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  • Stabi Berlin  (190)
  • Fouque-Bibliothek Brandenburg
  • Topographie des Terrors und DZ
  • SB Eisenhüttenstadt
  • GB Petershagen
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  • 1
    UID:
    almafu_BV011450316
    Umfang: XI, 274 S. : , Ill., graph. Darst.
    ISBN: 0-471-15709-0
    Serie: Wiley popular science
    Sprache: Englisch
    Fachgebiete: Physik
    RVK:
    Schlagwort(e): Physiker ; Physiker ; Geschichte ; Biografie ; Biografie ; Biografie ; Biografie ; Biografie
    URL: Cover
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Buch
    Buch
    New York :Fromm Internat.,
    UID:
    almahu_BV011501741
    Umfang: XII, 371 S.
    Ausgabe: 1. ed.
    ISBN: 0-88064-175-4
    Inhalt: The Bauhaus is the most celebrated artistic institution of our time. In the fourteen years of its existence in Weimar Germany, the Bauhaus became a center where the ideas that would dominate art in the twentieth century clashed and became defined. The ideas forged within the school literally transformed our landscape. Almost nothing we read, wear, or live in is devoid of its influence
    Inhalt: Yet there has been a history of the Bauhaus. For the first time, Elaine S. Hochman sets the school in the context of the turbulent times to which it was born following the collapse of Imperial Germany in 1919. The Bauhaus emerged just as radical social and political upheavals swept through Europe in the wake of World War I, a product of the convulsions of an age when the contest between ideologies was fought with the fervor of a religious war. Left was pitted against right of the streets, and these battles penetrated the walls of the Bauhaus as well. They shaped the destiny of the fledgling school and those who taught there, including some of the most illustrious names in the world of modern art - Walter Gropius, Mies van der Rohe, Lyonel Feininger, Paul Klee, and Wassily Kandinsky
    Inhalt: Hochman's access to the school's archives, previously off limits to Western scholars, provides an intimate day-to-day perspective of the school which reveals a different Bauhaus than the one projected by its latter-day champions in the U.S. This is the Bauhaus of its contemporaries, for whom the political and cultural implications were often more important than aesthetics
    Sprache: Englisch
    Fachgebiete: Kunstgeschichte
    RVK:
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    Schlagwort(e): Bauhaus ; Geschichte
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  • 3
    Buch
    Buch
    New York [u.a.] :Van Nostrand Reinhold,
    UID:
    almahu_BV011631573
    Umfang: VII, 167 S. : Ill.
    ISBN: 0-442-02031-7
    Sprache: Englisch
    Fachgebiete: Kunstgeschichte
    RVK:
    Schlagwort(e): Baukonstruktion ; Architektur
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  • 4
    Bild
    Bild
    New York, NY :Rizzoli Electa,
    UID:
    almahu_BV044854138
    Umfang: 319 Seiten : , Illustrationen.
    ISBN: 978-0-8478-6055-5 , 0-8478-6055-8
    Inhalt: An icon of performance art and the indie-music world, this is the first book on the artist's full career to date, as curated by the artist herself. Laurie Anderson is one of the most revered artists working today, and she is as prolific as she is inventive. She is a musician, performance artist, composer, fiction writer, and filmmaker (her most recent foray, Heart of a Dog, was lauded as an "experimental marvel" by the Los Angeles Times). Anderson moves seamlessly between the music world and the fine-art world while maintaining her stronghold in both. A true polymath, her interest in new media made her an early pioneer of harnessing technology for artistic purposes long before the technology boom of the last ten years. Regardless of the medium, however, it is exploration of language (and how it seeps into the image) and storytelling that is her métier. A few years ago, Anderson began poring through her extensive archive of nearly forty years of work, which includes scores of documentation, notebooks, and sketchbooks. In the process, she rediscovered important work and looked at well-known projects with a new lens. In this landmark volume, the artist brings together the most comprehensive collection of her artwork to date, some of which has never before been seen or published. Spanning drawing, multimedia installations, performance, and new projects using augmented reality, the extensive volume traverses four decades of her groundbreaking art. Each chapter includes commentary written by Anderson herself, offering an intimate understanding of her work through the artist's own words.--Amazon
    Anmerkung: Out on the ice -- This mist be the place - Talking statues - Made of light - This is your captain - Speak my language - From the air - Time to go
    Sprache: Englisch
    Fachgebiete: Kunstgeschichte
    RVK:
    Schlagwort(e): 1947- Anderson, Laurie ; Performance ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
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  • 5
    Online-Ressource
    Online-Ressource
    Leiden ; : Brill Rodopi,
    UID:
    almahu_9949701705802882
    Umfang: 1 online resource.
    ISBN: 9789004395107
    Serie: Yearbook of the Research Centre for German and Austrian Exile Studies, volume 19
    Inhalt: Yearbook Volume 19 continues an investigation which began with Arts in Exile in Britain 1933-45 (Volume 6, 2004). Twelve chapters, ten in English and two in German, address and analyse the significant contribution of émigrés across the applied arts, embracing mainstream practices such as photography, architecture, advertising, graphics, printing, textiles and illustration, alongside less well known fields of animation, typography and puppetry. New research adds to narratives surrounding familiar émigré names such as Oskar Kokoschka and Wolf Suschitzky, while revealing previously hidden contributions from lesser known practitioners. Overall, the volume provides a valuable addition to the understanding of the applied arts in Britain from the 1930s onwards, particularly highlighting difficulties faced by refugees attempting to continue fractured careers in a new homeland. Contributors are: Rachel Dickson, Burcu Dogramaci, Deirdre Fernand, Fran Lloyd, David Low, John March, Sarah MacDougall, Anna Nyburg, Pauline Paucker, Ines Schlenker, Wilfried Weinke, and Julia Winckler.
    Anmerkung: Front Matter -- , Copyright Page -- , Dedication -- , Acknowledgments -- , List of Illustrations -- , Notes on Contributors -- , Introduction 1 / , 1 New Homes in a Foreign Country. Bauen und Wohnen im britischen Exil der 1930er Jahre 6 / , 2 Peter Moro and the Men from Mars 27 / , 3 Women Exile Photographers 49 / , 4 "Quite content to be called a good craftsman" - an Exploration of some of Wolf Suschitzky's Extensive Contributions to the Field of Applied Photography between 1935 and 1955 67 / , 5 Navigating Wolf Suschitzky's Charing Cross Road  93 / , 6 "It is the spaces between the notes that give the sound". Von Hamburg, über London, New York nach Australien: Der Fotograf Francis Reiss 107 / , 7 Drawing for Radio Times: the Contribution of Émigré Artists 132 / , 8 "The Craftsman's Sympathy": Bernhard Baer, Ganymed and Oskar Kokoschka's King Lear  150 / , 9 Typographers in Exile 176 / , 10 Making Animation Matter: Peter Sachs Comes to Britain 191 / , 11 Textile in Exile: Refugee Textile Surface Designers in Britain 212 / , 12 "The Man from the Bauhaus": the Lost Career of Werner 'Jacky' Jackson 229 / , Back Matter -- , Index. , English and German.
    Weitere Ausg.: Print version: Applied Arts in British Exile from 1933: Changing Visual and Material Culture Leiden ; Boston : Brill | Rodopi, [2019], ISBN 9789004395091
    Sprache: Englisch
    Fachgebiete: Kunstgeschichte
    RVK:
    Schlagwort(e): Aufsatzsammlung ; Aufsatzsammlung
    URL: DOI:
    URL: DOI
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  • 6
    Buch
    Buch
    New York :Abrams,
    UID:
    almafu_BV000313535
    Umfang: 271 S. : , Ill.
    ISBN: 0-8109-1314-3
    Sprache: Englisch
    Fachgebiete: Kunstgeschichte
    RVK:
    Schlagwort(e): 1840-1926 Monet, Claude ; Biografie ; Konferenzschrift ; Biografie ; Konferenzschrift
    Mehr zum Autor: Rewald, John 1912-1994
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  • 7
    Buch
    Buch
    New York, NY [u.a.] : Norton
    UID:
    gbv_563535342
    Umfang: 175 S. , zahlr. Ill. , 26 cm
    Ausgabe: 1. publ. Norton paperback
    ISBN: 0393331261 , 9780393331264
    Serie: A Will Eisner instructional book
    Anmerkung: Rev. ed. of: Comics & sequential art. 1985 , Editor's note -- Foreword -- Comics as a form of reading -- Imagery -- Timing -- The frame -- Expressive anatomy -- Writing and sequential art -- Application : the use of sequential art -- Teaching and learning sequential art for comics in the print and digital age -- Schools offering courses in comic creation -- Index. , Editor's note -- Foreword -- Comics as a form of reading -- Imagery -- "Timing" -- The frame -- Expressive anatomy -- Writing and sequential art -- Application (the use of sequential art) -- Teaching and learning sequential art for comics in the print and the digital age -- Appendix -- Schools offering courses in comic creation -- Index , Text in engl.
    Sprache: Englisch
    Fachgebiete: Komparatistik. Außereuropäische Sprachen/Literaturen , Kunstgeschichte
    RVK:
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    Schlagwort(e): Comic ; Comic
    Mehr zum Autor: Eisner, Will 1917-2005
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  • 8
    Buch
    Buch
    New York [u.a.] :Oxford Univ. Press,
    UID:
    almafu_BV008234862
    Umfang: XXVII, 325 S. : , Ill.
    ISBN: 0-19-507700-8
    Inhalt: In the history of art, only a handful of great artists have been able to articulate the nature of the creative process. Robert Motherwell was one such artist. Not only a seminal painter in the movement eventually referred to as abstract expressionism, he was also a primary theorist and spokesperson for the avant-garde art that developed mainly in New York City during the Second World War. Throughout the formative years of abstract expressionism, Motherwell's presence as artist, editor of a series of pioneering books on modern art, lecturer, and teacher was influential in both illuminating and shaping the development of what he termed "The Enterprise" of abstract art. This book brings together a representative selection of Motherwell's writings about art, dating from 1941 to 1988. It contains more than sixteen essays, a number of pieces from exhibition catalogs, more than a dozen public lectures, and all the artist's vanguard editorial work
    Inhalt: The last includes his introductions to several volumes of the pioneering series Documents of Modern Art, which he began directing and editing in 1944; his contribution to possibilities, the first magazine devoted to modern art and culture in the United States, and his work on Modern Artists in America, a book designed to bring balanced attention to modern art in the conservative political climate that prevailed in 1951. Excerpts from four interviews, a number of letters, and lectures, some never before published, bring the collection to within three years of the artist's death. A new chronology and an updated bibliography provide much new information. In a New York Times tribute shortly after Motherwell's death, Hilton Kramer memorialized the artist as the "eloquent and articulate champion of the entire Abstract Expressionist movement, an archivist of the modernist movement as a whole" and expressed regret that Motherwell's "long-awaited" collected works had not yet appeared
    Inhalt: Here at last is that definitive collection, nearly eighty pieces by the leading spokesperson for abstract expressionism
    Sprache: Englisch
    Fachgebiete: Kunstgeschichte
    RVK:
    RVK:
    Schlagwort(e): Kunst ; Ästhetik ; 1915-1991 Motherwell, Robert ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
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  • 9
    Buch
    Buch
    New York :New York Univ. Press,
    UID:
    almafu_BV005080894
    Umfang: XX, 433 S.
    Früher: Früher u.d.T. The Times (London) Literary Supplement
    Sprache: Englisch
    Fachgebiete: Amerikanistik
    RVK:
    Schlagwort(e): Literatur
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 10
    Buch
    Buch
    London ; New York, New York :Thames & Hudson,
    UID:
    almahu_BV048463233
    Umfang: 352 Seiten, 16 ungezählte Seiten Tafeln : , Illustrationen.
    ISBN: 978-0-500-02443-0
    Inhalt: In This is Tomorrow Michael Bird takes a fresh look at the ‘long twentieth century’, from the closing years of Queen Victoria’s reign to the turn of the millennium, through the lens of the artists who lived and worked in this ever-changing Britain. Bird examines how the rhythms of change and adaptation in art became embedded in the collective consciousness of the nation and vividly evokes the personalities who populate and drive this story, looking beyond individual careers and historical moments to weave together interconnecting currents of change that flowed through London, Glasgow, Leeds, Cornwall, the Caribbean, New York, Moscow and Berlin. From the American James McNeill Whistler’s defence of his new kind of modern art against the British art establishment in the latter half of the 19th century to the Danish-Icelandic artist Olafur Eliasson’s melting icebergs in London, he traverses the lives of the artists that have recorded, questioned and defined our times. At the heart of this original book are the successive waves of displacement caused by global wars and persecution that conversely brought fresh ideas and new points of view to the British Isles; educational reforms opened new routes for young people from working-class backgrounds; movements of social change enabled the emergence of female artists and artists of colour; and the emergence of the mass media shaped modern modes of communication and culture. These are the ebbs and flows that Michael Bird teases out in this panoramic account of Britain and its artists in across the twentieth century
    Sprache: Englisch
    Fachgebiete: Kunstgeschichte
    RVK:
    Schlagwort(e): Kunst ; Künstler
    Mehr zum Autor: Bird, Michael, 1958-,
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