankert und teilweise bis heute mit Blick auf ästhetische, institutionelle und soziale Voraussetzungen Neuer Musik wirksam sind. Im Fokus steht der Zeitraum von den 1950er Jahren bis in die Gegenwart.

Note: Frontmatter -- , Inhalt -- , Einführung -- , Die Anfänge der Internationalen Ferienkurse für Neue Musik aus Gender-Perspektive -- , Der hörende Blick ins Archiv -- , Komponistin und »Scherchentochter« -- , Zwischen Bühne und Backstage -- , »Über das Hören erfolgreicher Musik«: Kritische Theorie, Avantgarde, Klangkompositionen und Gender -- , (Neue) Musik und Gender in der DDR -- , Mikros für Sirenen: Von Cathy Berberian zu den Heroines of Sound -- , A Tool Is a Tool. Or Is It? -- , Neue Musik und Vergnügen in der ASMR-Serie von Neo Hülcker -- , Männlichkeitsperformances in Musik der 1980er/90er Jahre und heute -- , »Ich versuche immer etwas Unmögliches, und das gibt mir Kraft.« -- , Solo für Émilie -- , »... ein Alien in unserer Gesellschaft«: -- , Zwischen Podium und Publikum -- , Von der Praxis des »politischen Komponierens« und weiteren Modeerscheinungen -- , Lässt es sich falsch hören? -- , Das Kleid der Pianistin und der Pulli des Komponisten -- , Autor:innenverzeichnis -- , Index , Mode of access: Internet via World Wide Web. , In German.

In: DG Plus PP Package 2021 Part 2, De Gruyter, 9783110743357

In: EBOOK PACKAGE COMPLETE 2021, De Gruyter, 9783110753776

In: EBOOK PACKAGE Literary, Cultural, Area Studies 2021, De Gruyter, 9783110753899

Language: German

Subjects: Musicology

Keywords: Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung

DOI: 10.1515/9783839447390

URL: https://doi.org/10.1515/9783839447390

URL: https://www.degruyter.com/isbn/9783839447390

URL: Cover

URL: lizenzpflichtig

URL: lizenzpflichtig

URL: https://doi.org/10.1515/9783839447390

URL: https://www.degruyter.com/isbn/9783839447390

URL: Volltext  (URL des Erstveröffentlichers)

URL: Volltext  (URL des Erstveröffentlichers)

URL: lizenzpflichtig

URL: lizenzpflichtig

URL: Cover

URL: Cover

UID:

Format: XVI, 506, [16] S. : , Ill. ; , 25 cm.

ISBN: 0-19-506508-5

Content: From 1922 until his death in 1954, Wilhelm Furtwangler was the foremost cultural music figure of the German-speaking world, conductor of both the Berlin and Vienna Philharmonic orchestras. But a cloud still hangs over his reputation, despite his undeniable brilliance as a musician, because of a fatal and tragic decision. Wilhelm Furtwangler remained in Germany when thousands of intellectuals and artists fled after the Nazis seized power in 1933. His decision to stay behind earned him lasting condemnation as a Nazi collaborator--"The Devil's Music Master." Decades after his death, Furtwangler remains for many not only the greatest but also the most controversial musical personality of our time. In The Devil's Music Master, Sam H. Shirakawa forges the first full-length and comprehensive biography of Furtwangler

Content: He surveys Furtwangler's formative years as a difficult but brilliant prodigy, his rise to pre-eminence as Germany's leading conductor, and his development as a musician, composer, and thinker. Shirakawa also reviews the rich recorded legacy Furtwangler documented throughout his forty-year career--such as the legendary Tristan with Kirsten Flagstad and the famous performances of Beethoven's Ninth Symphony in 1942 and 1951. Equally important, Shirakawa goes backstage and behind the lines to explore how the Nazis seized control of the arts and how Furtwangler single-handedly tried to prevent such evil characters as Propaganda Minister Joseph Goebbels and Luftwaffe Chief Hermann Goring from annihilating Germany's musical life. He shows how Furtwangler, far from being a toady to the Nazis, stood up openly against Hitler and Himmler--at enormous personal risk--to salvage the musical traditions of Bach, Mozart, and Beethoven

Content: Shirakawa also presents moving and overwhelming evidence of Furtwangler's astonishing efforts to save the lives of Jews and other persecuted individuals trapped in Nazi Germany--only to be proscribed at the end of the war and nearly framed as a war criminal. But there was more to Furtwangler than his politics, or even his music, and we come to know this extraordinary man as a reluctant composer, a prolific essayist and diary keeper, a loyal friend, a formidable enemy when crossed, and an incorrigible philanderer. Numerous musical luminaries share their memories of Furtwangler to round out this vivid portrait. Based on dozens of interviews and research in numerous documents, letters, and diaries, many of them previously unpublished, The Devil's Music Master is an in-depth look at the life and times of a unique personality whose fatal flaw lay in his uncompromising belief that music and art must be kept apart from politics, a conviction that transformed him into a tragic figure

Note: Literaturangaben

Language: English

Subjects: Musicology

Keywords: 1886-1954 Furtwängler, Wilhelm ; 1886-1954 Furtwängler, Wilhelm ; Biografie ; Biografie ; Biografie ; Biographie ; Biografie ; Biografie

URL: Inhaltsverzeichnis

URL: http://www.loc.gov/catdir/enhancements/fy0635/91025994-d.html

URL: http://www.loc.gov/catdir/enhancements/fy0722/91025994-b.html

UID:

Format: 1 online resource (798 p.)

Edition: 1st ed.

ISBN: 3-8394-4885-9

Series Statement: Mainzer Historische Kulturwissenschaften 45

Content: In Early Modern times, techniques of assembling, compiling and arranging pre-existing material were part of the established working methods in many arts. In the world of 18th-century opera, such practices ensured that operas could become a commercial success because the substitution or compilation of arias fitting the singer's abilities proved the best recipe for fulfilling the expectations of audiences. Known as »pasticcios« since the 18th-century, these operas have long been considered inferior patchwork. The volume collects essays that reconsider the pasticcio, contextualize it, define its preconditions, look at its material aspects and uncover its aesthetical principles.

Note: Frontmatter -- , Editorial -- , Content -- , Introduction -- , The World of Pasticcio Reflections on Pre-Existing T ext and Music -- , Italian Pasticcio Opera, 1700-1750 Practices and Repertoires -- , 1. Pasticcio Principles in Different Arts -- , Antoine Watteau’s pasticci -- , Pasticcio Practice in 18th-Century German Theater -- , Adaptations of Stage Directions and Stage Designs in Pietro Metastasio’ s drammi per musica -- , Between Dwarfs and Giants. Aesthetics of the Pasticcio between London and Hamburg -- , 2. Pasticcio vs. Pastiche -- , The Musical pasticcio: A Plea for a Readymade Ontology for the Musical Work -- , Pasticcio en littérature? -- , On the New Significance of the Pastiche in Copyright Law -- , 3. Traveling Musicians – Traveling Music? -- , A Voice of Two Cities: Francesco Borosini between the Habsburg Court and the Royal Academy -- , Debts and Destiny New Findings on Antonio Maria Peruzzi and the Origin of His Opera Touring Business -- , Italian operisti, Repertoire and the aria di baule: Insights from the Pirker Correspondence -- , Dido Abandoned? Shifts of Focus and Artistic Choices in Didone Pasticcios of the Mingotti Opera T roupe -- , Palladio as a Tool for opera buffa Research. Mapping Opera Troupes and opera buffa Outside of Italy (1745-1765) -- , 4. Local Conditions of Pasticcio Production and Reception -- , Collaboration, Arrangement, ‘Dressing’: The Different Recipes for the pasticcio alla napoletana in the First Half of the 18th Century -- , Production of Opera Pasticcios in Venice in the Early 18th Century. The Impresario’s Role -- , Artaserse (Rome, 1721), Nicola Porpora’s First Pasticcio -- , Singers of the V iennese Kärntnertortheater in the 1730s in the Light of Aria Substitutions and Pasticcios -- , The Book of Pasticcios: Listening to Ormisda’s Material Texts -- , Borrowed Voices. Legal Ownership of Insertion Arias in 18th-Century London -- , Local Conditions of Pasticcio Production and Reception: Between Prague, W rocław and Moravia -- , The Graz 1740 Pasticcio Amor, odio e pentimento: A Special Case or Mingottis’ s Common Practice? -- , A Granted Royal Wish, or Carlo Goldoni’ s La buona figliuola with Music by Niccolò Piccinni and Il mercato di Malmantile with Music by Domenico Fischietti, Staged in Warsaw in 1765 -- , 5. Pasticcio Practices Beyond Opera -- , Bad Habits in Theater – Late Forms of Operatic Pasticcios in Vienna Around 1800 -- , Dance in Pasticcios – Pasticcios in Dance -- , Ballet Performance as Motivation for Pasticcio Practices – Gluck’ s and Berton’s Cythère assiégée (1775) -- , The Use of Extracts of Mozart’ s Operas in Polish Sacred Music -- , Pasticcio da chiesa: Transforming Opera Arias into an Oratorio The Case of Contrafacted Oratorios in Wrocław and Żagań from the Mid-18th Century -- , 6. Pasticcio Between Philology and Materiality -- , Apostolo Zeno’s Venceslao (Venice 1703) and its Pasticcio Version Vincislao re di Polonia (London 1717) A Case Study with Stops in Florence, Milan and Naples -- , The Musical and Physical Mobility of Material in Handel Sources -- , Pasticcios in Darmstadt? Christoph Graupner and the Use of Non-domestic Librettos in the Early 18th Century -- , Gluck’s Contribution to the Pasticcios Arsace and La finta schiava -- , Digital Music Editions Beyond [Edited] Musical Text -- , The pasticci Tree: Manual and Computing Solutions -- , Ways of Replacement – Loss and Enrichment -- , Epilogue -- , List of Contributors -- , Index of Persons -- , Index of Places , In English.

Additional Edition: ISBN 3-8376-4885-0

Language: English

Subjects: Musicology

Keywords: Aufsatzsammlung ; Aufsatzsammlung

DOI: 10.14361/9783839448854

URL: Volltext  (kostenfrei)

URL: Volltext  (kostenfrei)

URL: Volltext  (kostenfrei)

URL: kostenfrei

URL: kostenfrei

URL: Cover

URL: Cover

UID:

Format: 253 S. : , Ill. ; , 25 cm.

ISBN: 978-0-674-01165-6 , 0-674-01165-1

Note: 1. Acting American; Jews, theatricality, and modernity -- 2. Cantors' sons, jazz singers, and Indian chiefs; The invention of ethnicity on the musical comedy stage -- 3. Babes in arms; The politics of theatricality during the great depression -- 4. "We know we belong to the land"; The theatricality of assimilation in Oklahoma! -- 5. The apprenticeship of Annie Oakley; or, 'doin' what comes natur'lly" -- 6. "You've got to be carefully taught"; The politics of race in south pacific -- Coda; "I whistle a happy tune"

Language: English

Subjects: Musicology

Keywords: Musical ; Juden

URL: Inhaltsverzeichnis

UID:

Format: 258 p. : ill. : 24 cm.

ISBN: 1-57467-071-9

Note: Includes bibliographical references (p. 251-253) and index

Language: English

Subjects: Musicology

Keywords: 1770-1827 Beethoven, Ludwig van ; Klaviersonate ; Interpretation ; Musik ; 1770-1827 Beethoven, Ludwig van ; Klaviersonate ; Interpretation

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=009879378&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

URL: Inhaltsverzeichnis

Author information: Taub, Robert, 1955-

UID:

Format: XI, 308 S.

Edition: 1. publ.

ISBN: 0-521-66213-3 , 0-521-66561-2

Content: "Common sense suggests that it is always preferable to have more options than fewer, and better to have more knowledge than less. This provocative book argues that, very often, common sense fails. Sometimes it is simply the case that less is more; people may benefit from being constrained in their options or from being ignorant." "The three long essays that constitute this book revise and expand the ideas developed in Jon Elster's classic study Ulysses and the Sirens. It is not simply a new edition of the earlier book, though; many of the issues merely touched on before are explored here in much more detail." "The book will interest professionals and students in philosophy, political science, psychology, and economics."--BOOK JACKET.

Language: English

Subjects: Psychology , Musicology , Philosophy

Keywords: Beschränkung ; Freiwilligkeit ; Psychologie ; Denken ; Rationalität

URL: Sample text

URL: Publisher description

URL: Table of Contents

URL: Sample text

URL: Publisher description

URL: Table of Contents

URL: Sample text

URL: Publisher description

URL: Table of Contents

Author information: Elster, Jon 1940-

UID:

Format: viii, 288 Seiten : , Illustrationen, Portraits.

ISBN: 978-1-4780-0046-4

Note: Includes bibliographical references and index , Another resonance : Africa and the study of sound , Ululation , How the sea is sounded : remapping indigenous soundings in the Marshallese diaspora , Antenatal aurality in Pacific Afro-Colombian midwifery , Loudness, excess, power : a political liminology of a global city of the South , The spoiled and the salvaged : modulations of auditory value in Bangalore and Bangkok , Remapping the voice through transgender-Hijra performance , Banlieue sounds, or, The right to exist , Sound studies, difference, and global concept history , "Faking it" : moans and groans of loving and living in Govindpuri Slums , Disorienting sounds : a sensory ethnography of Syrian dance music , Afterword: Sonic cartographies

Language: English

Subjects: Ethnology , Musicology

Keywords: Sound Studies ; Technischer Fortschritt ; Sozialer Wandel ; Ethnologie ; Kulturvergleich ; Aufsatzsammlung ; Aufsatzsammlung

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030929239&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

URL: Inhaltsverzeichnis

URL: Inhaltsverzeichnis

UID:

Format: X, 233 S. : , Ill.

ISBN: 0-8078-2104-7

Content: From 1933 to 1945, the Reich Chamber of Culture exercised a profound influence over hundreds of thousands of German artists and entertainers. Subdivided into separate chambers for music, theater, the visual arts, literature, film, radio, and the press, this organization encompassed several hundred thousand professionals and influenced the activities of millions of amateur artists and musicians as well. Alan Steinweis focuses on the fields of music, theater, and the visual arts in this first major study of Nazi cultural administration, examining a complex pattern of interaction among leading Nazi figures, German cultural functionaries, ordinary artists, and consumers of culture. One of the most persistent generalizations to emerge from research on Nazi Germany is the notion of a German artistic and cultural establishment at the mercy of a totalitarian regime determined to mobilize the arts for its own ideological purposes

Content: Steinweis argues that this generalization obscures a more complex reality. It overlooks continuities in the agenda of the German cultural establishment from the Weimar Republic through the Nazi period and presupposes a clearer distinction than actually existed between officialdom and the cultural elite, thereby overestimating the degree to which policy affecting artists originated outside the artistic world. Steinweis describes the political, professional, and economic environment in which German artists were compelled to function and explains the structure of decision making, showing in whose interest cultural policies were formulated. He discusses such issues as work creation, social insurance, minimum wage statutes, and certification guidelines, all of which were matters of high priority to the art professions before 1933 as well as after the Nazi seizure of power

Content: By elucidating the economic and professional context of cultural life, Steinweis also contributes to an understanding of the response of German artists to cultural Gleichschaltung, or "coordination," and helps to explain the widespread acquiescence of German artists to artistic censorship and racial and political "purification.

Note: Literaturverz. S. [217] - 226 , Zugl.: Chapel Hill., Univ., Diss., 1992

Language: English

Subjects: History , Musicology , Art History

Keywords: Kulturpolitik ; Künstler ; Drittes Reich ; Kulturpolitik ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=019141907&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

URL: Inhaltsverzeichnis

URL: Inhaltsverzeichnis

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=019141907&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

Author information: Steinweis, Alan E. 1957-