Your email was sent successfully. Check your inbox.

An error occurred while sending the email. Please try again.

Proceed reservation?

Export
Filter
  • Stabi Berlin  (49)
  • UdK Berlin  (11)
  • Abraham Geiger Kolleg
  • SB Rathenow
  • Musicology  (47)
  • German Studies  (10)
Type of Medium
Language
Region
Virtual Catalogues
Access
  • 1
    UID:
    b3kat_BV005587258
    Format: XVI, 506, [16] S. , Ill. , 25 cm
    ISBN: 0195065085
    Content: From 1922 until his death in 1954, Wilhelm Furtwangler was the foremost cultural music figure of the German-speaking world, conductor of both the Berlin and Vienna Philharmonic orchestras. But a cloud still hangs over his reputation, despite his undeniable brilliance as a musician, because of a fatal and tragic decision. Wilhelm Furtwangler remained in Germany when thousands of intellectuals and artists fled after the Nazis seized power in 1933. His decision to stay behind earned him lasting condemnation as a Nazi collaborator--"The Devil's Music Master." Decades after his death, Furtwangler remains for many not only the greatest but also the most controversial musical personality of our time. In The Devil's Music Master, Sam H. Shirakawa forges the first full-length and comprehensive biography of Furtwangler
    Content: He surveys Furtwangler's formative years as a difficult but brilliant prodigy, his rise to pre-eminence as Germany's leading conductor, and his development as a musician, composer, and thinker. Shirakawa also reviews the rich recorded legacy Furtwangler documented throughout his forty-year career--such as the legendary Tristan with Kirsten Flagstad and the famous performances of Beethoven's Ninth Symphony in 1942 and 1951. Equally important, Shirakawa goes backstage and behind the lines to explore how the Nazis seized control of the arts and how Furtwangler single-handedly tried to prevent such evil characters as Propaganda Minister Joseph Goebbels and Luftwaffe Chief Hermann Goring from annihilating Germany's musical life. He shows how Furtwangler, far from being a toady to the Nazis, stood up openly against Hitler and Himmler--at enormous personal risk--to salvage the musical traditions of Bach, Mozart, and Beethoven
    Content: Shirakawa also presents moving and overwhelming evidence of Furtwangler's astonishing efforts to save the lives of Jews and other persecuted individuals trapped in Nazi Germany--only to be proscribed at the end of the war and nearly framed as a war criminal. But there was more to Furtwangler than his politics, or even his music, and we come to know this extraordinary man as a reluctant composer, a prolific essayist and diary keeper, a loyal friend, a formidable enemy when crossed, and an incorrigible philanderer. Numerous musical luminaries share their memories of Furtwangler to round out this vivid portrait. Based on dozens of interviews and research in numerous documents, letters, and diaries, many of them previously unpublished, The Devil's Music Master is an in-depth look at the life and times of a unique personality whose fatal flaw lay in his uncompromising belief that music and art must be kept apart from politics, a conviction that transformed him into a tragic figure
    Note: Literaturangaben
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Furtwängler, Wilhelm 1886-1954 ; Furtwängler, Wilhelm 1886-1954 ; Biografie ; Biographie ; Biografie ; Biografie
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 2
    UID:
    b3kat_BV017782379
    Format: 162 S.
    ISBN: 3826027086
    Series Statement: Film - Medium - Diskurs 2
    Language: German
    Subjects: German Studies
    RVK:
    Keywords: Johnson, Uwe 1934-1984 Jahrestage ; The New York Times ; Zeitungslektüre ; Erzähltechnik
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 3
    Book
    Book
    New York, NY [u.a.] : Palgrave Macmillan on behalf of the British Film Institute
    UID:
    b3kat_BV036704826
    Format: 226 S. , Ill.
    Edition: 1. publ.
    ISBN: 9781844572106
    Note: Tales of plagiarism and pastiche -- Nino Rota: life, works and times -- Ironic attachment -- Comedy -- Fellini -- Notes -- Synopses -- Re-uses -- Filmography -- Bibliography -- Index
    Language: English
    Subjects: General works , Musicology
    RVK:
    RVK:
    Keywords: Rota, Nino 1911-1979 ; Filmmusik
    Author information: Dyer, Richard 1945-
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 4
    UID:
    b3kat_BV009865501
    Format: XX, 732, [32] S. , Ill.
    Edition: 1. ed.
    ISBN: 0802115292
    Content: "The result of twenty-five years of research on three continents, Brecht and Company is a revolutionary portrait of one of the world's greatest theater artists - and the people upon whom he built his reputation. Bertolt Brecht is regarded by many as the most influential figure in twentieth-century theater; the director Peter Brook has argued that "all theater work today at some point starts with or returns to his achievement." In this first full biography of the Brecht circle, John Fuegi confirms Brecht's rank as a world-class theater director, but also shows why much of the writing can no longer be attributed to Brecht alone." "Brecht's first violent, homoerotic plays, though noisily provocative failures at the box office, brought him praise from adventurous critics. In Berlin in the 1920s, Brecht found someone who would change not only his life but world theater: Elisabeth Hauptmann, who wrote over 80 percent of The Threepenny Opera in exchange for time in Brecht's life and in his bed. Yet her name often disappeared from the printed text, as well as from other plays and poems. Disappointed and disaffected, Hauptmann was supplanted by the passionate, tubercular Margarete Steffin, who contributed crucially to such classics as Mother Courage and The Good Woman of Setzuan. With Steffin's death in 1941, Brecht's career as a playwright virtually ended, though other works, begun with her, were finished with the aid of the uninhibited and politically committed Danish director and author Ruth Berlau." "Fuegi traces the evolution of Brecht's parasitic relationships and aggressive ambition through close analysis of diaries, letters, and drafts of the literary works, revealing a man who was personally dazzling, a genius at assembling and
    Content: "The story of Brecht's artistic thefts is told against a backdrop of his equivocal politics through the turbulent times: from the 1932 New Year's party with members of Germany's virulent right wing, to his refusal to acknowledge Stalin's murderous purges, to his shocking break before the House Un-American Activities Committee, to his frequent anti-Semitism, to the privilege and ease he enjoyed in a repressive East Germany." "Brecht and Company will irrevocably change our understanding of one of the world's great writer-directors, even as it presents us with three new artists of enduring stature: Elisabeth Hauptmann, Margarete Steffin, and Ruth Berlau."--BOOK JACKET
    Note: Engl. Ausg. u.d.T.: Fuegi, John: The life and lies of Bertolt Brecht
    Language: English
    Subjects: German Studies
    RVK:
    Keywords: Brecht, Bertolt 1898-1956 ; Freundeskreis ; Literaturproduktion ; Biografie ; Biografie ; Biographie ; Biografie
    Author information: Fuegi, John 1936-
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 5
    UID:
    b3kat_BV043192331
    Format: XI, 368 S.
    ISBN: 9781571139535 , 1571139532
    Series Statement: Studies in German literature, linguistics and culture
    Content: "Twenty-five years after the demise of the German Democratic Republic, there is perhaps more scholarship being produced on that country than ever. This is true also in literary studies, but especially in English-language literary scholarship there has been a strong imbalance toward a focus on the last three decades of GDR literature. The literature of the earlier GDR has mostly been dismissed or ignored, as the discontinuities between the early and late GDR have been emphasized over the considerable continuities. This book seeks to redress that state of affairs, examining the literature produced from the very beginnings of what became the GDR through the 1950s." --
    Note: Introduction: reconstructing East German literature -- Part One: The absence of state (1945): In the zone, 1945 -- Part Two: Constructing the state (1949): Brecht and the battle of the spirits, 1949 -- German culture's will to power, 1949-50 -- Fascinating fascists, 1949-50 -- Part Three: Contesting the state (1953): Typical heroes, 1951-53 -- The danger of optimism, 1953 -- Part Four: The state cracks down (1956) -- The worst of times, 1956-58 -- Literature for adults, 1956-59 , Includes bibliographical references and index
    Language: English
    Subjects: German Studies
    RVK:
    Keywords: Deutschland ; Literatur ; Geschichte 1945-1949 ; Deutschland ; Literatur ; Geschichte 1949-1959 ; Brecht, Bertolt 1898-1956 ; Geschichte 1945-1959 ; Seghers, Anna 1900-1983 ; Geschichte 1945-1959
    Author information: Brockmann, Stephen 1960-
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 6
    Book
    Book
    Oxford ; New York, NY [u.a.] : Oxford Univ. Press
    UID:
    b3kat_BV041570276
    Format: XI, 297, [14] S. , Ill., Notenbeisp.
    ISBN: 9780199730056
    Series Statement: The master musicians
    Content: Nearly one hundred years after the death of its composer, the music of Claude Debussy has lost none of its breadth of appeal. With the rare ability to entice listeners on many levels, at its heart lies an engaging simplicity-one which defies traditional analysis and lends mystery to what ultimately is an extremely refined and highly personal approach to composition. Equally fascinating is Debussy's often contradictory personality-at times elusive, but always centered on his devotion to music and his ambition to create a name for himself unlike any other. Author Eric Frederick Jensen provides new insight to the man and the music in this authoritative biography. Although born into poverty, and a failure as a piano student at the Paris Conservatoire, Debussy became the most famous French composer of his day, known for his culture and refinement. His revolutionary music baffled critics but was embraced by audiences. Debussy's scandalous personal life stirred up as much controversy as his music, and his notoriety proved more harmful to his career than the unusual nature of his compositions. Jensen also explores Debussy's relationship to the arts and his career as a music critic. Debussy drew on all of the arts in his development as a composer, including poetry and painting, and his fascination with the arts has often led to his being classified as an Impressionist or Symbolist, two claims which Jensen debunks. One of the finest music critics of his time, Debussy's reviews reveal a great deal not only about his musical taste, but also about what he felt the role and function of music should be. Debussy brings together the most recent biographical research, including a revised catalogue of Debussy's compositions and the first complete edition of his correspondence. With separate, chronological sections on his life and music, Debussy is accessible to the general reader who wishes to focus on his life and personality, while p
    Note: Literaturverz. S. 279 - 289 , Werkverzeichnis Debussy Seite 260-272
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Debussy, Claude 1862-1918 ; Biografie ; Werkverzeichnis ; Biografie
    Author information: Jensen, Eric Frederick 1951-
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 7
    Book
    Book
    New York [u.a.] : Oxford Univ. Press
    UID:
    b3kat_BV014070940
    Format: XII, 338 S. , Ill.
    ISBN: 0195116372 , 0195116380 , 9780195116380
    Content: This work collates over 100 primary-source documents for students of the history of opera. The varied selections - which include letters, excerpts of journals, bits of libretti, and contemporary criticism - provide eye-witness commentary on the world of opera from its late-Renaissance infancy through modern times. Each selection is introduced by an extensive headnote that both explains the document's context and positions it in the book's overall narrative.
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Oper ; Geschichte ; Quelle ; Quelle
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 8
    UID:
    b3kat_BV004311677
    Format: 354 S. , Ill.
    Edition: 1. ed.
    ISBN: 0394583396
    Series Statement: A Borzoi book
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Gershwin, George 1898-1937 Porgy and Bess ; Aufführung ; Geschichte ; Gershwin, George 1898-1937 Porgy and Bess
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 9
    Book
    Book
    New York u.a. : Oxford Univ. Press
    UID:
    b3kat_BV010122979
    Format: XII, 564 S. , Ill.
    ISBN: 0195072375
    Content: In Bamboula!, S. Frederick Starr presents an authoritatively researched, engagingly written biography of America's first authentic musical voice. Starr paints for us a striking portrait of Louis Moreau Gottschalk's childhood in 1830s New Orleans, a city madly devoted to music, where opera companies, music halls, fiddlers and banjo-pickers, church choirs, and Army bands all contributed to what Starr calls "the most stunning manifestation of Jacksonian democracy in the realm of culture to be found anywhere in America." We meet Gottschalk's French-speaking maternal grandmother and also his African-American nurse Sally, both of whom regaled him with the songs, legends, and lore of the Creole world, which would inform some of his finest music
    Content: We travel with Gottschalk to Paris, where he was a sensation, playing in fashionable salons for the likes of Lamartine, Gautier, and Dumas; and we join his flight from the Revolution of 1848 to a town north of Paris, where he composed his first great works - Bamboula, La Savane, Le Bananier, and Le Mancenillier - all published over the name "Gottschalk of Louisiana." Starr describes Gottschalk's successful return to New York City in the early 1850s, where he enjoyed a degree of popularity never before accorded to an American performer or composer, becoming our first homegrown concert idol. But Starr also examines the life-long struggle between the Catholic Gottschalk and earnest Protestant champions of "serious" music, a battle that pitted the austere values of northern Europe against the brighter sensibilities of Paris, Louisiana, and the West Indies
    Language: English
    Subjects: Musicology
    RVK:
    RVK:
    Keywords: Gottschalk, Louis Moreau 1829-1869 ; Biografie ; Biografie
    Author information: Starr, S. Frederick 1940-
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 10
    UID:
    b3kat_BV014677415
    Format: X, 318 S. , Ill.
    ISBN: 0415937485
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Berry, Chuck 1926-2017 ; Biografie ; Biografie
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
Close ⊗
This website uses cookies and the analysis tool Matomo. Further information can be found on the KOBV privacy pages